Vice President Kamala Harris will today award the Congressional Space Medal of Honor for the first time since 2006. The recipients are Doug Hurley and Bob Behnken, who became the first astronauts to fly to space on a crewed SpaceX mission in 2020. The pair, who traveled to the International Space Station and stayed there for almost two months, will receive the honor for their bravery.

Hurley and Behnken were part of the first crewed spaceflight from US soil since the last Space Shuttle mission in 2011. They both also flew on the Space Shuttle, and Hurley was on the program’s final flight.

Hurley and Behnken’s Demo-2 mission was the first crewed flight under NASA’s Commercial Crew Program. Five other SpaceX crews have since flown to the ISS.

The Congressional Space Medal of Honor is typically given to mark a first in space travel, as The Washington Post notes. Previous recipients include Neil Armstrong, Alan Shepard (the first American to travel to space), John Glenn (the first American in orbit) and Frank Borman (commander of Apollo 8, the first lunar orbit mission). The award was also granted posthumously to the crew of Apollo 1 and those who died aboard the Challenger and Columbia shuttles.

Source: Engadget – SpaceX astronauts will receive the Congressional Space Medal of Honor

The European Union is eager to crack down on Big Tech’s alleged privacy abuses, but the reliance on individual countries to enforce General Data Protection Regulation (GDPR) rules has led to lengthy cases with punishments that are frequently modest. There will soon be pressure to act decisively, however. The European Commission will now require that EU nations share overviews of “large-scale” GDPR investigations every two months. This includes “key procedural steps” and actions taken — national regulators will have to show they’re moving forward.

The tougher approach comes after the EU Ombudsman recommended closer monitoring of Big Tech cases that fall under the Irish Data Protection Commission, which regulates Meta and other industry giants. The rights group Irish Council for Civil Liberties (ICCL) made a complaint to the Ombudsman accusing Ireland’s commission of being too slow and lenient against privacy violations. Just weeks ago, Europe’s Data Protection Board forced Ireland to raise a data processing fine against Meta from €28 million to €390 million ($30.4 million to $423.3 million).

As Bloombergobserves, the European Commission is already issuing reports every two years on the overall status of GDPR enforcement. However, it hasn’t conducted thorough, frequent reviews of individual countries’ privacy regulators. This new requirement will theoretically hold all EU member states accountable if they delay investigations or don’t apply the law when necessary. This could include legal repercussions at the European Court of Justice.

Critics might not be happy with the transparency. Ireland and other nations will share their progress on a “strictly confidential basis,” according to the Commission. The public might not know if a regulator is mishandling a case unless the EU takes visible action in response. Nonetheless, this may encourage Meta, Amazon, Google and other tech heavyweights to take European privacy laws more seriously — they may see quicker investigations and stiffer fines.

Source: Engadget – EU vows to get tougher on Big Tech privacy violations

Marshall already launched a few rugged, weatherproof portable Bluetooth speakers, but so far they’ve been relatively small. That changes today with the launch of the Middleton. It’s still portable enough to chuck into a backpack, but has an IP67 rating, 20+ hours runtime at mid-volume, dual woofers and tweeters pushing out 50-watts of 360-degree sound and moves into the bassier 50hz to 20kHz frequency range. It’s available in black starting today and priced at $299.

The Middleton is being pitched as the new flagship for Marshall’s portable Bluetooth speaker line and rightly so. Aside from the Tufton, which isn’t all that rugged and is significantly bigger, the Middleton is now one of the more powerful portables in the company’s stable. It’s the largest IP67 rated speaker they have on offer, measuring 4.3 x 9 x 3.75 inches, and one of the first to pump out sound from all four sides. It also ditches the rubber port stopper seen on other models, since the company has already waterproofed the components.

As mentioned, the Middleton is rated for more than 20 hours of playtime on a single charge, at low to mid volume of course. I haven’t had the chance to test this on full blast for long periods of time, but the charge does seem to hold up well. The speaker has three battery cells totaling 9,600mAh, and you can use the speaker as a USB-C power bank if needed. Also, if your charge is running low while you’re jamming out, you can always use it while its charging.

The 360-degree sound is driven by two 15-watt woofers, two 10-watt tweeters and a pair of passive radiators that serve to pump music out of the smaller ends of this chunky rectangle. The output from this four-pound device is respectable and it handles low frequencies well. You also get the trademark Marshall sound that gives you a good dynamic range and provides significant depth to whatever sounds you’re vibing on.

Just like the Emberton and Willen, the Middleton has a soft-touch exterior composed of 55-percent post-consumer recycled plastic and is 100-percent PVC free. It also has a carry strap you can easily fit your hand through. On the top, you’ll find onboard controls that provide more hands-on adjustment than its siblings. There’s a Bluetooth button (which doubles as the Stack Mode control) and a multi-use joystick for power on/off, volume control and track selection (forward or back). You also get bass and treble controls, which are a welcome addition and a first for one Marshall’s speakers without physical knobs. The level indicator works in conjunction with most of the above. It displays battery level, but also indicates volume, bass and treble levels all with backlit red lighting.

This speaker is also the biggest model to support Marshall’s Stack Mode feature. You can start a session using the Marshall Bluetooth app and pair with any other Middleton, Emberton II or Willen speakers using a double press of their Bluetooth buttons to join. It helps if you aren’t already paired with speakers joining the session. Like most Bluetooth portables, two (or more) sound much better than one and a double dose of the Middleton sound is a pleasure. The company claims you can pair a good deal of compatible speakers together, having tested up to 60 at one time. I’ve “stacked” two Middletons, an Emberton II and a Willen which worked well — once I unpaired all but the main speaker from my phone, that is.

For reference, the UE Megaboom 3 ($199) is a good model for comparison in terms of scale, although it’s been around for several years. As usual, this puts the Middleton in a slightly higher price bracket than some others out there in its size, but Marshall products have usually been priced at a slight premium. The excellent sound quality and better low-end capability definitely makes this model worth checking out.

You can order the Marshall Middleton in black from the company’s website starting today for $299. If you prefer the cream-colored option, you’ll have to wait until around Spring this year.

Source: Engadget – Marshall’s Middleton Bluetooth speaker is the company’s new weatherproof flagship

Ever found yourself turning down the radio so you can focus on finding a parking spot? Music didn’t stop you seeing, but it was taking up some tangible mental resources. But what if you had a way to immediately make the music more calming? Or to change that distracting string section? That, effectively, is the promise of Aimi’s interactive music player app. It won’t help you find a parking spot, though, you’re on your own with that.

If the name Aimi sounds familiar, that’s because its self-described “generative music platform” has been available online for a while. What’s new is the mobile app, launching in beta today with 5,000 slots open globally. The mobile experience takes the endless mood-based music feeds from the Aimi website and adds the option to tweak them to your heart’s content. It’s not a full-bore music making app, more of a tailored soundtrack for when you want a certain vibe, or as Aimi calls them: Experiences. The basic app will be free, but unlocking the majority of those controls will cost $10 a month.

The app offers experiences with names such as Serenity, Flow, Electronica and Push. Each gives a clear hint at what the vibe is and there are 10 of them at launch. The slowest, Serenity, starts at 64 BPM and they ratchet up to Push’s time-honored throb of 128 BPM.

As a listener, you could just open one of the experiences, tap play and go about your business. The idea being that if what the app serves you up isn’t quite what you wanted, you can mash the shuffle button and it’ll reconfigure the track with new sounds and energy. Or maybe you liked it, so there’s a thumbs-up option to tell it “more of this please.” That’s the most basic use case, which is also the extent of the free tier – but you can take it a few steps further with a subscription.

For premium users, once you have an experience playing, swiping left will give much more detailed control. The first screen shows a cluster of circles, each one labeled after a musical part (Beats, FX, Bass and so on). Hold down one of these circles and, as long as it’s active, it’ll solo just that part. If you tap a circle, you’ll enter a sub menu where you can adjust the volume of that part along with a shuffle option for just that element and more thumbs up/down.

If you swipe left one more time, you’ll find a selection of sliders which can vary from experience to experience, but tend to include “Intensity,” “Progression,” “Vocals” and “Texture.” It’s here that you can tell the app to do things like add a little intensity, mix things up more often or deliver more/less vocals. The changes are usually quite subtle – it’s more re-adjusting than remixing. These settings are remembered, too, so the next time you fire up that experience it’ll be to your taste. Or, at least the taste you had the last time you listened to it.

All the music on offer here is of the electronic variety. And despite the relatively wide range of BPMs, there’s definitely a thread that runs through them. That’s to say, this isn’t genre-hopping in the sense that you might want a Hip Hop vibe before moving over to some Indie and back to EDM. It’s more like being at a large House club with different areas with different BPMs along with a few well-stocked chill out rooms.

According to the company, the musical loops in Aimi are created by a pool of over 150 artists including some big names like Carl Cox. Once the loops are fed into the platform, AI takes over to match the pitch, BPM and general vibe. Theoretically, you have an endless radio station of music you can interact with, and the library is set to keep growing over time. Let’s hope that includes some other genres. Hip Hop and anything with a breakbeat would instantly provide a shot of different energy here, for example. Likewise, something on the more acoustic side of things would at least provide an option for those less into electronic music.

Generative music has seen an increase of interest in recent years as technology has developed enough to make it more fluid than just burping up clips that are in time and key. Mostly this has been focused on the headspace area, meditative apps, concentration soundtracks and so on. Aimi’s main rivals here would include Endel ($15 a month) and Brain.fm ($7 a month).

While Aimi does occupy this space too, its emphasis on interactivity with its mood-based streams sets it apart. In fact, Aimi CEO, Edward Balassanian, sees it as a gateway for the musically curious. “One of the strengths of generative music is that we can use it to attract casual listeners with continuous music experiences and then introduce them to interactive music by letting them take ownership of their music experience.” he told Engadget.

This hints at a broader plan. Right now there’s the linear player on Aimi.fm and the new interactive app launching today. In the future, there will also be Aimi Studio, which Balassanian says will be released this summer. “Once we get you hooked on interacting with music through our player, we want you to feel inspired to try making music using Aimi studio. Aimi studio will be offered in both basic and pro editions for everyone from aspiring amateurs to professionals.” he added.

I’m uncertain if this will appeal to users that use something like Note by Ableton or Maschine by Native Instruments. The actual amount of impact you can have on the music in Aimi is very limited as your effectively just giving nudges to the AI rather than being directly hands on. Likewise, the section of the app where you can solo parts isn’t immediate, this means if you were hoping to remix on the fly DJ-style by cutting the bass and beats before dropping them back in on the next phrase, it’s not really designed for that.

Likewise, sometimes you can find yourself distracted by the thing that’s meant to help you focus. When I tried the “Flow” stream, the first “idea” it presented was actually a bit irritating to me, so it served the opposite purpose. Of course, I could shuffle it to something more agreeable, but the irony of being taken out of the moment, even if just temporarily, was not wasted on me.

To that end, it’s hard to see where the interactive arm of Aimi excels, at least at launch. The genres, while varied, do overlap quite a bit. The control you have over the music is quite gentle in the scheme of things and feels more like fine-tuning than an actual creator tool. The core experience of listening to chill vibes is a great alternative to your tired Spotify playlist, but that part is free and has been available in some form for a while.

Balassanian says that even more experiences from more artists will be coming after launch and once the Studio app is released anyone will be able to make loops and upload them to the platform for users to enjoy. In the meantime, you can sign up for early beta access here and start configuring your own soundtrack today.

Source: Engadget – Aimi’s mobile app lets you remix its endless AI-generated beats