Hackaday reports:

Good news for everyone who cannot get enough from improbably shaped boats that get referred to as a bench: the current owner (NTI Group) of the copyright has announced that 3DBenchy has been released into the public domain. This comes not too long after Prusa’s Printables website had begun to purge all derived models to adhere to the ‘no derivatives’ license. According to NTI, the removal of these derived models was not requested by NTI, but by a third-party report, unbeknownst to NTI or the original creator of the model. Recognizing its importance to the community, 3DBenchy can now be downloaded & modified freely.

NTI worked together with the original creator [Daniel Norée] and former Creative Tools CEO [Paulo Kiefe] to transition 3DBenchy and the associated website to the public domain

More details at Tom’s Hardware and Fabbaloo.

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SFGate shares the latest data on America’s office-occupancy rates:

According to Placer.ai’s January 2025 Office Index, office visits nationwide were 40.2% lower in January 2025 compared with pre-pandemic numbers from January 2019.

But San Francisco is dragging down the average, with a staggering 51.8% decline in office visits since January 2019 — the weakest recovery of any major metro. Kastle’s 10-City Daily Analysis paints an equally grim picture. From Jan. 23, 2025, to Jan. 28, 2025, even on its busiest day (Tuesday), San Francisco’s office occupancy rate was just 53.7%, significantly lower than Houston’s (74.8%) and Chicago’s (70.4%). And on Friday, Jan. 24, office attendance in [San Francisco] was at a meager 28.5%, the worst of any major metro tracked…

Meanwhile, other cities are seeing much stronger rebounds. New York City is leading the return-to-office trend, with visits in January down just 19% from 2019 levels, while Miami saw a 23.5% decline, per Placer.ai data.

“Placer.ai uses cellphone location data to estimate foot traffic, while Kastle Systems measures badge swipes at office buildings with its security systems…”

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Can the iPhone, AirPods, or the Apple Watch play a role in improving health? Apple says they want to find out.
“In medical research, discoveries are often limited by the number of participants who can be recruited, the amount of data that can be captured, and the duration of a given study,” the company said in a blog post this week. “But Apple devices expand the possibilities…”
This new longitudinal, virtual study aims to understand how data from technology — including Apple and third-party devices — can be used to predict, detect, monitor, and manage changes in participants’ health. Additionally, researchers will explore connections across different areas of health.
CNBC reports:

The new study will likely influence future product development. Apple CEO Tim Cook previously said he believes health features will be the company’s “most important contribution to mankind….”

The Apple Health Study will be available through the company’s Research app, and participation is voluntary. Users will select each data type they are willing to share with researchers, and they can stop sharing or completely discontinue their participation at any time. Apple has no access to participants’ identifiable information, the company said… The project will last at least five years and may expand beyond that.
A Harvard Medical School professor and cardiologist — also a principal investigator on the Apple Health Study — says “We’ve only just begun to scratch the surface of how technology can improve our understanding of human health.”

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“Magnus Carlsen, the world’s top chess player, is bored of chess,” the Washington Post wrote Friday:

Carlsen has spent much of the past year appearing to dismiss the game he has mastered: It was no longer exciting to play, he told a podcast in March. In December, he withdrew from defending a world championship because he was penalized for wearing jeans to the tournament.
How would the world’s best player spice up the game? Change the rules, and add a touch of reality TV.

Ten of the world’s top players gathered in a German villa on the Baltic coast this week to play in the first tournament of a new chess circuit, the Freestyle Chess Grand Slam Tour, that Carlsen co-founded. The twist: The tour randomizes the starting positions of the chess board’s most important pieces, so each game begins with the queen, rooks and knights in a jumble. [It’s sometimes called “Chess960” or Fischer random chess — with both players starting with the same arrangement of pieces.] Players have to adapt on the fly. Carlsen is backed by a cadre of investors who see a chance to dramatize chess with the theatrics of a television show. Players wear heart-rate monitors and give confession-booth interviews mid-match where they strategize and fret to the audience. Some purists are skeptical. So is the International Chess Federation, which sent a barrage of legal threats to Freestyle Chess before it launched this week’s event.
At stake is a lucrative global market of hundreds of millions of chess players that has only continued to grow since the coronavirus pandemic launched a startling chess renaissance — and, perhaps, the authority to decide if and how a centuries-old game should evolve… The format is an antidote to the classical game, where patterns and strategies have been so rigorously studied that it’s hard to innovate, Carlsen said. “It’s still possible to get a [competitive] game, but you have to sort of dig deeper and deeper,” Carlsen said. “I just find that there’s too little scope for creativity.”

The article also includes this quote from American grand master Hikaru Nakamura who runs a chess YouTube channel with 2.7 million subscribers). “An integral part of regular chess is that when you play, you spend hours preparing your opening strategy before the game. But with Fischer Random … it’s a little bit looser and more enjoyable.” And German entrepreneur Jan Henric Buettner (one of the investors) says they hope to bring the drama of Formula One racecars. (“Cameras mounted at table level peer up at each player during games,” the article notes at one point.)

The first Freestyle Chess Grand Slam Tour (with a $750,000 prize pool) concluded Friday, according to the article, but “Carlsen did not play in it,” the Post points out. “He was upset in the semifinals by German grand master Vincent Keymer.” Carlsen’s reaction? “I definitely find Freestyle harder.”

But Chess.com reports that Carlsen will be back to playing regular chess very soon:

Global esports powerhouse Team Liquid has announced the signings of not just one, but two superstars of chess. Five-time World Champion and world number-one Magnus Carlsen and the 2018 challenger, world number-two Fabiano Caruana will represent the club ahead of the 2025 Esports World Cup (EWC)… Carlsen and Caruana, fresh from competing in the Weissenhaus Freestyle Chess Grand Slam, will first represent Team Liquid in the $150,000 Chessable Masters, which begins on February 16 and serves as the first of two qualifying events in the 2025 Champions Chess Tour. The top-12 players from the tour qualify for the EWC.

In an announcement video Carlsen reportedly trolls the FIDE, according to Indian Express. “The announcement video sees Carlsen wear a Team Liquid jersey along with a jacket and jeans. He then asks: ‘Do I have to change?’ To this, someone responds: ‘Don’t worry, we’re pretty chill in esports. Welcome to Team Liquid.'”

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An anonymous reader shared this report from the Guardian:

Thousands of artists are urging the auction house Christie’s to cancel a sale of art created with artificial intelligence, claiming the technology behind the works is committing “mass theft”. The Augmented Intelligence auction has been described by Christie’s as the first AI-dedicated sale by a major auctioneer and features 20 lots with prices ranging from $10,000 to $250,000…
The British composer Ed Newton-Rex, a key figure in the campaign by creative professionals for protection of their work and a signatory to the letter, said at least nine of the works appearing in the auction appeared to have used models trained on artists’ work. However, other pieces in the auction do not appear to have used such models.
A spokesperson for Christie’s said that “in most cases” the AI used to create art in the auction had been trained on the artists’ “own inputs”.

More than 6,000 people have now signed the letter, which states point-blank that “Many of the artworks you plan to auction were created using AI models that are known to be trained on copyrighted work without a license.”

These models, and the companies behind them, exploit human artists, using their work without permission or payment to build commercial AI products that compete with them. Your support of these models, and the people who use them, rewards and further incentivizes AI companies’ mass theft of human artists’ work. We ask that, if you have any respect for human artists, you cancel the auction.

Last week ARTnews spoke to Nicole Sales Giles, Christie’s vice-president and director of digital art sales (before the open letter was published). And Giles insisted one of the major themes of the auction is “that AI is not a replacement for human creativity.”
“You can see a lot of human agency in all of these works,” Giles said. “In every single work, you’re seeing a collaboration between an AI model, a robot, or however the artist has chosen to incorporate AI. It is showing how AI is enhancing creativity and not becoming a substitute for it.”

One of the auction’s headline lots is a 12-foot-tall robot made by Matr Labs that is guided by artist Alexander Reben’s AI model. It will paint a new section of a canvas live during the sale every time the work receives a bid. Reben told ARTnews that he understands the frustrations of artists regarding the AI debate, but he sees “AI as an incredible tool… AI models which are trained on public data are done so under the idea of ‘fair use,’ just as search engines once faced scrutiny for organizing book data (which was ultimately found to fall under fair use),” he said…. “AI expands creative potential, offering new ways to explore, remix, and evolve artistic expression rather than replace it. The future of art isn’t about AI versus artists — it’s about how artists wield AI to push boundaries in ways we’ve never imagined before….”

Digital artist Jack Butcher has used the open letter to create a minted digital artwork called Undersigned Artists. On X he wrote that the work “takes a collective act of dissent — an appeal to halt an AI art auction — and turns it into the very thing it resists: a minted piece of digital art. The letter, originally a condemnation of AI-generated works trained on unlicensed human labor, now becomes part of the system it critiques.”

Christie’s will accept cryptocurrency payments for the majority of lots in the sale.

Read more of this story at Slashdot.

Last June two NASA astronauts flew to the International Space Station on the first crewed test flight of Boeing’s Starliner. But they aren’t stranded there, and they weren’t abandoned, the astronauts reminded CNN this week in a rare space-to-earth interview:

“That’s been the rhetoric. That’s been the narrative from day one: stranded, abandoned, stuck — and I get it. We both get it,” [NASA astronaut Butch] Wilmore said. “But that is, again, not what our human spaceflight program is about. We don’t feel abandoned, we don’t feel stuck, we don’t feel stranded.” Wilmore added a request: “If you’ll help us change the rhetoric, help us change the narrative. Let’s change it to ‘prepared and committed.’

“That’s what we prefer,” he said…
[NASA astronaut Suni] Williams also reiterated a sentiment she has expressed on several occasions, including in interviews conducted before she left Earth. “Butch and I knew this was a test flight,” she told CNN’s Cooper, acknowledging the pair has been prepared for contingencies and understood that the stay in space might be extended. “We knew that we would probably find some things (wrong with Starliner) and we found some stuff, and so that was not a surprise,” she said.
When Cooper opened the interview by asking the astronauts how they’re doing, Williams answers “We’re doing pretty darn good, actually,” pointing out they had plenty of food and great crew members. And Wilmore added that crews come to the space station on a careful cycle, and “to alter that cycle sends ripple effects all the way down the chain. We would never expect to come back just special for us or anyone unless it was a medical issue or something really out of the circumstances along those lines. So we need to come back and keep the normal cycle going…”

CNN’s article notes a new announcement from NASA Tuesday that the astronauts might return a couple weeks early “after opting to change the SpaceX Crew Dragon capsule it will use.” That mission’s targeted launch date is now March 12.

In the meantime, Williams says in the interview, “We do have some internet connection up here, so we can get some internet live. We’ve gotten football. It’s been this crew’s go-to this past fall. Also YouTube or something like that. It’s not continuous — it has chunks of time that we get it. And we use that same system also to make phone calls home, so we can talk to our families, and do videoconferences even on the weekends as well. This place is a pretty nice place to live, for the most part.”

And they’re also “working on with folks on the ground” to test the NASA’s cube-shaped, free-flying robotic Astrobees.

Read more of this story at Slashdot.

Remember Jeep’s new in-dash pop-up ads which reportedly appeared every time you stopped?
“Since I’m a journalist, or at least close enough, I decided that I should at least get Stellantis/Jeep’s side of things,” writes car-culture site The Autopian:

Would Stellantis do something so woefully misguided and annoying? I reached out to our Stellantis/Jeep contact to ask and was initially told that they were “investigating” on their end, which to me felt like a stalling tactic while the proper ass-covering plans were conceived. I eventually got this response from a Stellantis spokesperson:

“This was an in-vehicle message designed to inform Jeep customers about Mopar extended vehicle care options. A temporary software glitch affected the ability to instantly opt out in a few isolated cases, though instant opt-out is the standard for all our in-vehicle messages. Our team had already identified and corrected the error, and we are following up directly with the customer to ensure the matter is fully resolved…”

I suppose a glitch is possible, though I’ve not seen any examples of this ad popping up with the instant opt-out option available, but I guess it must exist, since not all Jeep owners seem to have had to deal with these ads. I suspect if this was happening to more people than these “few isolated cases” we’d still be cleaning up from the aftermath of the riots and uprisings.

Because, as they write, “Really, I can’t think of a quicker way to incur the wrath of nearly every human…”

Read more of this story at Slashdot.