Long-time Slashdot reader theodp writes: Thirty five years after Andy Warhol’s death, the NY Times reports on a new wave of Warhol-Mania as the famed pop artist is currently the subject of a Netflix documentary series (The Andy Warhol Diaries), an exhibition at the Brooklyn Museum and multiple theatrical works. The documentary revisits the 1985 launch of the Commodore Amiga, where Warhol demonstrated the Amiga’s then-unparalleled graphical power by ‘painting’ Blondie lead singer Debbie Harry’s portrait. Even as the flood-filling goes bad, Warhol does his best to put on a brave public face (“This is kind of pretty. Oh, it’s beautiful.”), but reveals his true thoughts in his demo day diary entry.

“The day started off with dread as I woke up from my dreams and thought about my live appearance for Commodore computers,” Warhol recalls in the documentary (in an AI-generated voice). “And how nothing is worth all this worrying, to wake up and feel so terrified. Commodore wants me to be a spokesman. It’s a $3,000 machine that’s like the Apple thing, but can do 100 times more. The whole day was spent being nervous and telling myself that if I could just get good at stuff like this, then I could make money that way, and I wouldn’t have to paint. The drawing came out terrible. And I called it a masterpiece. It was a real mess.

“I said I wanted to be Walt Disney and that if I’d had this machine ten years ago, I could have made it.”

Five NFT versions of Warhol’s recovered Amiga artwork were sold for $3,377,500 last May to benefit the Andy Warhol Foundation.

Read more of this story at Slashdot.

Source: Slashdot – What Andy Warhol Was Really Thinking on Commodore’s Amiga Demo Day

Apple is paying six-figure “special retention grants” to a handful of hardware and software engineers. Protocol reports:
The bonuses, anonymous sources told Bloomberg, are worth between $100,000 and more than $200,000 in restricted stock units that vest over several years, providing another incentive for engineers to stay at Apple… The bonuses show the level of insecurity that some of the top-paying companies in the industry feel in this tight market for tech talent. (Even Google employees are feeling unhappy with their compensation….) Apple and other tech giants are throwing more and more money at employees to retain them.

In the last few months, Alphabet has adopted a new cash bonus plan that allows employee bonuses “of nearly any size for nearly any reason,” The Wall Street Journal reported last month, and Amazon has raised its cash-pay cap from $160,000 to $350,000, according to The New York Times.

Bloomberg points out Apple “has suffered some attrition in its chip design group,” as Facebook’s parent Meta Platforms “has stepped up recruiting of engineers — aiming to put them to work on the so-called metaverse,” and the payouts also went to Apple employees working on virtual and augmented reality headsets.
Inflation also has put pressure on employers to boost compensation. And Apple is preparing for a return to the office — a source of tension for some employees. By May, the company will require engineers and other corporate staff to work out of the office at least three days a week.
So the bonuses “are designed to keep the employees from leaving by vesting over several years,” Bloomberg concludes, “and they could become more valuable over time if Apple’s stock price continues to rise.

“The shares are up more than 40% over the past 12 months…”

Read more of this story at Slashdot.

Source: Slashdot – To Help Retain Engineers, Apple Gives 0K-0K Bonuses

Tesla has a vast network of over 30,000 superchargers spread across the globe. But there’s also already another network of over 730 D.C. charging stations spread across the U.S. by “Electrify America.”

Thank Volkswagen, which founded the company as part of a $2 billion agreement to create clean car infrastructure in America after admitting it had cheated on diesel emissions tests, Reuters reported in 2017.

But now they’re trying to upgrade the vehicle-charging experience into a “customer oasis,” reports The Drive:

Chargers are typically out in the middle of nowhere with nothing else to do, not very well lit, use hardware that very much feels like it was the first iteration of something, and are often just not very nice places to be. Electrify America, evidently, knows this and is planning to massively improve the electric car charging experience by appearing to model its new flagship charging stations after something we already know and are comfortable with: gas stations. The new locations are said to be designed aesthetically with its surrounding communities in mind and have been described with words like “customer oasis.”

Housing up to 20 DC fast chargers, the new EA stations will feature solar canopies that do double duty in helping provide electricity for the cars and covering customers from the elements, a lot like how most gas stations have roofs. In addition to being part of these new fancy stations right out of the gate, Electrify America says it’s also retrofitting similar awnings to 100 existing stations across the U.S., covering 400-500 individual chargers…

Further making these stations a nice place to hang out is the presence of lounges and possibly even EV showcase areas. Ones located at shopping centers may even feature valet charging and curbside delivery services….

As somebody who staunchly believes that the public charging infrastructure is, far and away, the least appealing part of owning a non-Tesla EV, it all looks and sounds very enticing. However, like all big and new things, it’ll be coming to the two coastal U.S. regions first. Electrify America’s new flagship charging stations will be installed throughout 2022 and 2023 exclusively in California and New York, with the company specifically namechecking Santa Barbara, San Francisco, San Diego, Beverly Hills, Manhattan, and Brooklyn. Existing flagship locations can be found in Baker and Santa Clara, California.

Newsweek adds that the company “will also expand the deployment of battery energy storage systems to 150 sites. These systems store energy when electricity costs are low and deploys it to supplement a surge in a station’s overall energy demand.”

Read more of this story at Slashdot.

Source: Slashdot – Can VW’s Electrify America Make EV Charging Stations a ‘Customer Oasis’?

“It’s no longer possible to watch any content starring Keanu Reeves in China,” reports PC Magazine, “and searching for his name returns no results from search engines.”

The AV Club explains:
Earlier this year, about a month after the release of The Matrix Resurrections, Reeves was announced as a performer at the 35th annual Tibet House Benefit Concert. The concert was organized by Tibet House, a nonprofit founded by supporters of the Dalai Lama that Chinese authorities have labeled “a separatist organization advocating for Tibetan independence,” according to The Hollywood Reporter….

Now, after his appearance at the show, it’s being reported by the Los Angeles Times that the Matrix movies, Speed, Bill & Ted’s Excellent Adventure, The Lake House, and more films from the actor’s catalog can no longer be streamed on platforms such as Tencent Video, Youku, and Migu Video…. The one Reeves picture that is still up and available to stream in the country is Toy Story 4 — but that’s because the film’s credits feature the dubbing cast, not the original cast from the American release.

But it’s more than that, notes PC Magazine:
As Reuters reports, the Chinese authorities have seemingly wiped the actor’s existence from servers across the country…. And with the internet being so restricted and controlled there, it’s relatively simple for those in power to digitally disappear someone. So far, Tencent and iQiyi have removed at least 19 of the actor’s movies from their streaming platforms, and performing a search for either his English name or its Chinese translation will return zero results from search engines, apparently.

The Los Angeles Times supplies some context:

The development emerged just after his latest film “The Matrix: Resurrections” became the first blockbuster to hit Chinese theaters in over two months, ending an unusually prolonged drought of censorship approvals on U.S. titles in a year of rising geopolitical tensions and a further cooling of relations with Hollywood…. “It’s a curious case that’s worth following. We tend to think of the censorship machine in China as this really coordinated monster, but the fact that we’re seeing these conflicting signals [between the online and theatrical markets] suggests that some of these measures come from different places,” said Alex Yu, a researcher at China Digital Times, a U.S.-based news organization that translates and archives content censored in China.
It’s unclear who ordered the deletions, China’s regulatory agencies or platforms acting proactively to remove potentially troublesome content, Yu said…. “Why all of a sudden did they decide to take this measure at this exact moment? It’s a question we as outsiders might never be able to answer,” Yu said. “The system is so opaque that it’s pretty much impossible to pinpoint which agency or person is responsible….”

The ban on Reeves’ past works bodes poorly for the China prospects of his upcoming projects. These include animation “DC League of Super-Pets,” starring Chinese fan favorite Dwayne Johnson, and the pandemic-delayed sequel “John Wick: Chapter 4,” which appears to target mainland viewers with its top billing of Donnie Yen, the Hong Kong action star known for his expressions of loyalty to China’s ruling Communist Party….

Despite the original trilogy’s popularity, “The Matrix: Resurrections” was a flop in China even before it faced nationalist backlash, grossing only $13.6 million and notching just 5.7 out of 10 on the taste-making ratings platform Douban.

Read more of this story at Slashdot.

Source: Slashdot – As Far as China Is Concerned, Keanu Reeves No Longer Exists