“In recent months, at least half a dozen game studios have revealed plans to add NFTs to their games or said they were considering doing so,” reports the New York Times.

Then they were confronted by gamers like 18-year-old Christian Lantz, who for years has played GSC Game World’s first-person shooter game S.T.A.L.K.E.R.
Mr. Lantz was incensed. He joined thousands of fans on Twitter and Reddit who raged against NFTs in S.T.A.L.K.E.R.’s sequel. The game maker, they said, was simply looking to squeeze more money out of its players. The backlash was so intense that GSC quickly reversed itself and abandoned its NFT plan.

“The studio was abusing its popularity,” Mr. Lantz, who lives in Ontario, said. “It’s so obviously being done for profit instead of just creating a beautiful game….”

[C]lashes over crypto have increasingly erupted between users and major game studios like Ubisoft, Square Enix and Zynga. In many of the encounters, the gamers have prevailed — at least for now…. Players said they see the moves as a blatant cash grab. “I just hate that they keep finding ways to nickel-and-dime us in whatever way they can,” said Matt Kee, 22, a gamer who took to Twitter in anger this month after Square Enix, which produces one of his favorite games, Kingdom Hearts, said it was pushing into NFTs. “I don’t see anywhere mentioning how that benefits the gamer, how that improves gameplay. It’s always about, ‘How can I make money off this?'”

Much of their resentment is rooted in the encroachment of micro transactions in video games. Over the years, game makers have found more ways to profit from users by making them pay to upgrade characters or enhance their level of play inside the games. Even if people had already paid $60 or more for a game upfront, they were asked to fork over more money for digital items like clothing or weapons for characters…. Merritt K, a game streamer and editor at Fanbyte, a games industry site, said gamers’ antagonism toward the companies has built up over the last decade partly because of the growing number of micro transactions. So when game makers introduced NFTs as an additional element to buy and sell, she said, players were “primed to call this stuff out. We’ve been here before.”
That has led to bursts of gamer outrage, which have rattled the game companies. In December, Sega Sammy, the maker of the Sonic the Hedgehog game, expressed reservations about its NFT and crypto plans after “negative reactions” from users. Ubisoft, which makes titles like Assassin’s Creed, said that it had misjudged how unhappy its customers would be after announcing an NFT program last month. A YouTube video about the move was disliked by more than 90 percent of viewers. “Maybe we under-evaluated how strong the backlash could have been,” said Nicolas Pouard, a Ubisoft vice president who heads the French company’s new blockchain initiative.

Game companies said their NFT plans were not motivated by profit. Instead, they said, NFTs give fans something fun to collect and a new way for them to make money by selling the assets. “It really is all about community,” said Matt Wolf, an executive at the mobile game maker Zynga, who is leading a foray into blockchain games. “We believe in giving people the opportunity to play to earn.”

The article also rounds up examples of game companies it says have “come out against crypto.”

“Phil Spencer, the head of Microsoft’s Xbox, told Axios in November that some games centered on earning money through NFTs appeared ‘exploitative’ and he would avoid putting them in the Xbox store.” “Valve, which owns the online game store Steam, also updated its rules last fall to prohibit blockchain games that allow cryptocurrencies or NFTs to be exchanged….” “Tim Sweeney, the chief executive of Epic Games, the maker of the game Fortnite, said his company would steer clear of NFTs in its own games because the industry is riddled with ‘an intractable mix of scams.’ (Epic will still allow developers to sell blockchain games in its online store.)” The blowback has affected more than just game studios. Discord, the messaging platform popular with gamers, backtracked in November after users threatened to cancel their paid subscriptions over a crypto initiative.”

Read more of this story at Slashdot.

Source: Slashdot – Angry Gamers Have Scared Some Game Companies Away From NFTs

“As part of their growing battle against popular open source software tool youtube-dl, three major music labels are now suing Uberspace, the company that currently hosts the official youtube-dl homepage,” reports TorrentFreak:
According to plaintiffs Sony, Universal and Warner, youtube-dl circumvents YouTube’s “rolling cipher” technology, something a German court found to be illegal in 2017…. While the RIAA’s effort to take down youtube-dl from GitHub grabbed all the headlines, moves had already been underway weeks before that in Germany. Law firm Rasch works with several major music industry players and it was on their behalf that cease-and-desist orders were sent to local hosting service Uberspace. The RIAA complained that the company was hosting the official youtube-dl website although the tool itself was hosted elsewhere.

“The software itself wasn’t hosted on our systems anyway so, to be honest, I felt it to be quite ridiculous to involve us in this issue anyway — a lawyer specializing in IT laws should know better,” Jonas Pasche from Uberspace said at the time.

In emailed correspondence today Uberspace informed TorrentFreak that, following the cease-and-desist in October 2020, three major music labels are now suing the company in Germany… According to the labels, youtube-dl poses a risk to their business and enables users to download their artists’ copyrighted works by circumventing YouTube’s technical measures. As a result, Uberspace should not be playing a part in the tool’s operations by hosting its website if it does not wish to find itself liable too….

The alleged illegality of youtube-dl is indeed controversial. While YouTube’s terms of service generally disallow downloading, in Germany there is the right to make a private copy, with local rights group GEMA collecting fees to compensate for just that. Equally, when users upload content to YouTube under a Creative Commons license, for example, they agree to others in the community making use of that content. “Even if YouTube doesn’t provide video download functionality right out of the box, the videos are not provided with copy protection,” says former EU MP Julia Reda from the Society for Freedom Rights (GFF) to NetzPolitik. “Not only does YouTube pay license fees for music, we all pay fees for the right to private copying in the form of the device fee, which is levied with every purchase of smartphones or storage media,” says Reda.

“Despite this double payment, Sony, Universal and Warner Music want to prevent us from exercising our right to private copying by saving YouTube videos locally on the hard drive.”

Read more of this story at Slashdot.

Source: Slashdot – Host of Youtube-dl Web Site Sued by Major Record Labels

2021 was actually cooler than 2020, points out Wired science journalist Matt Simon. So is that good news?

No.
One reason for cooler temperatures in 2021 was likely La Niña, a band of cold water in the Pacific. It’s the product of strong trade winds that scour the ocean, pushing the top layer of water toward Asia, causing deeper, colder waters to rush to the surface to fill the void. This in turn influences the atmosphere, for instance changing the jet stream above the United States and leading to more hurricanes in the Atlantic. The sea itself cools things off by absorbing heat from the atmosphere.

The Covid-19 pandemic may have had an additional influence, but not in the way you might think. As the world locked down in 2020, fewer emissions went into the sky, including aerosols that typically reflect some of the sun’s energy back into space. “If you take them away, you make the air cleaner, then that’s a slight warming impact on the climate,” said Gavin Schmidt, director of NASA’s Goddard Institute for Space Studies, during a Thursday press conference announcing the findings. But as economic activity ramped back up in 2021, so did aerosol pollution, contributing again to that cooling effect. The 2021 temperature drop “may be possibly due to a resumption of activity that produces aerosols in the atmosphere,” Schmidt said…

Today’s findings are all the more alarming precisely because 2021 managed to overcome these cooling effects and still tally the sixth-highest temperature. And while global temperatures were cooler in 2021 than the year before, last year 1.8 billion people lived in places that experienced their hottest temperatures ever recorded, according to a report released today by Berkeley Earth. This includes Asian countries like China and North and South Korea, African nations like Nigeria and Liberia, and in the Middle East places like Saudi Arabia and Qatar. “We talk a lot about global average temperatures, but no one lives in the global average,” says Zeke Hausfather, a research scientist at Berkeley Earth. “In fact most of the globe, two-thirds of it, is ocean, and no one lives in the ocean — or very few people at least. And land areas, on average, are warming much faster than the rest of the world….”

Last summer in western Canada and the US Pacific Northwest, absurd temperatures of over 120 degrees Fahrenheit killed hundreds of people. According to Hausfather, the heat wave in Portland, Oregon, would have been effectively impossible without climate change, something like a once-every-150,000-year event.
It’s a fascinating article, that looks at trouble spots like Antarctica’s sea level-threatening “Doomsday Glacier” and a warming Gulf of Mexico, mapping the intensity of 2021’s temperature anomalies along with trend graphs for both global temperatures and land-vs-ocean averages. It touches on how climate change is impacting weather — everything from rain and floods to wildfires and locusts — as Bridget Seegers, an oceanographer at NASA, points out that “Extremes are getting worse. People are losing their homes and their lives and air quality, because the wildfires are bad.”
But Seegers somehow arrives at a positive thought. “There’s just a lot going on, and I want people to also feel empowered that we understand the problem. It’s just this other issue of deciding to take collective action….

“There’s a lot of reasons for optimism. We’re in charge. This would be a lot worse if we’re like, ‘Oh, it’s warming because we’re heading toward the sun, and we can’t stop it.'”

(Thanks to Slashdot reader Sanja Pantic for sharing the article!)

Read more of this story at Slashdot.

Source: Slashdot – The World Was Cooler In 2021 Than 2020. That’s Not Good News.

Earlier this year TechRepublic argued that while 2021 wasn’t the year of the Linux desktop, “there was no denying the continued dominance of Linux in the enterprise space and the very slow (and subtle) growth of Linux on the desktop. And in just about every space (minus the smartphone arena), Linux made some serious gains.”

So would 2022 be the year of the Linux desktop? “Probably not.”

But developer Tim Wells honestly believes we’re getting closer:

The idea of the year of the Linux desktop is that there would come a year that the free and open source operating system would reach a stage that the average user could install and use it on their pc without running into problems. Linus Sebastian from Linus Tech Tips recently did an experiment where he installed Linux on his home PC for one month to see if he could use it not only for everyday tasks, but for gaming and also streaming. Ultimately he concluded (in a video just released) that this year will not be the year of the Linux desktop and that while doing everyday stuff was reasonably okay, the state of gaming on Linux (despite Valves lofty goals) is to put it simply, a shit-show. (That’s my word, not his)… The experiment done by Linus seems to show that while some games do indeed run well using [Valve’s Windows compatibility layer] Proton, there are just as many that run with issues. Some of those issues can be game breaking. Such as the game running, but its multiplayer functionality not working at all. Some games just plain don’t work at all due to dependencies on services such as Easy Anti Cheat…

In his video Linus mentions that the main problem preventing the “year of the Linux desktop” is the fragmentation. By fragmentation, he means the range of available distributions and the fact that each distribution has (potentially) different versions of libraries and drivers and software that makes the behind the scenes operate…. Flatpak and Snap as well as AppImage are making progress towards fixing this fragmentation issue, but those are not yet perfect either. Flatpak works by ensuring that the expected versions of libraries required for that software are installed along side it and independent of the existing library the distro may provide…

Valve have said that the Steamdeck will also use an immutable core operating system for the same reasons.

So while Linus is sure that 2022 isn’t yet the year of the Linux desktop and that fragmentation is the biggest problem. I think maybe, just maybe, we’re closer to solving those problems and closer perhaps to the year of the Linux desktop that some might realise.

Read more of this story at Slashdot.

Source: Slashdot – Are We Getting Closer to the Year of the Linux Desktop?