In response to fan feedback, the new ‘Survival Mode’ allows players to play the game without the restrictions of the main campaign.

Neolithic Dawn, a survival game set in the neolithic era, started out in Early Access on Quest in June 2025 followed by PC VR in September. Both versions went to full release in December 2025.

The latest update from developer Neolithic LLC adds a fan-requested quick play ‘Survival Mode’ option. This new mode has every map unlocked and is free of any objectives and story-based missions to complete, designed for players looking for a more open, sandbox survival experience.

The update also expands the Saugeen Bluffs area, adds support for bHaptics vests, and improves the main menu interface and inventory system.

We went hands-on during the Early Access period and had a mostly positive experience despite the bugs and jank to be expected in Early Access titles. In our hands-on piece, we said “Exploring the world is wonderful. Environments are vast and varied. There are moments of pure wonder and true terror.”

Neolithic Dawn Hands-On: Survival Of The Fittest

VR survival game Neolithic Dawn recently entered early access on Quest.

UploadVRJames Tocchio

Neolithic Dawn is available now on Steam and Meta Quest for $19.99.

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Iron Guard: Salvation, a VR sci-fi tower defense game, is launching on PlayStation VR2 in March.

Iron Guard: Salvation is a tower defense strategy game in which players must build and upgrade bases and weapons while managing resources and fending off waves of enemies in VR. A story-driven campaign mode offers a cinematic experience across 30 hand-crafted missions.

Iron Guard: Salvation is a direct sequel to Xlab Digital’s Iron Guard, which first debuted in 2021 and was ported to PS VR2 last year.

We previously reviewed Iron Guard: Salvation when it released on Quest, where our reviewer found it to be a strong tower defense game that might have benefitted from heavier implementation of RTS mechanics and inclusion of a multiplayer mode.

Iron Guard: Salvation launches March 5th on PlayStation VR2. It’s out now on Quest and PC VR.

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Underwater PC VR narrative puzzle game Echoes of Mora will launch in April on Steam.

Selkies Interactive announced at the recent Convergence Games Showcase that their debut title, Echoes of Mora, will launch April 29 on Steam. The announcement comes alongside a haunting story trailer and a 30-minute playable demo during Steam Next Fest, which begins today.

Echoes of Mora is described by its makers as an exploration-driven mystery with high emotional stakes, a fusion of Subnautica’s atmospheric aquatic exploration and Everybody’s Gone to the Rapture’s melancholic storytelling. You follow and guide Mora. After her brother disappears near a cursed lake, Mora sets out to find him. As the lake’s water rises, threatening the village, your help is crucial. You’ll share clues you find in the underwater world, guide Mora in the past, and accompany her on a time-bending journey that could decide the fate of her family and village.

When we previously covered Echoes of Mora, our writer felt that “While [Echoes of Mora] is by no means a seamless swimming simulator, its compelling narrative beats and dreamy world design provide more than enough intrigue to earn it a place on my wishlist.”

You can wishlist Echoes of Mora on Steam today in advance of its full release in April.

Macguyver-esque narrative VR puzzler hits Quest on February 26, with PlayStation VR2 and PC VR to come later.

Fixer Undercover was first revealed as a demo on the now defunct Meta Quest App Lab in 2024 and officially announced at the UploadVR Summer Showcase last year, promising a return to the VR escape room style puzzles popularized by games like the I Expect You To Die series and The Room VR: A Dark Matter.

As a special agent codenamed ‘The Fixer’, players will infiltrate a prison under the guise of a maintenance worker. Alongside a witty drone named Winston, a set of basic handyman tools like a hammer, grinder, pliers, and pipe wrench are used to solve a series of environmental puzzles.

Per a post on developer Creativity AR’s Discord, it expects a full playthrough to take roughly six to eight hours.

Fixer Undercover was originally planned as an Early Access release in late January, but Creativity changed course in a social media post, saying “To be completely honest: we looked at the project and realized it wasn’t ready to open its doors yet… We want to release a complete game, not a broken one. We apologize for the delay.”

Fixer Undercover releases this Thursday on Meta Quest 3, 3S, and Pro for $14.99. The game’s official website states that versions for Steam and PlayStation VR2 are planned for “a later date.” The game can be wishlisted on Steam now.

Apple Immersive documentary Top Dogs brings you up close with spectacular champion breeds, but traditional filmmaking choices keep the immersion from taking Best in Show.

Apple Immersive Video is particularly well suited for narrative documentary content. It can give visitors virtual access to real, visually stunning moments in behind-the-scenes experiences and destinations that most of us will not be able to physically visit in our lifetime. The forced perspective of the 180-degree format also offers a familiar entry point for acclaimed directors accustomed to crafting video content for traditional flat screens.

Paired with Apple TV’s reputation for visually polished and compelling storytelling, I went into the two Top Dogs Apple Immersive episodes with high expectations. But narrative and compelling visuals were not enough to create quality immersion. My role in the world of Top Dogs remained undefined, and certain creative choices gave me reason to…paws. It did not fully consider how experiencing the benefits of immersion inside a headset should feel different from simply watching a story unfold on a screen.

Spectacular dogs and clear storytelling.

The behind-the-scenes access that gets you up close to some incredible dogs makes this worth stepping into. I found myself face to face with breeds I have only ever seen on screens or in photos, and others I had never encountered before, each impeccably groomed and styled for the spotlight. The sheer range of dogs and their personalities is striking. They are the undeniable stars, and the stereoscopic depth brought me closer to these dogs than a traditional screen ever could.

The narrative also worked well. In just a combined thirty three minutes, I walked away with a clear understanding of how this renowned competition works. I learned what judges evaluate and gained insight into different aspects of the events. Participants are introduced cleanly. Stakes are easy to follow. Despite the short runtime, nothing feels rushed.

In many ways, I felt closer to this world than I would through a traditional screen. But getting close is not the same as feeling fully present within it.

Proximity is not the same as presence

Across both episodes, I kept returning to one question: who am I supposed to be here? Given Apple TV’s storytelling pedigree and the immersive potential of Apple Vision Pro, I expected Top Dogs to place me unmistakably inside its world rather than remind me at times that I was still watching from constantly shifting camera positions that were often stationary and sometimes moving speedily. My sense of embodiment wavered as scale and perspective changed without explanation or logic. Quick cuts shifted me from floating down an aisle of Dalmatians at eye level with their handlers, to sitting close-up at eye level with dogs, to looking up at handlers.

As a visitor to the documentary, I also did not feel like my presence was intended to be acknowledged. Those being interviewed spoke to an off-camera interviewer and avoided glancing into the lens, a choice typical of traditional flat-screen content. The only characters that seemed to recognize my presence on occasion were some of the dogs who took momentary interest in the camera. Locking eyes with Australian Shepherd Viking, 2024 Best in Show winner, was memorable. I impulsively shifted back when another dog jumped to the camera for a kiss. More moments like this would have helped with the sense of presence.

Traditional film language can limit immersion.

Directed and narrated by BAFTA and Peabody winner John Dower in his first immersive documentary, Top Dogs reflects a filmmaker clearly comfortable with traditional documentary language. But immersive storytelling demands intention around experience, not just storytelling.

The flyball competition segment showed what worked. The camera remained steady and well positioned as if I was watching from the sidelines. It gave me enough time to take in the space and choose where to look. The more time I had to notice details within the scene, the more immersed I felt. As the dogs sprinted back and forth, I turned my head naturally to follow them. The action defined my movement in the world. In contrast to many other moments in Top Dogs, this moment allowed me to feel confident in my spectator perspective, and present.

Framing and editing choices, however, often reflected traditional documentary grammar in ways that weakened immersion. Action and even faces were occasionally partially cropped within the 180 degree frame. Extreme close ups that might feel intimate on a flat screen felt odd and uncomfortable in headset. Photos appeared floating in black backgrounds rather than integrated into the environment. On screen text reinforced the sense of watching a framed production rather than being there. The quick cuts also shifted me between locations and perspectives without spatial grounding or transition of any sort. I would have liked to see more movement from the dogs and less movement from the camera.

When traditional documentary grammar dominates, the headset begins to feel optional. At several points, I found myself toggling from full Immersive Video to the windowed view to avoid some creative choices that felt jarring when fully immersed. I also found myself wondering why this was not simultaneously released as Apple TV content for more people to see it outside headset, given how closely its film language already aligns with traditional screens.

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Google Glimmer is the company’s design language for the interfaces in coming Gemini smart glasses with transparent heads-up displays, and eventually true AR glasses too.

Small Screens Without The Struggle

On a traditional screen, designers fill a rectangle, and a VR headset stretches the canvas to a full sphere. On display glasses, the usable area is much smaller and always competes with real life. That alone calls for apps with glanceable layouts and a simple menu system. We saw a demo of Google’s prototype smart glasses at last year’s I/O.

Google describes the display as a space you opt into with focus, not something you passively absorb. These glasses are essentially heads-up displays (HUDs), not screens you stare at for hours. For daily use, display smart glasses should use a small area that allows you to shift attention briefly, then return to the real world at a moment’s notice.

The same suggestions will help for any HUD. Meta’s Gen 2 Ray-Ban Display glasses are expected later this year, for example.

Since screen colors blend with the background, Google recommends maintaining intensity instead of maximizing saturation since darker colors fade away on transparent screens.

Resolution, Aspect Ratio, And Font Limits

Google also covered legibility, noting designers should base font size on what the eye can see clearly at arm’s length. Smart glasses displays often have tighter resolution limits and less forgiving optics, especially near edges. The predictable aspect ratios of mobile design no longer apply.

Apps shouldn’t display dense lists in tiny type, and even content should shift toward fewer words. Readability requires stronger contrast, heavier fonts, and clearer spacing. Google suggests its Sans Flex typeface as a good choice.

Power Is Part Of The Design

Battery life is another hard constraint for smart glasses, since weight is held to a minimum. Google calls for outlines instead of filled blocks to avoid halation (light bleed) and reduce power drain. Fewer lit pixels, transient messages, and optimizing motion are less taxing on the tiny thermal and battery envelope of smart glasses.

Google’s Glimmer is more than a style preference. It’s a plan to make the most of the limited display area, real-world backgrounds, legibility limits, and the challenges of daily use. To learn more, check Google’s guide on Jetpack Compose Glimmer.

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The post Meta’s ‘Horizon Plus’ Game Subscription Service Now Has Over 1M Active Members appeared first on Road to VR.

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Meta announced it’s separating Horizon Worlds from the Quest platform, as the one-time social VR app is going “almost exclusively mobile” moving forward.

The News

“Our goal remains constant: to empower developers and creators as they build long-term, sustainable businesses,” said Samantha Ryan, VP of Content at Reality Labs. “We used to have a pretty well-defined audience for VR, but as we’ve grown, we’ve attracted new audiences—who want different things—and the onus is on us to make sure that each of these distinct groups can find the apps and games that appeal to them.”

Here, Ryan is referring to evolution of it userbase. In February 2025, the company announced that younger users were helping to push a new emphasis on free-to-play content.

“That’s why we’re changing our roadmaps to increase your chances for success. We’re explicitly separating our Quest VR platform from our Worlds platform in order to create more space for both products to grow,” Ryan said. “We’re doubling down on the VR developer ecosystem while shifting the focus of Worlds to be almost exclusively mobile. By breaking things down into two distinct platforms, we’ll be better able to clearly focus on each.”

This largely echoes statements made by Meta CTO Andrew Bosworth last month defending layoffs affecting 10 percent of its Reality Labs, wherein he explained that higher costs and a fractured development process led to the decision.

“Having to build everything twice—once for mobile and once for VR—is a tremendous tax on the team. You’d rather grow a giant audience and then work from a position of strength,” Bosworth said.

While Worlds promotion is being removed from Quest’s suggested content feed, at the time of this writing Horizon Worlds is still downloadable from the Horizon Store for Quest. It remains to be seen when Worlds will be decoupled entirely.

My Take

While Meta has never shared concurrent user numbers for Horizon Worlds, one of the key limiters in the beginning was undoubtedly the need for a Quest headset to play. It wasn’t available on anything else, which is fine when you have a addressable concurrent userbase in the multimillions—something even the most popular VR platform can’t claim at this point.

Notably, before Meta released on Android and iOS in late 2023, other social VR platforms had already made strides in the direction of bringing support to mobile, including class leaders VRChat and Rec Room. So, Meta followed suit, and quickly found out that kids with cellphones were spending more time and money in Horizon Worlds than Quest users.

And ultimately, some of this came down to control. Ostensibly hoping to avoid publicly-damaging controversy from the get-go, Meta initially kept a fairly tight leash on user-generated content, including complexity and visual richness of worlds. Even now, user avatars are fairly basic, with the pipeline of customization funneled to purchasable accessories rather than user-generated avatars, like you might see in VRChat.

That said, Horizon Worlds experienced a much slower and rockier start than Meta likely thought it would following its initial release on Quest in 2021. In retrospect, Meta’s more recent decision to mix user-generated Worlds with actual VR apps in the Store feed was probably a last ditch effort to get Quest users finally interested in Worlds—even if by accident.

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