Slashdot reader DevNull127 shares this transcript of James Cameron’s new interview with the BBC — which they’ve titled “The Danger of Deepfakes.”

“Almost everything we create seems to go wrong at some point,” James Cameron says…

James Cameron: Almost everything we create seems to go wrong at some point.
I’ve worked at the cutting edge of visual effects, and our goal has been progressively to get more and more photo-real. And so every time we improve these tools, we’re actually in a sense building a toolset to create fake media — and we’re seeing it happening now. Right now the tools are — the people just playing around on apps aren’t that great. But over time, those limitations will go away. Things that you see and fully believe you’re seeing could be faked.
This is the great problem with us relying on video. The news cycles happen so fast, and people respond so quickly, you could have a major incident take place between the interval between when the deepfake drops and when it’s exposed as a fake. We’ve seen situations — you know, Arab Spring being a classic example — where with social media, the uprising was practically overnight.

You have to really emphasize critical thinking. Where did you hear that? You know, we have all these search tools available, but people don’t use them. Understand your source. Investigate your source. Is your source credible?

But we also shouldn’t be prone to this ridiculous conspiracy paranoia. People in the science community don’t just go, ‘Oh that’s great!’ when some scientist, you know, publishes their results. No, you go in for this big period of peer review. It’s got to be vetted and checked. And the more radical a finding, the more peer review there is. So good peer-reviewed science can’t lie. But people’s minds, for some reason, will go to the sexier, more thriller-movie interpretation of reality than the obvious one.

I always use Occam’s razor — you know, Occam’s razor’s a great philosophical tool. It says the simplest explanation is the likeliest. And conspiracy theories are all too complicated. People aren’t that good, human systems aren’t that good, people can’t keep a secret to save their lives, and most people in positions of power are bumbling stooges. The fact that we think that they could realistically pull off these — these complex plots? I don’t buy any of that crap! Bill Gates is not really trying to microchip you with the flu vaccine! [Laughs]

You know, look, I’m always skeptical of new technology, and we all should be. Every single advancement in technology that’s ever been created has been weaponized. I say this to AI scientists all the time, and they go, ‘No, no, no, we’ve got this under control.’ You know, ‘We just give the AIs the right goals…’ So who’s deciding what those goals are? The people that put up the money for the research, right? Which are all either big business or defense. So you’re going to teach these new sentient entities to be either greedy or murderous.

If Skynet wanted to take over and wipe us out, it would actually look a lot like what’s going on right now. It’s not going to have to — like, wipe out the entire, you know, biosphere and environment with nuclear weapons to do it. It’s going to be so much easier and less energy required to just turn our minds against ourselves. All Skynet would have to do is just deepfake a bunch of people, pit them against each other, stir up a lot of foment, and just run this giant deepfake on humanity.
I mean, I could be a projection of an AI right now.

Read more of this story at Slashdot.

Source: Slashdot – James Cameron Warns of ‘The Dangers of Deepfakes’

Remember that developer who intentionally corrupted his two libraries which collectively had over 20 million weekly downloads and thousands of dependent projects? In the immediate aftermath he’d complained on Twitter that NPM “has reverted to a previous version of the faker.js package and Github has suspended my access to all public and private projects. I have 100s of projects. #AaronSwartz.”

That was January 6th, and within about a week GitHub had restored his access, while one of his two libraries (faker-js) was forked by its community to create a community-driven project. But Thursday the developer announced on his Twitter account:

What’s up @Github? Ten days since you removed my ability to publish to NPM and fix the Infinity Zalgo bug in colors.js

Never responded to my support emails.

I have 100s of packages I need to maintain.

Everyone makes programming mistakes from time to time. Nobody is perfect.

It hasn’t been confirmed that NPM has actually blocked his ability to publish — but the tweet already appears to be attracting reactions from other developers on social media.

Read more of this story at Slashdot.

Source: Slashdot – Developer Who Intentionally Corrupted His Libraries Wants NPM To Restore His Publishing Rights

Friday the results of several large studies showed that getting a third Covid vaccine “booster shot” dramatically decreased infections from the Omicron variant.

And now the Times of Israel reports that the country’s Health Ministry “said on Sunday that the fourth vaccine dose for those aged 60 and up offers a threefold protection against serious illness and twofold protection against infection in the current wave driven by the Omicron variant.”

The ministry said the figures are the result of initial analysis by experts from various leading academic and health institutions, and compares the fourth vaccine with those who received three doses at least four months ago.
The figures are based on 400,000 Israelis who received the fourth vaccine and 600,000 who received three doses, with the ministry stressing that the methodology is similar to previous papers the experts have published in the peer-reviewed New England Journal of Medicine.

Read more of this story at Slashdot.

Source: Slashdot – Israel Says Fourth Vaccine Dose Brings 2X Protection Against Omicron Infection, 3X Against Serious Illness – For Those Over 60

“GIF folders were used by ancient civilisations as a way to store and catalogue animated pictures that were once employed to convey emotion,” Vice writes:

Okay, you probably know what a GIF folder is — but the concept of a special folder needed to store and save GIFs is increasingly alien in an era where every messaging app has its own in-built GIF library you can access with a single tap. And to many youngsters, GIFs themselves are increasingly alien too — or at least, okay, increasingly uncool. “Who uses gifs in 2020 grandma,” one Twitter user speedily responded to Taylor Swift in August that year when the singer-songwriter opted for an image of Dwayne “The Rock” Johnson mouthing the words “oh my god” to convey her excitement at reaching yet another career milestone.

You don’t have to look far to find other tweets or TikToks mocking GIFs as the preserve of old people — which, yes, now means millennials. How exactly did GIFs become so embarrassing? Will they soon disappear forever, like Homer Simpson backing up into a hedge…?

Gen Z might think GIFs are beloved by millennials, but at the same time, many millennials are starting to see GIFs as a boomer plaything. And this is the first and easiest explanation as to why GIFs are losing their cultural cachet. Whitney Phillips, an assistant professor of communication at Syracuse University and author of multiple books on internet culture, says that early adopters have always grumbled when new (read: old) people start to encroach on their digital space. Memes, for example, were once subcultural and niche. When Facebook came along and made them more widespread, Redditors and 4Chan users were genuinely annoyed that people capitalised on the fruits of their posting without putting in the cultural work. “That democratisation creates a sense of disgust with people who consider themselves insiders,” Phillips explains. “That’s been central to the process of cultural production online for decades at this point….”

In 2016, Twitter launched its GIF search function, as did WhatsApp and iMessage. A year later, Facebook introduced its own GIF button in the comment section on the site. GIFs became not only centralised but highly commercialised, culminating in Facebook buying GIPHY for $400 million in 2020. “The more GIFs there are, maybe the less they’re regarded as being special treasures or gifts that you’re giving people,” Phillips says. “Rather than looking far and wide to find a GIF to send you, it’s clicking the search button and typing a word. The gift economy around GIFs has shifted….”

Linda Kaye, a cyberpsychology professor at Edge Hill University, hasn’t done direct research in this area but theorises that the ever-growing popularity of video-sharing on TikTok means younger generations are more used to “personalised content creation”, and GIFs can seem comparatively lazy.

The GIF was invented in 1987 “and it’s important to note the format has already fallen out of favour and had a comeback multiple times before,” the article points out. It cites Jason Eppink, an independent artist and curator who curated an exhibition on GIFs for the Museum of the Moving Image in New York in 2014, who highlighted how GIFs were popular with GeoCities users in the 90s, “so when Facebook launched, they didn’t support GIFs…. They were like, ‘We don’t want this ugly symbol of amateur web to clutter our neat and uniform cool new website.” But then GIFs had a resurgence on Tumblr.

Vice concludes that while even Eppink no longer uses GIFs any more, “Perhaps the waxing and waning popularity of the GIF is an ironic mirror of the format itself — destined to repeat endlessly, looping over and over again.”

Read more of this story at Slashdot.

Source: Slashdot – Vice Mocks GIFs as ‘For Boomers Now, Sorry’. (And For Low-Effort Millennials)

Wired reports on 22-year-old Sam Zeloof, who builds semiconductors in his family’s New Jersey garage, “about 30 miles from where the first transistor was made at Bell Labs in 1947.”

With a collection of salvaged and homemade equipment, Zeloof produced a chip with 1,200 transistors. He had sliced up wafers of silicon, patterned them with microscopic designs using ultraviolet light, and dunked them in acid by hand, documenting the process on YouTube and his blog. “Maybe it’s overconfidence, but I have a mentality that another human figured it out, so I can too, even if maybe it takes me longer,” he says… His chips lag Intel’s by technological eons, but Zeloof argues only half-jokingly that he’s making faster progress than the semiconductor industry did in its early days. His second chip has 200 times as many transistors as his first, a growth rate outpacing Moore’s law, the rule of thumb coined by an Intel cofounder that says the number of transistors on a chip doubles roughly every two years.

Zeloof now hopes to match the scale of Intel’s breakthrough 4004 chip from 1971, the first commercial microprocessor, which had 2,300 transistors and was used in calculators and other business machines. In December, he started work on an interim circuit design that can perform simple addition….

Garage-built chips aren’t about to power your PlayStation, but Zeloof says his unusual hobby has convinced him that society would benefit from chipmaking being more accessible to inventors without multimillion-dollar budgets. “That really high barrier to entry will make you super risk-averse, and that’s bad for innovation,” Zeloof says.

Read more of this story at Slashdot.

Source: Slashdot – This 22-Year-Old Builds Semiconductors in His Parents Garage