California has approved a groundbreaking rule to cut greenhouse gas emissions by limiting rail pollution, banning locomotives over 23 years old by 2030, increasing the use of zero-emissions technology for freight transportation, and imposing restrictions on idling. The Associated Press reports: The rule will ban locomotive engines more than 23 years old by 2030 and increase the use of zero-emissions technology to transport freight from ports and throughout railyards. It would also ban locomotives in the state from idling longer than 30 minutes if they are equipped with an automatic shutoff. The standards would also reduce chemicals that contribute to smog. They could improve air quality near railyards and ports.

The transportation sector contributed the largest share of greenhouse gas emissions nationwide in 2020, according to the Environmental Protection Agency. But rail only accounts for about 2% of those emissions. Other states can sign on to try to adopt the California rule if it gets the OK from the Biden administration. The rule is the most ambitious of its kind in the country. “The locomotive rule has the power to change the course of history for Californians who have suffered from train pollution for far too long, and it is my hope that our federal regulators follow California’s lead,” said Yasmine Agelidis, a lawyer with environmental nonprofit Earthjustice, in a statement.

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Source: Slashdot – California Passes 1st-In-Nation Emission Rules For Trains

An anonymous reader quotes a report from Wired: The U.S. Department of Justice, Mandiant, and Microsoft stumbled upon the SolarWinds breach six months earlier than previously reported, WIRED has learned, but were unaware of the significance of what they had found. The breach, publicly announced in December 2020, involved Russian hackers compromising the software maker SolarWinds and inserting a backdoor into software served to about 18,000 of its customers. That tainted software went on to infect at least nine US federal agencies, among them the Department of Justice (DOJ), the Department of Defense, Department of Homeland Security, and the Treasury Department, as well as top tech and security firms including Microsoft, Mandiant, Intel, Cisco, and Palo Alto Networks. The hackers had been in these various networks for between four and nine months before the campaign was exposed by Mandiant.

WIRED can now confirm that the operation was actually discovered by the DOJ six months earlier, in late May 2020 — but the scale and significance of the breach wasn’t immediately apparent. Suspicions were triggered when the department detected unusual traffic emanating from one of its servers that was running a trial version of the Orion software suite made by SolarWinds, according to sources familiar with the incident. The software, used by system administrators to manage and configure networks, was communicating externally with an unfamiliar system on the internet. The DOJ asked the security firm Mandiant to help determine whether the server had been hacked. It also engaged Microsoft, though it’s not clear why the software maker was also brought onto the investigation.

It’s not known what division of the DOJ experienced the breach, but representatives from the Justice Management Division and the US Trustee Program participated in discussions about the incident. The Trustee Program oversees the administration of bankruptcy cases and private trustees. The Management Division advises DOJ managers on budget and personnel management, ethics, procurement, and security. Investigators suspected the hackers had breached the DOJ server directly, possibly by exploiting a vulnerability in the Orion software. They reached out to SolarWinds to assist with the inquiry, but the company’s engineers were unable to find a vulnerability in their code. In July 2020, with the mystery still unresolved, communication between investigators and SolarWinds stopped. A month later, the DOJ purchased the Orion system, suggesting that the department was satisfied that there was no further threat posed by the Orion suite, the sources say. According to WIRED, the DOJ said it “notified the US Cybersecurity and Infrastructure Agency (CISA) about the breach at the time it occurred — though a US National Security Agency spokesperson expressed frustration that the agency was not also notified.”

“But in December 2020, when the public learned that a number of federal agencies were compromised in the SolarWinds campaign — the DOJ among them — neither the DOJ nor CISA revealed to the public that the operation had unknowingly been found months earlier. The DOJ initially said its chief information officer had discovered the breach on December 24.”

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Source: Slashdot – The DOJ Detected the SolarWinds Hack 6 Months Earlier Than First Disclosed

VICE’s Ade Adeniji booted up The Crew 2, GTA V, GTA San Andreas, Saints Row, and Watch Dogs 2, and noticed a interesting pattern: there are no suburbs to be seen. “We are transported to major cities and vast countrysides, but nothing that really speaks to the in between — to the suburbs,” writes Adeniji. “[H]ow can open world games leave out a space that we fundamentally see as Americana? Is this about design choices and constraints, or does it speak to something deeper about how we really view American suburbs — and how desperately we want to escape them?” Here’s an excerpt from the report: I figured I would first take my suburbia question to someone who has been creating games since the early 1970s. Don Daglow, pioneer of the MMORPG genre with Neverwinter Nights, broke down his answer into three parts: scale, visual interest, and stereotypes. In terms of scale, suburbs typically have lots of smaller, more repetitive environmental elements when compared to cities. Think strip malls and identical homes versus the Statue of Liberty and the Empire State Building. “Big objects in the environment create vertical movement opportunities as well as horizontal movement in 3D spaces. You can support superhero skills, think Spider Man, and jumping, think early Assassins Creed.” Daglow said. “Godzilla never attacked a small suburb on the rail line north of Tokyo. Why would he waste his time there when there’s so much more to chomp downtown?”

Lazlow Jones, voice of GTA III’s Chatterbox FM and a longtime director, writer, and producer at Rockstar Games, agreed. But Rockstar itself made a gradual progression from the chaotic cities of GTA to the open natural worlds of Red Dead. Then the company brought the two together in GTA V. “When I was at Rockstar, we started off focusing on open world games set in urban areas because it gave us great density,” Lazlow began. “But over the years we expanded to rural environments while keeping them interesting and engaging.” […] Carly Kocurek, who teaches in the Game Design and Experiential Media program at Illinois Tech, says suburbs operate in the realm of “perceived beigeness” making it hard to imagine them as settings for the kinds of stories and worlds we see most often in open world games. To the extent that suburbia does show up strongly, these spaces often serve as a starting or transition point for a character, akin to maybe the first 10 minutes of a film, or the movie’s midpoint.

There are other design reasons why suburbs don’t feature prominently in video games and why sparse areas away from intriguing points of interest are often the first to get cut. “You’re really trying to compress a massive space in real life, into a virtual space which is actually really small. It’s like taking something and cutting it down by 10x,” explained Will Harris, who led the open world design team at Light Speed LA. Harris says that in world building, one of the first steps is thinking about defining features. What makes Chicago, for instance, feel different than Washington D.C.? Huge landmarks immediately orient us in a specific space and differentiate it from others. And woe unto you if you do try to architect suburbs in large numbers. Developers could try to build out distinct houses, began Erik Villarreal, an environmental artist at Visual Concepts/2K. “But this requires a developer to create homes that stand out from each other, which can be time consuming and tie up a lot of resources,” he said. Harris adds that there are only so many mechanics in sandbox gameplay and design. He calls the suburbs “interstitial spaces.” But the larger these spaces become, the more unwieldy, and the more quickly the player realizes that these spaces are superficial. We’ve all had the frustrating experience in gaming where we reach a certain part of a map, but then discover there’s nothing actually to do there. “So the Staten Island kit gets vaporized. We trim the fat.” Harris says.

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Source: Slashdot – Why There’s No Room For Suburbs In Open-World Games

Yesterday, Washington Governor Jay Inslee signed the My Health, My Data bill into law, requiring companies to receive a user’s explicit consent before they can collect, share, or sell their health data. When the law comes into effect in March 2024, users will have the right to withdraw consent at any time and have their data deleted. The Verge reports: The law should help shield users’ health data from the companies and organizations not included under the HIPAA Privacy Rule, which prevents certain medical providers from disclosing “individually identifiable” health information without consent. The HIPAA Privacy Rule doesn’t cover many of the health apps and sites that collect medical data, allowing them to freely collect and sell this information to advertisers.

Under Washington’s new law, which comes into effect in March 2024, medical apps and sites must ask a user for permission to collect their health data in a nondeceptive manner that “openly communicates a consumer’s freely given, informed, opt-in, voluntary, specific, and unambiguous written consent.” The site and apps must also disclose what kind of data they plan to collect and if they plan to sell it. Additionally, the bill will block medical providers from using geofencing to collect location information about the patients that visit the facility.

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Source: Slashdot – Washington Passes Law Requiring Consent Before Companies Collect Health Data

ChatGPT’s maker said Friday that the artificial intelligence chatbot is available again in Italy after the company met the demands of regulators who temporarily blocked it over privacy concerns. From a report: OpenAI said it fulfilled a raft of conditions that the Italian data protection authority wanted satisfied by an April 30 deadline to have the ban on the AI software lifted. “ChatGPT is available again to our users in Italy,” San Francisco-based OpenAI said by email. “We are excited to welcome them back, and we remain dedicated to protecting their privacy.”

Last month, Italian watchdog, known as Garante, ordered OpenAI to temporarily stop processing Italian users’ personal information while it investigated a possible data breach. The authority said it didn’t want to hamper AI’s development but emphasized the importance of following the European Union’s strict data privacy rules. OpenAI said it “addressed or clarified the issues” raised by the watchdog. The measures include adding information on its website about how it collects and uses data used to train the algorithms that power ChatGPT, giving European Union users a new form they can use to object to having their data used for training, and adding a tool to verify users’ ages when signing up.

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Source: Slashdot – ChatGPT Back in Italy After Meeting Watchdog Demands

An anonymous reader quotes a report from The Register: Tencent Cloud has announced it’s offering a digital human production platform — essentially Deepfakes-as-a-Service (DFaaS). According to Chinese media and confirmed to The Reg by Tencent, the service needs just three minutes of live-action video and 100 spoken sentences — and a $145 fee — to create a high-definition digital human. Gestating the creation requires just 24 hours. Making people hasn’t been that quick since Eden.

The digital characters are available in half bodies or full bodies, and the service is available in both Chinese and English. Some aspects, like background and tone, are customizable. The videos avoid the flat intonation and single speech rhythm that plagues traditional acoustic models by using an in-house small-sample timbre customization technology that relies on deep learning acoustic models and neural network vocoders. […] Tencent offers five styles for its digital humans: 3D realistic, 3D semi-realistic, 3D cartoon, 2D real person, and 2D cartoon. Customized Q&As can be created for the digital human, turning them into a type of deepfaked chatbot.

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Source: Slashdot – Tencent Cloud Announces Deepfakes-As-a-Service For 5