NASA’s OSIRIS-REx seven-year mission to collect rocks and dust from a near-Earth asteroid is complete. The capsule containing the final samples returned to Earth on the morning of September 24th, touching down in the desert at the Department of Defense’s Utah Test and Training Range at 10:52 am ET.

The device collected around 250 grams of material from a carbon-rich asteroid dubbed “Bennu,” which NASA says hosts some of the oldest rocks in our solar system. The sample gives scientists more information about the building blocks of what planetary makeup looked like 4.5 billion years ago. 

Because asteroids are considered to be natural “time capsules” — due to how little they change over time – they can offer researchers a window into the chemical composition of our early solar system and determine whether or not Bennu carried the organic molecules that are found in life. Now that samples are in the hands of NASA scientists, the agency says its researchers will catalog the collection and conduct in-depth analysis over the next two years. 

NASA’s mission began all the way back in September 2016, launching from Cape Canaveral in Florida. It took just over a year to perform its flyby of Earth before arriving at the Bennu asteroid 15 months later in December 2018. In October 20, 2022, the explorer successfully captured samples from Bennu and began its journey back to Earth on May 10, 2021. Upon its touchdown on September 24th, The Origins, Spectral Interpretation, Resource Identification, Security-Regolith Explorer (OSIRIS-REx’s full name) had journeyed 3.9 billion miles.

While NASA’s OSIRIS-REx is not the first attempt a space agency has made to deliver an asteroid sample to Earth, this mission’s rendition has the largest sample size. The Bennu sample is estimated to hold about half a pound of rocky material from the asteroid’s surface. In a similar vein, the Japan Aerospace Exploration Agency’s (JAXA) Hayabusa mission delivered specks from an asteroid called Itokawa and in a secondary mission, brought back about 5 grams from another asteroid coined Ryugu in 2021. Japan’s agency shared 10 percent of their samples with NASA at the time. NASA is expected to share a small percentage of its OSIRIS-REx samples from Bennu with JAXA.

While the sample made landfall, NASA’s OSIRIS-REx spacecraft remained in space. It has now set off on a new mission to explore another near-Earth asteroid called Apophis, which NASA says is roughly 1,200 feet (roughly 370 meters) in diameter and will come within 20,000 miles of Earth in 2029. 

The new project, dubbed OSIRIS-APophis EXplorer (OSIRIS-APEX), will study changes in the asteroid that experts believed in 2004 had a 2.7 percent chance of hitting Earth. The spacecraft’s gas thrusters will attempt to “dislodge dust and small rocks on and below Apophis’ surface,” giving experts data on how asteroid’s proximity to Earth affected its orbit, spin rate and surface composition. 

This article originally appeared on Engadget at https://www.engadget.com/nasas-osiris-rex-successfully-delivers-asteroid-samples-back-to-earth-091107901.html?src=rss

Source: Engadget – NASA’s OSIRIS-REx successfully delivers asteroid samples back to Earth

Following marathon negotiations over the last five days, the Writers Guild of America (WGA) and major studios have reached a tentative deal to end a 146-day strike that has shut down much of the industry, Variety has reported. “We can say, with great pride, that this deal is exceptional – with meaningful gains and protections for writers in every sector of the membership,” the WGA wrote in an email to members.

Picketing has been suspended as of Sunday night, but the strike is still in force until it’s ratified and approved by members. “To be clear, no one is to return to work until specifically authorized to by the Guild. We are still on strike until then,” the email stated.

One of the last sticking points was reportedly around the use of generative AI in content production. Other details of the contract have yet to be released, including around streaming residuals, staffing levels for shows and more. “Though we are eager to share the details of what has been achieved with you, we cannot do that until the last ‘i’ is dotted,” wrote the WGA.

Things were looking bleak for the industry in mid-September, but some high-profile WGA members reportedly pressured leadership to restart negotiations. In addition, four key AMPTP executives (Bob Iger from Disney, NBCUniversal’s Donna Langley, Ted Sarandos and David Zaslav of Warner Bros. Discovery) participated in negotiations for three days. Bargaining resumed on September 20, and the deal was reached five days later.

Considering the strike length and WGA leadership’s high level of praise for the deal, a positive vote from membership seems probable. The guild credited membership’s solidarity and its willingness to “endure the pain and uncertainty of the past 146 days” as key to clinching the deal. “It is the leverage generated by your strike, in concert with the extraordinary support of our union siblings, that finally brought the companies back to the table to make a deal,” it stated in the message.

The labor strife isn’t finished yet, though. The SAG-AFTRA actors’ guild is still on strike after hitting picket lines on July 14 over issues like likeness rights. “While we look forward to reviewing the WGA and AMPTP’s tentative agreement, we remain committed to achieving the necessary terms for our members,” the union wrote in a statement.

Even after the actors reach their own deal, it will take time for TV series, films, talk shows and other productions to get back up to speed — so expect delays in your favorite shows coming back. The AMPTP has yet to comment on the WGA deal. 

This article originally appeared on Engadget at https://www.engadget.com/the-hollywood-writers-strike-may-soon-end-after-tentative-deal-is-struck-082357469.html?src=rss

Source: Engadget – The Hollywood writers strike may soon end after tentative deal is struck

American entrepreneurs have long fixated on extracting the maximum economic value out of, well really, any resource they can get their hands on — from Henry Ford’s assembly line to Tony Hsieh’s Zappos Happiness Experience Form. The same is true in the public sector where some overambitious streamlining of Texas’ power grid contributed to the state’s massive 2021 winter power crisis that killed more than 700 people. In her new book, the riveting Optimal Illusions: The False Promise of Optimization, UC Berkeley applied mathematician and author, Coco Krumme, explores our historical fascination with optimization and how that pursuit has often led to unexpected and unwanted consequences in the systems we’re streamlining. 

In the excerpt below, Krumme explores the recent resurgence of interest in Universal Basic (or Guaranteed) Income and the contrasting approaches to providing UBI between tech evangelists like Sam Altman and Andrew Yang, and social workers like Aisha Nyandoro, founder of the Magnolia Mother’s Trust, in how to address the difficult questions of deciding who should receive the financial support, and how much.

Excerpted from Optimal Illusions: The False Promise of Optimization by Coco Krumme. Published by Riverhead Books. Copyright © 2023 by Coco Krumme. All rights reserved.

False Gods

California, they say, is where the highway ends and dreams come home to roost. When they say these things, their eyes ignite: startup riches, infinity pools, the Hollywood hills. The last thing on their minds, of course, is the town of Stockton.

Drive east from San Francisco and, if traffic cooperates, you’ll be there in an hour and a half or two, over the long span of slate‑colored bay, past the hulking loaders at Oakland’s port, skirting rich suburbs and sweltering orchards and the government labs in Livermore, the military depot in Tracy, all the way to where brackish bay waters meet the San Joaquin River, where the east‑west highways connect with Interstate 5, in a tangled web of introductions that ultimately pitches you either north toward Seattle or south to LA.

Or you might decide to stay in Stockton, spend the night. There’s a slew of motels along the interstate: La Quinta, Days Inn, Motel 6. Breakfast at Denny’s or IHOP. Stockton once had its place in the limelight as a booming gold‑rush supply point. In 2012, the city filed for bankruptcy, the largest US city until then to do so (Detroit soon bested it in 2013). First light reveals a town that’s neither particularly rich nor desperately poor, hitched taut between cosmopolitan San Francisco on one side and the agricultural central valley on the other, in the middle, indistinct, suburban, and a little sad.

This isn’t how the story was supposed to go. Optimization was supposed to be the recipe for a more perfect society. When John Stuart Mill aimed for the greater good, when Allen Gilmer struck out to map new pockets of oil, when Stan Ulam harnessed a supercomputer to tally possibilities: it was in service of doing more, and better, with less. Greater efficiency was meant to be an equilibrating force. We weren’t supposed to have big winners and even bigger losers. We weren’t supposed to have a whole sprawl of suburbs stuck in the declining middle.

We saw how overwrought optimizations can suddenly fail, and the breakdown of optimization as the default way of seeing the world can come about equally fast. What we face now is a disconnect between the continued promises of efficiency, the idea that we can optimize into perpetuity, and the reality all around: the imperfect world, the overbooked schedules, the delayed flights, the institutions in decline. And we confront the question: How can we square what optimization promised with what it’s delivered?

Sam Altman has the answer. In his mid-thirties, with the wiry, frenetic look of a college student, he’s a young man with many answers. Sam’s biography reads like a leaderboard of Silicon Valley tropes and accolades: an entrepreneur, upper‑middle‑class upbringing, prep school, Stanford Computer Science student, Stanford Computer Science dropout, where dropping out is one of the Valley’s top status symbols. In 2015, Sam was named a Forbes magazine top investor under age thirty. (That anyone bothers to make a list of investors in their teens and twenties says as much about Silicon Valley as about the nominees. Tech thrives on stories of overnight riches and the mythos of the boy genius.)

Sam is the CEO and cofounder, along with electric‑car‑and‑rocket‑ship‑magnate Elon Musk, of OpenAI, a company whose mission is “to ensure that artificial general intelligence benefits all of humanity.” He is the former president of the Valley’s top startup incubator, Y Combinator, was interim CEO of Reddit, and is currently chairman of the board of two nuclear‑energy companies, Helion and Okto. His latest venture, Worldcoin, aims to scan people’s eyeballs in exchange for cryptocurrency. As of 2022, the company had raised $125 million of funding from Silicon Valley investors.

But Sam doesn’t rest on, or even mention, his laurels. In conversation, he is smart, curious, and kind, and you can easily tell, through his veneer of demure agreeableness, that he’s driven as hell. By way of introduction to what he’s passionate about, Sam describes how he used a spreadsheet to determine the seven or so domains in which he could make the greatest impact, based on weighing factors such as his own skills and resources against the world’s needs. Sam readily admits he can’t read emotions well, treats most conversations as logic puzzles, and not only wants to save the world but believes the world’s salvation is well within reach.

A 2016 profile in The New Yorker sums up Sam like this: “His great weakness is his utter lack of interest in ineffective people.”

Sam has, however, taken an interest in Stockton, California.

Stockton is the site of one of the most publicized experiments in Universal Basic Income (UBI), a policy proposal that grants recipients a fixed stipend, with no qualifications and no strings attached. The promise of UBI is to give cash to those who need it most and to minimize the red tape and special interests that can muck up more complex redistribution schemes. On Sam’s spreadsheet of areas where he’d have impact, UBI made the cut, and he dedicated funding for a group of analysts to study its effects in six cities around the country. While he’s not directly involved in Stockton, he’s watching closely. The Stockton Economic Empowerment Demonstration was initially championed by another tech wunderkind, Facebook cofounder Chris Hughes. The project gave 125 families $500 per month for twenty‑four months. A slew of metrics was collected in order to establish a causal relationship between the money and better outcomes.

UBI is nothing new. The concept of a guaranteed stipend has been suggested by leaders from Napoleon to Martin Luther King Jr. The contemporary American conception of UBI, however, has been around just a handful of years, marrying a utilitarian notion of societal perfectibility with a modern‑day faith in technology and experimental economics.

Indeed, economists were among the first to suggest the idea of a fixed stipend, first in the context of the developing world and now in America. Esther Duflo, a creative star in the field and Nobel Prize winner, is known for her experiments with microloans in poorer nations. She’s also unromantic about her discipline, embracing the concept of “economist as plumber.” Duflo argues that the purpose of economics is not grand theories so much as on‑the‑ground empiricism. Following her lead, the contemporary argument for UBI owes less to a framework of virtue and charity and much more to the cold language of an econ textbook. Its benefits are described in terms of optimizing resources, reducing inequality, and thereby maximizing societal payoff.

The UBI experiments under way in several cities, a handful of them funded by Sam’s organization, have data‑collection methods primed for a top‑tier academic publication. Like any good empiricist, Sam spells out his own research questions to me, and the data he’s collecting to test and analyze those hypotheses.

Several thousand miles from Sam’s Bay Area office, a different kind of program is in the works. When we speak by phone, Aisha Nyandoro bucks a little at my naive characterization of her work as UBI. “We don’t call it universal basic income,” she says. “We call it guaranteed income. It’s targeted. Invested intentionally in those discriminated against.” Aisha is the powerhouse founder of the Magnolia Mother’s Trust, a program that gives a monthly stipend to single Black mothers in Jackson, Mississippi. The project grew out of her seeing the welfare system fail miserably for the very people it purported to help. “The social safety net is designed to keep families from rising up. Keep them teetering on edge. It’s punitive paternalism. The ‘safety net’ that strangles.”

Bureaucracy is dehumanizing, Aisha says, because it asks a person to “prove you’re enough” to receive even the most basic of assistance. Magnolia Mother’s Trust is unique in that it is targeted at a specific population. Aisha reels off facts. The majority of low‑income women in Jackson are also mothers. In the state of Mississippi, one in four children live in poverty, and women of color earn 61 percent of what white men make. Those inequalities affect the community as a whole. In 2021, the trust gave $1,000 per month to one hundred women. While she’s happy her program is gaining exposure as more people pay attention to UBI, Aisha doesn’t mince words. “I have to be very explicit in naming race as an issue,” she says.

Aisha’s goal is to grow the program and provide cash, without qualifications, to more mothers in Jackson. Magnolia Mother’s Trust was started around the same time as the Stockton project, and the nomenclature of guaranteed income has gained traction. One mother in the program writes in an article in Ms. magazine, “Now everyone is talking about guaranteed income, and it started here in Jackson.” Whether or not it all traces back to Jackson, whether the money is guaranteed and targeted or more broadly distributed, what’s undeniable is that everyone seems to be talking about UBI.

Influential figures, primarily in tech and politics, have piled on to the idea. Jack Dorsey, the billionaire founder of Twitter, with his droopy meditation eyes and guru beard, wants in. In 2020, he donated $15 million to experimental efforts in thirty US cities.

And perhaps the loudest bullhorn for the idea has been wielded by Andrew Yang, another product of Silicon Valley and a 2020 US presidential candidate. Yang is an earnest guy, unabashedly dorky. Numbers drive his straight‑talking policy. Blue baseball caps for his campaign are emblazoned with one short word: MATH.

UBI’s proponents see the potential to simplify the currently convoluted American welfare system, to equilibrate an uneven playing field. By decoupling basic income from employment, it could free some people up to pursue work that is meaningful.

And yet the concept, despite its many proponents, has managed to draw ire from both ends of the political spectrum. Critics on the right see UBI as an extension of the welfare state, as further interference into free markets. Left‑leaning critics bemoan its “inefficient” distribution of resources: Why should high earners get as much as those below the poverty line? Why should struggling individuals get only just enough to keep them, and the capitalist system, afloat?

Detractors on both left and right default to the same language in their critiques: that of efficiency and maximizing resources. Indeed, the language of UBI’s critics is all too similar to the language of its proponents, with its randomized control trials and its view of society as a closed economic system. In the face of a disconnect between what optimization promised and what it delivered, the proposed solution involves more optimizing.

Why is this? What if we were to evaluate something like UBI outside the language of efficiency? We might ask a few questions differently. What if we relaxed the suggestion that dollars can be transformed by some or another equation into individual or societal utility? What if we went further than that and relaxed the suggestion of measuring at all, as a means of determining the “best” policy? What if we put down our calculators for a moment and let go of the idea that politics is meant to engineer an optimal society in the first place? Would total anarchy ensue?

Such questions are difficult to ask because they don’t sound like they’re getting us anywhere. It’s much easier, and more common, to tackle the problem head‑on. Electric‑vehicle networks such as Tesla’s, billed as an alternative to the centralized oil economy, seek to optimize where charging stations are placed, how batteries are created, how software updates are sent out — and by extension, how environmental outcomes take shape. Vitamins fill the place of nutrients leached out of foods by agriculture’s maximization of yields; these vitamins promise to optimize health. Vertical urban farming also purports to solve the problems of industrial agriculture, by introducing new optimizations in how light and fertilizers are delivered to greenhouse plants, run on technology platforms developed by giants such as SAP. A breathless Forbes article explains that the result of hydroponics is that “more people can be fed, less precious natural resources are used, and the produce is healthier and more flavorful.” The article nods only briefly to downsides, such as high energy, labor, and transportation costs. It doesn’t mention that many grains don’t lend themselves easily to indoor farming, nor the limitations of synthetic fertilizers in place of natural regeneration of soil.

In working to counteract the shortcomings of optimization, have we only embedded ourselves deeper? For all the talk of decentralized digital currencies and local‑maker economies, are we in fact more connected and centralized than ever? And less free, insofar as we’re tied into platforms such as Amazon and Airbnb and Etsy? Does our lack of freedom run deeper still, by dint of the fact that fewer and fewer of us know exactly what the algorithms driving these technologies do, as more and more of us depend on them? Do these attempts to deoptimize in fact entrench the idea of optimization further?

A 1952 novel by Kurt Vonnegut highlights the temptation, and also the threat, of de-optimizing. Player Piano describes a mechanized society in which the need for human labor has mostly been eliminated. The remaining workers are those engineers and managers whose purpose is to keep the machines online. The core drama takes place at a factory hub called Ilium Works, where “Efficiency, Economy, and Quality” reign supreme. The book is prescient in anticipating some of our current angst — and powerlessness — about optimization’s reach.

Paul Proteus is the thirty‑five‑year‑old factory manager of the Ilium Works. His father served in the same capacity, and like him, Paul is one day expected to take over as leader of the National Manufacturing Council. Each role at Ilium is identified by a number, such as R‑127 or EC‑002. Paul’s job is to oversee the machines.

At the time of the book’s publication, Vonnegut was a young author disillusioned by his experiences in World War II and disheartened as an engineering manager at General Electric. Ilium Works is a not‑so‑thinly‑veiled version of GE. As the novel wears on, Paul tries to free himself, to protest that “the main business of humanity is to do a good job of being human beings . . . not to serve as appendages to machines, institutions, and systems.” He seeks out the elusive Ghost Shirt Society with its conspiracies to break automation, he attempts to restore an old homestead with his wife. He tries, in other words, to organize a way out of the mechanized world.

His attempts prove to be in vain. Paul fails and ends up mired in dissatisfaction. The machines take over, riots ensue, everything is destroyed. And yet, humans’ love of mechanization runs deep: once the machines are destroyed, the janitors and technicians — a class on the fringes of society — quickly scramble to build things up again. Player Piano depicts the outcome of optimization as societal collapse and the collapse of meaning, followed by the flimsy rebuilding of the automated world we know.

This article originally appeared on Engadget at https://www.engadget.com/hitting-the-books-optimal-illusions-coco-krumme-riverhead-books-143012184.html?src=rss

Source: Engadget – Hitting the Books: Beware the Tech Bro who comes bearing gifts

Now that iOS 17 is out in the wild, consumers are getting hands-on time with many just-released iPhone features. One of the neater inclusions is the brand-new StandBy mode. This toolset transforms your lock screen into a myriad of useful widgets, like alarm clocks, picture frames and more.

What is StandBy?

StandBy is a new feature that shipped with iOS 17. It lets you change up your lock screen to access a number of widgets. This can be highly useful when the phone’s tethered to a charging dock or when you just want to take a quick glance at something without having to unlock your sparkly iPhone. There are a number of available widgets for this mode, including alarm clocks, picture frames, Siri, windows for incoming calls and large notification boxes. Third-party apps have been quick to offer support for StandBy, so tomorrow likely brings a host of new options.

How to use StandBy

Getting started with StandBy is extremely simple. Connect your iPhone to a charger and set it down on its side, as the widgets are designed to take advantage of this orientation. Keep the phone stationary and press the side button to activate StandBy. Once activated, swipe left and right to switch between the various widgets, photos, clocks and other display options. Once you choose your favorite, scroll up or down to access adjustment options. For instance, swiping up when the alarm clock is on the screen will change the design.

If your phone has an always-on display, your StandBy widgets will run without interruption. For older phones, you’ll have to tap the screen when you want to see what’s going on. The iPhone 14 Pro, iPhone 14 Pro Max, iPhone 15 Pro and iPhone 15 Pro Max all boast an always-on screen. If you’re worried about the bright screen interrupting your sleep, just turn on Night Mode and the display will automatically adjust to low ambient light, covering everything in a non-intrusive red tint.

How to turn off StandBy

Done staring lovingly at an alarm clock? Turn StandBy off by heading to settings and then look for StandBy as an option. Once you open that, just click it to the off position like you would Bluetooth or WiFi.

How to customize available widgets

The default widget when you first launch StandBy is the alarm clock, and there are several more first-party options available by swiping left and right. However, there’s a simple way to customize the available widgets, allowing you to delete some from the stack and add others.

To start this process, just long press on any widget while StandBy mode is activated. Once the phone unlocks via Face ID, you’ll see the entire stack of widgets in the center of the screen in a jiggle mode reminiscent of when you delete apps. Look for the “+” icon in the top left of the screen to add widgets. Each widget will have a “-” attached to the thumbnail icon. Click on that to delete the widget from your stack.

This article originally appeared on Engadget at https://www.engadget.com/how-to-use-standby-mode-on-your-lock-screen-in-ios-17-130031058.html?src=rss

Source: Engadget – How to use StandBy mode on your lock screen in iOS 17

The New York Police Department (NYPD) is implementing a new security measure at the Times Square subway station. It’s deploying a security robot to patrol the premises, which authorities say is meant to “keep you safe.” We’re not talking about a RoboCop-like machine or any human-like biped robot — the K5, which was made by California-based company Knightscope, looks like a massive version of R2-D2. Albert Fox Cahn, the executive director of privacy rights group Surveillance Technology Oversight Project, has a less flattering description for it, though, and told The New York Times that it’s like a “trash can on wheels.”

K5 weighs 420 pounds and is equipped with four cameras that can record video but not audio. As you can guess from the image above, the machine also doesn’t come with arms — it didn’t quite ignore Mayor Eric Adams’ attempt at making a heart. The robot will patrol the station from midnight until 6 AM throughout its trial run that’s running over the next two months. But K5 won’t be doing full patrols for a while, since it’s spending its first two weeks mapping out the station and roaming only the main areas and not the platforms. 

It’s not quite clear if NYPD’s machine will be livestreaming its camera footage, and if law enforcement will be keeping an eye on what it captures. Adams said during the event introducing the robot that it will “record video that can be reviewed in case of an emergency or a crime.” It apparently won’t be using facial recognition, though Cahn is concerned that the technology could eventually be incorporated into the machine. Obviously, K5 doesn’t have the capability to respond to actual emergencies in the station and can’t physically or verbally apprehend suspects. The only real-time help it can provide people is to connect them to a live person to report an incident or to ask questions, provided they’re able to press a button on the robot. 

NYC is leasing K5 for around $9 an hour for the next two months. The mayor sounds convinced that’s worth what the robot can do even though, as The Times notes, he recently ordered several agencies to reduce spending by 15 percent. “This is below minimum wage,” he said. “No bathroom breaks, no meal breaks.” Adams has a history of supporting the use of machines as police tools. Earlier this year, the mayor also announced that the NYPD will acquire two Digidog robots for $750,000 each for use in hostage and other critical situations. That’s quite a reversal from the NYPD’s decision in 2021 to cancel its lease on what was then known as Boston Dynamics’ Spot after facing backlash for its use.

This article originally appeared on Engadget at https://www.engadget.com/an-nypd-security-robot-will-be-patrolling-the-times-square-subway-station-130029937.html?src=rss

Source: Engadget – An NYPD security robot will be patrolling the Times Square subway station

If you want to easily share contact information with someone, Apple’s NameDrop is an efficient tool. With the recent launch of iOS 17, however, some consumers worry that accessing the new tool boasts a steep learning curve. That’s not true at all, as it’s quite simple to get started with NameDrop. Here’s our guide on how to share contact information like a true boss.

What is NameDrop?

NameDrop is a feature that comes with iOS 17. It allows you to instantaneously send contact information to other people just by placing your iPhone near to their iPhone. This is similar to the pre-existing Tap to Share toolset, but with a specialized emphasis on contact information. There have been plenty of third-party apps that do this sort of thing, but this is Apple’s first-party solution.

How to use NameDrop to share contact information

NameDrop is extremely simple. Just hold your iPhone near the top of someone else’s iPhone. That’s it. You’ll see a faint glow emerge from the top of both devices to indicate a successful connection and NameDrop will appear on both screens. 

Once connected, you’ll be able to adjust exactly what contact information gets shared between the two devices. You can receive the other person’s information, send your information or do both at once. If you want to cancel, just move the phone away before the system finishes its dark magic.

This only works for new contacts, though, and cannot be used to update pre-existing contact information. You can get around this limitation by deleting the contact before going in for the NameDrop.

How to use contacts on iPhone to share information

NameDrop requires that both phones are updated to iOS 17, and that’s not always a realistic possibility. You have another choice for sending out contact information. Just head into the Contacts app and select Share Contact. Select the specific data you want to share and tap Done. Finally, select the delivery method. You can choose between Messages, Mail and several other options. This isn’t as easy as moving one phone close to another phone, but it should still take just a few seconds.

This article originally appeared on Engadget at https://www.engadget.com/how-to-use-namedrop-in-ios-17-130020397.html?src=rss

Source: Engadget – How to use NameDrop in iOS 17

Tinder has officially rolled out its most exclusive subscription — “Tinder Select” — according to a report by Bloomberg. This elite pay-to-date tier will cost love seekers $500 per month (or $6,000 annually — apparently there are no bulk discounts to be found here) for access to unique features like exclusive search and matching.

This may sound ridiculous to the general public, and it may be why Tinder has decided to hold off on making the new tier available to everyone just yet. Tinder Select has only been offered to less than one percent of users the company considers “extremely active.” Tinder told Bloomberg that it will open up applications for Tinder Select on a rolling basis but it didn’t say exactly when. Tinder’s exclusive membership was originally hinted at all the way back in 2019.

Tinder’s parent company, Match Group, reported that the app’s direct revenue raked in about $475 million in the second quarter of 2023, growing about six percent year over year. However, the number of people willing to pay for Tinder subscriptions declined four percent to 10.5 million. At a Citi conference in early September, Match Group President Gary Swidler said he thinks Tinder Select has the potential to have an impact on the company’s overall revenue.

Match Group has dabbled in exclusive dating apps like “The League,” which it bought in 2022, so it’s not too surprising that it’s getting its flagship app into this space too. But if you’re not up for that kind of commitment (if you even qualify) you can opt for other Tinder subscriptions — Plus, Gold, and Platinum, which have monthly memberships that start at $20, $30, and $40, respectively. Each tier provides different exclusive features (Platinum members, for instance, can message who they like before even matching.) 

Whether these paid versions will increase your personal odds of finding a partner is anyone’s best guess. Thankfully, Tinder (and the majority of competitor dating apps) retain unpaid membership options, so those of us without $500 a month to burn can continue to get ghosted for free.

This article originally appeared on Engadget at https://www.engadget.com/you-can-find-love-on-tinder-for-500-a-month-if-you-qualify-for-its-elite-tier-213159522.html?src=rss

Source: Engadget – You can find love on Tinder for 0 a month, if you qualify for its elite tier

If you’re setting up a new iPhone 15 today, you might run into some problems. As first reported by 9to5Mac, the new models (including standard and pro variants) can get stuck in a boot loop where they may freeze on the Apple logo when transferring apps and data to the new model. Although Apple says the setup process should prompt you to install iOS 17.0.2, which fixes the problem, some users (including one Engadget staff member) have reported that it failed to do that. Here’s what to do.

First, if your iPhone 15 setup prompts you to install iOS 17.0.2 before reaching the data-transfer step, you’re good to go: That means Apple’s hotfix worked as planned, and you don’t need to worry about any special instructions. Accept the update, wait for it to install and complete the process. But you’ll need to hop on a computer if it doesn’t prompt you to update.

Computer workaround

Start by plugging your iPhone into a Mac or Windows PC using its supplied (or any compatible) USB-C cable. Then, put the phone in recovery mode using the following button combinations: While it’s still plugged in, quickly press the iPhone’s volume up button, then the volume down button. Immediately after, press and hold the phone’s side (power / sleep) button until your handset displays the image below of a computer and cable. (If you don’t see it, try the button combinations again without pausing.)

Next, Mac users can open Finder and select their iPhone from the sidebar. Windows users will need to open iTunes. (If you don’t already have it, you can download it from here.)

After opening Finder (Mac) or iTunes (Windows), it will ask if you want to restore or update your phone. Choose “Restore,” and it will install the new software. (Apple notes that if your iPhone restarts while your Mac or PC downloads the update, you’ll need to wait for the update to complete before repeating the recovery mode button combination from paragraph three.)

After your Mac or PC completes the software restore, you should be able to unplug your iPhone and follow the prompts on its screen to set it up and transfer your data as usual.

Workaround without a computer

If you’re on the go or otherwise don’t have access to a computer, there’s an alternate method that may take a little longer. After powering up the phone, select the option to set it up as a new iPhone instead of transferring apps and data from your old model or iCloud. Then, after it takes you to a clean Home Screen for the first time, navigate to Settings > General > Software Update, and install the iOS 17.0.2 update.

After the update completes, head to Settings > General > Transfer or Reset iPhone, and choose “Erase All Content and Settings” at the bottom of the screen. After it completes the factory reset, the setup process should allow you to transfer your existing content from iCloud or your old handset.

Once you’ve set up your new phone, you can check out Engadget’s iPhone 15 Pro / Pro Max review and iOS 17 preview to brush up on all your new features.

This article originally appeared on Engadget at https://www.engadget.com/iphone-15-stuck-on-the-apple-logo-during-setup-heres-how-to-fix-it-210049112.html?src=rss

Source: Engadget – iPhone 15 stuck on the Apple logo during setup? Here’s how to fix it

The Federal Trade Commission looks set to drag Amazon into another legal battle between the two sides. The agency is preparing to file an antitrust suit against Amazon as soon as next week, according to Bloomberg. Reuters reports that the FTC has sent a draft complaint to attorneys general in an attempt to get as many states as possible on board with its case.

The details of the long-awaited legal challenge are not known as yet. It’s anticipated that the FTC will take aim at Amazon Prime, as well as claims that Amazon pushes third-party sellers to use its logistics and advertising services. The FTC is also said to believe that Amazon has rules to prevent products from being sold for less on rival platforms, which could be a factor in the suit (California has sued Amazon over that alleged practice).

The FTC has been scrutinizing Amazon for several years. If it files suit next week, that will mark the fourth action it has taken against the company this year. In May, the agency sued Amazon over children’s privacy concerns related to Alexa and claims that it was snooping on Ring users. Amazon paid a total of $30.8 million to quickly settle charges in both cases.

The following month, the FTC filed another complaint against Amazon, this time claiming that the company coerced people into signing up for a Prime subscription then making it difficult for them to cancel. That case is still ongoing. This week, the agency added three Amazon executives as defendants. It claims those individuals rebuffed pleas from Amazon employees to stop using deceptive tactics to trick people into signing up for a recurring payment through Prime.

This article originally appeared on Engadget at https://www.engadget.com/the-ftc-may-file-an-antitrust-lawsuit-against-amazon-as-soon-as-next-week-194524903.html?src=rss

Source: Engadget – The FTC may file an antitrust lawsuit against Amazon as soon as next week

Unity announced significant concessions to its new game developer pricing on Friday. After rolling out the widely scorned changes 10 days ago, including a per-install fee many developers said could upend their entire businesses, the company rolled out a walkback today that softens some of the policy’s sharper edges.

Perhaps most notably, users on the Unity Personal plan will no longer be subject to the Unity Runtime Fee. This broadly disdained charge would have forced smaller developers to pay every time their game was installed (including reinstallations from the same user). Under the revised policy, Unity Personal users can earn up to $200,000 without changing plans — up from the previous $100,000. In addition, the company is waiving the requirement to include the “Made with Unity” splash screen.

Meanwhile, developers on Unity Pro and Enterprise plans won’t have to worry about the Unity Runtime Fee until they upgrade to the next LTS (long-term support) version of the engine shipping in 2024. Any current games or projects in development based on versions of Unity older than that won’t be charged the fee. It also only applies to those who switch to the upcoming version. “We will make sure that you can stay on the terms applicable for the version of Unity editor you are using — as long as you keep using that version,” Unity Create leader Marc Whitten wrote today.

Devs on Unity Pro or Enterprise plans who qualify for the Unity Runtime Fee will pay either a 2.5% cut of their revenue or a “calculated amount based on the number of new people engaging with your game each month.” A fee summary webpage clarifies those as “initial engagements,” which sounds like it voids the previous method that would have charged developers twice if the same person uninstalled and reinstalled their game (or downloaded it onto a new device). In addition, Unity clarified that developers will self-report the numbers determining the fee and will always pay the lesser amount of the two, quelling concerns about the potential for tracking and abuse.

Unity also said no game with less than $1 million in revenue for the preceding 12 months will pay the fee.

Whitten sounded a conciliatory tone as the company does damage control over its roundly condemned plans. “I want to start with simply this: I am sorry,” he wrote. “We should have spoken with more of you and we should have incorporated more of your feedback before announcing our new Runtime Fee policy. Our goal with this policy is to ensure we can continue to support you today and tomorrow, and keep deeply investing in our game engine. You are what makes Unity great, and we know we need to listen, and work hard to earn your trust. We have heard your concerns, and we are making changes in the policy we announced to address them.”

This article originally appeared on Engadget at https://www.engadget.com/bowing-to-pressure-unity-announces-the-terms-of-its-surrender-193422770.html?src=rss

Source: Engadget – Bowing to pressure, Unity announces the terms of its surrender

From alarming questions about Elon Musk’s role in Ukraine’s war effort, to new details about his complicated personal life, there has been no shortage of bombshells from Walter Isaacson’s recently released biography of Elon Musk.

The book covers his childhood in South Africa, as well as his business dealings, from his first startup to Tesla, SpaceX and Neuralink. Perhaps unsurprisingly, more than a quarter of the book is devoted to Twitter.

Isaacson spent two years with Musk and thus had a front-row seat to his takeover of Twitter, beginning with his move to become a major stakeholder last spring. While much of the drama that unfolded at Twitter (now, X) over the last year and half has been well-documented, Isaacson’s account adds telling — and at times bizarre — new details about how it all went down.

Musk almost immediately regretted his decision to buy Twitter

Isaacson describes Musk’s initial bid to buy Twitter as impulsive — the result of one of his frequent “manic” moods. And he writes that Musk regretted the plan almost immediately after the deal was put in motion — both because he thought he was overpaying, and because he was so unimpressed with Twitter’s former leadership. Musk later admits, more than once, that he bought the company because he didn’t have a choice.

“I don’t know why I did it,” he says two weeks after the deal finally closed. “The judge basically said that I have to buy Twitter or else, and now I’m like, okay, shit.”

The main motivation for increasing Twitter Blue subscriptions

We already know that Musk wants to bring banking and payments features to X, but the book makes it clear that those ambitions are very much intertwined with his push for Twitter Blue (now called X Premium) subscriptions. Isaacson writes that Musk was so focused on Twitter Blue because he saw it as a way to “get a user’s credit card information into the system, enabling Twitter someday to become the broader financial-services and payments platform.”

However, the plan was somewhat derailed by Apple, as most of Twitter’s subscribers signed up via its iPhone app, and Apple doesn’t share user data, like credit card and other financial details, with app makers. Incredibly, upon learning of this, Musk instructed Yoel Roth, Twitter’s former head of trust and safety, to “just call Apple and tell them to give you the data you need.” Roth, realizing that such a request would not go over well with Apple, declined to make the call.

Musk would later meet with Tim Cook amid a separate dispute related to Twitter’s iOS app, but, according to Isaacson, Musk opted not to bring up the user data issue. But it underscores just how important financial data is to his vision to make X an “everything app.”

Musk tried to ban the ADL and other activists in 2022

Musk often portrays himself as a noble defender of free speech, but even a sympathetic biographer is quick to point out all the ways Musk put his interests ahead of free speech after acquiring Twitter.

Months before Musk would boost the #BanTheADL hashtag, he wanted to ban the group and other activists for urging advertisers to boycott the platform, Isaacson writes. Musk apparently went to Yoel Roth, twitter’s former head of trust and safety, and demanded he “stop users from urging advertisers to boycott Twitter.”

Musk then tried to ad lib a new policy to justify what would have been an unprecedented ban. “I’m changing Twitter policy right now … blackmail is prohibited as of right now. Ban it. Ban them,” Musk said. Roth deflected and Musk apparently dropped the issue.

Musk flip-flopped on whether to restore Donald Trump’s account

Despite joking to his sons that he was buying Twitter to help Trump get reelected, Musk is no fan of Trump, according to Isaacson.

“I want to avoid the bullshit disputes about Trump,” Musk had told me a few weeks earlier, emphasizing that his principle had always been to allow free speech only if it was within the bounds of the law. “If he’s engaged in criminal activity — and it seems increasingly that he has — that’s not okay,” Musk said. “It’s not free speech to subvert democracy.”

Musk, of course, would change his mind and decide that a Twitter poll was a better way to decide the issue. Isaacson doesn’t speculate on a reason for the reversal other than saying he was in a “feisty mood” that day.

How the “hardcore Twitter” pledge came about

In the several weeks following his chaotic takeover of Twitter, Musk laid off thousands of Twitter workers. Isaacson sheds new light on how these decisions were made, writing that Musk tapped his two first cousins and their close friend — all of whom worked at Musk’s other companies — to help him identify who should be cut.

Around this time, one of the more infamous stories to come out of Twitter was an online form sent to the remaining staffers, giving them two days to commit to the new “hardcore” version of the company. According to Isaacson, the form was inspired by one of Musk’s cousins, who after digging through Twitter employees’ public Slack messages, “suggested to Musk that he give employees the chance to opt out.” Musk later decided to make the form opt-in, rather than opt-out. “We want people who declare they are hardcore.”

What really happened to Twitter’s servers

Last December, Musk decided to move thousands of Twitter servers from a data center in Sacremento to a facility in Oregon in order to save money. But when Twitter engineers said the move would take at least six months, Musk grew angry, saying he felt like the “head-explosion emoji.”

Then, two days before Christmas, Musk made an impromptu visit to the Sacramento facility and declared moving the servers didn’t “seem super hard.” By the next day, Christmas Eve, Musk had tapped his cousins and others to start the move. The group began rolling the 2,500-pound server racks, which contained “totally critical data” onto a Oregon-bound moving truck. Twitter’s rules required servers with user data to be wiped before such a move, but Musk opted to use Apple AirTags and store-bought padlocks to secure them instead.

Ultimately, all of the servers were relocated within weeks, rather than the several months the company’s engineers originally estimated. But the move also caused months of instability within Twitter’s systems. This resulted in a number of issues, including a disastrous live stream with Florida Governor Ron DeSantis, who was almost unable to announce his presidential bid.

The hasty move has also attracted the scrutiny of the FTC, which is investigating X over a number of privacy and data related issues. Recently revealed court documents refer directly to the incident as an example of the company failing to follow its own security policies.

Musk’s obsession with a mobile strategy game called Polytopia

The book is filled with details about Musk’s personal relationships. But one of the more bizarre details is his long-running obsession with a mobile strategy game called The Battle of Polytopia that many of his confidantes say is key to understanding him. Musk is apparently so addicted to the game that at one point in the narrative he skips a meeting with Tesla managers so he can keep playing.

Musk is so obsessed that he’s roped much of his inner circle, including Grimes, his brother Kimbal and Shivon Zilis, the Neuralink executive with whom he has twins, into playing as well. All of them eventually deleted the game, with his brother Kimbal saying it was “destroying” his marriage. Musk, on the other hand, deleted the app from his phone but, a couple months later, opted to keep playing.

This article originally appeared on Engadget at https://www.engadget.com/what-the-elon-musk-biography-revealed-about-his-tumultuous-twitter-takeover-184548188.html?src=rss

Source: Engadget – What the Elon Musk biography revealed about his tumultuous Twitter takeover

The National Football League, like most professional sporting industries, is embracing artificial intelligence. Through a partnership with Amazon Web Services called Next Gen Stats, the NFL is hoping that intelligent algorithms, with the help of high-tech data collection tools, will be able to extract meaningful data from games and decipher patterns in player performances. AWS says it was inspired by submissions to the 2023 Big Data Bowl, an annual software competition organized by the NFL, when it set out to invent a new category of analytics that pertains to the analysis of “pressure” in the game of football.

AWS helped build out AI-powered algorithms that can analyze player behavior on the field and can pick up on how aggressive a defender played, how fast they were and even how quickly a quarterback responded. This granular data quantifies pressure and in doing so, allows game analysts to dissect the strategies that might influence plays. This innovative suite of analytics rises above traditional statistics that are limited in how much they can reveal. While traditional data can tell you if a rusher passes a quarterback, it may not be able to provide insights on how much of a fight was put up. This is where the pressure probability being tracked by “Next Gen Stats” delves into more detail.

Eagle-eyed visitors to Samsung’s Argentinian website have spotted something a little unexpected — a product page for new Galaxy Buds FE earbuds, along with images of a Galaxy S23 FE smartphone and Galaxy Tab S9 FE tablet. That’s because the company leaked its latest Fan Edition devices, as noted by SamMobile. One of the smartphone images includes the date October 4 on the device, which could be a nod toward the announcement or a release date.

The company hasn’t let slip any specs for the phone and tablet as yet. However, the Galaxy S23 FE and Galaxy Tab S9 FE were reportedly mentioned by name on the page. This is about as close as Samsung can get to a formal announcement without a press release or an Unpacked.

The product page (which Samsung has taken down) did mention some details about the Galaxy Buds FE, Samsung’s first Fan Edition earbuds. They’re slated to have a single 12mm driver, three microphones in each earbud to bolster the active noise cancellation function and a three-way speaker.

Samsung’s Fan Edition devices have proven popular over the years. They tend to pack in solid features for a more reasonable price than the company’s flagship models. It’s safe to imagine that quite a few people will be looking forward to snapping up this year’s FE devices.

While the leak appears to have been an error, we can’t count out the possibility that Samsung deliberately showed off the latest FE devices before an official announcement. Major hardware companies are all jostling for your attention around this time of year. Just before Apple revealed the iPhone 15 lineup last week, Google dropped some teasers for its Pixel 8 and Pixel Watch 2 devices — Google’s Pixel event isn’t until October. So, Samsung may have been looking for headlines with a purposeful leak here (in which case, it evidently worked).

The more likely scenario is that it’s another unintentional slip up for the company. It’s probably not quite as bad or as damaging as this week’s massive Xbox leak, but you’d think Samsung would know better by now in any case.

This article originally appeared on Engadget at https://www.engadget.com/samsung-leaks-its-upcoming-fan-edition-devices-including-a-phone-tablet-and-earbuds-172156048.html?src=rss

Source: Engadget – Samsung leaks its upcoming Fan Edition devices, including a phone, tablet and earbuds

Amazon has a half-off deal for Prime members on a Blink outdoor / indoor security camera bundle. The sale gives you a pair of Blink Outdoor 4 cameras, which launched last month, and a Blink Mini for only $117.49. Whether these are your first security cameras or you’re adding to an existing setup, this is a chance to save 50 percent off their usual cost.

The Blink Outdoor 4 is a wireless device that, despite its name, can work as an inside or outside camera. It supports person detection, which uses computer vision to alert you when it spots a human in its field of view (if you also subscribe to an optional Blink subscription). The camera offers 1080p HD video, infrared night vision, two-way audio and enhanced dual-zone motion detection. Its bundled AA batteries can last up to an estimated two years. Also included is the Blink Sync Module 2, required for offline storage (if you bring your own USB drive).

Meanwhile, the Blink Mini is the company’s classic entry-level indoor camera. The wired device also records and streams in 1080p. It includes motion detection, two-way audio and night vision. It also requires a Blink subscription to save clips in the cloud, but, like the Outdoor 4, the Blink Mini also supports offline storage if you connect a USB drive to the Sync Module 2.

Remember that the deal is only available for Amazon Prime members. And it only lasts until midnight Pacific time.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/amazon-prime-members-can-get-a-blink-camera-bundle-for-half-off-164520041.html?src=rss

Source: Engadget – Amazon Prime members can get a Blink camera bundle for half off

No, the sale hasn’t started yet. Amazon’s second Prime-related event for 2023 is officially called Prime Big Deal Days and will happen October 10 and 11. This is the second year for a fall-based, site-wide Amazon sale and we’re already seeing discounts pop up. You’ll need a Prime membership to access many of the deals, though a few are available to everyone. This week, notable sales include first-ever discounts on the second-gen AirPods Pro with USB-C charging and iPhone 15 cases with Apple’s leather-replacing FineWoven material. Amazon’s own Kindle Scribe writable ereader is seeing discounts of up to $90, and a bundle of Blink’s new outdoor cameras are half price. We also included a Solo Stove deal from elsewhere on the web that’s worth considering. Here are the best early access October Prime Day deals you can get right now. 

Apple AirPods Pro (2nd gen, USB-C)

Last Tuesday, Apple revealed new iPhone 15 models, and one of the most notable changes was the switch to a USB-C port. The company also announced the latest (second generation) AirPods Pro would now come with the same connectivity. Just a week later, you can get those buds on Amazon for $200, which is $49 below list price and the same sale price we’ve been seeing for the AirPods Pro with Lightning. The earbuds themselves haven’t changed much, save for a little more waterproofing. They should offer the same excellent transparancy mode and substantially improved audio quality over the first-gen Pros. 

Blink Outdoor 4 security camera bundle

Amazon just announced the latest generation of its wireless outdoor security camera, the Blink Outdoor 4. If you’re a Prime member, you can get a two-pack of the new cameras, plus an indoor Blink mini camera and a Sync Module 2 for 50 percent off. Bought separately, the set would run you $235 at full price, but the early Prime deal brings it down to $117.50. The latest-gen cameras have better image quality and low-light sensitivity and the field of view has increased to 143 degrees. A new custom processor on board helps boost the image quality and can differentiate people from other moving things (though enabling that feature requires a subscription). Along with the two cameras and mounting kits, you also get one indoor Mini camera and a Sync Module 2, which acts as a hub that enables app control and local storage of video clips. The AA batteries required for outdoor cams are also included, which should last for two years before you need to replace them. 

Kasa Smart Bulbs

Smart lightbulbs like these not only adjust to whatever color you want, you can also control them with the app or just your voice (and a compatible smart speaker). Kasa’s KL125 bulbs made the cut as the budget pick in our guide to smart bulbs because they are easy to install, easy to use and pack a ton of features. Right now they’re down to $28, which is a 30 percent discount and close to the lowest price we’ve tracked. 

Apple iPhone 15 Fine Woven cases

In addition to announcing the iPhone 15 at last week’s event, the folks at Apple also spent a lot of time talking up the company’s environmental initiatives. One change eliminates all leather from the products Apple sells and a new material, called FineWoven, will take its place on accessories like iPhone cases. Right now, Amazon is discounting the new iPhone 15 FineWoven cases by five percent. It’s not a huge discount, but if you’ve just dropped a grand on the new iPhone 15 Pro, even little savings might help. 

Amazon Kindle Scribe

Prime members can save between $75 and $90 on a Kindle Scribe at Amazon right now. The configuration with 64GB of storage and the Premium Pen is $330 or $90 off, while the 16GB base model with the Basic Pen is $265 or $75 off. The deals are pretty close to the ones we saw during Prime Day this July, coming in about $10 more. The Kindle Scribe earned an 85 in our review and is our current pick for the best ereader E Ink tablet. We appreciate the low-latency writing, large and roomy screen, and the integration with Amazon’s Kindle services. You can also click the button to get Kindle Unlimited with your Scribe for free for three months, just remember that the subscription will auto-renew at the end of the trial. 

Apple Watch Ultra

The second generation of the Apple Watch Ultra is available to buy as of today — but the new version isn’t on sale. First generation Apple Watch Ultras, however, has been discounted by $100 on Amazon bringing them to $699 instead of $799. The discount only applies to the watch with the orange Alpine Loop in small. The medium and large bands are about a dollar more, and watches with different colored bands aren’t discounted. We gave the first AW Ultra an 85 in our review, praising its long battery life, bright display and useful fitness and health features. Of course it doesn’t have the new features of the new Apple Watches, including the tap navigation and the S9 SiP (system-in-package) processor for on-board Siri requests. But if all you need is a rugged watch with lots of hiking, running and other activity features, now’s your chance to save. 

OnePlus 11 5G

The OnePlus 11 5G Android smartphone is currently $100 off at Amazon. It’s dropped to this price a few times before, and matches its all-time low. This is the latest flagship phone from OnePlus, which earned an 83 in our review. It packs a powerful processor, a vivid screen and has a long-lasting battery that also happens to charge blazingly fast. 

Amazon Fire Omni QLED TVs

All sizes of Amazon’s Fire TV Omni QLED Series are on sale ahead of October’s sale. The 43-, 50-, 55- and 65-inch models are down to $380, $400, $440 and $600, respectively. Those match or beat the prices we saw for July’s Prime Day. The Fire TV Omni QLED sets are best for people who like Amazon’s Fire interface, which we found easy enough to figure out, though the OS does tend to push you towards Amazon’s own content. Beyond that Fire TVs do a good job of integrating Alexa’s helpfulness with a useful voice remote, and hands-free smart home support. And if you don’t feel like having Alexa listening in, you can turn off the mics with a built-in switch.

Samsung Galaxy S23 phones

All models of Samsung’s flagship S23 smartphones are on sale right now, including our pick for the best Android smartphone you can buy, the Galaxy S23 Ultra. The 256GB base model is down to $999 after a 17 percent, or $200, discount. The phone has been hitting that low regularly over the past few months, so if you’ve been thinking about getting one, it’s probably best to make your move when its at this price. The other two phones in the S23 lineup are also on sale, with the base model of the standard Galaxy S23 going for $700 and the S23+ going for $800, both of which are $100 discounts. 

Amazon Fire HD 10 Kids Pro tablet

Updated versions of Amazon’s kids-focused tablets are on their way, though they won’t arrive until after October’s Prime sale. The new versions will have 25 percent faster processors, but if you don’t think your kid will care about having the latest model, you can save $60 on the current gen Fire HD 10 Kids Pro tablets. This is our current pick for the best tablet for kids as it comes with a “kid-proof” case and a two-year warranty — just in case your kid proves exactly how optimistic that terminology is.  

It also comes with a free year of Amazon Kids+, which will incorporate a new “Explore with Alexa” feature that takes advantage of the upcoming improvements to Alexa’s conversational abilities, with a kid-friendly bent. 

Solo Stove sitewide coupon

Solo Stove is offering sitewide coupons for up to $100 off its popular outdoor pizza ovens and fire pits. Enter SAVE20 at checkout to get $20 off purchases over $125, SAVE40 to get $40 off anything over $350 and SAVE100 to lower the price by $100 if your purchase is over $550. The codes should work with all fire pits bundles, pizza ovens or other products, and they even stack atop other discounts. The deal applies to the Pi Pizza oven, which we recommend in our guide, as well as the Bonfire 2.0 fire pit, which is one of our favorite bits of outdoor gear for fall. 

Motorola razr+

Motorola just released its new razr+ foldable flip phone a few months ago, but it’s already seeing a $100 discount at Amazon. We gave it an 85 in our Engadget review noting that it was giving Samsung a little competition in the flip foldable category. It’s also the runner up flip option in our guide to foldable smartphones in part because its exterior display is actually a little easier to use than Samsung’s version. Just keep in mind that the water resistance isn’t as substantial. 

Your Fall Prime Day Shopping Guide: See all of our Prime Day coverage. Shop the best Prime Day deals on Yahoo Life. Follow Engadget for Prime Day tech deals. Learn about Prime Day trends on In The Know. Hear from Autoblog’s car experts on must-shop auto-related Prime Day deals and find Prime Day sales to shop on AOL, handpicked just for you.

This article originally appeared on Engadget at https://www.engadget.com/the-best-october-amazon-prime-day-early-access-deals-for-2023-163031906.html?src=rss

Source: Engadget – The best October Amazon Prime Day early access deals for 2023

Samwise Gamgee may be pleased to learn that we’re going back to the Shire. Another Lord of the Rings game has been announced, but it’s one that should be vastly different from the likes of Lord of the Rings: Gollum. Tales of the Shire is described as a “cozy” game that’s coming to PC and consoles in 2024.

Details about the upcoming title are thin on the ground, but a lovely little live-action trailer hints at the tone. It shows an illustrator drawing images of a hobbit and a Hobbit-hole (the semi-underground domicile of such a being). The artist moves away and the pages of the sketchbook blow over to show other hobbit residences and signs for various locations around the Shire.

The Ayaneo Slide is one step closer to becoming a real, in-your-hands device, with the launch of its Indiegogo holding page. The company first announced the Ayaneo Slide back in January and initially set a release date for the second quarter of 2023.

The Slide’s shape is reminiscent of an early 2000s favorite, the Sidekick, giving it a real boost for nostalgia seekers. It has a six-inch 1080p floating screen with an adjustable angle for viewing preference. Ayaneo claims the keyboard has an ergonomic design and can display a range of light effects.

Its system is based on the Ryzen 7000 mobile APUs, utilizes a 46.2Wh battery and has a Hall sensing joystick and trigger — plus a master controller. The Slide also has the company’s updated frontend, AyaSpace 2, which upgraded the interface, quick settings window and gameplay customization. Hyper Sound stereo dual speakers and a customized heat dissipation system round out its primary features, but a promotional video details the Slide’s many functions.

Solo Stove makes some of the best pizza ovens and other outdoor gear around, and thanks to some sitewide coupons, you can pick up the company’s products for less than usual. Use SAVE20 to get $20 off purchases over $125, SAVE40 to get $40 off anything over $350 and SAVE100 to lower the price by $100 if you’re buying something over $550. The codes should work with any fit pits, bundles, pizza ovens or other products on the Solo Stove storefront.

Best of all, the coupons stack on top of other discounts. Case in point: the Solo Stove Bonfire 2.0 has dropped by $150 down to $250, and you can save an extra $20 by using the SAVE20 discount code.

The Solo Stove Bonfire 2.0 is a smokeless fire pit you can use to help you stay warm, toast marshmallows and enjoy the outdoors more. Now that we’re officially into fall, it’s the kind of product that could help you make the most of the cooler evenings. In fact, the Bonfire 2.0 is among our favorite outdoor tech items for the fall. It’s Solo Stove’s medium-sized fire pit and the removable base plate and ash pan make it much easier to clean than the previous model.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/solo-stoves-sitewide-coupons-give-you-up-to-an-extra-100-off-140545319.html?src=rss

Source: Engadget – Solo Stove’s sitewide coupons give you up to an extra 0 off

Content creators have become a key segment in the mirrorless camera industry, and Sony fully embraced them back in 2020 with the launch of the ZV1 camera. It has since added no less than four models to its ZV lineup, with the latest being the 12-megapixel full-frame ZV-E1 — its most capable model by far.

It uses the same sensor as the $3,500 A7S III, a video-focused camera that’s also a low-light marvel. However, the ZV-E1 costs $1,300 less, so of course it’s missing some key features like an electronic viewfinder (EVF), dual high-speed card slots, a mechanical shutter and some physical controls.

At the same time, the ZV-E1 has some functions that the A7S III lacks, surprisingly enough. Most of those are in the area of AI, and very useful for vloggers, like auto-framing, advanced subject detection and dynamic stabilization. With the sensor and AI features combined, it’s not a spoiler to say that this camera is both a mini A7S III and a powerful vlogging camera at the same time. The sheer number of advancements also make it a technological tour de force.

Body

The sensor might be the same, but the ZV-E1 looks radically different from the A7S III. Instead of Sony’s classic A7-style mirrorless form, the body is squat and chunky like an A6700 or full-frame A7C. It’s also significantly smaller and weighs a third less than the A7S III at 483g, making it Sony’s smallest full-frame camera to date.

Sony boasts that it’s built of recycled plastic, and that makes the camera feel significantly cheaper and less grippy than the A7 series. The grip is also smaller, but I was still able to get a reasonably firm grasp considering the lighter weight. Despite the lower-end materials, it is dust and moisture resistant.

As we’ve seen on numerous recent cameras, there’s a switch for photos, video and slow & quick, and each has its own dedicated settings. It has a prominent red record button on top, and like Sony’s other mirrorless vlogging camera (the APS-C ZV-E10) it has a zoom rocker for supported zoom lenses, and also works with Sony’s “Digital Zoom” feature.

Other than that, it’s significantly stripped down compared to the A7S III. While it does have a few vlogging-specific buttons like Product Showcase and Background Defocus, there’s just a single control dial on top (at the back) and no dial on the front – making it difficult to operate the camera using physical controls in full manual mode.

That said, the ZV-E1 is one of Sony’s first cameras that can be fully operated using touch controls. Most of the key settings (shutter speed, aperture, ISO, etc) can be changed in that way, and it also lets you tweak the display settings by swiping left or right. And of course, the LCD screen fully articulates for vloggers, though it’s a bit low-res at 1,030K dots.

Where the A7S III’s 9.44 million-dot EVF is the best on the market, there’s no viewfinder at all on the ZV-E1. I missed that feature when shooting on bright days, but the EVF does have a “sunshine” mode that automatically maxes out brightness.

It uses the same battery as Sony’s flagship models, so you get a generous 95 minutes of 4K 30p video recording and 570 photos on a charge. Luckily, the USB-C Gen 3.2 port lets you charge while shooting, and also supports high-speed transfers.

Along with headphone and mic ports, it’s got a micro rather than a full sized HDMI port, which isn’t ideal for a vlogging camera. It has just a single high-speed UHS-II card slot. Oddly the lack of a fast CFexpress type A slot doesn’t appear to limit video capture compared to the A7S III.

Video

As you’d expect for a camera based on the powerful A7S III, video specs are impressive. It can handle 4K UHD video at up to 60 fps, though it’s lightly supersampled from the 12-megapixel, 4,240 x 2,832 sensor – so it’s slightly less sharp than higher-resolution Sony cameras like the A7 IV. Thanks to a recent firmware update, it can also shoot native 4K at up to 120 fps with no supersampling.

You can choose from high- and low-quality MP4 longGOP options, all with up to 4:2:2 10-bit color depth and 280 Mbps data rates. There’s also an I-mode at up to 4K 60p with 4:2:2 10-bit color that offers a more fluid editing experience with no transcoding. That setting uses higher data rates at up to 600Mbps (60 fps), so it requires expensive, high-speed V90 UHS-II cards.

Sony’s S-Log3 boosts dynamic range to 14-plus stops, and you can preview footage using Sony’s LUTs or install your own. If you don’t want the hassle of log, S-Cinetone also boosts dynamic range and is easier to tweak and edit later on.

What about overheating? Since it lacks the thermal capabilities as the A7S III, continuous recording times are shorter, particularly at 4K60 and up. In that mode you can expect less than an hour depending on the outside temperature. Content creators might be OK with that, but event shooters may need to look elsewhere.

Autofocus and AI

When it comes to autofocus, the ZV-E1 actually outshines the A7S III. That’s because it uses Sony’s new AI processor introduced in the A7R V, so it behaves more like that model –- particularly when it comes to image tracking.

It can now track human heads and bodies, not just faces and eyes. And besides people, it has specific settings for animals, birds, insects, cars, planes and trains. Unfortunately it does lack an auto setting, so it can’t automatically select the type of subject — you have to dive into the menus and do that yourself.

Subject tracking sets a new speed and reliability standard for mirrorless cameras, nailing autofocus consistently – even in tricky settings with fast moving subjects. That’s hugely important for vloggers, who often work alone. That said, even Sony’s system isn’t perfect, as it can occasionally lose a subject’s eyes in busy backgrounds.

AI powers other features too. For example, the built-in microphone is now directional, and can automatically aim toward the front, rear or all around, based on subject detection.

A key AI feature lets you digitally zoom an extra 1.5 times without much noticeable loss in quality. It works with the zoom rocker, and unlike with past ZV implementations, includes full subject tracking. That ability to zoom smoothly and automatically scale the image powers other features as well

 

That starts with the ZV-E1’s in-body stabilization. Optical-only offers 5 stops, enough to smooth handheld video without much movement. Active stabilization considerably boosts performance, but adds a slight 1.1x crop. However, dynamic stabilization is new and quite remarkable. It adds a 1.3x crop, but can effectively remove bouncing from footsteps, making it like using a dedicated gimbal – albeit with some loss in sharpness. With that feature, the ZV-E1 is the first camera that can really match the smoothness of the latest GoPro action cams.

The digital zoom teams up with subject tracking on two other new features as well. One is the Framing Stabilizer, which crops into the image, steadies the shot and keeps the subject in the center of frame, allowing for dolly-like smoothness.

Auto Framing, meanwhile, gives the illusion of camera movement. It first digitally zooms into the subject, then tracks it within the frame. You can choose a small, medium or large crop, different tracking speeds and more. You can even send an uncropped video to HDMI so you have two versions.

It also carries vlogger-centric features seen on other ZV models, including Product Showcase and Auto Depth of Field. As before, the latter automatically defocuses the background by instantly opening the aperture as much as possible. Product Showcase, meanwhile, ignores eye detection and quickly shifts focus to any foreground object brought in front of the camera. Finally, Breathing Compensation uses a slight digital zoom to maintain constant framing when changing focus.

Video Quality

As mentioned, 4K 30p and 60p video is slightly softer than Sony’s 30-megapixel A7 IV due to the lower resolution. On the plus side, the absence of pixel binning means no there’s no aliasing or other ugly artifacts that can ruin a shot.

The other positive aspect is far less rolling shutter than the A7 IV at the full sensor width. That means you can make quick pans or film fast-moving subjects without worrying about skewed video.

Apart from sharpness, image quality is superb. It delivers nearly 15 stops of dynamic range in C-Log3 mode, up there with the best mirrorless cameras. That allows for plenty of detail in dark shadows and bright highlights, even on sunny or dark days. S-Log3 mode, meanwhile, gives editors room to tweak video. Sony’s colors are accurate, though skin tones can lack the warmth I’ve seen on Canon models.

The ZV-E1 can’t be beat in low light. It has dual native ISOs at 640 and a whopping 12800. That allows for low-noise video all that way up to ISO 25,600, and manageable levels even at 51,200 – letting you shoot by moonlight or candlelight. In fact, Sony’s FX3 cinema camera with the same sensor was recently used to shoot a feature film called The Creator, specifically because it’s so good in low light.

Photography

Since it doesn’t have an EVF or mechanical shutter, I wouldn’t recommend the ZV-E1 for photography alone. That said, like the A7S III, it’s more than competent in a pinch.

The AF works just as well with photography, and has the same features and tracking modes. So you can count on this camera to grab sharp photos, even when shooting bursts at up to the maximum 10 fps or in low light. It’s actually a pretty good street photography or travel camera, as it’s small, silent and discreet. And with so little skew, I rarely missed the mechanical shutter.

Photo quality is outstanding, particularly in very low light. RAW images can easily be tweaked, even at high ISOs, and colors are accurate. The biggest drawback is again the lack of sharpness. That means there’s not a lot of room to crop into photos later, so you’ll want to get your framing right when you take the shot.

Wrap-up

With all that it can do, Sony’s ZV-E1 is the best vlogging camera on the market and its rivals aren’t even really close. It delivers everything creators need like 4K 120p video, high dynamic range, unbeatable low-light capability, great ergonomics, the best AF on the market and a boatload of useful AI features. The main drawback is a lack of sharpness — but that’s only really noticeable if you’re pixel peeping.

The ZV-E1 costs $2,200, so its rivals include the $2,200 Panasonic S5 IIx, the $2,500 Canon EOS R6 II and Sony’s own $2,500 A7 IV. All of those cameras have sharper 4K video and electronic viewfinders, so they’re better hybrid cameras for both photography and video

The ZV-E1 beats them in nearly every other way, though, while breaking new ground with its innovative AI features. If you’re a content creator looking for a full-frame camera in that price range, I’d highly recommend the ZV-E1.

This article originally appeared on Engadget at https://www.engadget.com/sony-zv-e1-review-the-best-vlogging-camera-to-date-by-a-big-margin-140055155.html?src=rss

Source: Engadget – Sony ZV-E1 review: The best vlogging camera to date, by a big margin

At some point over the years there’s been a shift in what PC speakers look like. Many of you may remember plugging in a pair of small, often beige, units into the back of your PC (where the PCI sound card was) and pretending to enjoy the results. Over the years, built-in audio interfaces improved and external ones found their way to a more convenient location on our desks. This, in turn, led to a trend of bigger, creator-friendly, shelf-style speakers. But the rise of the home office has led to a renewed focus on streamlined workspaces, making compact speakers more appealing again.

Enter Drop, a company best known for mechanical keyboards and audiophile gear. With the announcement of its BMR1 desktop speakers, the company is hoping to re-invigorate the dedicated PC speakers category. At first glance, the BMR1 looks like it has more in common with the Logitech or Creative speakers of yore (they still make them, I know), but with the promise of the audio oomph usually reserved for larger “monitor” style speakers.

Given Drop’s credentials as a destination for audio enthusiasts, the company was unlikely to put together something you might find in the PC accessories section at Best Buy. Unsurprisingly, the BMR1 isn’t as cheap as those big box store options, either. At $129 they’re at the upper end of what more mainstream alternatives tend to cost.

That $129 gets you a pair of 15W Balanced Mode Radiation (BMR) speakers with either 3.5mm or Bluetooth input. That’s a respectable amount of audio power for this size. There’s no USB here though, as there’s no built-in interface — you’ll either use your PC’s headphone port or the outputs on a dedicated audio interface. As is the norm with this type of speaker, one is the “active” unit with the in/outputs and you simply connect the other with a (proprietary) cable for the left channel audio. Though I will say the included cable is a little on the short side and currently there’s no alternative.

Physically, the BMR1 is a minimalist affair. There are no dials for power, volume or EQ and the inputs and outputs are all hidden around the back. This will be an annoyance for those who prefer physical controls, especially if you have no alternative (such as a keyboard with a rotary or a programmable mouse). The housing is made of plastic and doesn’t give the BMR1 a premium feel, which is in contrast to the company’s keyboards. The stands are also plastic which makes the speakers feel light and prone to moving about if a cable tugs on them, for example.

On front of the speakers are two drivers — one full-range BMR driver along with a passive radiator. One nice touch is that the BMR1s can be mounted either horizontally or vertically which makes them suitable for a variety of different setups, be that for your own aesthetic preference or out of necessity. The right side speaker has the BMR1’s lone button along the bottom edge for switching between 3.5mm, bluetooth and headphone modes.

Headphone mode might sound counterintuitive to have on a set of… speakers, but it’s a practical tool that passes through the audio from your PC to headphones without having to unplug the BMR1, which, depending on your setup, could be occupying the only output port on your PC. It’ll even work with microphones on compatible (TRRS/4-pole) headsets so you can take work calls without having to remove the speakers to free up that headset jack.

That’s a neat quality-of-life feature, but the main focus here is obviously those BMR drivers. In terms of volume, the 15W speakers are likely capable for most small to medium sized offices. My home office is somewhere north of 150 square feet and the BMR1 amply fills the space. They’re described as “near field” monitors, i.e. specifically designed for close proximity, but they are able to fill this room with sound without much struggle.

As for the quality of that sound, that’s a little more complicated. The BMR1s appear to perform best when their volume is set somewhere between 40 – 70 percent of the maximum. Above that, things start to sound a little strained, which isn’t unusual — especially for speakers this size. At the lower end, from mute to around 30 percent, the speakers are great with spoken word — ideal for podcasts, video viewing and voice calls. But at these lower volumes, music feels a little too muddled to my ears. It’s fine for having something on in the background, but it’s a slightly dense listening experience.

Nudge the volume up a bit, and things improve. Just north of the middle section of the volume curve is where the BMR1s do their best work. There’s still a slight lack on the low frequencies, meaning bass forward music can sometimes feel dried out. If you’re listening to rock, country, classical or any other genre where the action is more in the mid-frequencies, you can have a good time with the BMR1s, but if Hip-Hop or Drum & Bass are more your thing, then you might find yourself wanting at any volume.

The listening experience improves if you can have the speakers nearer to you. There’s definitely a sweet spot at around maybe 18 inches away. When they were about two feet away from me on my desk, Metallica’s Enter Sandman sounded fine, but a little thin on the low end, thus leaving the song’s splashy hi-hats and James Hetfield’s voice feeling a little over represented. If I leaned in a little, the rhythmic bassline and kick drums were notably more apparent.

Even with great placement, the sound from the BMR1 never quite felt as robust as I wanted it to be. I know these are PC speakers, but Drop’s pitch is that these are “ideal for movies and music” — specifically for the desktop. And while they do an acceptable job most of the time, there are definitely occasions where I notice they’re lacking, and more so than I was expecting.

It was a little surprising to see that the BMR1 only supports SBC and AAC Bluetooth codecs. Obviously, with a focus on PCs, the inclusion of AptX or LDAC might feel a little superfluous, but the Bluetooth functionality, to me, is more about making them compatible with your phone, too (rather than another input mode from a PC). As such, support for higher-quality codecs, even just regular ol’ AptX, feels like a bit of a miss here.

The BMR1 ships as a 2.0 (stereo) system, but it can also be used as a 2.1 with an external subwoofer. There’s a switch around the back that will shelf off the bass on the main speaker to balance things out, and this would certainly resolve the issue with weaker low frequencies. Alas, I don’t have a compatible sub, but some reports online indicate that the whole sound does present much more robustly in this configuration. The bigger issue there being, that this requires another separate spend, probably another thing to plug in and takes away from one of the BMR1’s primary appeals: a simple, compact setup.

This is something of a theme with the BMR1s: they slightly miss on some key areas. In certain, optimal, conditions, they’re really quite enjoyable. But that sweet spot is limited and not what you expect either from the brand or for the price. Some of the practical complaints like material choices, the proprietary cable and lack of physical controls feel like obvious misses. The sound profile is enjoyable but the bass is sometimes a bit lacking for certain styles of music. The price point isn’t egregious, but a shade over where it should be. And so on.

Making the BMR2 feels like a task Drop won’t need much assistance with. Most of the pre-order reviews on its own website list off similar minor annoyances. There was a lot to look forward to here, and the final product doesn’t land too far from its promises, but it does fall short enough that more demanding users — which are kinda Drop’s whole thing — could feel slightly underwhelmed.

This article originally appeared on Engadget at https://www.engadget.com/drops-bmr1-pc-speakers-review-133039117.html?src=rss

Source: Engadget – Drop’s BMR1 PC speakers are almost really good