On Tuesday, eBay updated its User Agreement to explicitly ban third-party “buy for me” agents and AI chatbots from interacting with its platform without permission, first spotted by Value Added Resource. On its face, a one-line terms of service update doesn’t seem like major news, but what it implies is more significant: The change reflects the rapid emergence of what some are calling “agentic commerce,” a new category of AI tools designed to browse, compare, and purchase products on behalf of users.
eBay’s updated terms, which go into effect on February 20, 2026, specifically prohibit users from employing “buy-for-me agents, LLM-driven bots, or any end-to-end flow that attempts to place orders without human review” to access eBay’s services without the site’s permission. The previous version of the agreement contained a general prohibition on robots, spiders, scrapers, and automated data gathering tools but did not mention AI agents or LLMs by name.
At first glance, the phrase “agentic commerce” may sound like aspirational marketing jargon, but the tools are already here, and people are apparently using them. While fitting loosely under one label, these tools come in many forms.
With video features like RAW now the norm on midrange mirrorless cameras, Canon decided not to mess around with its latest model, the 33-megapixel EOS R6 III. It’s a veritable cinematic beast, allowing up to 7K RAW video capture internally with fast and reliable autofocus and rock solid stabilization.
At the same time, it’s a solid photo camera with high burst speeds and warm, accurate image quality. The R6 III has stiff competition with Sony’s 33MP A7 V, though, as the latter delivers higher dynamic range. The price could also be an issue for buyers, as the R6 III costs $300 more than its predecessor. Whether it’s worth that extra money depends on what you’re planning to do with it.
Handling and design
Canon EOS R6 III
Steve Dent for Engadget
The EOS R6 III is quintessentially Canon in terms of design. It strongly resembles the R6 II and EOS R5 II, with the same button and dial layout at the rear. In terms of functionality, this is a good thing as everything falls perfectly to hand, letting you control it by feel once you’re used to it. However, the R6 III’s design is a bit bland, so if you’re looking for a stylish camera a la Fujifilm, this is not the one.
Holding the R6 III is also a pleasure thanks to the grippy, soft rubber exterior, though at 1.5 pounds it’s a bit heavier than the A7 V. It’s comfortable to hold and use all day, unlike Sony’s A7 V which felt uncomfortable after prolonged usage because of the harder material and sharp crease around the fingertip area.
The R6 III’s 3.69-million dot, 120 fps electronic viewfinder (EVF) worked fine for me to check color and focus, but falls short of the one on the much cheaper Nikon Z6 III. The flip-out 3-inch 1.65-million-dot rear touch display is on par for this category and does the job well. For storage, the R6 III supports CFexpress Type B cards for capturing RAW video, along with SD UHS II for MP4 video and photos.
Other key features include headphone and microphone ports, a full-sized HDMI input (instead of microHDMI as before, thankfully) and a USB-C port for charging and transfers. Battery life is decent for this category with a maximum 510 shots per charge or 620 shots if you engage the power saving mode or about 90 minutes of continuous 4K capture. However, you can roughly double those figures with Canon’s optional $150 BG-R20 battery grip.
Performance
Canon’s EOS R6 III offers fast burst speeds and skin-tone friendly colors
Steve Dent for Engadget
The R6 III offers a boost in shooting speeds over its predecessor thanks to an all-new 33MP sensor. It has a faster readout speed than the R6 II as well, allowing for faster bursts and lower rolling shutter skew. In comparison, Sony’s A7 V also has a 33MP sensor but it’s partially stacked, so it delivers less distortion when shooting fast-moving subjects.
With that new sensor and a 34 percent faster Digic X processor, the R6 III can shoot bursts at up to 40 fps in electronic and 12 fps in mechanical shutter modes (with continuous AF and AE enabled). That’s second only to the Panasonic S1 II (70 fps) in this price range. You can fill the buffer in about 3.7 seconds at that speed (150 RAW frames), which is a decent amount for a midrange camera.
You usually want to avoid the electronic shutter with fast-moving action due to rolling shutter distortion, but the R6 III’s faster sensor can handle objects that are moving reasonably quickly. I also caught a few photos of babies, bikes and dogs I might have otherwise missed by using the new pre-capture mode that records up to 15 photos before fully declencing the shutter.
The new sensor and processor also make the R6 III’s autofocus system faster and more accurate than before. When shooting bursts for fast moving action like dogs running or biking, less than five percent of my shots were out of focus. And the EOS R6 III can now track animals, birds and vehicles, on top of the faces, eyes and bodies of people.
This camera also has a couple of new autofocus tricks, including one called Register People Priority. That lets you save up to 10 individuals on camera that it can identify and automatically switch to. I found it handy in a large gathering, helping me focus on my niece enjoying her second Christmas. However, the R6 III lacks a few autofocus features found on the R5 II like “action priority” for sports, eye control AF and AI upscaling.
In-body stabilization is also excellent, keeping the sensor rock-steady for handheld shooting with 8.5 stops of shake reduction. With that enabled, I was able to nicely blur action on the streets while keeping the background sharply in focus at shutter speeds down to a full second.
Image quality
With a 33MP sensor instead of a 24MP sensor, the R6 III offers quite a bit more sharpness and a touch more dynamic range than its predecessor. When shooting RAW, I was able to coax a lot of detail out of high contrast shots on sunny days with dark shadows. However, Sony’s A7 V soundly beats the R6 III in terms of dynamic range, thanks to its innovative new sensor.
The R6 III’s high ISO performance isn’t too bad for a higher-resolution camera either, with noise staying under control up to ISO 12,800. As is typical with Canon models, skin tones are warmer and more flattering than on Sony and Nikon cameras, due to the slightly more yellow-biased pink tones. Those pleasing colors were consistent, even at high ISOs, when I shot kids and adults at a couple of indoor gatherings. If you don’t want the hassle of RAW, JPEG rendering is excellent straight out of the camera, with well balanced sharpening and noise reduction.
Note that switching to electronic shutter mode drops the sensor to a 12-bit readout, which helps burst speeds but hurts image quality. This is a pretty big downside compared to the A7 V, which maintains 14-bit quality even when shooting at the camera’s maximum rate at 30 fps. So while on paper the R6 III wins the speed race, the 10 extra fps won’t be worth the drop in quality for many photographers.
Video
Canon’s EOS R6 III
Steve Dent for Engadget
Canon has improved video on the R6 III in every way, putting it nearly on par with the more expensive R5 II. Though it can’t shoot 8K, it can handle 7K RAW video at up to 60 fps (on CFexpress only) and 4K at 120p, with less rolling shutter than the R6 II. It also supports 3:2 “open gate” video that uses the full sensor area so you can output high-res vertical video and other formats.
The R6 III supports 4K 10-bit MP4 shooting at high data rates too if you’d rather save storage space or shoot on SD cards. You also get CLog 2 on top of CLog 3 capability for improved dynamic range. Oddly though, Canon made it a bit of a pain to switch to log modes compared to past models, forcing you to slog through a bunch of menus to do so.
Video autofocus is excellent across all resolutions, with rapid subject acquisition and reliable tracking. Face and eye detection work very well, and I only occasionally noticed slight autofocus lag with fast-moving subjects, particularly when they were moving toward the camera.
As for stabilization, I could smoothly shoot handheld with no crop, provided I didn’t move the camera too aggressively. Digital stabilization allowed even more movement and the enhanced setting let me shoot smoothly while walking (7K doesn’t work in the digital stabilization modes, though). Panasonic’s S5 II is still the best in this regard with slightly smoother stabilization, but the R6 III isn’t far behind.
Video on the EOS R6 III is extremely sharp in RAW and the HQ modes, particularly with supersampled 4K HQ. Other 4K modes are subsampled, but nearly as sharp. Rolling shutter is better managed than before, but you’ll still want to avoid things like whip pans, sudden jolts or rapid subjects like propellers or golf swings.
In a variety of shooting scenarios in bright and dark conditions, Canon’s excellent color science delivered warm skin tones and accurate colors. Shooting RAW video allowed me to widely adjust shots in post, while the CLog 2 mode drastically improved dynamic range while I was shooting in contrasty conditions. For instance, I shot the famous Paris department store windows and was able to extract detail from the very bright and dark parts of the video.
Overheating has been an issue in the past on Canon’s R6 models, but the R6 III never shut down for me, even during a few tests of over 15 minutes. Overall, it reliably delivered outstanding video quality and I actually preferred it to the R5 II due to the smaller RAW file sizes.
Wrap-up
Canon EOS R6 III mirrorless camera
Steve Dent for Engadget
Canon’s EOS R6 III is now the best midrange camera for creators thanks to the RAW video, rapid and accurate autofocus and excellent handling. At the same time, it’s a solid camera for photography with high burst speeds, extra resolution and, again, reliable AF. If it’s mainly photography you’re interested in, though, Sony’s $2,900 A7 V is a better choice. It matches the R6 III’s resolution, price and autofocus but offers superior dynamic range and lower rolling shutter distortion.
Other video-centric options may be more attractive for other reasons — including budget. Nikon’s 24MP Z6 III offers similar capabilities, has a partially stacked sensor and retails for $2,400, but can often be found on sale for less. Panasonic’s S1 II is also a good pick due to its RAW video and creator-centric features, though it costs more at $3,200.
Which one to buy, then, depends on your budget, usage (video or photography) and whether you already have lenses in one system or another. With that said, if it’s a Canon camera you’re after and you lean toward content creation, the EOS R6 III is your best choice.
This article originally appeared on Engadget at https://www.engadget.com/cameras/canon-eos-r6-iii-review-a-video-powerhouse-thats-also-great-for-photography-153000494.html?src=rss
Around 800 artists, writers, actors, and musicians signed on to a new campaign against what they call “theft at a grand scale” by AI companies. From a report: The signatories of the campaign — called “Stealing Isn’t Innovation” — include authors George Saunders and Jodi Picoult, actors Cate Blanchett and Scarlett Johansson, and musicians like the band R.E.M., Billy Corgan, and The Roots.
“Driven by fierce competition for leadership in the new GenAI technology, profit-hungry technology companies, including those among the richest in the world as well as private equity-backed ventures, have copied a massive amount of creative content online without authorization or payment to those who created it,” a press release reads. “This illegal intellectual property grab fosters an information ecosystem dominated by misinformation, deepfakes, and a vapid artificial avalanche of low-quality materials [‘AI slop’], risking AI model collapse and directly threatening America’s AI superiority and international competitiveness.”
It’s been nearly four years since Rose updated the Xlite, and this unreleased road bike looks like the next iteration of the brand’s aero offering.
While not yet confirmed by Rose, the bike can be seen on Unibet Rose Rockets’ Instagram page, with the team racing it this year.
The new bike shares some similarities with the current model, while we can’t help but see a bit of the Specialized Venge in the seatstays.
Unibet Rose Rockets has one of the more interesting colourways in the peloton. Unibet Rose Rockets
Notable changes to the bike appear to be an elongated fork, different aeroforming around the rear seatstays and exposed hardware for the rear axle.
The previous version of the Xlite saw the hardware covered up, possibly for aero gains, but it appears Rose has dropped this idea, at least on the rear of the bike, with the fork remaining covered.
Vittoria is the tyre sponsor. Unibet Rose Rockets
Tyre clearance on the fork appears to be the same as the previous model, with the bike pictured with 30mm Vittoria Corsa tyres. However, the profile of the fork has grown, potentially reducing drag.
Selle Italia’s SLR 3D Carbon saddle is used by the team. Unibet Rose Rockets
Unibet Rose Rockets’ bike features a SRAM Red AXS groupset, Vision Metron wheels and a Selle Italia SLR 3D Carbon saddle.
We’re not sure when to expect an official announcement about the bike, but with Rose finally back in the UK, it could be an interesting option for those looking for their next aero road bike.
This partnership appears to have saved Rose from having to develop a time-trial bike. Unibet Rose Rockets
In an Instagram post, the team has also announced it is riding a Rose-branded Ridley Dean Fast Disc, which it says has been licensed through a technical partnership with Rose Bikes for 2026.
It goes on to say: “This collaboration ensures the team’s riders are equipped with the fastest possible TT setup, built on a long-standing relationship and shared commitment to top-level performance.”
In an era where digital literacy is no longer elective, Dell has unveiled a massive expansion to its education portfolio, designed to survive both the rigors of the playground and the demands of the modern AI-integrated classroom. Part of this expansion includes new Dell Pro Education and Chromebook 14 laptops that boast easy battery replacement
Ayaneo is sharing a few more details about its Pocket S Mini gaming handheld that it unveiled in September of last year. We now know that it will feature a premium full CNC metal frame instead of a plastic housing, and a display with a “graduation-level” 4:3 aspect ratio that is reminiscent of gaming on old school CRT televisions. We also
Back at CES AMD announced the Ryen 7 9850X3D as a faster sibling to the Ryzen 7 9800X3D. Today they have announced the suggested price for this 3D V-Cache desktop processor and confirmation of its availability starting on 29 January…
While many of us wait (im)patiently for a brand new Mario platformer for the Switch 2, Nintendo is filling the gap with an upgraded version of the tremendous Super Mario Bros. Wonder for the console. Super Mario Bros. Wonder – Nintendo Switch 2 Edition + Meetup in Bellabel Park(to give the new edition’s full name) will arrive on March 26. Those who own the original Switch version of the game will be able to buy an upgrade pack, which costs $20.
There’s a lot of new stuff in the Switch 2 version, including co-op and multiplayer features. Bellabel Park, a fresh area of the Flower Kingdom, will open up. You can jump into some multiplayer modes here, such as one where you compete to collect as many coins as possible.
A section that’s all about local multiplayer has 17 co-op and versus modes. You can either play those on the same console or use GameShare so that up to three other people in the same physical place as you can join in on their own Switch or Switch 2. The Game Room Plaza, meanwhile, supports local and online play for six minigames — each player will need their own system for those. Up to eight people can play using the local wireless feature, and up to 12 via online multiplayer.
Along with those multiplayer minigame areas, Bellabel Park is home to Toad Brigade Training Camp. Here, you can take on challenges based on levels from the main game. You can tackle these on your own or recruit up to three friends to help (you’ll only need one Switch 2 for this).
There are new things to check out in the main game as well. You can take on boss courses that feature all seven Koopalings and (finally!) play as Rosalina.
Nintendo is adding an option in which a second player can control a Luma. They can help out the main player by defeating enemies and collecting coins. You can play as the Luma by using the Switch 2 mouse control feature. That’s a great idea, as it could allow, say, a parent or guardian who is not too familiar with a game controller to assist a kid who needs some extra help to get through Super Mario Bros. Wonder.
In addition, there’s an assist mode. When this is enabled, you can quickly recover from falling into a pit (with a propeller flower bringing you back into the action) and avoid taking any damage.
That’s not all, folks. Also on March 26, you can snag three new amiibo from the game: Elephant Mario (which I’m going to have to buy), Poplin & Prince Florian and Captain Toad & Talking Flower.
A couple of weeks earlier, on March 12, Nintendo will start selling a physical version of the Talking Flower from Super Mario Bros. Wonder. The battery-powered device will talk to you a couple of times per hour, mentioning things like the room temperature and time. It can play music as well. There’s a button you can press to hear it talk (or hold to make it shut up). There’s support for 11 languages and it can chatter at set times, making it a bit similar to Nintendo’s Alarmo. You’ll be able to buy Talking Flower from Nintendo’s New York and San Francisco stores, its online store and some other retailers, with pre-orders opening today.
This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/the-switch-2-version-of-super-mario-bros-wonder-arrives-on-march-26-150916983.html?src=rss
Valve released a new stable update to its Steam Client desktop application for Linux, macOS, and Windows systems with various improvements to Steam Input, especially support for the Razer Raiju V3 Pro controller.
Devs United Games said Real VR Fishing sold one million copies across all platforms since its launch in September 2019.
Devs United Games CEO Mark Choi took to X to announce that Real VR Fishing reached one million sales across all platforms. Available on Quest, Steam, Pico, and Galaxy XR, the title sees regular post-launch support, including new events, features, and DLC.
Choi mentioned that a new mastery-based system called Fly Fishing is on the way as well as an expanded campaign with other features requested by the community to add more depth. New leagues and tournaments to increase the game’s longevity are also planned.
Drip-feeding content since release, developers added new maps recreating parts of Mexico, Japan, the United States and Europe. Most recently, the title made its way to Samsung Galaxy XR with hand tracking support late last year, fully supporting cross-play in the latest version of the game. On Apple Vision Pro, the developers explored hand tracking technology on the device with Fishing Haven, but it lacked most of the features of Real VR Fishing that make the game such a standout.
We’ll be looking to test out updates to Real VR Fishing in the year ahead and to see what else Devs United Games has in store. Real VR Fishing is out now for Quest, Steam, Pico, and Galaxy XR.
Atherton Bikes has finally released its first eMTB, combining the DJI Avinox motor everyone is talking about with its S.170 enduro bike – and the price is competitive.
The S.170E uses the 120Nm, 1,000W DJI Avinox motor and a ‘full size’ battery, although the precise capacity is as-yet unspecified.
Like the non-assisted S.170, the Atherton S.170E uses the same DW4 suspension and geometry, along with its mixed wheel-size setup and aluminum frame construction.
What we know about the new electric-assisted Atherton
The DJI Avinox motor is combined with a DW4 suspension system and aluminium frame. Atherton Bikes
This is the first electric mountain bike created by Atherton Bikes, and details are scarce, but we expect the frame will be similar to the non-assisted S.170 enduro bike.
The S.170, in turn, is based around the more expensive and boutique carbon and titanium-lugged AM.170, so expect similar geometry. The only numbers confirmed so far are a 64° head angle and 77° seat angle.
The highest-spec version includes Fox Factory suspension and a SRAM X0 Eagle drivetrain. Atherton Bikes
There are three build specifications available.
For £6,999, you get ‘Build 3’, with RockShox Select suspension – a Zeb fork and Vivid air shock, with SRAM Eagle 90 mechanical transmission.
Build 2 costs £7,999 with RockShox Ultimate suspension and SRAM GX Eagle electronic shifting, which Atherton Bikes says, intriguingly, is “integrated with the Avinox drive system”.
Build 1 costs £8,999 for a Fox Factory 38 fork and X2 shock, with SRAM X0 Eagle transmission and a carbon handlebar.
The frame and geometry are based on the existing S.170 enduro bike. Atherton Bikes
These competitive prices, in combination with a well-respected brand name and a proven suspension design, could make the first Atherton eMTB an attractive proposition.
DJI’s Avinox motor has quickly gained popularity thanks to its performance and monster power, even prompting some riders to question how much power is too much. This motor sets the benchmark for eMTB power and is one reason the new bike will be on many riders’ wishlists.
With 14 sizes on offer, it’s possible to choose precisely the reach you want based on your height and preferences. Atherton Bikes
With 14 sizes on offer, the S.170E is not custom, but it’s certainly more tailored than other bikes in this price bracket.
The S.170E will be available from April 2026 for UK and EU customers; the first 50 units will be available for a £1,000 deposit. Worldwide distribution is in the pipeline.
Ahead of the first Intel Core Ultra Series 3 Panther Lake laptops expected to hit retail channels next week, Intel has published updated IPU7 (IPU 7.5) firmware for the image processing unit used by the web cameras on the higher-end Panther Lake laptops…
Zotac is taking its Magnus Zbox mini PC lineup to the Max. As in, AMD’s Ryzen AI Max and Max+ processors based on Strix Halo, which in and of itself makes these new compact systems notable. Depending on the model, however, you’re also getting gobs of RAM to go along with a potent processor. The top SKU comes equipped with a whopping 128GB
NASA’s first astronauts to fly to the Moon in more than 50 years will pay tribute to the lunar and space exploration missions that preceded them, as well as aviation and American history, by taking with them artifacts and mementos representing those past accomplishments.
NASA on Wednesday (Jan. 21) revealed the contents of the Artemis II mission’s Official Flight Kit (OFK), continuing a tradition dating back to the Apollo program of packing a duffel bag-size pouch of symbolic and celebratory items to commemorate the flight and recognize the people behind it. The kit includes more than 2,300 items, including a handful of relics.
“This mission will bring together pieces of our earliest achievements in aviation, defining moments from human spaceflight and symbols of where we’re headed next,” Jared Isaacman, NASA’s administrator, said in a statement. “Historical artifacts flying aboard Artemis II reflect the long arc of American exploration and the generations of innovators who made this moment possible.”
New Jersey governor Phil Murphy signed a controversial electric bicycle bill into law on Monday, which makes the US state the only one to require licences, registration and insurance for all ebikes.
The law places all ebikes in the same category, regardless of where they were in the three-class ebike classifications used across the USA, from those that can’t exceed 20mph to the faster e-moto bikes.
It also states that riders who are 14 or younger cannot use motorised bicycles or scooters.
What’s behind the law?
The new law takes effect amid the increased popularity of ebikes as a mode of transport in the USA and growing safety concerns.
The bill was inspired partly by the deaths of two ebike riders in separate incidents, alongside additional crashes.
Murphy signed the new ebike law just before leaving office on Tuesday, after two terms as governor of New Jersey.
“It is clear that we are in an age of increasing e-bike use that requires us to take action and update regulations that help prevent tragedies from occurring,” the Democrat said in a statement.
“Making our roads safer for all users has been a key priority for my Administration. I’d like to thank Senate President [Nicholas] Scutari for taking the initiative to improve the safe use of ebikes in New Jersey.”
New Jersey’s ebike laws hadn’t been updated since 2019. Scurati said: “We are in a new era of e-bike use that requires updated safety standards to help prevent accidents, injuries, and fatalities.
“Requiring registration and licensing will improve their safe use and having them insured will protect those injured in accidents.”
The law was passed by the state Senate by a 27-11 vote and by the state Assembly 52-10 on 12 January.
The law has been criticised by cycling advocates because it introduces barriers to micro-mobility and doesn’t solve the issues presented by higher-speed ebikes.
Debra Kagan, New Jersey Bike Walk Coalition executive director, told NJ.com: “This bill creates barriers to developing micro-mobility in the state as a safer, more equitable and more sustainable part of our transportation system.”
“It restricts low speed e-bike use while not addressing the real problem of high-speed motorized devices.
“The approach of this bill to restrict use of low-speed e-bikes will not solve the problems we face to make our streets safer,” she added.
Kagan and other cycling organisations have criticised New Jersey for not enforcing an existing 2019 law that requires registration, licence and insurance for class 3 motorised bicycles that have a maximum assisted speed of 28mph.
Patrick Cunnae, an advisor to New Jersey’s Hyper Bicycles, writing in Bicycle Retailer, described the bill as “fundamentally flawed”.
Cunnae said the impetus for the bill was the death of a 14-year-old in Union County, New Jersey, who was understood by the media and “most people” to be struck while riding an “ebike”.
“But the vehicle used here and in most other crashes of this nature was something very different: an electric moped or motorcycle (an “e-moto”) that can go well over 30 miles an hour,” wrote Cunnae.
“Low-speed Class 1 and 2 ebikes should not be swept up in a rush to address safety concerns and tragedies involving faster e-motos,” he added.
US cycling advocacy group People For Bikes said the law sets up New Jersey to become “the most unfriendly state for bicycling”.
“The final bill places unnecessary and burdensome restrictions on low-speed ebikes while leaving higher-risk vehicles like electric mopeds and motorcycles without additional regulations,” it said.
The coalition said it was “disappointed” by the bill but is encouraged by those who rallied in support of amending and improving its language.
“We are currently cooperating on draft language for a new bill to address the issues created by this legislation and redirect the focus of regulatory and safety efforts on e-motos, the high-speed electric mopeds, motorcycles, and dirt bikes being marketed to kids in New Jersey and across the country and the same devices involved in recent fatal crashes that led to this bill,” People For Bikes said.
An expanded class-action lawsuit filed last Friday alleges that a member of Nvidia’s data strategy team directly contacted Anna’s Archive — the sprawling shadow library hosting millions of pirated books — to explore “including Anna’s Archive in pre-training data for our LLMs.”
Internal documents cited in the amended complaint show Nvidia sought information about “high-speed access” to the collection, which Anna’s Archive charged tens of thousands of dollars for. According to the lawsuit, Anna’s Archive warned Nvidia that its library was illegally acquired and maintained, then asked if the company had internal permission to proceed. The pirate library noted it had previously wasted time on other AI companies that couldn’t secure approval. Nvidia management allegedly gave “the green light” within a week.
Anna’s Archive promised access to roughly 500 terabytes of data, including millions of books normally only accessible through Internet Archive’s controlled digital lending system. The lawsuit also alleges Nvidia downloaded books from LibGen, Sci-Hub, and Z-Library.
