Chinese company Nreal has launched a new model of augmented reality glasses called Air, which was designed with streaming shows and playing mobile games in mind. Nreal released its first model, the Light mixed reality glasses, to consumers a year ago after fending off Magic Leap’s accusation that its founder stole trade secrets to build his own company. Air still needs to be tethered to a phone like the Light, but it it’s a lot lighter (77 grams to Light’s 106 grams) and looks more like an ordinary pair of sunglasses than its predecessor does. Nreal says it also has a better display, which has the capability to project a massive virtual screen up to 201 inches in size.
The device’s display has a 46-degree Field of View and is powered by a micro-OLED chip for AR devices. It has a high density of colors, with up to 49 Pixels Per Degree, and a refresh rate of up to 90Hz. In comparison, the Light has a 52-degree FOV and a 60Hz refresh rate. One significant feature the Light has and the Air doesn’t is inside-out tracking. The new model has no motion tracking at all, and a company spokesperson told us that based on Light’s usage, Nreal expects most owners to use the Air simply to watch shows on Youtube. They said:
“People we know will use Nreal Air (a large number of them) for simply watching shows on YouTube, streaming content on local streaming platforms (like Magenta by Deutsche Telekom) based on Nreal Light’s usage, which is why the tradeoff makes sense. The other bulk of users are using it for actual development. With that said, one of the biggest demands we saw was for using Nreal Light for a longer period of time (meaning lighter weight), and a more brilliant display. Those two would be the key features that were of paramount importance and the basis for how Nreal decided to strike a balance.”
A feature the Light doesn’t have, however, is Air’s “Adjustable 3-Step Rake System” that allows users to adjust the viewing angle by tilting the lens and the elastic temples. In addition, the Nreal Air can pair with Apple’s iPhones and iPads and not just with Android devices. That could increase the possibility of users finding others with the model, so they could take advantage of its new shared digital space that allows multiple people to watch shows at the same time on a single AR screen.
Nreal Air will initially be available in Japan, China and South Korea in December 2021 in partnership with leading carriers. It will roll out to other markets in 2022, though the company didn’t specify the additional regions where the device will be available. The firm recently raised $100 million to fund its international expansion, though, so the new model will likely be easier to purchase than the Light, which is only shipping in a handful of countries. Those interested will have to wait for the company to reveal how much the device will cost, though it did say that the Air will “retail at a fraction of the price of Nreal Light.”
Spotify’s quest to make podcasts more interactive is expanding. Today, the streaming service announced the polls and Q&A features that it has been testing will be available to all creators through Anchor, the podcast production service it also owns. Though the tools are open to everyone, Spotify explains podcast producers and listeners will see them in 160 countries.
On the listener side, questions will appear at the bottom of episode pages in the Spotify app on both Android and iOS. From there, you’ll be able to respond directly in the app to any prompts related to the show. As you might expect, you’ll see on-going results of polls, but Q&A responses will only be seen by the show’s creator. Producers and hosts will have the option of pinning certain responses below the question alongside the corresponding username in a stories-like format.
Spotify has been testing polls for a year and it added a Q&A option to the trial in January. At the time, the company said 90 percent of users would see polls even though the number of shows on which they appeared was very limited.
I didn’t expect much from the second-generation Sonos Beam. It has the same exact speaker components as the original, a device we already loved. The main difference is that the new Beam also has more processing power to handle Dolby Atmos surround sound. I tend to want more in a sequel, especially since in this case Gen 2 costs $50 more at $450. But even though it’s more of a revision, the new Beam still manages to deliver a wider, more immersive soundscape than before. It proves that having a dollop of Dolby Atmos can go a long way.
The original Sonos Beam was a predictable hit. Consumers were hungry for soundbars to beef up their flatscreen TVs, and it turned out that many people also wanted a cheaper alternative to Sonos’s two TV solutions at the time , the aging Playbar and the awkwardly shaped PlayBase, both priced at $699. Enter the $400 Beam: it was compact enough to fit in small living rooms; featured Amazon Alexa built in; and, most importantly, it sounded great. It was an accessible entry point into Sonos’s family of connected speakers, pluss an easy upgrade for existing customers.
The new Beam looks almost the same as before; the only difference is that it has a perforated plastic grille around its curved exterior, a departure from the thin cloth covering on the previous-gen model. It’s still surprisingly small, measuring just 25.6 inches wide and weighing a mere six pounds. It has the same rear ports, too: Ethernet, HDMI and power. You’ll need to plug it into an HDMI ARC/eARC socket on your TV to tap into the power of Dolby Atmos and TrueHD. (But if you’ve got an older set, you can get basic Dolby Digital decoding with the bundled HDMI to optical adapter.)
Speaking of Atmos, that was a major deficiency on the earlier Beam. When that speaker was released in 2018, soundbar makers like Vizio were already exploring what was possible with Dolby’s new technology. Typically, that involved using upward-firing speakers to bounce sound off of your ceiling. And, despite seeming like a bit of an audio hack, in my experience those speakers do a decent job of replicating what you get from Atmos-equipped cinemas, which have dedicated hardware built into their ceilings. There are limits, though: Upward-firing Atmos speakers tend to max out with 15-foot ceilings, and they work best with flat surfaces.
Devindra Hardawar/Engadget
Given the additional hardware and room requirements, why go through the trouble of getting Atmos hardware at all? Simply put, it makes for more room-filling surround sound than traditional 5.1 solutions like Dolby Digital and DTS. Those earlier technologies sent sound to specific channels — left, right, center, two rears and a subwoofer. Atmos is different: It’s object based, allowing engineers to map sounds in 3D (XYZ) space coordinates. That lets an Atmos mix automatically scale up anywhere from two speakers (or basic stereo support) to 64 in cinemas.
Sonos is no stranger to Atmos soundbars: It’s the defining feature on the $899 Arc. But what makes the second-generation Beam unique is that it doesn’t even have upward-firing speakers. It has the same basic hardware as before: a center tweeter, four mid-woofers for mid-range sound, and three passive radiators to handle the low-end. Instead, it’s relying entirely on audio processing to simulate the Dolby Atmos experience. The additional CPU speed allows it to power two additional channels: height and surround for both the left and right speakers.
When Sonos first announced the second-gen Beam, I immediately wondered how the heck it could provide any height channels without adding more speakers. It turns out, the company leaned even more heavily into psychoacoustics, or the science of how we perceive sound. According to Scott Fink, the product manager behind all of Sonos’s home theater gear, the company can tweak the audio timing and frequency to make it seem as if sound is coming from the side, or slightly above you. It’s no replacement for having actual speakers dedicated to blasting height channels, but it worked surprisingly well in my testing.
During the opening chase in Baby Driver, for example, I could hear cars whizzing by my ears, the roar of powerful engines and Jon Spencer Blues Explosion’s “Bellbottoms” filling my family room. That same scene on the original Beam sounded fine, but there was no sense of enveloping surround sound. The second-generation model just sounded like a richer experience, as if cotton balls were removed from my ears.
The same was true while revisiting 2015’s (seriously underrated) The Man from U.N.C.L.E., or the epic car-turned-motorcycle chase in MIssion Impossible: Rogue Nation. The new Beam is a tiny speaker meant to make a meal of bombastic action sequences, and it does so without distorting or breaking a sweat. Sonos also focused on making dialog clearer too, something I appreciated when conversations were happening amid those huge set pieces.
Mostly, though, I was impressed by what Sonos was able to do with such a small device. You can find soundbars and wireless surround sound systems for less than $450, and many will deliver bigger sound. But Sonos offers things other systems don’t. For one, it’s easy to set up: You just plug it into the appropriate ports and step through the process on Sonos’s app. With competing products, you may also have to find spots to hold rear speakers, which still need to plug into power. As great as the new Beam sounds, though, it’s no match for the Atmos capabilities of the Arc. But for half the price, I wouldn’t expect it to.
Devindra Hardawar/Engadget
When it comes to synchronized audio throughout your home, Sonos is still the connected speaker company to beat. There’s no easier way to program music for house parties (and outdoor shindigs with the portable Roam and Move speakers). The second-gen Beam is a solid addition to the family when it comes to music, though it’s less of an immediate upgrade compared to movies. It’ll support Dolby Atmos on Amazon Music later this year, but that service currently doesn’t have a huge number of Atmos tracks. Sonos isn’t saying when it’ll support Atmos on Apple Music, but there’s technically nothing stopping that from happening down the line.
The new Beam sounded fine while playing back some of my favorite albums, like Bjork’s Homogenic and Janelle Monae’s The Electric Lady, with a decent sense of presence and some thumping low-end. But it didn’t sound dramatically different like it did with action movies. Amazon Music’s Ultra HD mix of Marvin Gayes’ “What’s Going On” sounded very crisp and clear, but I’ll be more interested in hearing what the Atmos version of that song sounds like eventually. On my Echo Studio, that Atmos mix almost sounds like Gaye is performing a live concert right in front of you.
And speaking of Echo devices, the Beam’s Alexa integration still works well. Its far-field microphones can hear me from the other side of my large family room, and it supports all of the same commands as Amazon’s own devices. It could easily replace an Echo in the same room, but you can also just mute the microphone and keep your Amazon account unlinked if you don’t want to have it listening in.
The Sonos Beam excels at being a simple and compact soundbar that’ll give you a large soundstage for movies. But I’d recommend sitting back and thinking about what’s really important to you. Do you care more about having a clean TV setup without many wires? Or do you want a soundbar system with more realistic surround sound? (Actual rears, a subwoofer and upward-firing Atmos speakers.) If so, you’ve also got great options like Vizio’s M-series 5.1.2 for around $500.
Devindra Hardawar/Engadget
You could eventually build a Sonos surround sound system around the Beam by adding two One speakers as rears, as well as the company’s wireless subwoofer. But those two pieces of hardware alone would run you another $1,150 (or you could buy them all bundled together for $1,499). If you’re going that route, you might as well jump straight to the $899 Arc to have the best possible Sonos system.
The second-generation Sonos Beam isn’t a huge leap ahead of the original, but it’s still a better soundbar overall thanks to the addition of Atmos. If you already own a Beam, you don’t need to run out and grab one. But it’s a solid sub-$500 soundbar if you want to take your movie watching up a notch.
Note: Sonos is a former sponsor of my movie podcast, The Filmcast, but that hasn’t stopped me from being critical of the company.
After introducing cross-messaging between Messenger and Instagram last year, Facebook has made it more useful with the addition of cross-app group chats. With the new feature, you’ll be able to start a group chats and loop in both Messenger and Instagram contacts. In addition, you’ll be able to run Messenger-style polls in both Instagram DMs and cross-app group chats if your group needs to decide whether to get pizza, tacos or both, for instance (both, obviously).
Meanwhile, Instagram gets an exclusive new feature called “Watch Together.” To use it, you just start a video chat within Instagram, scroll to the post you want to share then click on the share button and “Watch Together.” Instagram has added some new content from Steve Aoki, Travis Barker and Cardi B.
Other new additions include group typing indicators available in cross-app group chats for both Messenger and in Instagram DMs. Facebook also brought in new chat themes for Messenger and Instagram DMs, including “Cottagecore” and a theme centered around Columbian singer J Balvin. There’s also a new Astrology art suite, with an Astrology group chat theme, AR effect and sticker pack. The new features roll out for Messenger and Instagram today.
An anonymous reader quotes a report from The New York Times: The ivory-billed woodpecker, which birders have been seeking in the bayous of Arkansas, is gone forever, according to federal officials. So is the Bachman’s warbler, a yellow-breasted songbird that once migrated between the Southeastern United States and Cuba. The song of the Kauai O’o, a Hawaiian forest bird, exists only on recordings. And there is no longer any hope for several types of freshwater mussels that once filtered streams and rivers from Georgia to Illinois. In all, 22 animals and one plant should be declared extinct and removed from the endangered species list, federal wildlife officials announced on Wednesday.
“Each of these 23 species represents a permanent loss to our nation’s natural heritage and to global biodiversity,” said Bridget Fahey, who oversees species classification for the Fish and Wildlife Service. “And it’s a sobering reminder that extinction is a consequence of human-caused environmental change.” The extinctions include 11 birds, eight freshwater mussels, two fish, a bat and a plant. Many of them were likely extinct, or almost so, by the time the Endangered Species Act passed in 1973, officials and advocates said, so perhaps no amount of conservation would have been able to save them. “The Endangered Species Act wasn’t passed in time to save most of these species,” said Noah Greenwald, endangered species director at the Center for Biological Diversity, a nonprofit group. “It’s a tragedy.” Since the passage of the Endangered Species Act, “54 species in the United States have been removed from the endangered list because their populations recovered, while another 48 have improved enough to move from endangered to threatened,” adds the report. “So far, 11 listed species have been declared extinct.”
I ran across this chart from Reddit’s Dataisbeautiful subreddit recently, and it got me thinking about the economics of working and lunching. Redditor ar243’s chart plots the cost of a midday meal eaten at a restaurant vs. a delivered lunch, so you can determine whether your wages and your lunch choices result in it…
GNU Wget2 has many improvements in comparison to Wget. Designed and written from scratch, GNU Wget2 wraps around libwget, that provides the basic functions needed by a web client.
It’s really simple. If you were a fan of the original Venom, you are probably going to enjoy Venom: Let There Be Carnage. Everything that worked about the first Sony/Marvel movie—the offbeat humor, the sultry special effects, the intense characters—is all back in full force in the sequel. However, for the most part, …
Cadillac has dropped quite an important feature from the 2022 Cadillac Escalade. According to Motor1 and Roadshow, the model won’t come with Super Cruise, GM’s hands-free driver-assistance technology. A spokesperson from the brand has confirmed to the publications that the Super Cruise would be “temporarily unavailable at the start of regular production,” though they expressed the possibility that it would be available for vehicles manufactured later on. The spokesperson also revealed that the reason for this change is none other than the global chip shortage born out of the COVID-19 pandemic.
Cadillac’s whole statement reads:
“Super Cruise is an important feature for the Cadillac Escalade program. Although it’s temporarily unavailable at the start of regular production due to the industry-wide shortage of semiconductors, we’re confident in our team’s ability to find creative solutions to mitigate the supply chain situation and resume offering the feature for our customers as soon as possible.”
The company also told Roadshow that it was only able to build “a few” CT4 and CT5 sedans scheduled for release this year with the capability to use Super Cruise. It had to postpone the full launch of its driver assistance system in the sedans until model year 2022, which will start shipping next year.
The global semiconductor shortage has had an extensive effect on the tech and auto industries. GM, Cadillac’s manufacturer, had to suspend production at all but four of its North American factories due to supply constraints. Nissan, Ford, BMW and Honda had to cut vehicle production, as well. In Ford’s case, it led to the delay in shipments of the Mach-E electric vehicle.
GM has big plans for Super Cruise and previously announced its plans to bring the technology to 22 vehicles by 2023. It’s unclear if these delays and adjustments caused by the chip shortage would affect the timeline it set for itself.
Tech meats won’t save the world, but they do give vegans, vegetarians, and people like my father (who avoids red meat for health reasons) access to the simple pleasure of eating a burger. Impossible meat is a truly uncanny product that’s particularly hard to detect as “fake” if cooked and seasoned properly (and…
Google’s work on the VirtIO DRM kernel driver around the notion of “context types” and being able to initialize different types of contexts is set to be merged for Linux 5.16 in opening up more use-cases for this driver that is an important part of the open-source virtualization graphics stack for graphics…
Swiss company ABB, which supplies EV chargers to Ionity and Electrify America, has unveiled what it calls the “world’s fastest electric car charger,” Reuters has reported. As its name suggests, the Terra 360 has a 360 kW capacity, meaning it could fully charge a (theoretical) EV in 15 minutes. More realistically, it can charge four vehicles simultaneously, saving space at charging stations.
The Terra 360 isn’t the most powerful charger by much, as companies like Electrify America, Ionity and EVGo have been using 350 kW chargers manufactured by ABB and others since at least 2018. However, it’s the “only charger designed explicitly to charge up to four vehicles at once,” the company said. “This gives owners the flexibility to charge up to four vehicles overnight or to give a quick refill to their EVs in the day.” They also have a relatively small footprint, allowing installation in small depots or parking lots.
There aren’t a lot of EVs that can handle that kind of charge. The fastest-charging EV available is Hyundai’s Ioniq 5, which supports DC fast-charging at up to 350 kW, in theory. The only two approaching that are Porsche’s Taycan, with 270 kW of charging capacity and the new Lucid Air, which allows for up to 300 kW fast-charging. Tesla’s Model 3 and Model Y EVs can charge at up to 250 kW.
Such high charging levels aren’t necessarily great for an EV’s battery. Porsche, for instance, has a battery preservation setting on its Plug & Charge Taycan feature that lowers voltage to 200 kW from the maximum 270 kW allowed — so it’s essentially acknowledging that faster charging degrades the battery. On top of that, extreme charging levels don’t necessarily save you much time, as Car and Driver found. Tesla recently promised to upgrade its own Supercharger V3 network from 250kW to 300kW.
ABB’s new chargers will be able to add 100 km (62 miles) of range in less than three minutes. They’ll arrive in Europe by the end of the year and start rolling out in the US and elsewhere in 2022.
This post contains spoilers for episode eight of Marvel’s ‘What If…?’
In physics there’s what’s known as the “observer effect,” wherein an object or system is changed merely by observing it. On Marvel’s What If…? each episode has been witnessed by an apparently omniscient narrator known as The Watcher, who seemingly believes himself to be above this simple rule. He’s seen the Avengers murdered, zombies overrun the galaxy and Steven Strange completely destroying his own universe, but the Watcher has always refrained from doing anything that would change the outcome — until now.
The twist in this episode is that in Age of Ultron, the titular villain managed to get control of the Vision body before it awakened as the hero we all know and love, taking it over and then, the world and even gaining the Infinity Stones. Somewhere in all this the Avengers are killed, with the exception of Natasha and Clint, finally giving us that Black Widow and Hawkeye adventure we should have had years ago. I haven’t been the biggest fan of either character, but here they’re a lot of fun despite the grim circumstances.
Marvel Studios
The real star here, however, is Jeffrey Wright’s Watcher character. We still know little about him, or the faction he serves. The Watchers, as a group, have only appeared in live-action during a brief scene in Guardians of the Galaxy Vol. 2. What If…? has been our first proper introduction to the concept and, after eight episodes, we’re still mostly in the dark about them.
But this week’s installment did shed some light, at least. We know that our Watcher has taken an oath to never interfere with the things he sees, though to whom we still don’t know, nor are we made aware of possible consequences of breaking that vow. And we now know he’s emotionally invested in the universes he observes, if only based on his reaction to Clint not finding the folder they need in the KGB archives (luckily, Natasha is there to save the day).
Marvel Studios
However, that observer effect comes into play regardless of the Watcher’s intentions, as his omniscient narration is overheard by the powered-up Ultron, who seeks him out and attacks. In the process Ultron becomes aware of the multiverse, which explains his sudden appearance at the end of last week’s episode. Previews for the finale hint at some sort of multiversal team-up, one involving Captain Carter, Party Thor and the other altered characters we’ve met over the first eight episodes.
While it’s certainly a fun concept — there’s an entire comic series called Exiles about a multi-reality team such as this — it raises questions about what, exactly, season two will be about. It’s already been confirmed, but Marvel has shown it’s not really interested in running What If…? as an anthology series like the comic it’s based on. The instance on making it part of the larger canon has led to the show having its own internal continuity, though it’s unlikely it will be needed to understand the larger Marvel Cinematic Universe.
Marvel Studios
At least we hope it remains a side-story of the MCU: the power levels in the battle between The Watcher and Infinity Ultron puts even the massive conflicts shown in the last two Avengers films to shame. (Especially after Thanos is offed rather unceremoniously.) It’s a weird escalation in scale given that the teased villain of Phase IV, Kang the Conqueror, hasn’t even made a proper appearance yet.
Marvel Comics has a deep, expansive mythology and it’s nice to see the MCU finally explore some of those outer reaches. But right now the current approach to continuity feels a little cramped, and in danger of getting in its own way. Hopefully, next week’s finale will see the Watcher fully break free of his oath, and maybe help What If…? shed its remaining ties to its live-action counterparts to do something truly new.
A new report finds that some of the country’s most powerful utilities raked in millions of dollars in taxpayer bailout funds last year—while continuing to shut off service for households across the U.S. during the pandemic.
When your aging laptop or desktop computer is slowing to a crawl to get through day-to-day tasks, you don’t necessarily have to recycle it or hand it off to someone else. Your old machine can be turned into a media streaming device in its retirement, taking it easy as it serves up videos, music, photos, and more to…
It is easy to use your Linux distribution[he]#039[/he]s package management tool to install the Java software packages. However, sometimes you need to do a manual installation of Java. This is of particular importance to administrators of Java-based application servers such as Tomcat or JBoss. Many open source and proprietary software products rely on these services.
The drama, litigation and tweets continue between Elon Musk, Jeff Bezos and all those space-faring companies. As reported by CNET, Musk told Code conference attendees Bezos should put more effort into “getting into orbit than lawsuits,” and that you couldn’t “sue your way to the Moon” as Blue Origin allegedly tried when it lost its lunar lander bid.
SpaceX
NASA legal documents have revealed the space agency felt Blue Origin “gambled” with its originally proposed $5.9 billion lunar lander price. Bezos’ company allegedly set the price far higher than necessary, expecting (hoping?) NASA to award the contract and negotiate a lower cost. Further, it assumed NASA would get the full funding from Congress needed for that initial price. That didn’t happen.
Blue Origin’s VP Megan Mitchell told The Verge the company rejected NASA’s views. She felt it made a “great offer” and that it disagreed with how NASA had framed its bid.
An Amazon representative also got in touch with Engadget to remind us that SpaceX has a “long track record” of suing the US government over contracts and other decisions. Yes, we’re aware.
In the end, SpaceX’s lower bid of $2.9 billion was picked by NASA, despite Blue Origin’s subsequent challenges and a last-minute $2 billion bid — almost a third of its original proposal.
Valentina Palladino puts the latest Fitbit through its paces. Don’t expect any major shakeups, but we do get a more modern fitness tracker. Not only is it thinner, lighter and less bulky than the Charge 4 but it now has some features previously reserved for Fitbit’s full-fledged smartwatches, the Versa and Sense. At $180, you will pay a premium for those updates.
Disney+ will have one more big show before 2021 is over.
Disney
Disney vowed The Book of Boba Fett would premiere this December, and it’s making good on its promise — barely. It’s revealed the Mandalorian spin-off will debut December 29th on Disney+, replete with a little bit of teaser art you can see above. We’d explain more, but spoilers abound. For everyone already caught up with The Mandalorian, click on.
If you were following along with all the Amazon product announcements yesterday, you might have experienced a dose of tech deja vu. Cherlynn Low felt exactly that. With products that borrowed heavily from the likes of Fitbit, Nest (both Google properties now), as she put it, Amazon’s biggest innovation increasingly seems to be: being cheap. Aside from that robot.
The company also revealed $250 ANC headphones promising 30-hour battery life.
Sony’s flagship noise-canceling headphones and tech-filled true wireless earbuds have both been updated for 2021. Now, the company’s more affordable options are getting the same treatment. With the WF-C500, you can pick up a solid set of true wireless earbuds capable of handling immersive 360 Reality Audio for $100. And if over-ear noise-canceling headphones are more your vibe, the WF-XB910N pairs ANC (active noise cancellation) with 30-hour battery life for $250.
Kurtis Lau Wai-kin, better known as “Toyz,” has been arrested in Taipei on suspicion of trafficking marijuana. In Taiwan, marijuana is a class 2 illegal drug, and it carries a severe prison sentence and heavy fines.
While marijuana might be seen as a “soft” drug in the U.S., in Taiwan, it’s not and is classified with…
Qt 6.2 LTS is out today as the first long-term support release in the Qt6 series and also with all of the major modules now ported over from Qt5 in aiming to make this a suitable point to transition from Qt 5.15 LTS…
