British creatives are speaking out against the government’s proposed changes to copyright law. Take Kate Bush, Annie Lennox and Ben Howard, who join over 1,000 musicians in releasing a protest album called Is This What We Want?. 

Currently, AI developers must follow the same copyright laws as anyone else, meaning they can’t use creative material to train models without permission. However, the December 2024 proposal would provide them with a copyright exemption that requires creatives to “opt out” of their materials being used. Tuesday, February 25 is the government’s last day seeking views on the change. 

“The musicians on this album came together to protest this,” reads the release statement. “The album consists of recordings of empty studios and performance spaces, representing the impact we expect the government’s proposals would have on musicians’ livelihoods.” 

The album consists of 12 songs with their titles spelling out, “The British government must not legalise music theft to benefit AI companies.” The record’s profits go toward UK-based charity Help Musicians. 

Tuesday also saw the UK News Media Association and publications including The Guardian protest the copyright exemption proposal through the Make It Fair campaign. “The creative works of British artists, authors, journalists, illustrators, photographers, film-makers, scriptwriters, singers and songwriters are being scraped from the internet by tech companies, big and small, to build and maintain AI products that have the potential to reshape our world,” the campaign argues. “Without fair reward, our creative industries simply won’t survive. The government must stand behind its creative industries. It’s time to fairly compensate the creators.”

On Monday, a range of creatives wrote an open letter to The Times in protest. “There is no moral or economic argument for stealing our copyright. Taking it away will devastate the industry and steal the future of the next generation,” it stated. Signatories included Paul McCartney, Elton John, Dua Lipa, Helen Fielding and Ed Sheeran. 

This article originally appeared on Engadget at https://www.engadget.com/ai/uk-creatives-protest-ai-copyright-law-changes-with-silent-album-and-campaign-160555065.html?src=rss

If you’re a music fan of a certain age, there’s a good chance MTV Unplugged has special place in your heart. With the first episode airing in 1989, over the decades the series has produced some of the most memorable live performances in history. Who could forget Nirvana’s set, recorded less than a year before Kurt Cobain would tragically take his own life in 1994, or when Alice in Chains played one of its final shows with former lead vocalist Layne Staley. There are too many memorable episodes to count, and now you can watch more than 50 of them, including the two I just mentioned, on Paramount+.

As Paramount notes, many of the episodes haven’t been available to watch in more than 20 years. From that perspective, the most interesting release is Oasis’ (in)famous 1996 set. For the uninitiated, it’s an episode that almost didn’t happen. In the days leading up to the performance, the story goes that lead singer Liam Gallagher complained of a sore throat. On the day the band was scheduled to tape the episode, he showed up an hour before “absolutely sh**faced,” according to his brother Noel, who went on to sing the entire set on his own. Despite its place in music history, before today it was nearly impossible to find a high-quality video of the performance. On YouTube, for instance, you can find a bootleg recording or two, but as you can imagine, the fidelity isn’t there.

This isn’t the first the Paramount+ has dug into the MTV archives to expand its catalog. Earlier this year, the streamer had an entire special program around Eric Clapton’s 1992 set. If you want to check out the performances for yourself, Paramount+ offers a seven-day free trial.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/paramount-adds-50-classic-mtv-unplugged-episodes-155004134.html?src=rss

Proving that truly no IP is safe from modern reboot culture, Atari’s Breakout is back. The upcoming version of the simple 1976 brick-smashing hit rotates the playing field by 90 degrees and adds auto-scrolling, neon effects, power-ups and local co-op. In other words, Breakout Beyond is the Tetris Effect formula applied to the Led Zeppelin-era arcade classic.

The original Breakout was a product of dramatically more limited 1970s hardware, but its simplicity was part of its magic. Rows of bricks sat up top, a player-controlled paddle lived down below and a “ball” (actually a square, thanks to ‘70s graphics) bounced in between. Move paddle, hit ball, smash bricks, wow bellbottom-wearing arcadegoers.

The core formula — moving a paddle to bounce projectiles against bricks — remains intact in Breakout Beyond. But the game’s landscape perspective, while better suited for today’s televisions and monitors, may be hard for old-school gamers to get used to. Ditto for auto-scrolling, as this version pans left-to-right toward a goal rather than simply requiring you to break all the bricks on a fixed screen.

Atari

Visually, the new version’s ball is more like a comet, with a long neon tail trailing off behind its round head. Seizure-inducing effects abound. And there are multiple balls to contend with, not just one. (However, Super Breakout, the original game’s direct sequel, had two modes with extra balls.)

Like Tetris Effect, Breakout Beyond introduces combos, rewarding you with intensified visual and sound effects for stringing together streams of broken bricks. You can also break special blocks that unlock power-ups: bombs that clear out everything from a set radius, a force field to shield the ball and a freakin’ laser cannon that lets you blast bricks out of your way, a la Space Invaders.

The game supports two-player local co-op so you can smash bricks with a couch buddy. It has 72 levels and an optional focus mode that slows down time (at the expense of higher scores).

Breakout Beyond will arrive on PC, Switch, Xbox Series X/S and Xbox One, PlayStation 5/4 and Atari’s rebooted VCS console on March 25. It costs $15, but there’s a 10 percent discount if you pre-order.

Update February 25, 2025, 10:41AM ET: Updated the headline and last paragraph to reflect the release date and pricing.

This article originally appeared on Engadget at https://www.engadget.com/gaming/ataris-side-scrolling-breakout-reboot-arrives-on-march-25-154136006.html?src=rss

Last year’s Silent Hill 2 remake worked out pretty well for Konami and the studio that took on the project, Bloober Team. The two sides have decided to continue their partnership, as Bloober is making a new title based on Konami’s intellectual property. Since the studio develops horror games, it’s likely that this will be a fresh entry in the Silent Hill series. There is a possibility that it could be a Castlevania game instead. But I’m hoping the companies decide to get really weird and make a spooky Bomberman or something.

“The trust built upon the success of Silent Hill 2 laid the foundation for signing another agreement for a new project,” the companies said. “The deal aligns with Bloober Team’s strategic plan to expand its internal development division within a first-party framework.” Konami will publish the upcoming game and retain the rights to it.

The Silent Hill 2 remake arrived in early October and sold well, moving over 2 million copies by the end of January It was critically acclaimed and received several nominations at The Game Awards. The remake was also one of Engadget’s favorite games of 2024.

If, indeed, Bloober is making a completely new Silent Hill game, it won’t be the only such title that’s in the works. Two Silent Hill games that were announced in 2022 have yet to arrive: Silent Hill Townfall from Annapurna Interactive and No Code, and Silent Hill f from Ryūkishi07.

This article originally appeared on Engadget at https://www.engadget.com/gaming/bloober-team-is-making-another-game-with-konami-following-silent-hill-2s-success-152602170.html?src=rss