While music producers typically have a favorite digital audio workstation (DAW), most creators are forced to swap between software suites to better suit different workflows and plugin options. This is easier said than done. You have to download the audio stems from one DAW and upload them to the next, and that’s just the first step. There’s more to worry about, like mix levels, plugin settings, virtual instruments and so much more. Industry veterans PreSonus and Bitwig have teamed up to try to solve these problems.
The companies have just announced a new file format intended for easy swapping between DAWs. The DAWproject file format will only be supported by Bitwig Studio 5.0.9 and PreSonus Studio One 6.5 for now, but it could theoretically be adopted by other companies in the future. Bitwig and Presonus are calling this a DAW-agnostic platform and stress that they’ve taken steps to make the technology as open to other companies as possible.
DAWproject files go much further than simple audio WAV data. The format keeps track of all relevant information across every track and channel in the entire project. This includes time data, audio information, automation, MIDI notes and plugin settings. All you have to do is save the song as a DAWproject file in one DAW and open it in another. That’s really it. The time data and automation stuff is really interesting, as this includes fades, time warping, transposition and other chores that are really annoying to re-do over and over again.
There are some limitations, as you can only transfer between Bitwig Studio and PreSonus Studio One until other software applications get on board. Also, your plugins must already be installed in both DAWs to instantly transfer settings. Luckily, both DAWs support the VST plugin format, so there shouldn’t be an issue there.
Apple has a limited version of this technology, as you can open up projects created in GarageBand right in Logic Pro X and maintain settings. The reverse, however, isn’t true, due to Logic Pro X being a much more robust application than GarageBand. Beyond that, this is the first universal project standard, well, ever. Here’s to hoping more popular DAWs like Protools, Ableton and Logic Pro X adopt this standard, or any standard, in the near future.
This isn’t Bitwig’s first foray into the world of open-source audio. The company recently teamed-up with virtual instrument experts U-he to create CLAP, an open-source plugin format. DAWproject files are available for use starting today, so long as you use Bitwig Studio or PreSonus Studio One.
This article originally appeared on Engadget at https://www.engadget.com/presonus-and-bitwig-have-teamed-up-to-launch-a-universal-file-format-for-daws-183943158.html?src=rss
The Google Podcasts app is heading to a farm upstate run by Marc Maron and Sarah Koenig, as the service is shuttering next year. The app has been around since 2018, but it never approached the kind of mass adoption enjoyed by rivals Overcast, Spotify and the recently-improved Apple Podcasts. In other words, don’t feel bad if you’ve never heard of it.
The entire service is being folded into YouTube and its companion app YouTube Music. This is for good reason, as YouTube’s already a popular destination for podcast fans. According to statistics provided by Edison Research and published by Variety, YouTube services 23 percent of podcast listeners in the US. Google Podcasts, on the other hand, accounts for just four percent of listeners, despite having podcasts right in the name. It’s easier to pick up stakes and head to the where the fish are instead of trying to lure the fish to a random podcast app that nobody knows about.
YouTube announced that 2024 will see a significant increase in its “investment in the podcast experience,” right after parent company Alphabet puts the kibosh on Google’s dedicated app. It looks like YouTube Music will receive the lion’s share of these investments, with forthcoming “robust creation and analytics tools” in addition to streamlined RSS uploads for podcasters.
The company promises to also expand the ability to listen to podcasts in more locations, stating they’ll be available “everywhere YouTube Music listeners are already consuming their favorite content — in the background, in the car, offline and more.” Additionally, new “YouTube-only” tools and capabilities will be coming to podcasts on YouTube Music, though Google remains cagey on the specifics.
As for current Google Podcasts users, there’s going to be a “simple migration tool” to help with the transition to YouTube Music. You’ll also be able to manually add podcast RSS feeds to your YouTube Music library. The company even announced options for adding current podcast subscriptions to rival platforms, if you just want to start fresh. Google’s still gathering feedback regarding the migration process, so some of these features are liable to change before next year.
This isn’t the first big move YouTube Music has made this year to shore up some of those sweet, sweet podcast dollars. Back in April, the app launched the ability to watch and listen to podcasts without requiring a paid subscription, though you’ll still have to suffer through endless ads for Better Help. Podcasts on YouTube Music are already full-featured, with offline downloads, background play and the ability to switch between audio and visual content on smart speakers.
This article originally appeared on Engadget at https://www.engadget.com/google-podcasts-which-is-an-actual-thing-to-shut-down-next-year-172640308.html?src=rss
LinkedIn is making its platform more accessible by integrating Microsoft’s Immersive Reader. The service says that, in honor of Dyslexia Awareness Month and National Disability Employment Awareness Month, it’s providing users with more ways to digest articles and newsletters. That seems particularly useful at a time when LinkedIn has been embracing longer-form content.
Every article and newsletter will feature the Immersive Reader icon, which provides access to several accessibility tools. A text-to-speech function can read articles out loud. LinkedIn says that “distinguishing between words that are spelled the same but pronounced differently makes it easier for auditory learners and those with visual impairments to consume and process content.” The tool supports more than 60 languages. On a similar note, Immersive Reader powers real-time translation for more than 100 languages.
LinkedIn
Other features include one called Content Isolation. This separates the main text of an article or newsletter from everything else that’s on the screen to help people focus on reading. Immersive Reader is able to isolate a line or two at a time as well. It also supports a feature called Syllable Splitting. According to LinkedIn, this breaks more complex words down into smaller components to help users understand and pronounce them.
Immersive Reader has been making its way into several Microsoft products and services over the last few years. It’s been available in Office and Minecraft: Education Edition for some time. Bringing the tool to LinkedIn should make the platform easier to use for folks with dyslexia and other conditions.
This article originally appeared on Engadget at https://www.engadget.com/linkedin-adds-accessibility-features-with-the-help-of-microsofts-immersive-reader-170923659.html?src=rss
The Federal Trade Commission (FTC) filed an antitrust lawsuit against Amazon today in Western Washington district court, with 17 states joining the federal agency. The case isn’t surprising (the FTC was reportedly nearly ready to file in late August), but its specifics weren’t yet known.
The FTC accuses the online retailer of monopolistic practices, including preventing merchants from offering lower prices on other platforms and forcing them to use Amazon’s logistics service if they wanted to be included in customers’ Prime shipping perks. Those anticompetitive practices allegedly led to higher prices and an inferior shopping experience.
The suit describes “Amazon’s one-two punch of seller punishments and high seller fees” that forces vendors to “use their inflated Amazon prices as a price floor everywhere else.” The complaint reads, “Amazon’s punitive regime distorts basic market signals: one of the ways sellers respond to Amazon’s fee hikes is by increasing their own prices off Amazon.”
“Today’s lawsuit seeks to hold Amazon to account for these monopolistic practices and restore the lost promise of free and fair competition,” said FTC chair Lina Khan, according toThe New York Times.
1. Today @FTC and 17 state AGs filed a lawsuit detailing how Amazon uses punitive & coercive tactics to unlawfully maintain its monopolies. Amazon is exploiting its monopoly power to enrich itself while raising prices & degrading service for its customers.https://t.co/7NiPGxx2CU
The states joining the FTC include New York, Connecticut, Pennsylvania, Delaware, Maine, Maryland, Massachusetts, Michigan, Minnesota, Nevada, New Hampshire, New Jersey, New Mexico, Oklahoma, Oregon, Rhode Island and Wisconsin.
“Amazon is a monopolist,” the lawsuit reads. “It exploits its monopolies in ways that enrich Amazon but harm its customers: both the tens of millions of American households who regularly shop on Amazon’s online superstore and the hundreds of thousands of businesses who rely on Amazon to reach them.”
The FTC has had its eye on Amazon for several years. This is the fourth action the agency has taken against the company this year. Amazon settled a previous lawsuit (for $30.8 million) filed in May over Alexa children’s privacy concerns and snooping with Ring cameras. In June, the FTC sued the retailer again, claiming the company tricked customers into signing up for Prime subscriptions and then made it hard to cancel them.
Amazon claimed that the FTC’s actions were out of line. “Today’s suit makes clear the FTC’s focus has radically departed from its mission of protecting consumers and competition,” said David Zapolsky, Amazon’s Senior Vice President of Global Public Policy and General Counsel. “The lawsuit filed by the FTC today is wrong on the facts and the law, and we look forward to making that case in court.”
The media’s narrative about the suit will likely frame it as a long-awaited title bout between Khan and Amazon. The FTC chair gained prominence by publishing a 2017 Yale Law Journalpaper arguing US antitrust laws fell short of adequately reining in the tech giant. That helped begin a national conversation about whether the nation’s anti-monopoly laws were prepared to handle modern Silicon Valley behemoths. But more important than one-on-one championship fight framing, the showdown will serve as a test for Washington regulators and Amazon, as the latter faces its most consequential government fight to date.
This article originally appeared on Engadget at https://www.engadget.com/the-ftc-accuses-amazon-of-monopolistic-practices-in-long-expected-antitrust-suit-165035712.html?src=rss
Uber announced Tuesday that it’s struck a deal with Los Angeles Yellow Cab to deploy taxi fleets across Southern California. The multi-year partnership, also extending to five other SoCal affiliates, will allow traditional yellow taxis to pick up Uber passengers. The collaboration between the strange bedfellows follows similar trials in New York City and San Francisco.
Uber describes the alliance as mutually beneficial for all parties. Taxi drivers, struggling to recover from pandemic losses while competing with ridesharing, get access to Uber referrals. Meanwhile, riders could see faster pickups. (They can opt out of yellow taxis in the app if they prefer typical ridesharing cars.) And, of course, Uber gains a greater supply of rides.
The partnership stretches down the SoCal coast to the Mexico border. It includes 1,200 vehicles from Los Angeles Yellow Cab, San Diego Yellow Cab, California Yellow Cab, Long Beach Yellow Cab, Fiesta Taxi Cooperative, Inc. and United Checker Cab. Onboarding for taxicab drivers in Los Angeles, Orange and San Diego counties begins this week. Once fully onboarded, drivers can start accepting trips at UberX prices.
The unusual pairing follows years of contentiousness between ridesharing and traditional taxi businesses. The two sides have often been at war since the early 2010s when Uber and Lyft’s existence began threatening the taxi industry. Uber claims cab drivers who took ridesharing fares in the NYC and SF pilots raked in an extra $1,767 per month from those trips alone and earned 23.8% more on average than taxi drivers who eschewed Uber.
“We are thrilled to announce this partnership with Uber because it’s a clear win-win for drivers and riders,” said William Rouse, CEO of Yellow Cab of Los Angeles. “We anticipate that this partnership will have a positive impact for our driver-owners as the pandemic recovery continues. No longer will drivers have to worry about finding a fare during off peak times or getting a street hail back into the city when in the outer suburbs.”
This article originally appeared on Engadget at https://www.engadget.com/uber-partners-with-la-taxi-companies-to-expand-its-fleet-161206363.html?src=rss
We gave these earbuds a score of 84 in our review and a primary ding was the price increase over the previous version, which this sale more than makes up for. Otherwise, the Beats Studio Buds + earbuds are a marked improvement over the previous gen, with larger microphones, acoustic vents added to the front and side and a 16 percent increase in battery life. The control button has also been moved to limit accidental presses during use.
All of these improvements combine to create a stellar pair of earbuds with top-notch sound quality and active noise canceling technology. Like many modern personal audio devices, there’s also a robust transparency mode so you can adjust the level of ambient noise you hear. The company’s custom acoustic platform has been designed to provide immersive sound when listening to music or when taking calls.
This Beats product ships with four pairs of silicone tips to suit different ear canal sizes, all while maintaining a comfortable seal. They are IPX4 rated for sweat and water-resistance, in addition to offering Bluetooth support and the capacity for spatial audio.
These earbuds are only four months old, so a refresh is still a ways off. It’s practically unheard of to get a discount this steep so early in the lifespan of a product, so take advantage if you need a new pair of buds. Remember, the Woot sale ends in five days or when the stock runs out, and the latter is likely to happen before the former.
Apple officially released iOS 17 into the wild on September 18. The latest update packs a number of new tools that make engaging with your iPhone a more personal experience. One of those features, Contact Posters, allows you to create your own digital calling card that pops up on other people’s iPhones when you call them.
While a Poster is visual, it’s linked to your contact information, such as your phone number or email address. There’s also the option to link a Medical ID through the Poster, which may be helpful for people who have allergies or serious medical conditions. If you’re keen on jampacking your contact card with links to things like your Instagram profile, or if you simply are not sure how to digitally connect a Medical ID, just follow these instructions.
Select your sharing settings
To create your Poster open the Contacts app and navigate to My Card at the top of the screen, then select Contact Photo & Poster. Before editing or creating your Poster, you have the option to enable or disable sharing. If you toggle the green button to off, when you call or text a new number they won’t see your Poster or associated info.
Malak Saleh
If you choose to keep the sharing feature on, you have two options. First, you can select to automatically share your contact photo with existing contacts only. Alternatively, you can enable the Always Ask feature, which will prompt you for approval before you share your contact with new people.
Edit your photo and Poster
After tapping Contact Photo & Poster and customizing your sharing settings, you’ll be directed to a page that displays your current Poster if you had one previously set up. If not, it will be blank and prompt you to create a new one.
If you choose to create a new Poster, you have several options for a lead visual. You can select a main image from your recent photos, take a new photo using the camera button or use a straightforward monogram. Alternatively, you can opt to use a Memoji — a virtual avatar that you can design to resemble yourself as a human or a cartoon animal. Once you’ve chosen your Poster image or created an avatar, you’ll need to crop it or select a different visual for your Contact photo, which appears in the circular bubble in Messages.
Malak Saleh
From there, you can insert whatever personal information you want available to your contacts. Besides the traditional options to share alternative phone numbers, emails and a home or work address, you can also add pronouns, social media profiles and personalized notes. You can also link contacts like family or loved ones to your own contact card, creating a clear digital association.
Malak Saleh
Create a contact card for your friends and family
Similarly, you can add or modify a contact’s Poster right on the Contacts app landing page. By clicking the + button located at the top of your contacts list, you’ll generate a blank card for a new contact. When you choose tap to Add Photo, you’ll go through the same process you used to create your own Poster in order to complete the new contact’s card. This feature becomes particularly handy if the other person either doesn’t have a pre-existing Poster made or if the user does not have an iPhone with the updated iOS 17 software. Apple says Posters will also be available for third-party calling apps.
Malak Saleh
Create a Medical ID on your contact card
Through the contact card, you can now create a Medical ID that links to your name and phone number. This can include your medical history, specify allergies or list medications you’re currently taking. You can also report your blood type, indicate whether you’re an organ donor, and link emergency contacts.
This could be helpful for people dealing with chronic health issues or for those who have loved ones with chronic medical conditions. While it’s unclear how beneficial this would be during an actual emergency, you have the option to automatically send your Medical ID to either an emergency contact or emergency services if you initiate a crisis call. In other words, when and if you call 911 from your iPhone, it will instantly share your vital medical information.
Malak Saleh
This article originally appeared on Engadget at https://www.engadget.com/how-to-make-a-contact-poster-in-ios-17-153026970.html?src=rss
AIAIAI, which is best known for its headphones, is moving into new territory with a set of wireless speakers. The Unit-4 Wireless+ studio monitors use the same low-latency tech as the Danish brand’s headphones. AIAIAI suggests that they will enable folks “to create and mix music with accurate sound representation and powerful performance” wherever they might happen to be.
That suggests the speakers will be useful for those who like to make music while they’re on the road, but would rather have studio monitors than headphones despite the extra bulk. (Even though they weigh a relatively paltry 2.5kg, the speakers will be more cumbersome than carrying around a set of cans.). The speakers may also be useful for garden DJ sets or any other environment in which latency is key and wired options are impractical. They will run you $800 for a pair.
These monitors employ W+ Link wireless technology, which requires the use of an X02 transmitter (you can also use Bluetooth 5.2 or a cable to connect them to an audio source). AIAIAI says they have 16ms of latency via W+ Link and deliver uncompressed audio. The system employs dual antennas and higher bandwidth than Bluetooth can handle in an effort to maintain a robust connection. The batteries will run for up to 20 hours on a single charge, the brand claims, and it will take two hours to fully recharge them.
AIAIAI
AIAIAI says these speakers offer reference monitor sound. You’ll be snapping up a two-way active monitor that features a four-inch high-excursion woofer and one-inch silk-dome tweeter. Thanks to a bass vent (which can also be used as a carrying handle) and tuned boosting EQ, the monitors will deliver “a clean bass extension down to 40Hz,” AIAIAI claims. Since they employ a stage monitor design, you can angle the speakers horizontally to optimize the audio for your surroundings.
Using the AIAIAI Unit-4 app, you’ll be able to further align the sound field with the environment you’re working in. There’s a customizable five-band EQ and five presets. You can use the app to adjust the brightness of the LED ring too.
Meanwhile, AIAIAI has designed the Unit-4 speakers with sustainability in mind. The main plastic components are made with 100 percent post-consumer recycled plastic. The monitors have a glue-free design, so it should be easy to replace components such as the battery or speaker drivers when necessary. You’ll be able to upgrade parts as well. On top of that, the Unit-4 is designed to be completely recyclable.
This article originally appeared on Engadget at https://www.engadget.com/aiaiai-unveils-portable-wireless-studio-monitors-with-low-latency-tech-150102242.html?src=rss
Xiaomi has a habit of releasing a mid-cycle flagship phone around this time of the year, mainly catering to markets outside of China. The good news with the freshly-announced Xiaomi 13T Pro is that, unlike last year’s 12T Pro, this one comes with Leica’s branding and photographic enhancements. This means fans in Europe will have another Leica-branded option for their next smartphone upgrade, in addition to the earlier — and more expensive — 13, 13 Pro and 13 Ultra.
The 13T Pro is, in fact, the global variant of China’s Redmi K60 Ultra, which looks almost identical, but lacks Leica tuning and Google services. Another key difference is that the more expensive 13T Pro packs better photography hardware in order to get Leica’s approval. The 24mm-equivalent main camera, for instance, is powered by a 50-megapixel sensor with a larger-than-usual 1.22um pixel size. While this is no match to the 1.6um pixels on the real flagships’ 1-inch sensors, it’s still more generous than what many other handsets offer, not to mention that it can achieve a 2.44um-equivalent effect by way of pixel-binning technology.
You’ll also find a 50-megapixel f/1.9 telephoto camera (50mm-equivalent) and a 12-megapixel f/2.2 ultra-wide camera (15mm-equivalent) on the Leica-branded camera island. All three cameras have access to both Leica Authentic and Leica Vibrant color modes and, when in portrait mode, the telephoto camera offers a “Master-lens system” which can emulate a 35mm “Documentary” lens, a 50mm “Swirly” bokeh lens or a 90mm “Soft focus” lens. The 20-megapixel f/2.2 punch-hole selfie camera doesn’t get any Leica love, but it does support night mode, portrait mode and HDR.
Like the Redmi K60 Ultra, the 13T Pro packs MediaTek’s flagship Dimensity 9200+ processor, with which it apparently has a 10 percent boost in both CPU and GPU performance over the 12T Pro (which had a Qualcomm Snapdragon 8+ Gen 1 chip, also based on a 4nm process). Xiaomi paired this with a 5,000mm² stainless steel vapor cooling plate — the company’s biggest ever for a phone, allegedly — for improved thermal dissipation.
Xiaomi also made a sensible decision with the 6.67-inch screen here: it’s flat rather than curved, which makes photo viewing, video playback and gaming so much more practical. It’s also a nice AMOLED panel, featuring a 2,712 x 1,220 resolution, a 144Hz refresh rate, a 480Hz touch sampling rate, a peak brightness of 2,600 nits, DCI-P3 color gamut and support for both Dolby Vision plus HDR10+. For those with sensitive eyes, the display’s fast 2,880Hz PWM (pulse-width modulation) dimming in lower brightness should induce less eye fatigue as well. This is shielded by a piece of Gorilla Glass 5, but more importantly, the entire device is IP68-rated for dust and water resistance.
Another noteworthy feature on the Xiaomi 13T Pro is its 5,000mAh battery, which supports 120W “HyperCharge.” it only takes 19 minutes to go from zero to 100 percent, but if you’re in a real hurry, even a mere 5-minute charge will apparently fill you up back to 36 percent. Such charging speeds aren’t entirely new, of course, and likewise with Xiaomi’s dual-chip system — the Surge G1 power management chipset plus Surge P1 fast-charging chipset — to ensure battery safety while prolonging its lifespan.
Xiaomi
The Xiaomi 13T Pro is now rolling out across Europe, starting from 799 euros (around $846) for the 12GB LPDDRX5 RAM plus 256GB UFS 4.0 storage model, with the top model maxing out at 16GB of RAM and 1TB of storage for a yet-to-be-disclosed price. There’s also an identical-looking Xiaomi 13T which starts from 649 euros (around $687; 8GB LPDDR5 RAM and 256GB UFS 3.1 storage), with the only differences seemingly being the lesser Dimensity 8200-Ultra processor, slower 67W charging and lack of 8K video recording.
Colors for both models include green or black which feature a glossy glass back, or “Alpine Blue” with a soft “BioComfort vegan leather” back. These dual-SIM devices run on MIUI 14 based on Android 13, and Xiaomi promises four years of Android updates along with five years of security patches. The company is also offering European customers one free screen repair within six months after purchase, and one out-of-warranty repair without labor cost within a year after purchase. It goes without saying that these freebies reflect Xiaomi’s western ambitions, not to mention how it’s strategically added more affordable options to its flagship lineup, in the hopes of putting up a better fight in the declining market.
This article originally appeared on Engadget at https://www.engadget.com/xiaomis-13t-pro-brings-its-leica-goodness-to-more-western-markets-144108348.html?src=rss
Meta is gearing up for Connect, its annual event devoted to all things VR, AR and the metaverse. This year, the company is once again set to show off a new VR headset, with the Meta Quest 3, as well as its next-generation smart glasses.
It’s also an opportunity for Meta to showcase some of its latest AI advancements, which will reportedly come in the form of new generative AI chatbots. This year will also mark the return of an in-person component to Connect, which has been online-only since 2020. The main keynote will still be livestreamed for remote viewers, but the change will hopefully make for a more lively event than the largely pre-recorded sessions of the past few years.
Here’s a rundown of everything we’re expecting to hear about during Mark Zuckerberg’s keynote, which kicks off at 1PM ET on September 26.
Meta Quest 3 and second-gen Ray-Ban Stories update
We already know quite a bit about the Meta Quest 3, thanks to a preview from Zuckerberg earlier this year. The $499 headset has been considerably slimmed down from its predecessors and comes with redesigned controllers. It will also have better graphics and run on a new “next-gen” Qualcomm chipset, which will power new mixed-reality features akin to last year’s high-end Quest Pro. But with an official reveal at Connect, we should finally get a lot more details about the Quest 3 and its capabilities.
The VR headset likely isn’t the only Reality Labs gadget we’ll hear more about. As UploadVR noted last week, Meta CTO Andrew Bosworth recently hinted that a second-generation of Meta’s Ray-Ban-branded smart glasses are also in the works and coming “pretty soon.” The new frames are expected to come with better cameras and some new features, like livestreaming, according to Janko Roettgers of the Lowpass newsletter. It’s not clear when the glasses could make an official debut — unlike the Quest 3, Meta has been fairly tight-lipped about its plans for the product — but considering Bosworth’s comments and earlier reports of a possible fall launch, it seems safe to say we’ll at least get an update on their plans.
Meta has at least one other major piece of hardware in the works, the augmented reality glasses it’s been teasing since 2020. Last year at Connect, Zuckerberg showed off a prototype for a wrist-based controller that could have AR applications, but didn’t offer a look at how the glasses themselves are progressing.
That could change this year. The Verge previously reported the company is readying a pair of smart glasses, which will use the wrist-based interface, for a 2025 release. Those glasses, however, would be something of a precursor to “full-fledged AR glasses,” which are slated for 2027. Given the timeframe, it seems more likely we’ll hear about the former, wrist-controlled frames, rather than the more ambitious AR ones, but it would make sense for the company to preview more details about the project.
Chatbots and AI
It looks like Meta is set to (once again) borrow a page from Snap’s playbook with a generative AI assistant. The Wall Street Journal reported this week that Meta is readying dozens AI chatbots with distinct personalities in a bid to attract younger users.
Zuckerberg has been teasing the idea of “AI personas” for Instagram, WhatsApp and Messenger for some time. But it now sounds as if Meta intends for these AI personalities to play a role in its VR applications as well. According to The Journal, these bots, which have names like “Alvin the Alien” and “Bob the Robot,” will also live in the company’s metaverse apps. While many aspects of the plan sound a bit cringey — and even some Meta employees are reportedly skeptical of the bots — it offers an interesting window into how Meta is using AI to boost interest in the metaverse. Which brings us to…
What about the metaverse?
The company once known as Facebook has now had nearly two years to sell the public on its vision for the metaverse. So far, that’s largely fallen flat. Reality Labs losses have ballooned to more than $20 billion since last year and are expected to climb further. Meta’s investors have been openly skeptical, while new metaverse features, like the addition of legged avatars, have proved underwhelming.
So it’s not surprising that in recent months Zuckerberg has spent more time publicly hyping the company’s AI investments than the metaverse (though he’s said the company remains committed to both). So while Meta will likely share updates on Horizon Worlds, which recently began rolling out to non-VR platforms, I expect Zuckerberg and other executives will highlight the role AI plays in its vision for the metaverse much more than they have in the past.
Though the current AI boom and rise of large-language models has drawn its share of critics, the technology has already generated much more enthusiasm than the metaverse ever has. That could end up working in Meta’s favor if it can recast some of its metaverse projects as cutting-edge AI innovation rather than a virtual world most people don’t really understand.
This article originally appeared on Engadget at https://www.engadget.com/the-quest-3-and-ai-chatbots-what-to-expect-at-meta-connect-140049598.html?src=rss
After October 25, YouTube users paying for Premium Lite will have to pay for the more expensive full-fledged Premium tier if they don’t want to see ads in their videos without resorting to ad blockers. The video hosting platform is discontinuing the subscription option, it told users in an email, where it also said that it will be developing more versions of it in line with feedback from creators and viewers.
YouTube never rolled out Premium Lite to all users around the world, and access to it remained limited after it first became available in select European countries in 2021. For those who did get access to it, though, it’s been a great option to remove ads from the viewing experience, which is the only thing it can do, for only €7 ($7.42) a month. The regular Premium tier removes ads and comes bundled with YouTube Music, the ability to download videos for offline viewing, as well as the capability to watch videos in the background while using other apps. However, it’s double the price at $14 a month.
The website is giving current subscribers a month-long regular Premium subscription at no cost even if they’ve trialed it in the past in a bid to win them over. They have to either cancel their subscription right now or wait for their subscription to be canceled before they can redeem the offer. But based on responses from users lamenting the Lite option’s impending removal on Reddit, a lot of people are unwilling to spend twice the amount of what they’ve been paying when all they want is to watch videos ad-free.
This article originally appeared on Engadget at https://www.engadget.com/youtubes-ad-free-premium-lite-tier-is-going-away-121506789.html?src=rss
The Meta Connect 2023 VR showcase event starts tomorrow and there are a couple of ways to watch it. It’s streaming live on Facebook, which is to be expected, but you can also access the showcase from Meta’s Horizon Worlds app with a Quest VR headset. The event itself is a two-day affair, but the keynote address starts on September 27 at 1 PM ET.
This should be a big one for Meta, as the Quest 3 headset is just around the corner. We’ll likely get an official release date, which is currently described as sometime toward the end of the year. The original Quest 3 announcement was also light on certain hardware specs, so expect announcements on RAM, CPU, battery life, lenses and more.
Here’s what we already know. The Quest 3 will cost $500 and feature full-color passthrough, with Mark Zuckerberg calling it “the first mainstream headset with high-res color mixed reality.” It’ll also boast redesigned ergonomic controllers, a more comfortable form factor when compared to the Quest 2, and a significant reduction in both weight and size.
Of course, any console is only as good as its games and experiences. We already know that the Quest 3 will be backwards compatible, so you’ll have access to every single title published for the Quest 2 and the OG model, but Zuckerberg and company are sure to announce plenty of new games exclusive to the forthcoming platform. It has already revealed some cross-platform titles, like Assassin’s Creed: Nexus VR and Ghostbusters: Rise of the Ghost Lord, so we should get information on pricing and availability. There’s also a game based on the hit Netflix show Stranger Things launching sometime before the holidays.
The VR wars are starting to heat up, as the Quest 3 releases just a couple of months before Apple’s long-awaited Vision Pro headset. The massive price gap between the two, however, makes the Quest 3 much more affordable for regular people.
This article originally appeared on Engadget at https://www.engadget.com/how-to-watch-the-meta-connect-2023-vr-showcase-120041699.html?src=rss
It’s the year 2023, so anything that can get an injection of AI will get an injection of AI. However, I doubt many people had the board game Pictionary on their artificial intelligence bingo card. Mattel just surprised us all and announced a new version of the game, Pictionary Vs. AI. It’s the brand’s first title to “incorporate AI technology” and marks the company’s “first major leap into the category.”
This isn’t a video game. It’s an actual analog board game with an AI-enhanced refresh. The difference between this and traditional Pictionary is that here everyone works to stump the artificial intelligence, instead of each other. You get a clue from a card, just like the regular game, and draw on the included whiteboard, just like the regular game. That’s where the similarities end.
The drawing is sent to a smartphone where it’s analyzed by a proprietary AI. This algorithm attempts to guess what you drew. Everyone else tries to predict whether or not the AI will be successful at guessing your attempt at an ice cream sundae that really looks like a sad, melty mountain. You make your predictions after seeing the source drawings, which should lead to some hilarious situations. Mattel says that “fun and laughter are sure to ensue with all drawings good and bad.”
Pictionary Vs. AI releases on October 2 and costs $25, which seems like a decent enough value. It ships with four whiteboards, a simple smartphone stand, a game board, game pieces, some pens and, of course, a stack of clue cards.
This may be one of the first board games to incorporate AI, but there are many analog titles with a digital twist. Mattel hasn’t announced if they’d be bringing this technology to other IPs in its stable, like UNO or Apples to Apples.
This article originally appeared on Engadget at https://www.engadget.com/because-everything-needs-ai-in-2023-mattel-added-it-to-pictionary-120009236.html?src=rss
There’s never been a better time to buy Apple’s 10.9-inch 2022 iPad, as the 64GB Wi-Fi model has dropped down to $379 on B&H Photo Video, near an all time low. That’s a savings of $70 off the regular $449 price on the blue and silver options, or $399 for the pink version. The 256GB versions (also blue and silver) have dropped $50 to $549.
The 10.9-inch iPad earned an 85 Engadget review score this past October. It looks more modern than the cheaper and smaller 10.2-inch iPad, thanks to the flatter edges, thinner bezels, Touch ID button and USB-C port — similar to what’s found on the more expensive iPad Air or iPad Pro. The A14 Bionic chip isn’t the latest, but is easily powerful enough for media consumption, light work and other everyday tasks, while still delivering an impressive 10 hours of battery life. Its front-facing camera is positioned along the side, which is more convenient for landscape video calls.
There are a few quirks, including a display that’s not quite up to the iPad Air’s level. It also lacks an anti-reflective coating, so it’s a little more prone to glare. It only works with the original Apple Pencil, not the vastly improved second-gen stylus. Nor does it support the same Magic Keyboard as the iPad Air or iPad Pro; instead, it uses its own accessory called the Magic Keyboard Folio that, while good, isn’t as stable on your lap. It also lacks a headphone jack.
As we note in our iPad buying guide, if you can afford to step up to the iPad Air, that’s the best option overall. And if you just want a competent iPad for the lowest price possible, the 10.2-inch model can be a slightly better value. Still, at this price, the 10.9-inch iPad is a better value, so if you have your eye on one, now’s the time to act.
Amazon’s bid for AI glory is in the billions. It’s investing up to $4 billion in OpenAI rival Anthropic to provide advanced deep learning and other services for its Amazon Web Services (AWS) customers. Google has already invested $400 million in the company, which was founded by former OpenAI executives.
Anthropic recently unveiled its first consumer-facing chatbot Claude 2, accessible by subscription much like OpenAI’s ChatGPT. The Claude Constitutional AI system is guided by 10 “foundational” principles of fairness and autonomy and is supposed to be harder to trick than other AI. Anthropic is already working on a chatbot it calls Claude-Next, which is supposed to be 10 times more powerful than any current AI.
But it’ll have to impress if it wants to supplant OpenAI’s dominance, at least in the public’s eye. OpenAI’s ultra-popular ChatGPT chatbot is the one to beat, while its DALL-E image generation service has gained even more traction through its hooks into Microsoft’s Bing search.
The best lightweight drone gains more power and smarts.
Engadget
DJI’s Mini 3 Pro fitting in tons of technology and a high-quality camera into a sub-250-gram drone. Its successor adds omnidirectional obstacle sensors, which eliminate the blind spots on the Mini 3 Pro, and a new feature called ActiveTrack 360, which lets you program camera moves when tracking a subject. The Mini 4 Pro isn’t cheap for a budget drone. It’s $759 for the drone with a battery and RC-N2 controller, but if you’re in the market for a drone in that price range, nothing else can touch it.
It’s only been a few weeks since Analogue released a glow-in-the-dark Pocket console, and I claimed the era of see-through gadgets was over. I was wrong. The same company is now teasing seven transparent Pocket handhelds: clear, smoke, red, blue, orange, green and purple. The retro gaming console will set you back $250 — $30 more than the basic versions. They will launch (and presumably sell out) on September 29 at 8AM PT / 11AM ET.
The AAA console game will be the first in a wave of games coming to the iPhone.
Capcom
Resident Evil Village is heading to iPhone 15 Pro and Pro Max on October 30. It’ll hit the M1 and M2 models of the iPad Pro and iPad Air on the same day. The base game will cost $40 and its Winters’ Expansion DLC will be an additional $20. It’s expensive for an iPhone game, but Apple has teased a graphically rich, full-fat console game. Hopefully REV delivers on all of that. Other games coming to the iPhone 15 Pro include Death Stranding and Assassin’s Creed Mirage.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-amazon-bets-4-billion-on-an-openai-rival-111550176.html?src=rss
Pop star Olivia Rodrigo has completely redefined herself with her new album GUTS, drawing on the kind of punky guitar growl that defined so many successful musical acts in the 1990s. She’s also teaming up with mega-corporation Sony to release a pair of limited-edition earbuds that draw on the basic design of the company’s successful LinkBuds S line.
These are basically a color swap of the standard LinkBuds S, with a “unique violet marble pattern” the company says was designed by the Grammy-winner herself. Rodrigo backs up this claim, stating she was “so excited” to help create “a limited edition LinkBuds S in the color violet,” going on to say that she “can’t wait for my fans to experience GUTS in this way.”
While deferring to a large multinational corporation isn’t exactly in the spirit of the music Rodrigo drew from on her latest album, there’s one cool techy tidbit here. These earbuds can access custom equalizer settings tuned by Rodrigo and producer Daniel Nigro. These settings offer an “optimal listening” experience of her two albums on major streaming services.
As with all LinkBuds S models, the new Rodrigo-flavored earbuds offer robust active noise-canceling tech, 360-degree spatial sound support, LDAC 3 for high-resolution audio and a transparency mode adjusts for ambient noise. The earbuds are also environmentally-friendly, more or less, as many components were manufactured using recycled plastic materials from automobile parts and reclaimed water bottles.
The LinkBuds S x Olivia Rodrigo cost $200 and preorders start today directly from Sony and via a number of authorized dealers. This isn’t the first high-profile team-up between Rodrigo and a large company in support of GUTS. Back in April, she partnered with Meta’s Instagram to advertise a feature that allowed users to add music to slideshows.
This article originally appeared on Engadget at https://www.engadget.com/olivia-rodrigo-is-teaming-up-with-sony-for-limited-edition-purple-earbuds-110006126.html?src=rss
SAG-AFTRA members have voted in favor of a strike authorization for performers working in video games, including those who do voice work, motion capture and stunts for the industry. Of the 34,687 members who cast their ballot, 98.32 percent voted “yes.” It doesn’t automatically mean that the performers are going on strike, only that they could after September 26.
The guild explained that it’s been negotiating for a new contract with video game companies since 2022, but that they “have refused to agree to critical terms [its] members need.” For its next bargaining sessions on September 26, 27 and 28, it believes the strike authorization gives it the added leverage needed to get the companies to agree to its terms. At the moment, the guild is in talks with Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa Interactive, Insomniac Games, Take 2 Productions, VoiceWorks Productions and WB Games.
Specifically, SAG-AFTRA is fighting for wage hikes that would allow performers to make a living from their work in the face of inflation, as well as more rigorous safety measures on set. The guild is also fighting for a contract that would protect performers against exploitative uses of artificial intelligence, such as companies making unauthorized copies of their likeness and voice. These all mirror the issues that ignited the ongoing strikes in the film and TV industry. The Writers Guild of America (WGA) is believed to be nearing an agreement with major studios, with one of the last sticking points in their negotiations being the use of generative AI in content production.
This article originally appeared on Engadget at https://www.engadget.com/sag-aftra-video-game-actors-vote-in-favor-of-strike-action-over-wages-and-ai-101515825.html?src=rss
Cyberpunk 2077’s developer has apologized for dialog and graffiti inserted in the Ukrainian version of the 2.0 update that’s critical of Russia’s invasion of the country, PC Gamer has reported. CD Projekt Red said it had nothing to do with the changes and promised to remove them.
“The Ukrainian localization of Cyberpunk 2077 contains several remarks that could offend some Russian players,” the studio said in a (Google translated) statement. “These remarks were not written by CD Projekt Red employees and do not represent our views. We are working to fix them and replace them in the next update. We apologize for this situation and are taking steps to ensure it does not happen again.”
As originally reported by Zone of Games (via a Rock Paper Shotgun report) some dialog makes reference to Ukrainian resistance slogans. Elsewhere, graffiti suggests Crimea is still part of Ukraine in the Cyberpunk 2077 universe, following Russia’s 2014 invasion. Other messages refer to citizen missile detection, COVID initiatives under President Zelensky, derogatory terms for Russians and more.
The Ukrainian localization was reportedly handled by the Ukrainian company SBT Localization, which also worked on Baldur’s Gate 3, Darkest Dungeon and other titles. The changes were noticed by Russian and Ukrainian players, with multiple complaints registered on Steam and CD Projekt Red forums.
Russia’s invasion of Ukraine, deemed unlawful by a majority of nations, has had a deleterious effect on Ukraine’s game industry. Developer GSC Game World was forced to halt work on Stalker 2: Heart of Chornobyl after the aggressions forced it to relocate staff to Prague in order to help employees and their families “survive” the conflict, it said. Earlier this year, Ukraine sent letters to Sony, Microsoft and Valve, urging them to block the title Atomic Heart from their gaming platforms over concerns about Russian connections.
This article originally appeared on Engadget at https://www.engadget.com/cd-projekt-red-apologizes-for-anti-russia-references-in-cyberpunk-2077-update-092347196.html?src=rss
Spotify is rolling out a new feature called “Jam,” which will give friends a way to curate a single playlist on the service and listen to it together in real time. Participants in a Jam session can contribute tracks to a shared queue, which they can access whether they’re in the same room or in various places around the world. The audio streaming giant is rolling out the feature to both free and Premium subscribers, but only the latter will be able to start a session and invite others to join as its host.
Premium users can launch a joint listening experience by selecting a song or a playlist, and then tapping the speaker icon at the bottom of their screen or the three-dot menu at the top. From there, they can select “Start a Jam.” Housemates on the same Wi-Fi connection will be automatically prompted to join and contribute to the session as soon as they fire up their Spotify app. Hosts can also invite people anywhere in the world by getting them to scan a QR code or by hitting share and posting the link on social media.
While Jam was designed as a collaborative experience where participants can add music to the playlist, hosts will have the power to change the order of the tracks and remove songs they believe don’t fit a theme or vibe. Spotify says they also get to determine who’s in the Jam, though it’s unclear if that means hosts will be able to kick out anybody from the session. That said, hosts can switch on “Guest controls” to allow all participants to rearrange the queue or to remove tracks from it.
Spotify Jam will be available globally starting today, so all users will soon be able to enjoy the shared experience with their friends. Those who’d rather stream music alone but still be able to discover new songs and artists would probably enjoy Spotify’s daylist more. The new playlist launched earlier this month keeps changing throughout the day, based on the kind of music the user typically listens to.
This article originally appeared on Engadget at https://www.engadget.com/spotifys-new-jam-feature-lets-friends-collab-on-party-playlists-070041354.html?src=rss
On the outskirts of London’s Olympic Village, a crowd has formed. All are staring at Bo’s first production e-scooter, the Bo M. Company CEO Oscar Morgan is peppered with questions about range, speed, price and if he’ll give a freebie to a tween whose nickname is Bo. All of this is taking place while I’m trying to photograph the new model, but I can’t blame them for getting in my way. After all, this sublime e-scooter of the future can’t help but turn heads.
Bo was co-founded by Morgan, Harry Wills and Luke Robus – the first two met as engineers for the Williams F1 team. They worked on a number of other brands’ EVs and scooters before striking out on their own to build something better with Robus, a Jaguar Land Rover designer. All three bring an automotive sensibility to the company, and a desire to build a scooter a generation or two beyond the state of the art. Less a toy, (or a niche tool) but a vehicle, engineered so well that e-scooters’ widely known and accepted flaws were polished away.
I first rode the prototype a year ago and was blown away by how much better than every other scooter it was. The team has spent years developing technologies to improve and maintain its balance, and while the motor is powerful it’s not aggressive. And then there are the refinements like the centrally-mounted load hook that ensures you can carry a bag without harming stability. (It pulls double duty as a mounting point, should you need to securely lock your scooter when you’re out and about.) While it lacks active suspension, the deck has 11mm of elastomer foam to act as a shock absorber, evening out the bumps in the road.
Photo by Daniel Cooper / Engadget
The Bo M looks unlike anything else on the market, with a thick, high-strength aluminum body that seamlessly curves into its deck. Removing the ability to fold down the neck means it’s harder to stow and transport, but provides more space to craft a thicker monocoque body. Morgan mentions, several times, that Bo M is more a vehicle you can park outside your home like a car; a secure solar charging dock for your driveway is already in the works.
Compared to the prototype, the new Bo M has a thicker cowl and a taller, longer deck, but not by a lot. Its unique silhouette remains unchanged and it’s only when you look at the prototype and its successor side-by-side that you can spot the few millimeters of added heft. Inside, however, there have been so many internal changes and refinements over the last year that it’s effectively a new machine.
For instance, during an intense period of user testing in Bo’s Bristol base, the team noticed users dropped their scooters off the sidewalk and onto the road. The edge of the curb was banging against the underside of the monocoque, so the whole body was redesigned to be less prone to grind against the concrete and better able to take the stress.
The Bo M will ship without a built-in display, but users will get the option of a bundled Mous case that will attach to a hidden mount in the headset.
Photo by Daniel Cooper / Engadget
The rest of the spec list has been re-written as well, with more powerful motors now with a peak power of 1,200W and a rated top power of 500W, the legal limit. The Bo M has a top speed of 35 kph, or around 22mph, more than enough for an e-scooter you’re going to be primarily using on your commute. Nestled in the deck is a bigger, 655Wh battery from LG Chem with the promise of 31 miles or so worth of range. Given the innumerable horror stories about hoverboards and scooters catching fire, Morgan spared no expense to avoid the risk. There are bigger wheels, now with 10-inch pneumatic tyres, more refined brakes – including the regenerative e-brake – a better throttle controller and a more refined version of Safesteer.
And as for Safesteer, Morgan and Wills were naturally cagey to go into too much detail about how it worked during my first test ride. But now, with the machine so close to launch, Morgan explained that it uses a series of opposing torsion springs to keep the hardware vertical in spite of what a rider might do. I’ve even inadvertently put this to the test: I hit a fairly massive rock and the scooter’s refusal to tip to the side helped me avoid an accident.
The one downgrade has been the death of the electrically-powered load hook that was shown in plenty of the initial concept videos. Instead, much like recessed door handles, you’ll need to flip the lock out from its position hidden in the cowl by pressing on one end. As much as the power version was cool, the beefy hinge actually helps give you the confidence that this thing won’t be easily separated from the hardware should an enterprising thief try to make off with it.
Photo by Daniel Cooper / Engadget
Bo was meant to launch at the start of 2023, and there are two reasons why it’s taken so much longer to reach users. Part of that was the usual vagaries of product development, but more so, the UK’s failure to implement a proper framework to make private e-scooter use legal. Morgan was reluctant to talk about the issue given the political sensitivities at play, but the issue clearly frustrates the country’s sizable e-scooter industry.
At present, private ownership of an e-scooter is legal, but it’s illegal to ride one on public roads. The only exception are sharing scheme scooters, which were authorized as part of a trial in a number of locations. Consequently, the UK micromobility industry hangs in limbo, issuing pleas to the country’s lame-duck government to ask for some sort of action. If nothing happens before May 2024, then even those trial operators will be required to shut up shop, too.
The extra development time has enabled the team to ensure the unit is as repairable as possible. Morgan didn’t outline specifics, but said plenty of components will be easy enough for a user to fix. It’s likely the battery and drivetrain won’t be part of that, with users instead expected to return their scooter to a trained technician for service. But Morgan outlined a vision in which users would keep hold of their Bo for tens of thousands of miles, with regular services to ensure things remained perfectly operational.
Photo by Daniel Cooper / Engadget
A few weeks after our jaunt around London, Morgan arrived with the Bo M at my home, 110 miles north east in Norwich. We’d been speaking about my usual testing environment for mobility gear, including a hill with a 12-degree incline on one side, and a 22 degree climb on the other. On a particularly damp Thursday morning, we took the Bo M on one of my usual test runs to see if it could cover terrain that plenty of other units have failed on. To my surprise, not only did the Bo M make it up the 22 degree climb, it did so without breaking a sweat despite the fact that I’m actually heavier than the company’s specified maximum rider weight.
I’m rarely prone to evangelizing, but even before all of Bo’s refinements, I was already of the belief that Bo was category-defining. It is, I think, the first e-scooter I could see myself buying and using on a daily basis, because it’s easy and convenient and safe.
The Bo M is the first in a series of Bo scooters that will be released across the next few years, and the company has already started dropping hints about what’s to come. But, for now, the focus is on the Bo M which has entered production from today, with the earliest pre-order customers due to take ownership of their units towards the end of the year. It will then open up to general customer orders in February 2024, with the UK being the first territory available. Not long after that, however, the Bo M will be available to buy in the US, where there has already been a massive spike in interest for the scooter.
From the start, the Bo team was clear that its first products would be sold as high-end products at the top of what people might expect to pay. Brace yourself, then, when you learn that the Bo M will cost £2,249 (around $2,754) and, while I’m often the first to balk at how much stuff costs, that feels pretty reasonable. If you’re currently paying to get to work and back each day, then it’s likely that the Bo will pay itself off in a year or two, not to mention the fact that you’re driving the most advanced e-scooter on the market. And, as I said before, it can’t help but turn heads.
This article originally appeared on Engadget at https://www.engadget.com/bos-sublime-e-scooter-of-the-future-is-finally-ready-to-buy-070008363.html?src=rss
