Fujifilm has launched its new flagship APS-C mirrorless camera, the $2,500 X-H2S, with an all-new 26.2-megapixel (MP) stacked BSI CMOS sensor and a raft of impressive features. Some of the key highlights include 40 fps blackout-free burst shooting, 6.2K 30fps video and 7-stop in-body stabilization. 

The X-H2S is the long-rumored successor to the X-H1, released over four years ago. However, it bears little resemblance to that model (apart from the top LCD display) with a substantially different grip and button layout. It’s also lighter at 660 grams compared to 673 grams. Unlike the tilt-only display on the X-H1, the X-H2S has a fully articulating 1.62-million dot rear display, making it far better for vloggers and solo video shooters. The 5.76-million-dot 120Hz EVF outclasses other APS-C cameras and hopefully addresses EVF performance issues on the X-T4.

It’s the first Fujifilm camera with a stacked, backside illuminated sensor (the X-Trans 5HS) and new X-Processor image processor — though the 26.2-MP resolution sensor is the same we’ve seen on models as far back as the X-T3. By contrast, Canon’s new EOS R7 APS-C camera has a 32-megapixel sensor, but it’s neither backside illuminated nor stacked.

The stacked sensor allows for some impressive shooting speeds. It can hit up to 40 fps in silent electronic shutter mode with no blackout, or 15fps in mechanical shutter mode (at 1/8000th maximum), both with autofocus and auto-exposure enabled. It comes with a high-capacity buffer, allowing you to capture 175 compressed RAW frames in 40fps ES mode (4.4 seconds worth) and 400 compressed RAW frames in mechanical shutter mode. 

Fujifilm promises much-improved phase-detect autofocus (AF) performance over the X-T4, with three times the speed and improved accuracy. Meanwhile, the AF algorithms can do prediction for moving subjects, while allowing for zone AF subject detection and low-contrast situations. On top of recognizing humans (face/eye), it can also detect animals, birds, cars, bikes, airplanes and trains. 

Also enabled by the faster sensor/processor is a big jump in video specs over the X-T4. The X-H2S supports 6.2K video at 30 fps, DCI 4K (4,096 x 2,160 pixels) at 120 fps and Full HD at 240 fps, with no cropping or sub-sampling on all video modes up to 60 fps. 4K at 120p is mildly cropped at 1.29x, but it’s still oversampled with no pixel binning or line skipping.

It’s also the first Fujifilm APS-C camera to support ProRes (ProRes422, ProResHQ, ProResLT and ProResProxy), along with H.264 and H.265 video. All of those resolutions can be recorded at 4:2:2 10-bit quality, and Fujifilm has introduced F-Log2 recording that allows for 14+ stops of dynamic range below 30 fps and 13+ stops at higher frame rates (with settings at or above ISO1250) — impressive, if accurate.

External recording via the full-sized HDMI 2.1 port is equally impressive. On top of all of the above settings (6.2K/29.97P, 4K/120P 4:2:2 10bit), you can record ProRes RAW at 6.2K/29.97P and 4.8K/59.94P, both at 4:2:2 12bit with 13 stops of dynamic range. External recording with ProRes RAW means that Fujifilm won’t need to deal with RED RAW patent lawsuits, like the one recently slapped on Nikon’s Z9. 

Like other stacked sensor cameras, the X-H2S promises well-controlled rolling shutter at 1/90th of a second (11 ms) for video under 30fps and 1/180th of a second (5.6 ms) for higher framerates. That’s right up there with other stacked sensor cameras like Sony’s A1 or the Canon R3, meaning you should see minimal jello or wobble in video, particularly at higher framerates.

Overheating doesn’t appear to be much of an issue at normal temperatures, with a promised four hours of 4K60p shooting at 25 degrees C (77 degrees F). That drops to 20 minutes at 40 C (104 F), but you can boost that to 50 minutes with an optional $199 cooling fan. 

The X-H2S has improved in-body stabilization over past Fujifilm cameras, as well. It delivers 7 stops of shake reduction compared to 6.5 stops on the X-T4, which should help smooth videos and reduce blur on photos. 

Other key features include both CFexpress and SD UHS II card slots, a USB 3.1 gen 2 (10Gbps) port with a handy cable lock screw, 3.5mm microphone/headphone jacks, 10-bit HEIF photo support and an optional $400 vertical grip. It also supports wireless and wired functions like live streaming, tethered shooting, webcam functions (no app required) and cloud storage uploads. CIPA battery life is 610 shots max with the EVF, or 1,580 shots with the vertical grip. 

Along with the camera and accessories, Fujifilm has launched two new lenses, the XF150-600mm f/5.6-8 R LM OIS WR zoom telephoto (left), arriving on July 7, 2022 for $2,000. It’s also introduced the XF18-120mm f/4 LM PZ WR (right), a versatile wide-telephoto zoom coming in September 2022 for $900. Meanwhile, the X-H2S will be Fujifilm’s most expensive APS-C camera to date, arriving on July 7th for $2,500 — the same price as Canon’s full-frame EOS R5. 

Source: Engadget – Fujifilm’s flagship X-H2S camera offers 6.2K video and 40 fps burst shooting

I got my first guitar in the seventh grade. Had a couple of bands in high school and college. And I still play regularly. But, I’m somewhat embarrassed to admit that I only just bought my first tube amp in April of last year. That’s right, I played guitar somewhat seriously for around 25 years before I went and bought what is considered by many (mostly obnoxious purists) the only kind of amp worth playing.

Eventually, I set my sights on a Fender Blues Jr, a simple 15-watt, 1×12 amp. Specifically, I managed to snag a gorgeous Tweed model used for $400. It was too good of a deal to pass up (even if I did have to drive into New Jersey to pick it up).

Now, before you all freak out, it’s not that I’ve never played a tube amp before. My bands often rented a rehearsal space where I was usually playing through Marshall half stack. A JCM800 if I remember correctly, but I’d be lying if I said I cared about anything other than the fact that it was a Marshall half stack at the age of 18.

Terrence O’Brien / Engadget

When it was time for me to go out and upgrade from my tiny Yamaha practice amp, I just got the loudest thing I could afford at the time: a 2×12 120-watt Crate solid state amp. I needed something that could be heard over a drummer in my basement or in a small club. It did exactly what I expected it to: It was delightfully crisp and clean, took pedals well and it was loud.

That was my only amp for many years. But, being 120w it didn’t really do “quiet.” Even with the volume at one it was enough to piss off the neighbors. So when I had my first child I knew I needed to get something else. Again, budget and volume were important (turns out kids are expensive). But instead of being loud, this time I needed something that would sound good at levels that wouldn’t disturb a sleeping baby. So I snagged a Yamaha THR10 on sale.

But over the last few years I’d started getting serious about music again. And, in particular over the last two years, I’d rekindled my love of guitar. Between that, and what I’m going to chalk up to pandemic restlessness, I started looking to upgrade to an actual tube amp. I ended up settling on the Blues Jr in part because I still needed something that didn’t get too loud. But I also didn’t need anything terribly fancy. I wanted tube warmth and crunch at a reasonable price and without too many bells and whistles.

While it took me a while to find the amp’s sweet spots, I’m a convert. I now primarily use my THR10 late at night or if I need to be mobile – say, shooting a review in my dining room. But otherwise, I’m firing up the Blues Jr everytime. It can do the jangly clean tones often associated with Fender at lower volumes, and get an almost Vox-ish crunch when cranked. I rarely use the “Fat” switch, which boosts the mids, but I could see it being handy if you’re relying entirely on the internal drive and need to take a solo.

The only real amenity you get is a spring reverb, which sounds pretty great. Cranking it introduces a decent amount of noise to your signal, but it really nails those drippy surf tones.

Importantly for me, it has a master volume knob (which not all amps do). That allows you to push the preamp until you start to get some delicious breakup, while keeping things at a level that won’t get the cops involved. But it gets loud enough for gigging too, in case I ever decide to play music in front of other humans again (highly unlikely).

The biggest selling point, though, was that it’s also a pretty solid pedal platform. As a guitarist with more effects than talent, I needed something that wasn’t going to get too muddy or noisy as I started stacking multiple delays and reverbs with fuzz.

The Fender Blues Jr has been around since about 1995. And, while it has undergone multiple revisions in that time, its core character remains largely unchanged. Honestly, I wish I had discovered it earlier. Because, while I’ve fallen in love with plenty of instruments and effects over the years, this is the first amp that I’ve been truly enamored with.

Source: Engadget – What we bought: My first tube amp… about 20 years late

NASA’s Ingenuity helicopter is still pushing boundaries long after its first Mars liftoff. As CNETnotes, the space agency has shared video of Ingenuity’s milestone 25th flight on April 8th, when it broke duration and speed records. The robotic helicopter flew at 12MPH for just over two minutes and 41 seconds, providing footage of the Red Planet’s rippling sands and rock fields as part of the 2,310-foot journey. The footage you see below was sped up to cut the viewing time to 35 seconds.

It’s only been a couple of weeks since Cre8Audio unveiled its first self-contained synth. But the company is back already with a companion to the East Beast, called the West Pest. As the name implies this is a West Coast style synth, made to complement the Beast’s east coast flavor. 

Just like the Beast this is an analog semi-modular synth built in collaboration with Pittsburg Modular. It has a 20-point patch bay, a one octave keyboard, a 32-step sequencer, an arpeggiator and a “digital multi-function tool” that can be an extra envelope, LFO or a random generator. 

In fact the two have more in common than not. Physically they’re nearly identical, but with slightly different control layouts and graphics. And they’re both just $250, which is stunningly affordable for an analog modular synth. 

Classic mobile games Monument Valley and Monument Valley 2 are getting a new lease of life. They’re coming to PC on July 12th, meaning they’ll be playable outside of the iOS, Android and Windows Phone (remember that?) ecosystems for the first time.

The Orba is mostly a musical curiosity, but a compelling one especially at the reasonable price of $100. But for its next version Artiphon is hoping to go beyond fidget toy and turn its little MPE grapefruit into a legit groovebox. 

Physically almost nothing has change about the Orba 2. It’s till the same black half orb with eight touchpads across the top. It still has a builtin speaker and synth engine, the latter of which was recently opened up for anyone to design their own patches. It’s still a capable MIDI controller with support for multiple gestures including shake, tilt and spin. 

Panasonic and Leica have formed a new collaboration called L² (L squared) that will see them jointly develop cameras, lenses and imaging technology, they announced. Both companies are already part of the L-Mount mirrorless alliance (along with Sigma and Leitz) and Panasonic has loaned its camera tech to Leica. However, the new partnership goes deeper, as they’ll use “jointly developed technologies” in their respective lens and camera products, while the L² branding will feature in future marketing activities. 

“Through this collaboration, the two companies will jointly invest in new technologies that can be incorporated into camera and lens products, and will incorporate jointly developed technologies into each other’s Leica and Lumix products to further enhance their product capabilities,” the press release states. “Going forward, Leica and Lumix will utilize L² Technology, which will open up new possibilities for creative camera users, in their marketing activities in order to develop a collaborative system over the long term.”

There’s no word on when we’ll see the fruit of this collaboration. It does make some sense, though, as Panasonic tends to get overshadowed by Canon, Sony and Nikon, despite producing good cameras — especially for video. Meanwhile, Leica has a sterling reputation for lens quality, but gets far less respect for its mirrorless cameras because they’re mostly rebadged, overpriced Panasonic models. By collaborating, Panasonic could gain some prestige off Leica’s iconic reputation and lens quality, while Leica will get access to Panasonic’s technological chops. 

Source: Engadget – Panasonic and Leica unveil ‘L squared’ project to jointly develop cameras and lenses

Good morning and welcome back! If you had time off yesterday, I hope you enjoyed it. And if you didn’t, I hope you survived your Monday.

Due to Memorial Day, it was a relatively quiet tech news day, but we did get a glimpse at a new DeLorean. Yes, DeLorean Motor Company is making an EV. The four-seater Alpha5 should arrive with a 100kWh battery pack, capable of 0 to 60MPH in 2.99 seconds, and a heady $175,000 price.

It won’t be built by the original DeLorean people but by a Texas company that purchased the rights to the DeLorean name and spare parts. Expect gullwing doors, a futuristic profile and an overall design from the same studio that sketched the original DeLorean. Expect more details later today.

— Mat Smith

The biggest stories you might have missed

• ‘Star Wars: Knights of the Old Republic II’ heads to Nintendo Switch on June 8th

• Valve’s latest Steam Deck update promises less fan noise

• Recommended Reading: How ‘Top Gun: Maverick’ puts you inside an F-18

• Hitting the Books: What the Work from Home revolution means for those who can’t

Apple trademarks ‘realityOS’

Are we getting closer to an AR/VR headset announcement?

At the start of the year, developers spotted some references to “realityOS,” the operating system for Apple’s long-rumored virtual and augmented reality headset. Now, just before the start of WWDC 2022 on June 6th, the name has resurfaced in trademark filings seemingly linked to the company.

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Acer Predator Triton 500 SE review

A laptop powerhouse for work and play.

The Triton 500 SE proves Acer can make a truly refined gaming laptop without gimmicks. No extra screens, no hybrid nonsense, no crazy design choices. It has a gorgeous 16-inch screen, and you can add to it the latest and greatest Intel and NVIDIA hardware. Prices, however, start at $2,300 but be prepared to shell out $3,000 if you want all the hardware from our review unit. Devindra Hardawar put the Triton 500 SE through its paces.

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Google Pixel 7 prototype reputedly shows up on eBay

Another major Google device leak.

Weeks after a Pixel Watch prototype was left at a restaurant, it appears someone tried to sell a Pixel 7 on eBay. The eBay listing for what looked like a prototype Pixel 7 popped up on the Pixel subreddit, but now it’s gone.

The images don’t reveal much more than we didn’t already know — or suspect. The front looks similar to the Pixel 6, hole-punch camera and all. The camera bar on the rear has two lenses as well. Although Google already announced the Pixel 7 and its Pro sibling at I/O, it’ll be a while before the phones go on sale.

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iOS 16 will reportedly include always-on display features

But only for future iPhones.

In his latest Power On newsletter, Bloomberg’s Mark Gurman suggests the company will have a fair amount to share about iOS 16 at the forthcoming WWDC, including enhancements to the lock screen. Gurman says the next version of Apple’s mobile operating system will include support for an always-on display initially exclusive to the company’s next iPhone Pro models. Devices could show notifications and other glanceable information without you needing to fully wake the iPhone’s display.

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Source: Engadget – The Morning After: A first look at the DeLorean EV