When I turned 10, I was finally allowed to own a pen. At school, that was when we moved from pencils to ink, and our parents were told to get us all-new stationery. That was also the year we learned to write in cursive, because we were finally big kids and cursive writing meant we could… sign checks, I guess.

I don’t know about kids these days, but physically writing notes in pen and paper is a huge part of how I learned things and organized my thoughts. It probably had something to do with the fact that my mom trained my brother and I to use “mind maps” as study tools, too. When I start planning a trip or a big project, I instinctively reach for a notepad and a pen. That’s why writing on a tablet that mimics this experience holds so much appeal for me (and probably a lot of people around my age or older).

Though you can get a decent stylus experience on an iPad, Surface or Galaxy device, e-ink tablets typically last a lot longer and offer a more paper-like reading experience with no glare or blue light hurting your eyes. They also typically don’t come with distracting apps or notifications to interrupt your work. So when Amazon announced the Kindle Scribe would be its first e-reader that would support stylus input, I was intrigued. The Kindle series are probably the most popular e-ink readers in the US, and they could make digital note taking much more accessible to a mainstream audience.

At $340, however, the Scribe is the most expensive Kindle. For that premium, you’ll get a bigger 10.2-inch screen with the same 300ppi pixel density, a front light with 35 LEDs, an included Basic Pen and at least 16GB of storage. You can sync your notes to the Kindle app to view them without the tablet. But while e-readers never fully replaced books, the Scribe might just offer a better experience than an actual pen and notepad.

Design and hardware

Like most Kindles, the Scribe is marvelously thin and light. At just 0.22 inches thick, this is one of the slimmest e-readers around, and I actually worried it might break when I left it in the flimsy purse I threw into an overhead compartment during my Thanksgiving flight to San Francisco. Luckily, with the case that Amazon sent along, the Scribe not only survived being tossed around with heavy suitcases, it also held up when I accidentally sat on it. (Yes, I’m a monster who’s too rough with gadgets.)

More importantly, at just 433 grams or 0.95 pounds, the Scribe was light enough for long periods of reading. It’s just a hair lighter than the M1 iPad Air, which weighs 1.02 pounds, and thanks to a generous bezel on the long side, the Scribe is easy to hold with one hand without accidentally triggering the touchscreen. Because the display rotates to all orientations, you can use this with your right or left hand.

Unlike the Oasis or some e-reader models by Kobo, the Scribe doesn’t have physical buttons for page turning. There’s just a single power button on the edge next to the USB-C charging socket. It’s also worth noting that, again, unlike the Oasis and Paperwhite models, the Scribe is not water-resistant.

As a notebook

In many ways, the Scribe offers a better experience than actual pen and paper. I never run out of paper or ink or have to sharpen a pencil. Erasing my mistakes is effortless, I don’t have to deal with cleaning up eraser dust, and I never end up with ink or lead stains on my hands. Amazon’s palm rejection here is almost perfect, other than when I drag it across the screen, which turned the page. That didn’t happen often enough to be annoying, and I quickly learned to not move my palm when resting it on the display.

I loved the sheer smoothness of writing on the Scribe. The latency is nearly zero, and the instant I placed the nib on the screen, it left a mark. Thanks to the screen’s matte finish and responsiveness, drawing on the Scribe felt just as natural as the real thing. The Premium Pen that Amazon sent with our review unit has a shortcut button and dedicated eraser at the top. Flipping the pen over to undo mistakes felt natural, but more importantly it was just as smooth as inking. Of course, since it’s a much larger target than the stylus’ nib, the eraser isn’t as precise, but the deleted marks on the screen fade in a satisfying way.

The one thing that took away from the Scribe being a full replica of a notepad is its screen refreshing. When you erase something, it slowly fades away and when it’s just about gone, the display refreshes itself quite jarringly. It’s a small quirk, but can definitely catch you off guard.

Just like pen and paper, the Scribe is limited. You can’t edit your notes on a phone or laptop after writing them. You can view them, sure, but because Amazon syncs them to the Kindle app as image files, you can’t make changes to them. You can export them as PDFs to another device and use a third-party editor to tweak your notes, but at that point you might as well use Evernote or Samsung Notes.

Amazon’s software doesn’t offer this function though, and compared to competing note-taking apps for iOS, Android and Windows, the Scribe’s features are very rudimentary. It doesn’t even do handwriting recognition to convert your scrawl to machine-readable text, meaning it also can’t index anything you’ve jotted down so you can search your notes by keywords later.

Still, that doesn’t mean the device isn’t a delight. I loved using the Scribe as a notepad for my many lists. You can start notebooks using various backgrounds — a simple lined pattern, or checkboxes to keep track of tasks or shopping items. I spent my week or so with the Scribe organizing my holiday shopping lists, planning a family vacation, drawing tropical fruits that my friends haven’t heard of and refamiliarizing myself with writing the Japanese alphabet (hiragana). I felt more productive and organized when I had the Scribe with me, and almost lost when I needed to jot down a thought and it wasn’t by my side.

For my purposes, the Scribe was perfectly adequate. But for others who might need a more sophisticated note-taking system, Amazon’s device is seriously lacking. A biochemistry professor I spoke to who was keen on using the Scribe to annotate notes and research articles, for example, was disappointed to learn the device didn’t support colors. You can only highlight in grayscale. If you’re looking to create works of art, you won’t find a complete toolkit in Amazon’s app — just a pencil with a few thickness options or a highlighter. And unlike on an iPad, you can’t move portions of your drawings around just by dragging and dropping them with your stylus.

Creating a notebook isn’t the only way you can doodle on the Kindle Scribe, by the way. You can also take down notes when you’re reading an e-book. But it’s not like you can scribble directly onto the words of your e-books. You can use the floating toolbox to create a sticky note, then draw within a designated rectangle. When you close the sticky note, a small symbol appears over the word it was attached to, but otherwise, your scribbles are hidden. No annotating in the margins here.

Like I said, Amazon’s software is rudimentary. Still, if you think about the Scribe primarily as a blank writing pad that replaces all your loose pieces of paper as opposed to a sophisticated notes management system, then it’ll still serve a purpose.

The Pen

A large component of the Scribe experience is the pen. The Premium Pen I received costs $30 more, and adds a dedicated eraser and shortcut button along the edge. Both the Basic and pricier pens snap magnetically to the edge of the Scribe and don’t need to be charged, which is nice. The stylus stays securely attached to the tablet, thanks to the strong magnets, though you can remove it without too much force. I did find the shortcut button on the Premium Pen a little too easy to accidentally trigger, since it’s placed right where my thumb or index finger would rest. I frequently had to remind myself to turn the stylus so I wouldn’t press it by mistake.

Amazon’s Premium Pen is about the same size as an Apple Pencil or Samsung’s larger S Pen for tablets and reminiscent of a real pen. Anecdotally, it actually felt more comfortable than Apple’s stylus, possibly due to a touch of malleability in its body.

As an e-reader

It’s no surprise that the Scribe shines as an e-reader. It may be the biggest Kindle yet, but when I was reading Blackout by Erin Flanagan, words were as crisp and legible as on the smaller entry-level Kindle I’m used to. I appreciated the ability to tweak the display’s color temperature just like I would on other Kindles, and cut down on blue light near my bedtime. The front light made it possible for me to read in a dark airplane cabin, and though the Scribe was easy to see in sunlight, it did have some glare under the harsh overhead lights in our office.

Of course, thanks to the larger canvas, I could see more text on a page and didn’t have to squint. Amazon also offers Large Mode under Display Size so that those with visual impairments can read with greater ease. Other Kindle accessibility features are also available, including the VoiceView screen reader over Bluetooth audio (in English only). You can also adjust the font size, face, line spacing, margins and invert black and white.

The company also introduced a new Send to Kindle for Web tool to make it easier to transfer your personal documents from your computer to your Scribe. Basically, as an e-reader, the Scribe is everything you’ve gotten used to on a Kindle, from the excellent library of available content down to Amazon’s cumbersome interface.

This brings me to my two biggest frustrations with the Scribe, and, spoiler alert, they’re pretty minor complaints. First, I wish Amazon would update its layout to make it easier or faster to switch between notes. To go from my to-do list to my packing list, for example, I have to tap the top of the screen to invoke the navigation bar, hit the Notebooks button to view my notes, then select the list I want. That would be bothersome on a regular touchscreen, not to mention a slowly refreshing e-ink one. If Amazon let me view a carousel of my open notes by swiping from the bottom, perhaps, it might make jumping between them easier.

Secondly, the premium leather cover that Amazon sent with the Scribe folds into a stand, but it’s tricky to figure out how. Obviously you don’t have to buy this case, which is good since it costs an absurd $80. And the interface is slow, but works as expected and is perhaps as good as it gets for e-ink.

The best thing about black-and-white e-readers, though, is their longevity. Amazon says the Scribe will last up to 3 weeks if you write about half an hour a day. While I was concerned to see the battery level drop from 83 to 80 percent during one of my hiragana practice sprees, in my week with the device it’s gone down about 35 percent. I’d say if you weren’t writing continuously for hours, you’d get more out of the Scribe, but at the very least it easily should last you two and a half weeks.

Wrap-up

As a child of the nineties, I’m enamored with the Scribe. Amazon has managed to not only replicate a pen-and-paper experience, but without the associated limitations like running out of ink. Some of my main issues with the Scribe, particularly its lack of editing tools, are possibly solvable by software updates. And indeed, when I asked Amazon about possible handwriting recognition tools in future, a representative indicated that “While we can’t comment on future roadmap features, we are always listening to customer feedback.” So maybe if we all complain loudly enough, the company will add it.

The Kindle Scribe’s biggest competition is the Remarkable Tablet, which retails for slightly more than Amazon’s device, though you can find it on sale for less nowadays. It has a slightly larger 10.3 inch screen but comes in noticeably thinner at 4.7mm (or 0.18 inches) thick. ReMarkable offers slightly better syncing and writing software than Amazon, but it pales in comparison to the Kindle as an e-reader.

Artists, designers and serious note-takers also probably want to look elsewhere for a more sophisticated drawing and annotating solution — the iPad and Apple Pencil might be your best bet. But as a combo of an e-reader that can also serve as a basic digital notepad, the Kindle Scribe is surprisingly satisfying.

Source: Engadget – Amazon Kindle Scribe review: Better than pen and paper but not the competition

We may get to see Samsung’s next flagship phones in just a couple of months. Samsung will unveil its Galaxy S23 devices in the US in the first week of February 2023, according to news outlet Korea JoongAng Daily, which cites an anonymous company executive. As The Verge notes, it echoes a previous report by Chosun, stating that the company will reveal the lineup by February next year. The executive reportedly told JoongAng Daily that the flagship phones will be launched at an Unpacked event in the US, which is expected to take place in San Francisco. 

While Samsung has yet to formally announce an Unpacked event for the Galaxy S23, the timeline reported by the publications is consistent with the previous flagships’ launch dates. Samsung revealed its Galaxy S22 phones on February 9th earlier this year and introduced a new addition to the lineup: The Galaxy S22 Ultra, which merges the Galaxy S and the Galaxy Note lines and comes with a built-in S Pen slot. 

According to previous reports, next S series flagship might ditch the Exynos SoCs that the company typically uses for its European and Asian variants. Instead, Samsung might go all in on Qualcomm’s Snapdragon chips. Some unofficial renders that floated online also suggest that Samsung is getting rid of the camera bump on the Galaxy S23 and S23 Plus, which may simply have three camera lenses protruding from their bodies. 

JoongAng Daily said that Qualcomm CFO Akash Palkhiwala mentioned earlier this month that the S23 phones will be powered by Snapdragon 8 Gen 2 chipsets. The publication also warned that the upcoming lineup is expected to be more expensive than its predecessors due to inflation, among other factors. 

Source: Engadget – Samsung will reportedly debut its Galaxy S23 lineup in early February

Corning’s Gorilla Glass is used in a lot of high-end smartphones, and now the company is promising even tougher displays with its latest version, Victus 2. The new glass composition offers improved drop performance on rough surfaces like concrete, the company says, while offering the same scratch resistance as the original Victus.

The first Victus glass released two years ago promised that your screen could survive drops of two meters (6.5 feet), but the new version ups the ante. Corning said it aimed to create glass that was durable enough to “better survive drops from waist height onto rougher surfaces,” to start with. It also noted that smartphones are 15 percent heavier and 10 percent larger than they were four years ago, which increases the stress on the display.

“In lab testing, Gorilla Glass Victus 2 survived drops of up to one meter on a surface replicating concrete,” the company said, noting that competing solutions could fail at half a meter or less. At the same time, “Victus 2 continued to survive drops up to two meters on a surface replicating asphalt and maintained scratch resistance up to four times better than competitive aluminosilicate,” according to Corning.

There’s no word on which devices will get Victus 2 displays first, but I wouldn’t go dropping one on the road to test the claims — they’re based on lab tests, unlike typical random phone drop accidents. There’s no doubt the screens are widely used though. Corning said that its product is “designed into more than 8 billion devices by more than 45 major brands.” Apple is a major investor in the company, having poured in $250 million in investments several years ago.

Source: Engadget – Corning’s Gorilla Glass Victus 2 can better survive drops on sidewalks and roads

It’s that time of year again. Streaming services are eager to tell you which artists, songs and albums you listened to the most in 2022. While a few have already rolled out their bits of annual nostalgia, Spotify’s 2022 installment of Wrapped debuts today. The company likes to put a new spin on its personalized top lists each year and this one is no different. A new feature called Your Listening Personality offers some insight into what the music you stream says about your taste. Wrapped determines which of 16 Listening Personality types fits you best including The Replayer, The Specialist, The Adventurer and The Fanclubber. 

Of course, Wrapped will also chronicle your top artists, genres, songs, podcasts and tally your total minutes listened. An Audio Day feature can also tell you how your musical preferences change during the course of a day in an interactive story format. Artist Messages return from 2021 with over 40,000 acts recording thank you videos for top listeners. These clips are followed by your most listened to song from each artist this year too. Spotify has added the ability to purchase merch and see upcoming events through the Wrapped hub as well. 

As your social channels will indicate today, Spotify users love to share their Wrapped stats. This year, the company has added the ability to share cards via Instagram DMs, Facebook Messenger, WhatsApp and Line. What’s more, there’s a Snapchat lens for sharing that Listening Personality, Wrapped Bitmoji and themed GIFs on GIPHY. Since Spotify made its debut on Roblox earlier this year, you can expect Wrapped to show up there too with quests, games, digital merch and plenty of opportunities for photos. 

In addition to the personalized Wrapped experience, Spotify has also revealed its top artists, songs, albums and podcasts for 2022. Bad Bunny is the most popular globally with “As It Was” by Harry Styles and Un Verano Sin Ti by Bad Bunny taking the top spots for songs and albums respectively. In the US, Drake edged out Taylor Swift but both the most popular song and album remain the same from the global charts. In terms of podcasts, The Joe Rogan Experience finishes the year number one again, with another Spotify exclusive — Call Her Daddy — slotted in second on both the global and US charts. 

Source: Engadget – Spotify’s 2022 Wrapped is a music-focused personality test

It’s already started. Time to recap 2022. Apple revealed that social media newcomer BeReal was one of the biggest winners in its annual App Store Awards. It won iPhone App of the Year for giving people what Apple called, “an authentic glimpse into their friend’s and family’s everyday lives.” If you’re unaware, BeReal users can share a selfie of themselves with a photo of their environment during a two-minute window the app randomly selects for them every day, sidestepping the production values, planning and filters that are often part of Instagram, TikTok and other apps. And in BeReal’s case, the fact that rival social media apps have introduced or are testing similar features is a clear testament to the “impact” it’s had. Imitation is the sincerest form of flattery, right?

In gaming, Apex Legends Mobile was the top title for iPhone, while puzzle game Moncage and card battler Inscryption won best games for the iPad and the Mac, respectively. The fantastic El Hijo also got a nod for best game for Apple TV.

– Mat Smith

The Morning After isn’t just a newsletter – it’s also a daily podcast. Get our daily audio briefings, Monday through Friday, by subscribing right here.

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NASA’s Orion photographed the Earth and Moon from a quarter-million miles away

A record-setting distance from home.

NASA has shared a photo taken by the Artemis I vehicle on Monday showing both Earth and the Moon in the background. Orion took the snapshot at its maximum distance from Earth of 268,563 miles. That’s the farthest any human-oriented spacecraft has traveled, beating even Apollo 13’s 1970 record of 248,655 miles. What a great photo.

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Sony’s Mocopi motion tracking system is its first tentative step into the metaverse

It translates your body’s movements on a metaverse avatar.

Sony has a new project, and it’s called Mocopi, comprising six motion-tracking bands to wear on your hands, feet, back and head, with a price of 49,500 yen (about $358). Its aim is to track your body to create videos or operate avatars in real-time with metaverse apps, like VRChat. It’s an ambitious product for people with a general interest in the metaverse as well as animation professionals and filmmakers – though it assumes a degree of technical knowledge. Sony says you can use existing VRM avatars and export recorded videos in the MP4 format, provided you have an up-to-date smartphone.

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Twitter has stopped enforcing its COVID-19 misinformation policy

The social network may also have gutted the team tackling child exploitation.

Twitter has quietly updated its transparency site to reveal it stopped enforcing its COVID-19 misinformation policy on November 23rd. The company won’t suspend further users or delete content including falsehoods about the coronavirus or vaccines, but it’s not clear if the company will, as part of Elon Musk’s planned amnesty, restore any accounts banned for sharing misinformation.

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The Pixel 7a will probably look a lot like the Pixel 6a

Google’s cheaper smartphone series is ready for an update.

Google is unlikely to announce the next entry in its Pixel A series until I/O 2023. That’s half a year away, but the rumor mill is already spinning. Steve Hemmerstoffer of OnLeaks fame has shared early renders of the upcoming Pixel 7a. Unsurprisingly, the images suggest the Pixel 7a will look a lot like its predecessor and Google’s other Pixel 7 devices. There aren’t many spec surprises, but it appears the next phone will get the same metallic camera trim as the more expensive models.

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‘Pong’ is now half a century old

Older than you, probably.

Exactly 50 years ago yesterday, Atari released Pong, and the early video game industry was born. Released in 1972, Atari sold more than 8,000 Pong arcade cabinets. A few years later, the home version became an instant success, with Sears selling about 150,000 units of the console you needed to play the game. If not for Pong, Nintendo would not exist, and a young Steve Jobs and Steve Wozniak may not have created Apple.

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Source: Engadget – The Morning After: Social app BeReal wins in Apple’s 2022 App Store Awards

A week ago, the San Francisco Police Department (SFPD) petitioned the Board of Supervisors for permission to deploy robots that can kill suspects under specific circumstances. Now, the board has approved the petition with a vote of 8 vs. 3 despite strong opposition from civil liberties groups. Under the new policy, robots can be used “as a deadly force option when risk of loss of life to members of the public or officers are imminent and outweigh any other force option available to the SFPD.”

The city’s police force has over a dozen robots at the moment, which are equipped with the capability to provide video reconnaissance and to diffuse bombs. None of them have weapons and live ammunition, the SFPD says, and there are no plans to fit them with any. However, they can now be deployed with explosives attached “to contact, incapacitate, or disorient violent, armed, or dangerous suspect,” an SFPD spokesperson said. “Robots equipped in this manner would only be used in extreme circumstances to save or prevent further loss of innocent lives,” they added.

As NPR notes, SF officials have to define the authorized uses of its robots and other military-grade equipment due to a California law that went into effect this year. Aaron Peskin, a Board of Supervisor member, added a line to the SFPD’s original draft policy that said: “Robots shall not be used as a Use of Force against any person.” But the SFPD amended the proposal to allow the use of robots as “a deadly force option.” The board approved that version of the policy with additional amendments, stating that officials can only use robots with explosive charges after they had exhausted all alternative force or de-escalation tactics. Also, only a limited number of high-ranking officials will be able authorize the use of robots as a deadly force option. 

Among all of San Francisco’s supervisors, only Shamann Walton, Dean Preston and Hillary Ronen voted “no” on approving the policy. Preston called allowing the SFPD to use robots to kill people “deeply disturbing” and a “sad moment” for the city. In his full statement, he said that giving the police the power to arm remote-controlled robots will “place Black and brown people in disproportionate danger of harm or death.” Meanwhile, Rafael Mandelman, who supported the use of robots as a deadly force from the beginning, defended his vote and said that the final version of the policy “lays out reasonable restrictions on the use of robots” despite “the hyperbole expressed by many who oppose” it.

Mandelman also told Fox KTVU that it would be irresponsible not to make plans to use robots in life-threatening situations. Matthew Guariglia of the Electronic Frontier Foundation told the news organization, however, that by equipping robots, “[w]e are going to lessen the burden of using deadly force from having to pull a gun and pull the trigger to a button on a remote control.”

Source: Engadget – San Francisco approves police petition to use robots as a ‘deadly force option’