Reverb is hosting a summer sale from now until August 7th, allowing you to nab great music gear at a discount. The Summer of Savings sale boasts products from hundreds of well-regarded manufacturers, including Universal Audio, Novation, Gibson, Warm Audio and plenty more.
So what are the best deals? This depends on what you’re into and whether you are more of a practicing musician or a bedroom studio producer. For budding engineers, nab the Universal Audio Volt 276 Studio Pack for $300 instead of $430, which features the well-reviewed Volt 256 audio interface, a condenser microphone and a pair of headphones. You also get a month of access to Universal Audio’s Spark subscription plug-in service.
For synth-heads, there’s the ultra-premium Novation Summit polyphonic synthesizer, which you can pick up for $430 off the regular price of $2,300. Novation makes plenty of well-regarded pieces of gear, but the Summit is the company’s flagship keyboard, with 61 keys, 16 simultaneous voices, a semi-weighted keybed and the ability to combine two patches to create unique multitimbral sounds.
You can also pick up entry-level Fender Squier electric guitars for $100 off and more Korg synthesizers and workstations than you can shake an oscillating stick at. There are also deals on pedals, midi controllers, bass guitars, audio interfaces and, well, just about everything else. Peruse the full list at your leisure.
Just like Cinderella and her punk rock pumpkin, these deals have an expiration date. The sale ends on August 7th. In other words, make haste if you plan on beating the heat by fiddling with musical instruments behind air conditioned doors.
This article originally appeared on Engadget at https://www.engadget.com/reverbs-summer-sale-brings-deals-from-korg-uad-and-more-180322955.html?src=rss
The U.S. agency dedicated to pushing the boundaries of space exploration is finally exploring the barest edges of the modern livestreaming era. From a report: NASA has announced it’s launching a beta for on-demand streaming content through NASA+. Oh, and if you couldn’t already guess, that “+” in the logo is shaped like a little twinkling star. The agency didn’t put an exact date on launch, but said it should be coming “later this year.” To start, the new ad-free streaming service will be available on NASA’s beta site and on an upgraded NASA app. The new web page is supposed to front load the topical space news of the day such as information about the Artemis program. The agency promises to promote content from across its different web services and add new features to its science-focused site. Whenever it comes, NASA promised this new streaming service won’t require a paid subscription, and it should be available on both iOS and Android.
Ford Motor Company is recalling 870,701 Ford F-150s in the U.S. because there is a risk the truck might have its electric parking brake activated unexpectedly due to a potential wiring issue.
More Americans plan to travel this year than in 2022, and even as revenge travel has slowed down, and despite inflation, a potential recession, nationwide mass layoffs, and disastrous travel delays, more people are flocking to airports than in recent years.
Hello Kitty Island Adventure is everything I want in a repetitive, relaxing open-world life sim of its kind. The Animal Crossing heir, made by Hello Kitty’s massive merch company Sanrio and small game studio Sunblink, is a honeycomb-sweet combination of taking care of friends and a surprisingly large, secretive…
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A routine sequence of commands has triggered a 2-degree change in Voyager 2’s antenna orientation, preventing the iconic spacecraft from receiving commands or transmitting data back to Earth, NASA announced earlier today. Mission controllers transmitted the commands to Voyager 2 on July 21.
Chilled foods in the humid, sweaty depths of summer feel like a blessing from the snack heavens. It’s the keeping them cold that’s tricky. Bury sandwiches and snacks in ice and you risk water seeping in. Coolers are functional, but a bunch of red and blue plastic bins aren’t much of a display. Leave the food…
President Joe Biden is planning to sign an executive order to limit critical US technology investments in China by mid-August, Bloomberg News reported Friday, citing people familiar with the internal deliberations. From the report: The order focuses on semiconductors, artificial intelligence and quantum computing. It won’t affect any existing investments and will only prohibit certain transactions. Other deals will have to be disclosed to the government. The timing for the order, slated for the second week of August, has slipped many times before, and there is no guarantee it won’t be delayed again. But internal discussions have already shifted from the substance of the measures to rolling out the order and accompanying rule, said the people familiar who spoke on condition of anonymity. The restrictions won’t take effect until next year, and their scope will be laid out in a rulemaking process, involving a comment period so stakeholders can weigh in on the final version.
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For anyone with an eye on video game news, it’s been hard to ignore the recent rise of names like Annapurna Interactive, Devolver Digital, Private Division, Humble, Epic Games and Netflix tied to independent projects. The distribution process for indie developers has shifted over the past few years from a self-publishing-first model, to one that prioritizes deal-making and acquisitions. For the moment, this shift is powering a small but highly visible boom in the world of indie games.
“I don’t think I ever want to self-publish again.”
Ben Ruiz has been a game developer since 2005, and in that time, he’s pretty much done it all. He founded two studios, he did contract work on titles including Super Meat Boy and Overland, and he independently published a tentpole original project, the monochromatic brawler Aztez. Nowadays, Ruiz is running a five-person studio called Dinogod and he’s building Bounty Star, a game that blends mech combat with life-sim mechanics. Bounty Star is being published by Annapurna Interactive and it’s due out in early 2024.
Bounty Star
Annapurna Interactive
“Everything favors a publisher relationship, seemingly, because self-publishing has become this extraordinarily difficult thing,” Ruiz said. “It’s possible, but without help, I just don’t know how anyone’s doing it … I got a lot of friends in the same boat.”
Ruiz’s career is a microcosm of the shifting landscape for indie developers over the past 10 years. He began working on Aztez in 2010, when Steam was a curated marketplace where Valve employees hand-selected individual games for the platform. This system had fully imploded by 2012: On the heels of breakout hits like Braid, Super Meat Boy and Fez, the indie market was overrun by new games and developers, and Steam dropped its curation efforts. It shifted to a community-voting approach called Greenlight, before eventually landing on the everything-goes Early Access model we know today.
Ruiz and his business partner built Aztez in between contract projects, and by the time it was ready to debut on Steam in 2017, the indie market was saturated. There were 309 games added to Steam in 2010; in 2017, there were 6,306. Even with a hefty amount of hype behind it, Aztez had trouble standing out, and that was the last time Ruiz tried self-publishing.
Ruiz did contract work for a while after Aztez, and in 2018 he pitched Bounty Star to people he knew at Annapurna. The game has a complex premise — it stars Clem, a desert bounty hunter with plenty of baggage, and it involves mech battles, emotional narrative scenes and home-management mechanics, including some light gardening. Annapurna bit, and Ruiz landed a publishing deal.
Stray
Annapurna Interactive
Annapurna Interactive is one of the most prominent publishers of indie games today, with titles like Stray, Outer Wilds, Neon White, Donut County and What Remains of Edith Finch on its books. It was founded in 2016 as an offshoot of Annapurna Pictures and quickly established its brand as an arthouse publisher, focused on visually innovative and emotionally driven experiences. Its showcases are now a staple of the gaming calendar.
Annapurna is handling the marketing for Bounty Star, and it’s also financially supporting Ruiz’s studio, Dinogod. When Ruiz pitched the game, he was clear that he’d need a team of five or six people to bring his vision to life, and Annapurna gave him the funding to hire up.
“The fact that Dinogod has five full time people, that was a part of the partnership,” Ruiz said. “When everything was greenlit, that was the first step, to bring in these five or six people…. If [Annapurna is] into a thing that they think is a good move, and it needs more people, that seems to be fully okay. Like, they’re not averse to scale.”
It’s not just Annapurna making these types of deals with indies nowadays. Devolver Digital is the granddaddy of indie publishers, and since 2009 it’s released hits including Hotline Miami, Hatoful Boyfriend, The Talos Principle, Gris, Fall Guys, Inscryption, Weird West and Cult of the Lamb, all in collaboration with small development teams. There’s also Humble, Private Division, Raw Fury, Epic Games, Finji, Gearbox, EA and Netflix, all of which have stepped up their indie publishing efforts in recent years. Meanwhile, Microsoft’s strategy is to simply acquire the studios it likes, and today it has 23 developers under the Xbox Game Studios banner. Sony is taking a similar approach, though it owns fewer studios than Microsoft. Microsoft and Sony are also signing hundreds of one-off deals with indies as they attempt to fill their streaming libraries — Xbox Game Pass and PlayStation Plus Premium — with a steady stream of new experiences.
This is the new standard for indie developers: Identify the publisher that best matches your game’s tone, pitch it, and pray. Even established studios, such as Device 6 creator Simogo, have swapped to a publisher-first model. Simogo’s latest projects, Sayonara Wild Hearts and Lorelei and the Laser Eyes, are the result of its partnership with Annapurna.
Sayonara Wild Hearts
Annapurna Interactive
“I think for us as a studio, the biggest change is working with a publisher, something which we would see as completely uninteresting and impractical ten years ago,” Simogo co-founder Simor Flesser told Engadget earlier this month.
And then there’s Netflix. The streaming company officially entered the game-distribution business in 2021, and it’s on track to have 100 titles in its library by the end of 2023, all freely available to anyone with a Netflix subscription. It’s already brought a number of high-profile titles to mobile devices, including Kentucky Route Zero, Poinpy, Into the Breach, Spiritfarer, Lucky Luna and Oxenfree II, and it’s purchased a few studios outright — notably, Alphabear developer Spry Fox and Oxenfree house Night School Studio. The first of these purchases was Night School, which Netflix acquired in 2021.
“Consolidation — I didn’t really have my finger as much on the pulse of that, because when we joined Netflix, it didn’t feel like that was happening so rapidly,” Night School co-founder Sean Krankel told Engadget. “And now in the last few years, literally, it’s non-stop.”
The acquisition allowed Night School to move into the Netflix offices and it provided stability for the studio overall, Krankel said. With Netflix’s resources, the Night School team was able to add day-one support for 32 languages in Oxenfree II, and they were able to fly in remote collaborators as needed.
“All that’s really exciting,” Oxenfree II lead developer Bryant Cannon said just ahead of the game’s July 12th release. “I think the game is going to be better because we have this battery in our back.”
Oxenfree II
Netflix
Outside of acquisitions, Netflix is also signing individual deals with developers. Snowman is best known as the name behind Alto’s Adventure and Alto’s Odyssey, and its latest project is Laya’s Horizon, a serene wingsuit experience exclusive to Netflix. There are two big benefits of working with Netflix, according to Snowman creative director Jason Medeiros: The instant access to an audience of more than 230 million people, and the freedom to build a game without worrying about monetization.
“You’ll notice real quick that the game that you’ve been playing can’t be free-to-play,” Medeiros told Engadget in April. “Like, where would the ads go? It’s this fantasy world with no currency, even, and all that’s intentional. As the creative director, I didn’t want any of that stuff. Because I mean, I liked games before all that stuff happened. So having a platform like Netflix, it’s just like, none of that matters. You don’t have to do that stuff. It’s a breath of fresh air; we jump on opportunities to make games that way.”
Of course, there are still developers self-publishing their projects — Vampire Survivors, Phasmophobia, Celeste and Among Us are all standout examples — but there’s a murkier path to success with this model, one based on timing, trends and a hefty amount of luck. There are more than 90,000 games on Steam today; Xbox Game Pass and PS Plus Premium libraries each have more than 400 titles (and counting). In this marketplace, it’s hard to stand out without a little help.
It’s taken 10 years to get here, but it’s now a solid, quantifiable fact: There’s a lot of money in indie games. So much money that outside companies are popping up and trying to get a piece of the pie — and for now, it’s created a shiny bubble of pretty PR packages and bespoke showcases dedicated to small teams and their games.
Gris
Devolver Digital
It’s difficult to ignore the potential for exploitation down the line, especially with Netflix in the mix. Amid the ongoing writers’ and actors’ strike, the company is facing accusations that it instituted wildly unfair compensation deals for creatives, paying out one-time, minimal wages even as projects became massive hits on the streaming service. Annapurna, for its part, was accused of mishandling claims of abuse at three prominent studios on its publishing roster — Mountains, Funomena and Fullbright — in a March 2022 documentary by People Make Games. Meanwhile, the current consolidation craze is shrinking the video game industry overall, even as the market caps of the biggest companies continue to rise.
For now, bespoke publishing is the name of the indie game. This system has already distributed innovative and important games to huge audiences — Tchia, Tunic, Sea of Solitude, Gris — and it’s offered stability to a lot of independent artists. Like, for instance, Ben Ruiz.
“I hope Annapurna’s success means more Annapurnas in the future,” Ruiz said. “It doesn’t feel like they’re just trying to grab a thing that will make money or collaborate with people that are just going to make them money. They clearly have a brand and an aesthetic directive … if I can keep making games for them for a long time, I will.”
The new normal works for Ruiz — and Flesser, Krankel, Medeiros and plenty of others. For now, it’s a functional system, even if it ultimately leaves publishers, rather than independent developers, with most of the power.
This article originally appeared on Engadget at https://www.engadget.com/indie-games-have-entered-the-era-of-bespoke-publishing-170639414.html?src=rss
In what can only described as one of the most bizarre interviews I’ve read recently, Secret Invasion director Ali Selim spoke to Variety in the wake of the Marvel show’s finale. The questions spanned the abbreviated runtimes, how much of the scripts he was allowed to change, and, most importantly, what he thinks about …
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AMD officially unveiled its third Radeon RX 7900 series graphics card at ChinaJoy today, known as the RX 7900 Golden Rabbit Edition — or GRE for short. The new GPU is the lowest-end RX 7900 series graphics card now on sale, featuring a further cut-down Navi 31 GPU and memory sub-system compared to the RX 7900 XT. The card will be exclusive
The Primetime Emmys won’t take place on September 18th, according toVariety. The publication reported on Thursday that vendors scheduled to work the event have been told the ceremony is delayed because of the writers’ and actors’ strikes that have shut down all Hollywood productions and promotions. The TV Academy hasn’t yet announced a replacement date, but Variety previously reported that broadcast partner Fox tentatively wants to shoot for January 2024. HBO’s Successionleads this year’s field with 27 nominations, while The Last of Us made history with an impressive 24 nods for the video game adaptation.
Hollywood writers began striking in early May, while actors joined them earlier this month. Artificial intelligence figures prominently in both cases: Scribes and performers fear producers will increasingly use AI-generated content to diminish humans’ ability to make a living in the already-brutal show business industry. Perhaps the most startling revelation was the report that studios offered a “groundbreaking AI proposal” to pay performers for one day of work to use their digital likeness for eternity. As generative AI advances quicker than most people could have imagined, it now threatens to annihilate content creators’ careers inside and outside of Hollywood.
Disney / Lucasfilm
Although The Last of Us marked a milestone for gaming adaptations (including acting nominations for Pedro Pascal and Bella Ramsey), season three of Disney’s The Mandalorian received an impressive nine nominations. At the same time, Andor picked up eight nods — including Outstanding Drama Series. It recounts the journey of spy Cassian Andor (Diego Luna), one of the fallen heroes of 2016’s Rogue One, in the period building up to the Rebel Alliance’s rise against the Galactic Empire. Obi-Wan Kenobi, also on Disney+, received five more nominations, including Best Limited or Anthology Series.
In addition to The Last of Us and Andor, Outstanding Drama Series nominees include Better Call Saul, House of the Dragon, Succession, The White Lotus and Yellowjackets.
Apple
Apple TV+ also fared well in nominations, with 52. Ted Lasso is up for Best Comedy Series among its 21 nominations, which also include Best Actor in a Comedy Series for lead Jason Sudeikis, Best Supporting Actress in a Comedy for Hannah Waddingham and Best Supporting Actor in a Comedy for Phil Dunster. Apple’s mesmerizing sci-fi adaptationSilo debuted too late for consideration this year, but don’t be shocked if it features prominently in the 2024 list.
Elsewhere, Amazon’s colossally ambitious The Lord of the Rings: The Rings of Power received six nods (mostly in technical categories). Netflix’s Stranger Things picked up six, Peacock’s Poker Face nabbed four and Star Trek: Picard got two makeup nominations. HBO led all platforms with 127 nods, while Netflix led streaming-only networks with 103, followed by Apple (52) and Amazon (46).
This article originally appeared on Engadget at https://www.engadget.com/the-emmys-are-reportedly-delayed-due-to-ongoing-strikes-164958589.html?src=rss
Scientists have revived tiny animals called nematodes from a slumber that lasted 46,000 years, reports a new study. From a report: The microscopic animals were successfully woken from a state of suspended animation after researchers found them in the permafrost, or frozen soil, that flanks Siberia’s northern Kolyma River. A radiocarbon analysis revealed that they hail from a prehistoric era when Neanderthals and dire wolves still roamed the world, and that they belong to a functionally extinct species called Panagrolaimus kolymaensis that was previously unknown to science.
The astonishing discovery is “important for the understanding of evolutionary processes because generation times could be stretched from days to millennia, and long-term survival of individuals of species can lead to the refoundation of otherwise extinct lineages,” according to a study published on Thursday in the journal PLoS Genetics. “Their evolution was literally suspended for 40k years,” wrote Philipp Schiffer, an evolutionary biologist at the University of Cologne and a co-author of the study, in an email to Motherboard. “We are now comparing them to species from the same genus, which my team samples around the world,” he continued, noting that he is currently conducting fieldwork in the Australian Outback. “Studying their genomes we hope to understand a lot about how these populations became different in the last 40k years.”
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