How Many Fitness Wearables Do You Really Need?

Scroll through r/Garmin, r/ouraring, or r/whoop and you’ll find threads from users debating the merits of pairing devices. Common combinations include a GPS smartwatch like a Garmin or Apple Watch alongside a recovery-focused tracker like Whoop or Oura, with users assigning each device a distinct purpose: notifications and workout tracking from the watch, sleep and recovery data from the ring or band, and so on.

As wearable technology becomes increasingly sophisticated—not to mention increasingly embedded in how we think about our health—at what point does all this monitoring stop helping you and start just generating noise?

Do you need multiple fitness wearables? 

Before dismissing a multi-device setup as pure excess, though, it’s worth understanding why many people arrive there in the first place. After all, different devices have genuinely different strengths. Smart rings, for instance, are widely praised for sleep tracking, but struggle with workout detection (they don’t have GPS and have limited ability to capture exercise). A Garmin, meanwhile, excels at activity and training metrics, but it might be too bulky to sleep in night after night. Maybe your Apple Watch has the best notifications and cardiac monitoring, but you like to charge it overnight.

Many multi-device users are simply patching up all these gaps, always trying to use the best tool for each job. So if you’re into tracking your health, a multi-device setup sounds reasonable enough. Surely more inputs mean better data?

Not necessarily, says Dr. James Mitchell, an assistant professor in the Department of Biomedical Informatics at the University of Colorado Anschutz. “Apple Watch, Oura, and Whoop are largely measuring the same physiological signals and repackaging them through different algorithms,” Mitchell says. “You’re not tripling your information—you’re tripling your noise.”

Zooming out, it’s worth noting that most consumer wearables are not medical-grade devices. And this is not to say that your smartwatches, rings, and bands aren’t legit. Far from it: The FDA has cleared several Apple Watch features as Class II medical devices. What’s important to understand is that designation applies to specific, well-validated features, and not to the broad range of metrics you might get on a daily basis. 

Instead, your smartwatch is best used for detecting trends over time—not to give you clinically accurate measurements at any given moment. This difference matters when people start making health decisions based on their at-home tracking.

What’s actually worth tracking with fitness wearables

Not all metrics are created equal, but the wearable industry has a financial incentive to make everything seem equally important. According to Mitchell, the essentials include resting heart rate trends, heart rate variability (HRV) (when used as a general recovery indicator observed over time), sleep duration, and step count. “These are relatively well-validated and tend to track with meaningful health outcomes in the research literature,” he says.

Then there’s everything else. Stress scores are a prime example of a metric that sounds sophisticated but is built on shaky interpretive ground. They’re typically derived from HRV and heart rate—real physiological signals—but the “stress” label layered on top is not directly measuring your mental state at that moment. The same skepticism applies to things like “readiness scores” and “body battery” metrics. “They can be directionally useful,” Mitchell says, “but they’re likely not telling you anything your body isn’t already telling you if you pay attention to it.”

Keep these risks in mind with fitness wearables

The conversation around wearables tends to focus on their benefits, but there are risks beyond notification fatigue. Privacy is perhaps the most under-appreciated concern. We regularly sign various “terms of service” that are long, vague, and subject to change. “Your health data is among the most sensitive data you generate, and most people have no idea what wearable companies are doing with it,” Mitchell says. His recommendation: Research what each company actually does with your data and how seriously they take privacy before you commit.

Mental health is another risk. For instance, there’s a documented phenomenon called “orthosomnia“—a term for when people become so focused on optimizing their sleep scores that the monitoring itself begins to disrupt their sleep. More broadly, constant tracking can erode a person’s connection to their own body. “Constant tracking can shift you from listening to your body to only trusting what the device says,” Mitchell says. People can become fixated on day-to-day metrics that, on any given day, may not be fully accurate. “Focusing on trends over time is a much better way of using the data, and listening to your body is always better.”

And then cost is of course a factor, one that compounds. Devices like Whoop and Oura rely on subscription models that add up quickly. If the data isn’t changing your behavior in a concrete way, your money is better spent elsewhere. 

Who fitness wearables are actually good for

Again, none of this means wearables are without value. Training for an endurance event and wanting to track recovery is a strong use case. Managing a chronic condition with physician guidance is another. Identifying patterns around sleep disruption or cardiac irregularities is genuinely, clinically meaningful. And for people who simply enjoy engaging with their data, without it causing anxiety, that’s a legitimate use case too.

The sweet spot for wearables comes down to specificity. “Pick one or two metrics that actually connect to your goals and focus on those over weeks and months, not days” Mitchell says. Day-to-day fluctuations are mostly noise, and chasing them is a good way to make yourself anxious without getting healthier.

For people without a specific medical concern or athletic goal, these questions are worth sitting with:

  • Has any data from this device changed a decision you made in the last three months?

  • If you skip checking your stats for a week, does anything bad actually happen?

  • Are you buying a second or third wearable because the first one gave you actionable information, or because you’re hoping the next one will finally tell you something useful?

“For healthy people with no specific goals, the return on investment for most wearables is pretty modest,” he says. “If you’re sleeping fine, exercising regularly, and your doctor isn’t flagging concerns, you’re probably getting more anxiety than insight from layering on more devices.”

The consumer market, driven by competition and the constant pressure to justify subscription fees and annual hardware upgrades, has raced ahead of science in many areas. Wearables are still an exciting and promising arena, but it feels like we’re being sold comprehensiveness when what we actually need is clarity.

If you’re wearing two or three devices simultaneously and struggling to articulate what each one is telling you that the others aren’t … that’s probably your answer. Consider taking a week off from using your wearables. If you feel lost without your devices, that’s worth reflecting on. At the end of the day, collecting data and acting on data are very different things.

Google makes Gemini personalization available to free users

At the start of the year, Google introduced Personal Intelligence, a Gemini feature that allows the chatbot to pull information from the user’s other Google apps and services to generate personalized responses. After making the feature first available to Google AI Pro and Ultra subscribers, the company is expanding availability to more users in the US. 

Google is kicking off the expansion with AI Mode. Starting today, anyone in the US can enable Personal Intelligence inside of the company’s dedicated search chatbot. To enable the feature, tap on your profile, select Search personalization, followed by Connected Content Apps. From there, select Connect Workspace and Google Photos.

In the coming weeks, Google will start rolling out Personal Intelligence to free users of the Gemini app in the US, with international availability to follow thereafter. The company plans to do the same with Gemini in Chrome, where personalization will first roll out to users in the US before becoming available in other countries. 

Google suggests a few different use cases for Gemini personalization inside of AI Mode, the Gemini app and Chrome. For instance, say you turn to AI mode for help with planning an upcoming trip. Instead of generating a generic itinerary, the chatbot will pull information from your apps to suggest something more tailored to your interests. It can also help you with troubleshooting in cases where you can’t remember the exact make or model of a device you’re trying to fix, as long as there are some hints to its origin contained inside of your Gmail account.

In each case, Personal Intelligence is disabled by default. Gemini will not personalize its responses unless you enable the new feature. Additionally, personalization is only available to personal accounts and not for Workspace business, enterprise and education users.  

This article originally appeared on Engadget at https://www.engadget.com/ai/google-makes-gemini-personalization-available-to-free-users-160000581.html?src=rss

US SEC Preparing To Scrap Quarterly Reporting Requirement

The U.S. SEC is reportedly preparing a proposal to make quarterly earnings reports optional, potentially allowing companies to report results just twice a year. “The proposal could be published as soon as next month,” reports Reuters, citing a paywalled report from the Wall Street Journal, adding that “regulators are in talks with major exchanges to discuss how their rules may need to be adjusted.” Reuters reports: The SEC will vote on the proposal once it is published, after a public comment period which typically lasts at least 30 days, the report said. The WSJ report added that the rule is expected to make quarterly reporting optional and not eliminate it altogether. The proposed change in the reporting standard would allow listed companies to publish results every six months instead of the current mandate to report figures every 90 days.

Trump, who first floated the idea in his first term as president, has argued the change in requirements would discourage shortsightedness from public companies while cutting costs. Skeptics, however, caution delaying disclosures could reduce transparency and heighten market volatility.


Read more of this story at Slashdot.

March Madness 2026: How to watch every game of the NCAA basketball tournaments

It’s time to lock in those brackets. The 2026 NCAA basketball tournaments, affectionately known as March Madness, begin this week. In fact, some of the action on the men’s side starts tonight. Both the men’s and women’s tournaments are available to stream through various apps and services, but navigating the web of broadcasters and TV channels can be confusing. We’ve broken down when all the games are happening, where to watch and the best options for saving some cash doing so. 

What does March Madness start?

The men’s NCAA Basketball Tournament begins on Tuesday, March 17 with two of the First Four matchups. These are the four games that are used to determine the final four teams in the main 64-team bracket. To some, they’re known as the “play-in games” although they’ve officially been part of the men’s tournament since 2011. The first game on March 17 begins at 6:40PM ET with another to follow at 9:15PM ET. The same schedule is expected for the second slate of games on Wednesday, March 19.

On the women’s side, everything is offset by a day. The first two of the First Four games take place on Wednesday, March 18 at 7PM ET and 9PM ET. The second pair of matchups follows on Thursday, March 19 in the same two time slots.

The 64-team bracket kicks off in earnest for the men at 12:15PM ET on Thursday, March 19. For the women, the main action begins at 11:30AM ET on Friday, March 20. Here’s the full schedule for each tournament:

2026 Men’s NCAA Basketball Tournament

  • First Four: March 17-18

  • First round: March 19-20

  • Second round: March 21-22

  • Sweet 16: March 26-27

  • Elite Eight: March 28-29

  • Final Four: April 4

  • Championship game: April 6

2026 Women’s NCAA Basketball Tournament

  • First Four: March 18-19

  • First round: March 20-21

  • Second round: March 22-23

  • Sweet 16: March 27-28

  • Elite Eight: March 29-30

  • Final Four: April 3

  • Championship game: April 5

How to stream the 2026 Men’s NCAA Tournament

Jacob Kupferman via Getty Images

CBS and Warner Bros. Discovery share the broadcast rights to the men’s tournament, so TV coverage will be spread across four networks. During the course of March Madness, games will air on CBS, TNT, TBS and truTV, with the final rounds and championship game landing on TBS.

If you already have a paid TV plan (such as traditional cable), a good way to watch the men’s tournament is with the March Madness Live app or website. There’s a big catch though: CBS games aren’t available in the app. That means this is really only a good option through the Elite Eight. Once you log in with your TV provider credentials, you can watch games on the other networks in one spot with features like multiview (up to four games at once) and a Fast Break stream that covers all the in-progress games in one spot.

The app also offers ways to follow your bracket, if you filled it out on MarchMadness.com. And when you’re watching on desktop, the crucial Boss Button will throw up a fake work screen to keep your job safe. In addition to your laptop or phone, March Madness Live is also available on Amazon devices, Fire TV, Apple TV, iOS, macOS, Google Play, LG smart TVs, Roku and Xbox consoles.

The most affordable option to watch every game is to actually use two services. It’s not ideal, I know, but it will save you a lot of money. HBO Max’s Basic plan is $11/month and gives you access to live games from TNT, TBS and truTV with three-game multiview (46 games total). That includes the Final Four and National Championship as those three games are on TBS this year. If you splurge for a pricier plan ($23/month), you can stream games in Dolby Vision with Dolby Atmos surround sound. For the CBS games, you’ll need a Paramount+ Premium subscription that costs $14/month ($6 for two months for new users). So, with this best price scenario, streaming all of the men’s tournaments will cost $25 across two apps.

A live TV service like YouTube TV or Hulu + Live TV is over $80 more per month at full price, but they would offer you all the games in the men’s tournament in one place. YouTube TV is currently on sale for $60/month for the first two months after a free 10-day trial. Hulu + Live TV now includes Disney+ and ESPN Select, hence its higher price.

How to stream the 2026 Women’s NCAA Tournament

Joe Buglewicz via Getty Images

While Warner Brothers Discovery owns the rights to the men’s NCAA Tournament, ESPN has the women’s bracket locked down. Every game of the women’s tournament will be spread across ABC, ESPN, ESPN2, ESPNU and ESPNEWS, including the First Four matchups. The Final Four will be on ESPN, but the championship game will air on ABC. All three of those culminating games will stream on ESPN+ (and in the ESPN app) as MegaCast feeds.

ESPN says the MegaCasts are available in two options. First, Beyond the Rim provides an aerial camera angle with the main commentary and replays, plus the addition of enhanced stats. On the Rail shows you game action the full length of the floor. This feed will offer “natural” sound and replays. 

Since ESPN+ won’t get every game, it’s not an option if you want to watch the entire tournament. However, since last year’s March Madness, Disney debuted standalone offerings for ESPN. The most affordable option here is ESPN Select which includes women’s college basketball and costs $13/month. 

You could also opt for a live-TV streaming service like Sling, YouTube TV or Hulu + Live TV for a comprehensive experience. Sling is the cheapest of these, with the requisite Orange and Sports Extra plan costing $57 (Sling is currently offering a discount on the first month of Orange). YouTube and Hulu live TV options are both more expensive at over $80/month (YouTube TV currently discounted to $60 for the first two months), so it’s a matter of which set of content and features you like best. YouTube TV offers a handy multiview tool so you can watch up to four games at once, but Hulu + Live TV comes with Disney+ and ESPN Select for that cost.

Once you have a TV plan that includes the ESPN family of networks, the ESPN app is the best place to watch the tournament. The mix of scores and info, along with multiview streaming for up to four games at a time on Apple TV and Xbox, make the app a well-equipped conduit for the women’s tournament.

The March Madness website only shows scores and news for the women’s tournament. None of the women’s games will be available for streaming live on the website.

Are any of the March Madness games available to stream for free?

Michael Reaves via Getty Images

Without a TV provider login, you can watch all of the games broadcast on CBS on the March Madness website and mobile apps. Sure, it’s a small sample of the tournament, but it’s completely free and a good option for casual fans who don’t have a paid TV plan they can exploit for more of the action. It’s also a good way to watch the first round at work, if your company hasn’t blocked streaming sites, or if you can discreetly watch on your phone.

For the women’s tournament, there aren’t any games available for free. Unless you have an old-school OTA antenna, that is, in which case you can watch women’s games on ABC (and men’s games on CBS) without any kind of streaming plan. Of course, as this is a streaming guide published in 2026, I’d consider an antenna an extraordinary move.

If you were hoping to use a free trial period to watch March Madness, I’ve got bad news. None of them will last long enough to cover the entire tournament. Some services don’t offer a free trial at all, but the longest is YouTube TV at 10 days. Sadly, that won’t even get you through the second weekend.

What if I want to stream both the men’s and women’s tournaments?

If you’re hoping to stream all of the men’s and women’s NCAA tournaments, I hope you ordered Samsung’s eight-TV bundle. In terms of streaming services, just jump straight to a live-TV option like YouTube TV or Hulu + Live TV. I prefer the former because of its multiview feature. At times when there are multiple games that you want to watch, especially during the first two rounds, you’ll want multiview in order to keep tabs on all of the action.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/march-madness-2026-how-to-watch-every-game-of-the-ncaa-basketball-tournaments-154903317.html?src=rss

Age verification isn’t sage verification when it’s inside operating systems

Toothbrushes, Turing and the truth give the lie to California’s legal lunacyOpinion There are two ways to look at the California Assembly Bill 1043, known as The Digital Age Assurance Act or DAAA. One is to say it is a 2025 law requiring operating systems and app stores to implement age verification during account setup to protect minors online. The other is to note that the law is all the worst things a law can be.…

10 Shows Like ‘DTF St. Louis’ You Should Watch Next

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Each of writer/creator/director Steven Conrad’s series has been distinctive, which is to say, unsettling and off-kilter. Patriot; Perpetual Grace, LTD, and the tough-to-stream Ultra City Smiths each has a style and tone that sets it apart from anything else on television, and also each other. They’ve also all struggled to break out amid a bustling streaming pack, though that may well be changing: only a few episodes in, Conrad’s new HBO series DTF St. Louis is building buzz.

The shows follows Floyd Smernitch (Stranger Things’ David Harbour), a married sign language interpreter with a fading sex life and a weird penis (it’s a plot point) who saves the life of local meteorologist and recumbent bicyclist Clark Forrest (Jason Bateman). The two become friends, and Clark introduces Floyd to a dating app for married people looking for side action. They both sign up, but within a few weeks, Floyd is found dead, and the police investigate it as a murder (no spoilers: this all happens within the first act of the first episode). Linda Cardellini stars as Carol, Floyd’s wife, who’s also having an affair with Clark.

To DTF‘s credit, I’m not sure there’s another show exactly like it, but the 10 I’ve highlighted below all manage to juggle a similarly smart, quirky, and slightly surreal tone while unraveling plots rich in secrets and lies in unexpected settings. Stream DTF St. Louis on HBO Max, then sample these other series between episodes.

Patriot (2015 – 2018)

Shot through with a vein of black comedy that wouldn’t feel out of place in a Coen brothers movie, Patriot is the story of a beleaguered intelligence officer who just cannot catch a break. Michael Dorman is John Tavner, tasked with ensuring that the leading candidate for the presidency of Iran doesn’t win. An elaborate plan to support a more moderate rival candidate sees him taking on a non-official cover identity and getting a job at a Milwaukee piping firm. After he blows the interview, he needs to eliminate his hapless competition for the job, then borrow urine for the drug test, efforts that wind up exposing him to extortion, and things spiral from there. As the screwups began to stack higher and higher, John’s situation becomes ever more precarious (and darkly hilarious—his musical talent means that a lot of exposition comes in the form of extremely specific folk songs that he performs at open mics under yet another assumed name). The show comes from DTF St. Louis’s very own creator Steven Conrad, so while the genre isn’t a 1:1 match, the tone certainly is. Stream Patriot on Prime Video.


Deadloch (2023 – )

Both a twisty crime procedural and a brilliant satire of the genre, this Australian import follows Dulcie Collins (Kate Box), the fastidious senior sergeant of the police force in the fictional town of Deadloch. When a body turns up on the beach, Dulcie is joined by Madeleine Sami’s Eddie Redcliffe, a crud, generally obnoxious detective brought in to help solve the case. Their unraveling of the web of secrets in the tiny Tasmanian town is addictive, and as an added bonus, cop thriller tropes are mercilessly mocked throughout. A new season is dropping soon. Stream Deadloch on Prime Video.


The Chair Company (2025 – )

Tim Robinson and Zach Kanin followed up their Netflix sketch show I Think You Should Leave with Tim Robinson with this… cringe comedy/thriller? Somehow this surreal, genre-defying caper broke HBO Max records, and deservedly so. Robinson plays Ron Trosper, a middle manager in charge of building a new shopping mall. A collapsing chair during a public presentation sends Ron on a quest to uncover a massive conspiracy—he’s convinced that the broken chair is just the first rung in a ladder of sabotage. The show sends us along with him on a darkly funny, sometimes horrific, journey down a rabbit hole that still, nonetheless, feels like a reflection of a modern American work culture that’s no less nuts than Ron’s conspiracy of chairs. Stream The Chair Company on HBO Max.


The Shrink Next Door (2021)

A dark comedy that also happens to be based on a true story, this miniseries stars Will Ferrell as Marty Markowitz and Paul Rudd as his therapist, Dr. Ike Herschkopf. Over the course of nearly thirty years, the good doctor ingratiated himself into Marty’s life while collecting payments of several million dollars. Ferrell and Rudd play against type, leaning into the show’s central mystery: how the hell does a reasonable person give someone so much control over their existence? It’s by no means grim, as the show also recognizes that there’s a core absurdity to the relationship between the two. Stream The Shrink Next Door on Apple TV+.


Bodkin (2024)

Less domestic in its concerns than DTF, this one is nonetheless firmly in dark comedy/murder mystery territory. Bodkin takes us to the title’s rather quirky Irish coastal town. Will Forte plays Gilbert Power, an American podcaster who arrives to investigate the cold case of three people who went missing during a Samhain celebration three decades prior. He’s soon joined by Dove Maloney (Siobhán Cullen), a Dublin-born journalist who’d been living in London, and aspiring journalist Emmy Sizergh (Robyn Cara). It’s very nearly a satire of the genre, with an engaging mystery at its heart nonetheless. Stream Bodkin on Netflix.


Perpetual Grace LTD (2019)

A cult favorite that didn’t last long, this was another distinctive Steven Conrad series (co-created with Bruce Terris) that felt like nothing else on TV. Jimmi Simpson (It’s Always Sunny in Philadelphia) plays James, a disturbed and depressed former firefighter in rural New Mexico who gets roped into a scheme by Paul (Damon Herriman), the son of local pastor “Pa” Brown (Ben Kingsley). Pa is a bad guy, ripping off his parishioners via a shady rehab center. Paul figures that he can get James to infiltrate the center and ingratiate himself, robbing the shady pastor while a similarly crooked local sheriff (Luis Guzman) gets Pa out of the way. It’s a juicy and addictive neo-noir thriller, with the type of wonderfully stylized dialogue that you’ll recognize from DTF. Buy Perpetual Grace LTD from Prime Video and Apple TV.


Landscapers (2021)

Another in the truth-is-stranger-than-fiction genre, this dark comedy does several things that make it quite a bit more interesting, and far more weird, than the usual true crime narrative. The first great choice is in its casting: Olivia Colman and David Thewliss play Susan and Christopher Edwards, a mild-mannered couple who were discovered to have murdered Susan’s parents and buried them in the back garden, even while sending off Christmas cards to the “vacationing” parents. The show smartly doesn’t try very hard to decipher motives, instead interrogating our need to understand people like Susan and Edward. Stream Landscapers on HBO Max.


The ‘Burbs (2026 – )

A bit sillier than DTF, this fun, loose adaptation of the 1989 Tom Hanks film nonetheless covers much of the same ground: secrets, infidelity, and murder in unlikely places. Keke Palmer’s Samira and Jack Whitehall’s Rob move back to his impossibly safe and tidy hometown, their new house across the street from a dilapidated Victorian eyesore that may or may not have been the location of a murder a couple of decades before—a girl who only wanted to get out. As Samira adjusts to new motherhood as well as life on the cul-de-sac, she learns that even the nicest of her neighbors (played by Julia Duffy, Paula Pell, Mark Proksch, and Kapil Talwalkar) have secrets, and comes to suspect that her husband knows more about the missing girl than he’s letting on. Stream The ‘Burbs on Peacock.


Dead to Me (2019 – 2022)

Christina Applegate and Linda Cardellini (also in DTF) make for an all-time-great TV pairing in this dark, twisty comedy about a couple of women who become united in tragedy and lies. Applegate is Jen Harding, a realtor whose husband was killed in a hit-and-run incident; she’s not dealing very well, and takes a bit of inspiration from Cardellini’s Judy, who has maintained a cheery disposition following her fiancé Steve’s death from a heart attack—easier to do given that Steve’s still secretly alive. And then we discover that Judy has a storage unit with a car that looks suspiciously like the one that killed Jen’s husband. That’s all just part of the first episode, and the show only gets wilder from there. Stream Dead to Me on Netflix.


How to Get to Heaven from Belfast (2026 – )

Probably the most batty, surreal show on this list (which is saying quite a bit), How to Get to Heaven comes from Irish playwright and Derry Girls creator Lisa McGee, though that earlier and justifiably beloved show won’t quite prepare you for McGee’s latest. Three high school friends from Belfast reunite after learning that their fourth bestie has died unexpectedly—except that maybe she didn’t, a mixed blessing given that they all have secrets that they were hoping to bury. Now they’re off to investigate the mystery of the maybe-murder, and find themselves immediately in way (way way way) over their heads. The tone is all over the place in a way that somehow really works. Stream How to Get to Heaven from Belfast on Netflix.

Samsung May Have Retired Its $2,899 Galaxy Z TriFold After Just 3 Months

Samsung May Have Retired Its $2,899 Galaxy Z TriFold After Just 3 Months
Samsung is pulling the plug on its ambitious triple-folding experiment, ending sales of the Galaxy Z TriFold just three months after its debut. If true, this brings a swift conclusion to a device that was really more of a halo manifesto than a mass-market product. The phone’s been selling like hot cakes, so the time to snag one is now.

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A large meteor is visible from much of Ohio and parts of neighboring states

A large meteor crashed through the sound barrier above northern Ohio on Tuesday morning, producing a large fireball and what local residents described as an extremely loud “boom.”

According to various eyewitness reports, the meteor’s bright streak through the morning sky was visible across a wide area. A National Weather Service meteorologist in Pennsylvania, Jared Rackley, captured video of the meteor passing through the atmosphere and creating a large fireball. So far, there have been no reports of impacts on the ground.

The precise location of the fireball was pinpointed by a near-infrared optical detector on a geostationary satellite at 9:01 am ET (13:01 UTC). This “geostationary lightning mapper” revealed that the meteor traversed through the atmosphere in northern Ohio, just west of Cleveland, and over Lake Erie.

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Amazon launches one- and three-hour delivery options in the US

Amazon just launched one-hour and three-hour delivery options in many cities and towns throughout the US. As a matter of fact, the company says three-hour delivery windows are already available in over 2,000 locations, while one-hour windows have launched in “hundreds” of cities. You can check to see if your area is covered by clicking right here.

Just like same-day and next-day delivery, this doesn’t cover every available item. Amazon boasts that over 90,000 products are ready for “fast, reliable delivery in just a few clicks.” There has been a priority placed on the kinds of items typically needed within 60 to 180 minutes. Users can order “everyday essentials like pantry items, cleaning supplies, health and beauty items and over-the-counter medications.”

The new delivery options also cover some fun, but perhaps not essential, items like electronics, toys and clothing. Hey, a Nintendo Switch 2 to play Pokopia could be considered essential to many.

A phone app.
Amazon

These high-octane delivery methods don’t come cheap, even for Prime members. One-hour deliveries cost $10 and three-hour deliveries cost $5. Customers without a Prime membership pay $20 for one-hour deliveries and $10 for three-hour deliveries. The same-day delivery option remains free for Prime members.

This isn’t Amazon’s first foray into ultra-quick delivery windows. The company has been experimenting with this kind of thing for years. It started a program called Amazon Now in the 2010s that handled that sort of thing, which eventually changed to Prime Now. It was sunsetted in 2021.

This article originally appeared on Engadget at https://www.engadget.com/apps/amazon-launches-one–and-three-hour-delivery-options-in-the-us-151536118.html?src=rss

FSFE reports trouble with payment provider

The Free Software Foundation Europe (FSFE) is reporting
that payment provider Nexi has terminated its contract without prior
notice, which means that a number of FSFE supporters’ recurring
payments have been halted:

Over the past few months, our former payment provider Nexi
S.p.A. (“Nexi”) requested access to private data, which we understood
to be specifically the usernames and passwords of our supporters. We
have refused this request. All our attempts to clarify Nexi’s request,
or to understand how their need for such information was necessary and
legal, were met with what we consider to be vague and unsatisfactory
explanations relating to a general need for risk analysis.

[…] The decisions that Nexi has made are incomprehensible to
us. Over the last months, as part of a security audit that Nexi
claimed to be conducting, we have provided them with large amounts of
the FSFE’s financial documentation, which even included private
information of our executive staff. We have answered all of their
questions. But we have to draw a line when private companies like Nexi
demand access to the sensitive and private data of our supporters.

According to the blog post, more than 450 supporters have been
affected by this. The FSFE’s donation pages have been updated with its
new payment provider.

Nintendo Switch 2 update adds one possible fix for blurry OG Switch games

The Nintendo Switch 2’s backward compatibility with Switch games is generally pretty good, and a few games have gotten patches from their developers to allow them to take advantage of the higher resolutions the console supports, among other features.

For unpatched Switch games running on the Switch 2 while it’s docked, there should generally be no loss of quality compared to playing the same game on the Switch—the game will run at 1080p on both consoles and should generally run about the same as long as there aren’t other compatibility problems. But games running on the Switch 2 in handheld mode can actually look worse than they do on the original Switch, mainly because they’ll still run at the original Switch’s native 720p resolution, which then has to be stretched out to fit the Switch 2’s 1080p display.

A new Switch 2 system update released yesterday (as reported by NintendoLife) has introduced a partial solution for this specific problem. Version 22.0.0 of the Switch’s software includes an optional feature called “Handheld Mode Boost,” which can be enabled by opening the console’s settings, then System settings, and scrolling down to “Nintendo Switch Software Handling.” This setting will attempt to run original Switch games using the same settings they would use while docked, even while the console is in handheld mode—this usually means a step up to the Switch 2’s native 1080p resolution, along with other graphical upgrades.

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Gamers are right to be disgusted by NVIDIA’s DLSS 5

You can sum up the gamer response to NVIDIA’s DLSS 5 announcement with the ever-relevant Fallout 4 meme: “Everyone disliked that.” Across social media and Reddit last night, I couldn’t find anyone who’s genuinely positive about the potential for DLSS 5, which uses AI to add “photorealistic” lighting and materials to in-game models and environments. Instead, it’s mostly complaints about the feature being another avenue for AI slop. And you know what? I agree.

It’s not unusual to see gamers being reflexively angry about new technology on the internet, especially when it’s being pitched by NVIDIA as the “biggest breakthrough in computer graphics” since its RTX 20-series GPUs arrived in 2018 with real-time ray tracing. There was plenty of suspicion around DLSS’s original AI upscaling model, as well as the “fake” frames generated by later iterations. But the few demos we’ve seen of DLSS 5 basically look like “yassified” AI filters for popular games.

Leon and Grace from Resident Evil: Requiem have more distinct facial and hair detail, but they look a bit too slick. There are more wrinkles on an old woman in Hogwarts Legacy. And the face, hair and clothing from a Starfield character gain an uncanny sheen.

None of the demos have the immediate impact of the Star Wars real-time ray tracing short ILMxLab produced with NVIDIA seven years ago. That demonstration showed us glorious reflections and lighting effects we’d never seen before in real-time. The DLSS 5 demos, on the other hand, don’t look much different from the AI filters that make you look more presentable for Zoom calls. There’s no genuine excitement for DLSS 5, just NVIDIA telling us that it’s groundbreaking.

There’s also plenty of concern about DLSS 5 straying from an artist’s original intent, as well as a potential homogenization of game visuals if every developer starts using the feature. NVIDIA claims developers will have “detailed controls for intensity, color grading and masking,” which will help DLSS 5 stay in line with a game’s aesthetic. But we don’t have any direct developer experience with the feature yet — some artists may want far more control than NVIDIA wants to give.

The difference between DLSS 5 and earlier versions NVIDIA’s upscaling is like the difference between generative AI and more traditional machine learning models. NVIDIA relied on the latter to make low-resolution textures and models appear sharper, and later to insert generated frames to smooth out gameplay and raise your fps count. As Wirecutter and former Polygon editor Arthuer Gies points out, you could argue those features were in service of delivering what developers originally intended. But DLSS 5’s neural model applies its concept of “photorealism” on top of what games are rendering — it’s like watching a Pixar movie that let OpenAI’s Sora do a final visual pass.

Part of the negative response towards DLSS 5 may stem from a widespread anti-gen AI sentiment, but that doesn’t devalue the criticisms either. Similar to AI generated text, images and video, there’s a dehumanizing aspect about DLSS 5. It can erase the work of human artists (despite how much control NVIDIA claims they have), and it also feels like a calculated attempt to appeal to gamers who just want shinier graphics. NVIDIA showed off how generative AI could be used to create dialog and voices for NPCs last year at CES, but that was also widely disliked (and I called it a genuine nightmare).

Of course, I can’t fully judge DLSS 5 until I see it in action beyond a short demo. But I think the visceral disgust is an important indicator that many gamers aren’t onboard with the AI-powered future NVIDIA is trying to sell us. And perhaps the idea of chasing “photorealism” may be a bit of a fool’s errand. It may be appropriate for some games, but as Nintendo and indie PC devs have shown, you can also make some of the best games of all time without striving for realism. Tears of the Kingdom could use a better framerate and higher resolution textures, but it certainly doesn’t need DLSS 5.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/gamers-are-right-to-be-disgusted-by-nvidias-dlss-5-151105593.html?src=rss

Asteroid Ryugu Has All of the Main Ingredients For Life

Samples from the asteroid Ryugu contain all five nucleobases — the key building blocks of DNA and RNA. “This strengthens the idea that asteroids may have brought the ingredients for the first living organisms to Earth long ago,” reports New Scientist. From the report: Japan’s Hayabusa 2 spacecraft visited Ryugu in 2018, where it shot two projectiles — one small and one large — into the surface of the asteroid and collected the resulting debris. It arrived back at Earth with the samples in 2020 and researchers have been analyzing these in detail ever since. Yasuhiro Oba at Hokkaido University in Japan and his colleagues examined two samples, one from the asteroid’s surface and one comprised of subsurface materials excavated by the projectiles. In both, the team found all five primary nucleobases, which are the compounds that make up the nucleic acids DNA and RNA when combined with sugars and phosphoric acid.

This isn’t the first time that nucleobases have been found in asteroid samples: they have been seen in meteorites, too, and in samples from the asteroid Bennu. The researchers did find different abundances of the various nucleobases among the various samples, though, which hints that these compounds might be useful for tracing asteroids and meteorites back to the parent bodies that they broke off from in the distant past, as well as understanding the evolution of those parent bodies over time. The findings have been published in the journal Nature Astronomy.


Read more of this story at Slashdot.

Maid Of Sker VR Releases Today on Quest 3 & PC VR

The survival horror game makes its VR debut today on Quest 3, Quest 3S, and Steam.

Maid of Sker VR, a VR port of the critically-acclaimed flat screen game Maid of Sker, arrives today on Quest 3, Quest 3S, and Steam. Inspired by Welsh folklore, Maid of Sker VR is a macabre first-person survival horror game set in the late 19th century, in which players explore a remote hotel, solve puzzles, and unravel a mystery while attempting to survive a cult of sinister creatures known as “The Quiet Ones.”

Gameplay leans into stealth, with sound playing a major role in whether or not you live or die. The player can be tracked by sound, so that holding your breath, walking quietly, and using a special defensive sound device become the game’s major mechanics.

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The flat screen version of Maid of Sker has been out since 2020, and has been acclaimed by critics and players alike. On Steam, Maid of Sker holds a Very Positive ranking based on over 1,700 user reviews.

Maid of Sker VR is available beginning today on the Meta Horizon Store and Steam.