An anonymous reader quotes a report from The Conversation: On October 23, 2001, Apple released the iPod — a portable media player that promised to overshadow the clunky design and low storage capacity of MP3 players introduced in the mid-1990s. The iPod boasted the ability to “hold 1,000 songs in your pocket”. Its personalized listening format revolutionized the way we consume music. And with more than 400 million units sold since its release, there’s no doubt it was a success. Yet, two decades later, the digital music landscape continues to rapidly evolve.

The iPod expanded listening beyond the constraints of the home stereo system, allowing the user to plug into not only their headphones, but also their car radio, their computer at work, or their hi-fi system at home. It made it easier to entwine these disparate spaces into a single personalized soundtrack throughout the day. […] The rise of touchscreen smartphones ultimately led to the iPod’s downfall. Interestingly, the music app on the original iPhone was called “iPod.” The iPod’s functions were essentially reappropriated and absorbed into the iPhone. The iPhone was a flexible and multifunctional device: an iPod, a phone and an internet communicator all in one — a computer in your pocket. And by making the development tools for their products freely available, Apple and Google allowed third-party developers to create apps for their new platforms in the thousands.

As of this year, mobile devices are responsible for 54.8% of web traffic worldwide. And while music piracy still exists, its influence has been significantly reduced by the arrival of streaming services such as Spotify and YouTube. These platforms have had a profound effect on how we engage with music as active and passive listeners. Spotify supports an online community-based approach to music sharing, with curated playlists. […] As of February this year, more than 60,000 tracks were being uploaded to Spotify each day. The experience of listening to music will become increasingly immersive with time, and we’ll only find more ways to seamlessly integrate it into our lives.

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Source: Slashdot – Apple’s iPod Came Out Two Decades Ago

A top U.S. bank regulator said U.S. officials are looking to provide a clearer path for banks and their clients that are looking to hold cryptocurrencies, in order to keep control over the fast-developing asset. Reuters reports: Jelena McWilliams, who chairs the Federal Deposit Insurance Corporation, told Reuters in an interview on Monday that a team of U.S. bank regulators is trying to provide a roadmap for banks to engage with crypto assets. That could include clearer rules over holding cryptocurrency in custody to facilitate client trading, using them as collateral for loans, or even holding them on their balance sheets like more traditional assets.

“I think that we need to allow banks in this space, while appropriately managing and mitigating risk,” she said in an interview on the sidelines of a fintech conference. “If we don’t bring this activity inside the banks, it is going to develop outside of the banks. … The federal regulators won’t be able to regulate it.” McWilliams’ comments provide the fullest picture yet of what regulators are exploring as part of a cryptocurrency “sprint” team first announced in May. The goal of the team was to ensure cryptocurrency policy coordination among the three main U.S. bank regulators – FDIC, Federal Reserve and Office of the Comptroller of the Currency.

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Source: Slashdot – US Regulators Exploring How Banks Could Hold Crypto Assets

During Adobe Max 2021 today, the company announced new features for Creative Cloud’s various iPad apps, two more applications running natively on Apple Silicon Macs, and new web versions of some apps, among other things. Ars Technica reports: Adobe said it is adding or improving AI-driven tools across the suite, including an updated Object Selection Tool for Photoshop on Desktop. And some AI tools previously seen in Photoshop, like the Sky Replacement tool, are headed to Lightroom on Mac, iPad, and iPhone for the first time. The iPad version of Photoshop will gain support for RAW images and is getting several new tools and the ability to convert layers into Smart Objects. Illustrator for iPad is getting some improvements, too, most notably the ability to vectorize images and track version history and revert to earlier iterations. Further, After Effects and InDesign are getting Apple Silicon support on recent Macs.

It’s not all about native applications, though — Adobe announced this week that it will bring versions of Photoshop and Illustrator to the web. The web versions won’t be as robust as the desktop versions, but they will let you make minor edits and provide a way to share and discuss work with colleagues or clients. The apps will allow users to review work and leave comments without launching a native version of Photoshop — think of it a bit like a stripped-down version of InVision that exists directly inside the Creative Cloud ecosystem. Adobe also said it’s launching a system built into Photoshop that can, among other things, “help prove that the person selling an NFT is the person who made it,” reports The Verge. “It’s called Content Credentials, and NFT sellers will be able to link the Adobe ID with their crypto wallet, allowing compatible NFT marketplaces to show a sort of verified certificate proving the art’s source is authentic.”

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Source: Slashdot – Adobe Brings New Creative Cloud Apps To M1 Macs and The Web

Apple’s privacy rules are “negatively affecting” Facebook, and its business, Facebook CEO Mark Zuckerberg claimed during its most recent earnings call. MacRumors reports: As a quick refresher, starting with iOS 14.5 and all newer versions of iOS and iPadOS, Apple requires that apps ask for users’ permission to track them across other apps and websites. Under the App Tracking Transparency (ATT) framework, the latest change gives users a choice on whether they wish to be tracked for ads or other purposes. […] Continuing on its anti-Apple’s privacy rules campaign, Facebook CEO Mark Zuckerberg was quick to blame Apple for his company’s lower than expected growth in the third quarter of the year. Kicking off the earnings call, Zuckerberg said Apple is “negatively affecting” Facebook but that he believes the company will be able to “navigate” the challenges Apple is presenting thanks to its long-term investments.

“As expected, we did experience revenue headwinds this quarter, including from Apple’s changes that are not only negatively affecting our business, but millions of small businesses in what is already a difficult time for them in the economy. Sheryl and Dave will talk about this more later, but the bottom line is we expect we’ll be able to navigate these headwinds over time with investments that we’re already making today.” While Zuckerberg and the Facebook executive team hold Apple’s changes accountable for this quarter’s performance, it may also be an asset. Zuckerberg has in the past stated that ATT could ultimately help Facebook, and it’s a sentiment he again repeated during the earning’s call. Apple’s changes, according to Zuckerberg, are making “e-commerce and customer acquisition less effective on the web.” Still, Facebook could benefit from the lessened effectiveness as “solutions that allow businesses to set up shop right inside our apps will become increasingly attractive,” Zuckerberg added.

Facebook’s chief operating officer, Sheryl Sandberg, also criticized Apple and its privacy rules, going as far as to claim that the new rules are negatively impacting Facebook while benefiting Apple’s own advertising business: “We’ve been open about the fact that there were headwinds coming — and we’ve experienced that in Q3. The biggest is the impact of Apple’s iOS14 changes, which have created headwinds for others in the industry as well, major challenges for small businesses, and advantaged Apple’s own advertising business.” Despite Facebook facing an avalanche of pressure amid leaked internal documents and scrutiny, Sandberg pointed the finger at Apple for Facebook’s lackluster performance this quarter. “Overall, if it wasn’t for Apple’s iOS 14 changes, we would have seen positive quarter-over-quarter revenue growth,” Sandberg said.

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Source: Slashdot – Apple’s Privacy Rules to Blame For Facebook’s Lower Than Expected Quarterly Growth, Says Zuckerberg

An anonymous reader quotes a report from Motherboard: Oscar winning Dune screenwriter Eric Roth banged out the screenplay using the MS-DOS program Movie Master. Roth writes everything using the 30-year-old software. “I work on an old computer program that’s not in existence anymore,” Roth said in an interview in 2014. “It’s half superstition and half fear of change.” Roth wrote the screenplay for Dune in 2018 and explained he was still using Movie Master on a Barstool Sports podcast in 2020. That means Dune was written in an MS-DOS program.

In the video, he pulled up a DOS window in Windows XP and booted up Movie Master 3.09 on an ancient beige mechanical keyboard. “So now I’m in DOS. Nobody can get on the internet and get this,” Roth said. “I have to give them a hard copy. They have to scan it and then put it in their computers and then I have to work through their computer because you can’t even email mine or anything. You can’t get to it except where it is. It has 40 pages and it runs out of memory.” […] Roth also said the 40 page limit helps him structure his screenplays.”I like it because it makes acts,” he said. “I realize if I hadn’t said it in 40 pages I’m starting to get in trouble.” Another writer to use MS-DOS is George RR Martin, notes Motherboard. He apparently used MS-DOS program WordStar “to slowly write ever single Game of Thrones book.”

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Source: Slashdot – The ‘Dune’ Screenplay Was Written In MS-DOS