Amazon received federal approval to operate its fleet of Prime Air delivery drones, a milestone that allows it to expand unmanned package delivery, the Federal Aviation Administration said Monday. From a report: The approval will give Amazon broad privileges to “safely and efficiently deliver packages to customers,” the FAA said. The FAA certification comes under Part 135 of FAA regulations, which gives Amazon the ability to carry property on small drones “beyond the visual line of sight” of the operator. Amazon said it will use the FAA’s certification to begin testing customer deliveries. The company said it went through rigorous training and submitted detailed evidence that its drone delivery operations are safe, including demonstrating the technology for FAA inspectors. “This certification is an important step forward for Prime Air and indicates the FAA’s confidence in Amazon’s operating and safety procedures for an autonomous drone delivery service that will one day deliver packages to our customers around the world” David Carbon, vice president of Prime Air, said in a statement. “We will continue to develop and refine our technology to fully integrate delivery drones into the airspace, and work closely with the FAA and other regulators around the world to realize our vision of 30 minute delivery.”

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Source: Slashdot – Amazon Wins FAA Approval For Prime Air Drone Delivery Fleet

In Christopher Nolan’s new thriller, “Tenet,” the fate of humanity pivots on characters moving back and forth through time. It is an epic, brain-bending exploration of ideas the filmmaker has spent decades examining. But now, as “Tenet” opens after multiple delays in cinemas around the world, it comes loaded with symbolism that its writer and director could never have foreseen. From a report: As the first big-budget theatrical release since Covid-19 struck, “Tenet” represents one of the biggest gambles in Hollywood history — from the studio wagering it can release the movie amid the pandemic, to long-dormant theater chains banking on it spurring a recovery for their business, to potential ticket buyers balancing safety concerns with their urge to get back to the big screen. Mr. Nolan, though known as a champion of the theatrical experience, is somewhat uneasy with all the significance assigned to his sci-fi spy picture. “This is the most radical shift in my career, my lifetime, between the making of a film and the world it goes out into, and I’m still grappling with that,” he says.

Starting with an Aug. 26 opening in parts of Europe and elsewhere, the rollout of “Tenet” reaches the U.S. Sept. 3. It is the fourth domestic release date for the movie — which was delayed repeatedly as studio and theater executives dealt with shifting lockdown measures — yet it is still unclear when it will open in regions where indoor theaters remain closed. That includes two cities that are normally first to get new movies, New York City and Los Angeles. When coronavirus lockdowns descended in March, Mr. Nolan says, his team’s first challenge was to use remote methods to put the final touches on “Tenet” and turn it in on time to AT&T’s Warner Bros. studio. Meanwhile, every big movie on deck for the season, starting with the James Bond installment “No Time To Die,” retreated on the calendar to fall or next year. By contrast, Warner Bros. pushed back the July 17 release of “Tenet” by only two weeks, and later pushed it again. The studio never seriously considered an online premiere for “Tenet,” a Warner Bros. executive says, even as others experimented with online releases, as Disney has done this summer with “Hamilton” and “Mulan.” The movie enjoyed a strong $53 million debut overseas. “We are off to a fantastic start internationally and couldn’t be more pleased,” said Toby Emmerich, Warner Bros. Pictures Group chairman. “Christopher Nolan has once again delivered an event-worthy motion picture that demands to be seen on the big screen, and we are thrilled that audiences across the globe are getting the opportunity to see ‘Tenet.'”

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Source: Slashdot – Christopher Nolan’s ‘Tenet’ Makes a Global Bet on the Film Industry