Heads up, workers of the world: Microsoft 365 is currently down. Microsoft’s flagship work suite, which includes tools like Microsoft Teams and Microsoft Outlook, is currently experiencing issues impacting users. It’s not yet clear exactly why these problems are occurring, but according to Downdetector (owned by Lifehacker parent company Ziff Davis) thousands of users are reporting issues.
There are any number of causes that could trigger a widespread outage like this, and in all likelihood, Microsoft will have the issue isolated and fixed soon—especially considering how many companies and users rely on Microsoft 365 to function. But it does follow a number of high-profile outages this week. Just this morning, Yahoo! and AOL were both down. Last week, X experienced an outage, as did Verizon—quite famously, I might add.
While we wait for a fix, there’s not much you can do on your end. If your Microsoft apps are acting up, you can try to work with any of the offline tools you have access to. If you have other means of communication other than Teams, run with that. There’s nothing short of Microsoft issuing a patch on their end that will bring back online functionality here.
The Irish government is planning to bolster its police’s ability to intercept communications, including encrypted messages, and provide a legal basis for spyware use. From a report: The Communications (Interception and Lawful Access) Bill is being framed as a replacement for the current legislation that governs digital communication interception. The Department of Justice, Home Affairs, and Migration said in an announcement this week the existing Postal Packets and Telecommunications Messages (Regulation) Act 1993 “predates the telecoms revolution of the last 20 years.”
As well as updating laws passed more than two decades ago, the government was keen to emphasize that a key ambition for the bill is to empower law enforcement to intercept of all forms of communications. The Bill will bring communications from IoT devices, email services, and electronic messaging platforms into scope, “whether encrypted or not.”
In a similar way to how certain other governments want to compel encrypted messaging services to unscramble packets of interest, Ireland’s announcement also failed to explain exactly how it plans to do this. However, it promised to implement a robust legal framework, alongside all necessary privacy and security safeguards, if these proposals do ultimately become law. It also vowed to establish structures to ensure “the maximum possible degree of technical cooperation between state agencies and communication service providers.”/i
Elon Musk is reportedly looking to finally take SpaceX public after years of resistance, according to sources who spoke to TheWall Street Journal. The company has long said it wouldn’t choose an IPO until it had established a presence on Mars. That isn’t happening anytime soon.
So why now? Company insiders have suggested it’s because Musk wants to build AI data centers in space. Google recently announced it was looking into putting a data center in space, with test launches scheduled for 2027. Musk reportedly wants to beat his rival to the punch, but SpaceX would need the billions of dollars in capital that an IPO would deliver. Putting a giant center in space isn’t cheap.
Our TPUs are headed to space!
Inspired by our history of moonshots, from quantum computing to autonomous driving, Project Suncatcher is exploring how we could one day build scalable ML compute systems in space, harnessing more of the sun’s power (which emits more power than 100… pic.twitter.com/aQhukBAMDp
Sources say that Musk wants to complete the IPO by July. SpaceX is reportedly expected to select banks to lead the stock offering in the near future.
This is also being seen as an attempt to boost xAI, which trails behind rivals like OpenAI and Google in the AI race. If SpaceX were to be successful in putting data centers in space, it’s likely that xAI would get a sweetheart deal given that Musk runs both companies. Then they could pass money to one another in perpetuity, which seems to be the AI way.
Other companies have also begun considering jettisoning data centers into the great beyond. Blue Origin CEO Jeff Bezos recently suggested that shifting data centers to orbit makes sense. OpenAI CEO Sam Altman has been looking into partnering or purchasing a rocket maker called Stoke Space for a similar reason.
Of course, putting data centers in space is an extraordinary undertaking. There are serious issues that must be overcome, from latency to heat dissipation and radiation. Components must be launched and the structure must be built in space. WSJ reports that SpaceX made a breakthrough of some sort last year, but the company hasn’t announced specifics.
If we need giant data centers to generate Garfield memes or whatever, I’d rather them in space. Microsoft’s latest AI data center in Wisconsin takes up 325 acres. Meta recently announced a data center that would be nearly the size of Manhattan. These structures hoover up energy and water, strain local resources, create pollution and offer just a few long-term local jobs.
This article originally appeared on Engadget at https://www.engadget.com/science/space/elon-musk-is-reportedly-trying-to-take-spacex-public-170337053.html?src=rss
Netflix’s February slate is heavy on returning original series, not least of which is the second half of Bridgerton season four. The last four episodes of the period romance drop on Feb. 26. In the third installment of thriller The Night Agent (Feb. 19), FBI agent Peter Sutherland, played by Gabriel Basso, investigates a dark money network alongside a journalist while trying not to get killed by assassins. The Lincoln Lawyer (Feb. 5) and Love Is Blind (Feb. 11) are back as well.
For Olympics fans, there’s docuseries Glitter & Gold: Ice Dancing (Feb. 1), which goes behind the scenes with the couples competing in ice dancing in the 2026 Winter Games. Also on the sports lineup is season 8 of Formula 1: Drive to Survive (date TBD). Other documentary releases include Queen of Chess (Feb. 6), which tells the story of chess legend Judit Polgár, and Being Gordon Ramsay (Feb. 18).
Taylor Tomlinson has a new comedy special—Prodigal Daughter (Feb. 24)—as do Sommore (Chandelier Fly, Feb. 17) and Mo Gilligan (In The Moment, Feb. 3).
Finally, catch the new adult animated series Strip Law (Feb. 20), featuring performances from Adam Scott, Janelle James, and Stephen Root. The 10-episode show sees a Vegas lawyer team up with a local magician to “bring some flash and pizzazz to the stupidest cases the city can throw at them.”
Here’s everything else coming to Netflix in February, and everything that’s leaving.
Lynx has unveiled the Lynx-R2, a significant upgrade over its original R1 mixed reality standalone which aims to capture the enterprise and prosumers market.
The France-based startup considers R2 is a significant step forward, featuring new aspheric pancake lenses from Hypervision which are said to deliver 126° horizontal field-of-view (FOV)—notably larger than R1’s 90°, or Quest 3’s 110° horizontal FOV.
Paired with dual 2.3K LCD displays delivering more than 24 pixels per degree (PPD) at the center, R2 is said to deliver “crisp text and image rendering for industrial and medical use cases.”
Image courtesy Lynx Mixed Reality
While the new standalone headset features the same flip-up design as its predecessor, R2 is powered by Qualcomm’s Snapdragon XR2 Gen 2, offering substantial gains in GPU and AI performance over R1, which was introduced in 2021 with the older Snapdragon XR2 Gen 1.
Other features including 6DOF head tracking, hand-tracking, controller and ring tracking, plus a full-color four-sensor Sony camera array that also includes depth sensing for advanced computer vision.
Originally planned to ship with Android XR, Lynx-R2 is actually set to launch with Lynx OS following Google’s decision to withdraw support. Lynx OS is however based on Android 14, meaning it can sideload APKs in addition to supporting OpenXR 1.1.
Image courtesy Lynx Mixed Reality
Additionally, Lynx says it will release “all the electronic schematics of the headset motherboard and the mechanical design blueprints,” which is said to allow academics
and hobbyists to freely mod the device.
This will also include raw sensor access so developers can enable their own computer vision applications, as well as full offline functionality for sectors such as defense, healthcare, and industry, Lynx says.
“With the R1, we proved that a small, independent team could build a world-class mixed reality device,” said Stan Larroque, founder and CEO of Lynx Mixed Reality. “With the R2, we are proving that an open ecosystem is not just a philosophy, but provides a superior way to approach these devices. We have listened to 3rd party developers and enterprise users. They didn’t just want more pixels; they wanted a wider field of view, faster processing, and total ownership of their sensors. The R2 delivers just that. I believe the Lynx-R2 is a great VR headset, and will provide the best MR experience.”
There’s no official launch date yet. Lynx says R2 will be available for order “starting this summer” via the official Lynx portal as well as authorized enterprise resellers.
In the meantime, we’re still learning about specs, but this is what Lynx has indicated so far:
Forget Thing T. Thing from The Addams Family (yes, that’s the full name); modern science has officially brought us a detachable robot hand that can actually skitter across the floor, grab you a beer, and creep the heck out of your guests.
In an engineering development that straddles the line between revolutionary and nightmare fuel, researchers
YouTube is just as wary of the rise of AI slop as you, and that’s why more AI-generated content is coming to the platform in the near future. In a lengthy blog post outlining YouTube’s 2026 plans, CEO Neal Mohan said the company will continue to embrace this new “creative frontier” by soon allowing its creators to throw together Shorts using their AI-generated likeness.
Mohan didn’t elaborate further about how this feature will work when it launches, but acknowledged the “critical” issue of deepfakes currently polluting the web, and reaffirmed his company’s support for new legislation such as the NO FAKES Act. YouTube also allows its own creators to protect themselves against unauthorized use of their likeness using a detection feature that scans newly uploaded videos for matches.
Other fresh AI (note: in no way slop) features referenced in the post include the currently-in-beta no-code Playables platform, which lets you make games using Gemini 3 with a single text prompt, as well as new music creation tools. At the same time, Mohan said YouTube is building on its existing systems designed to combat spam, clickbait and “low quality AI content.” He added that an average of six million daily viewers watched more than 10 minutes of AI autodubbed content in December, despite the issues that rival platforms have had with similar features.
Mohan didn’t say when we can expect the new AI likeness generation feature for Shorts, but if that sounds like the sort of content you’d rather not encounter on your lunch break, here’s a little PSA: the company now allows you to omit its short-form videos from your YouTube search results altogether.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/youtube/youtube-ceo-promises-more-ai-features-in-2026-162409452.html?src=rss
Dislike systemd but occasionally need it for something? MX can helpMX Linux 25.1 restores the ability to switch init systems – the killer feature of MX Linux of old.…
At the 39th
Chaos Communication Congress (39C3) in December, researchers Lexi
Groves (“49016”) and Liam Wachter said that they had discovered a
number of flaws in popular implementations of OpenPGP email-encryption standard. They also released an
accompanying web site, gpg.fail, with
descriptions of the discoveries. Most of those
presented were found in GNU Privacy
Guard (GPG), though the pair also discussed problems in age, Minisign, Sequoia, and the OpenPGP
standard (RFC 9580) itself. The discoveries have spurred some interesting
discussions and as well as responses from GPG and Sequoia
developers.
New submitter BeaverCleaver shares a report: Japan has restarted operations at the world’s largest nuclear power plant for the first time since the 2011 Fukushima disaster forced the country to shut all of its reactors. The decision to restart reactor number 6 at Kashiwazaki-Kariwa north-west of Tokyo was taken despite local residents’ safety concerns. It was delayed by a day because of an alarm malfunction and is due to begin operating commercially next month.
Japan, which had always heavily relied on energy imports, was an early adopter of nuclear power. But in 2011 all 54 of its reactors had to be shut after a massive earthquake and tsunami triggered a meltdown at Fukushima, causing one of the worst nuclear disasters in history. This is the latest installment in Japan’s nuclear power reboot, which still has a long way to go. The seventh reactor at Kashiwazaki-Kariwa is not expected to be brought back on until 2030, and the other five could be decommissioned. That leaves the plant with far less capacity than it once had when all seven reactors were operational: 8.2 gigawatts.
I vividly remember when Bose announced the Ultra Open Earbuds. While I applauded the company for trying something different, I wasn’t sure if the clip-on design would take hold. Well, here we are almost two years later and most earbud makers now have something akin to Bose’s fashion experiment. You can now count Sony among those as the company revealed its LinkBuds Clip ($230) open-fit earbuds today.
These aren’t the first open-wear earbuds in Sony’s LinkBuds lineup. The company has two generations of the LinkBuds Open (originally called just LinkBuds) under its belt, giving users a more traditional earbud fit with donut-shaped drivers that let ambient sounds in. Now Sony is taking a cue from Bose and others with a clip-on design that attaches securely and comfortably to the ear while leaving the ear canal unobstructed. It’s clear companies believe customers like this type of earbuds, but Sony’s challenge is to make the LinkBuds Clip unique among the growing list of alternatives.
Design and fit
Sony isn’t offering anything distinctive in terms of design here, but that’s okay. To be fair, I haven’t seen too much innovation in terms of aesthetics in these clip-on-style earbuds. For the most part, they all have similar shapes: two cylindrical cases connected by short, flexible cable. True to its predecessors, Sony put the drivers in a squatty housing while the bulk of the components are in a larger one that sits behind your ear lobe.
Sony kept the weight of the LinkBuds Clip low, and it avoided the bulk of the Ultra Open Earbuds. Both of these factors contribute to a very comfortable fit, so the IPX4-rated earbuds can be easily worn all day without becoming a burden. And while I didn’t need them, Sony includes a pair of flexible silicone “fitting cushions” in the box. These clip on to the short, flat cable of the newest LinkBuds for a more secure fit. During my tests, the LinkBuds Clip stayed in place just fine without them, but there also wasn’t any decreased comfort when I did install them.
The last design-related item I’ll mention is the touch controls. On the LinkBuds Clip, the flat connector between the two housings accepts taps for playback controls, volume changes, cycling through sound modes and more. You can tap along this area to make an adjustment, and you don’t have to do so right in the center. The LinkBuds Clip were pleasantly responsive during this review, quickly completing the task without delay or repeated taps. That is, except for volume, because you have to keep tapping for that change to happen.
LinkBuds Clip features
Controls are situated along the connector between the two cylindrical housings
Billy Steele for Engadget
Sony typically throws a whole host of features at its earbuds. Even though they’re technically the company’s midrange line, the LinkBuds family has a robust set of conveniences that make them well suited for both productivity and leisure. Unfortunately, the LinkBuds Clip doesn’t have as much to offer here. The company gives you the basics, like the ability to fine-tune the tap controls or customize the EQ, and there’s even the Adaptive Audio tool that lets you customize settings based on activity or location (Sony calls them “scenes”). But there are some handy features I’ve come to expect from Sony that are notably absent.
The LinkBuds Clip doesn’t support speak-to-chat, Sony’s voice recognition feature that pauses audio and activates ambient sound when you start talking. Quick attention mode, the tool that lowers the volume and lets in ambient sound for brief chats, isn’t here either. These earbuds don’t even have wear detection, and you have to settle for regular ol’ DSEE audio upscaling instead of an enhanced version of that tech.
Sony did equip the LinkBuds Clip with unique listening modes meant to enhance the audio performance in two scenarios. First, Voice Boost increases the volume of voices when you’re on a call or listening to podcasts or audiobooks. The company says this is designed for noisy environments where the ambient sound is overly raucous. During my testing, I found the setting to be an extreme treble boost and volume increase — something that’s definitely not well-suited for music.
Next, Sound Leakage Reduction dials back high-pitched tones to avoid annoying your neighbors in the office or coffee shop. To me, this is the opposite of Voice Boost, removing the highs for a more mid- and bass-heavy tuning, but it doesn’t sound very good compared to the default setting. Plus, my family wasn’t really able to hear any leakage on the LinkBuds Clip anyway, unless I had the volume cranked uncomfortably high. I’ll also note that any EQ customization/presets and DSEE upscaling are only available in Standard (default) listening mode.
Sound and call quality
The LinkBuds Clip have both noise reduction and bone conduction tech for calls
Billy Steele for Engadget
Open-fit earbuds typically struggle to muster adequate low-end tone, and the LinkBuds Clip meets the same fate. However, it’s not all bad in the audio department as these earbuds have great clarity and provide a solid soundstage so overall quality doesn’t suffer to the point of being unpleasant. The lack of bass is most apparent in booming genres, like hip-hop and synth-heavy electronic tunes.
The LinkBuds Clip doesn’t fare much better with more chaotic music styles like rock and metal. Spiritbox’s “Holy Roller” doesn’t have the depth that it does on closed-fit earbuds like the AirPods Pro 3 or over-ear headphones like Sony’s WH-1000XM6. As such, the band’s songs aren’t nearly as immersive or impactful without adequate amounts of bass. So if pristine, enveloping sound quality is your primary aim, you’ll want to look elsewhere, and you’ll want to tread carefully with any other open-type earbuds.
The open nature of the LinkBuds Clip makes them well-suited for calls. Since your ears aren’t plugged, you can clearly hear your own voice so you never feel like you need to shout. Sony says these earbuds have AI noise reduction and a bone conduction sensor for voice pickup, both of which are supposed to keep you sounding good. During the course of this review, I found the background noise reduction worked well without making me sound overly processed. However, the overall voice quality is average at best, which means you can get by with using these for calls, but there are better options if you really value clarity here.
Battery life on the LinkBuds Clip
When it comes to battery life, Sony says you can expect up to nine hours of use on a charge with up to 37 hours when you factor in the case. That means the LinkBuds Clip alone is enough to get you through a full workday, especially if you’re pausing for the occasional office chat or in-person meeting. And you’ll get more if you’re docking the earbuds in their case once or twice a day. If you do find yourself with a depleted battery though, a three-minute charge will give you an hour of play time.
I’m still conducting battery tests on the LinkBuds Clip. In my first attempt at a full, nine-hour run down, I wasn’t able to hit Sony’s stated figure, so I’m doing more testing before I offer any final observations here.
The competition
The including “fitting cushion” (left) can help with a secure fit
Billy Steele for Engadget
Based on my testing, the Bose Ultra Open Earbuds are still the best in this emerging clip-on category. However, they’re the bulkiest and the most expensive at $299. While they offer all the perks of open wear, sound quality can vary based on how they fit your ears and the lack of multipoint Bluetooth could be a deal breaker for some.
If you’re hoping to pay less than either Bose or Sony, Anker’s Soundcore line offers the AeroClip for $170. Or if you’re truly ballin’ on a budget, JLab has the Flex Open Earbuds that are now just $40. JBL just announced a new $150 set during CES too, but those won’t be available until March. I’ve only given these two a casual listen without any in-depth testing, so I won’t make a definitive call on which one stacks up best against the LinkBuds Clip. But they’re also just three of currently available options, and there are many more if none of these seem compelling.
Wrap-up
The LinkBuds Clip expands Sony’s midrange lineup with a completely different design that comes with inherent perks. They’re plenty comfortable and exploit the benefits of open-type designs while doing basic earbud functionality well. Subpar bass performance and the omission of some of Sony’s more attractive features (and even some basic ones) mean the company hasn’t done enough to distinguish the Clip from the competition in an obvious way. Sure, these earbuds work as intended without being flashy or overly complicated, but there are plenty of other options that do that too.
This article originally appeared on Engadget at https://www.engadget.com/audio/headphones/sony-linkbuds-clip-review-open-fit-benefits-arent-enough-to-stand-out-160000140.html?src=rss
It took me a while to get comfortable with wearing earbuds. I grew up in the era of headphones, and never quite liked the idea of sticking something into my ears on the regular. If that sounds like you, Sony’s got your back. Its newest earbuds, the Linkbuds Clip, are clip-ons.
Sony’s not the first brand to take this idea to market—Anker’s Soundcore brand has a number of more affordable options. But for premium clip-on earbuds, it’s pretty much this, the slightly more expensive Bose, and the slightly sportier Shokz.
Compared to that competition, Sony’s new model is looking like a solid choice. These earbuds fit snugly around your ear with an adjustable ear cushion, and include the niceties that Sony’s Linkbuds have become known for. That means an optional built-in voice boost mode to help you hear vocals better; adaptive audio that can raise or lower your volume based on your environment; a motion sensor for tapping gestures (which you can actually perform near your ear instead of on the earbuds themselves); and—new with this model—a bone-conduction sensor.
Sony’s pitching that last bit as being especially good for calls, as the bone conduction sensor will be able to detect specifically when you are speaking, and, working alongside some “AI noise reduction,” should be able to reduce background noise.
Battery life has also been improved over Sony’s last Linkbuds, the Linkbuds Open. There, you got 22 hours of battery life with the case, but here, Sony is promising up to 37. The buds themselves should provide up to nine hours of battery life.
Speaking of the Linkbuds Open, that model also had a unique design, as the bulk of the earbud was designed to sit in your upper ear, while a ring that actually produced the sound sat just outside your ear canal. It was a design that aimed for an experience akin to “open-back” headphones, meaning you’d be able to completely hear your surroundings with the earbuds in without needing a transparency mode.
Credit: Sony
The Linkbuds Clip want to keep that same open-back experience, while allowing for greater comfort and flexibility. Sony told me that the Linkbuds Open do sit closer to the eardrum if worn correctly, which can provide a better listening experience, but that differing ear shapes made it hard for some customers to use as intended. I was sent a pair of Linkbuds Clip for review, and while I haven’t had much time to test them yet, I can confirm that they fit pretty snugly on my ears right out of the box.
Over the next week, I’m excited to try the Linkbuds Clip both while out and about in New York City, and while exercising. Aside from enhanced comfort over in-ear earbuds, you’ll be fully aware of your surroundings while wearing these, which should help with safety or any spur-of-the-moment conversations you might need to have (Sony is also marketing these towards parents who might need to constantly keep an ear out for their kids). I also sometimes feel like my in-ear earbuds can block airflow while I’m doing cardio, which I worry makes it harder for me to cool off, so I’m curious to see if these can help with that.
The one downside is that, as is the case with open-back headphones, there can be some sound leakage, which means others might be able to hear whatever you’re listening to. That’s something I’ll need to test over time, although Sony does say it has an optional sound leakage reduction mode.
There’s also no noise canceling, but that’s to be expected when the idea is to stay aware of your surroundings.
I’ve been a big fan of Sony’s audio products over the years, especially its software and listening modes. My full review of the Linkbuds Clip will be coming soon, but if you’re already convinced, you can snag your own pair for $230 over at Sony’s website, or through stores like Amazon. The case comes in four colors, but you can also grab a silicone case cover, which covers half of the case, to help you mix and match over on Sony’s website for $12.50. Extra air cushions of any color are also available alongside upper case covers, while bottom case covers come with a keychain.
Episode 63 proudly embraces unpredictability with a guest who may or may not have wandered into the recording booth by accident — and honestly, that’s how the best podcasts happen. What starts as a chat devolves (evolves?) into some of the most delightful detours:
“Dear KBH”: A Q&A game where advice gets real … and questionable — but in the most entertaining way possible.
Least Favorite People Draft: The gang takes turns unfairly ranking people who totally deserve it (and some who definitely don’t).
Fantasy Draft — Best Day of Zwift Ever: Pick your dream Zwift day like it’s fantasy football — complete with picks, pawns, and plenty of exaggerated wattage bragging.
KBH Storytime: A tangent that has nothing to do with bike racing — which, let’s be honest, is somehow also exactly what bike racers want.
Expect laughs, randomness, and maybe a story that leads you to question everything you thought you knew about indoor bike racing.
About the Podcast
Nowhere Fast is a member of the Wide Angle Podium network. To support this podcast and help pay for Kevin’s gold-plated ankle weights, head to wideanglepodium.com and contribute to our advanced virtual racing research.
To keep up to date on all our real coverage of fake bike racing, subscribe via Apple Podcasts or Spotify.
