China’s first attempt to land an orbital-class rocket may have ended in a fiery crash, but the company responsible for the mission had a lot to celebrate with the first flight of its new methane-fueled launcher.
LandSpace, a decade-old company based in Beijing, launched its new Zhuque-3 rocket for the first time at 11:02 pm EST Tuesday (04:02 UTC Wednesday), or just after noon local time at the Jiuquan launch site in northwestern China.
Powered by nine methane-fueled engines, the Zhuque-3 (Vermillion Bird-3) rocket climbed away from its launch pad with more than 1.7 million pounds of thrust. The 216-foot-tall (66-meter) launcher headed southeast, soaring through clear skies before releasing its first stage booster about two minutes into the flight.
Indie studio Santa Ragione is facing more strife after claiming its latest game has been blocked on another major storefront. The developer previously said it was at risk of closure after Valve banned Horses from Steam, noting that it would be very difficult to recoup its investment without access to the world’s largest PC gaming storefront. The situation became more dire this week after Epic Games blocked Horses as well.
Santa Ragione said Epic notified the studio of its decision just 24 hours before the game was released on Tuesday, despite approving Horses for sale on the Epic Games Store weeks earlier. “Once again, no specific indication of problematic content in the game was given, only broad and demonstrably incorrect claims that it violated their content guidelines,” the studio wrote in an FAQ. “Our appeal was denied twelve hours later without further explanation.”
According to an email from Epic that Santa Ragione shared, the company banned Horses from its store due to violations of its inappropriate content and hateful or abusive content policies, the latter of which “prohibits content that promotes abuse and animal abuse.” It also determined that Horses had received an adults-only rating, and such games aren’t allowed on its store. Engadget has contacted Epic for comment.
Horses is a horror game about a college student who works on a farm during the summer. The farm’s so-called horses are actually nude human adults who wear equine masks and live as horses.
Santa Ragione said that, in its appeal to Epic, it pointed out that Horses is a “strong critique of violence and abuse in general” and that it doesn’t promote any kind of abuse. It claimed that there are no “explicit or frequent depictions of sexual behavior,” as nudity is pixelated and although the three-hour game has four “sexual sequences,” these are brief and censored, with two mainly taking place off-camera. However, Santa Ragione said Epic stuck by its decision to block the game from its store.
With Horses being banned from Steam and the Epic Games Store, that leaves GOG (where it’s currently at the top of the bestsellers chart) and Itch.io as the only storefronts on which the $5 game is available as Santa Ragione tries to recoup the $100,000 or so it spent on development. Horses was supposed to have been available via the Humble Store as well but, as Gamespot notes, the URL for the listing now redirects to the store’s homepage.
This article originally appeared on Engadget at https://www.engadget.com/gaming/epic-bans-indie-game-horses-from-its-storefront-24-hours-before-release-173500417.html?src=rss
A sprawling infrastructure that has been bilking unsuspecting people through fraudulent gambling websites for 14 years is likely a dual operation run by a nation-state-sponsored group that is targeting government and private-industry organizations in the US and Europe, researchers said Wednesday.
Researchers have previously tracked smaller pieces of the enormous infrastructure. Last month, security firm Sucuri reported that the operation seeks out and compromises poorly configured websites running the WordPress CMS. Imperva in January said the attackers also scan for and exploit web apps built with the PHP programming language that have existing webshells or vulnerabilities. Once the weaknesses are exploited, the attackers install a GSocket, a backdoor that the attackers use to compromise servers and host gambling web content on them.
All of the gambling sites target Indonesian-speaking visitors. Because Indonesian law prohibits gambling, many people in that country are drawn to illicit services. Most of the 236,433 attacker-owned domains hosting the gambling sites are hosted on Cloudflare. Most of the 1,481 hijacked subdomains were hosted on Amazon Web Services, Azure, and GitHub.
Despite Windows 10 losing free support, Statcounter shows Windows 11 holding only a modest lead of 53.7% market share compared to Windows 10’s 42.7%. Analysts say the slow transition reflects both hardware limitations and a lack of must-have Windows 11 features compelling organizations to refresh their fleets. The Register reports: The Register spoke to Lansweeper principal technical evangelist Esben Dochy, who noted that consumers were more likely to have devices that couldn’t be upgraded or follow the “if it ain’t broke, don’t fix it” rule when it comes to change. He also pointed out consumers in the EU get Microsoft Extended Security Updates (ESU) for free.
For businesses, though, it’s different. Dochy told us: “The primary blocker is slow change management processes. These can be slow due to bad planning, lack of resources, difficulty in execution (in highly distributed organizations) etc. “The ESU are used to be secure while those change management processes take place, but organizations will have to pay to get those ESU making it more expensive for unprepared or inefficient organizations.” […]
The challenge facing Windows 11 is that, other than the end of free support for many versions, there is no must-have feature to make enterprises break a hardware refresh cycle, particularly in a difficult economic environment. Microsoft has not released official statistics on Windows 11 adoption. However, hardware vendors have noted the sluggish pace of transition. Dell COO Jeffrey Clarke commented during an analyst call: “If you were to look at it relative to the previous OS end of support, we are 10-12 points behind at that point with Windows 11 than we were with the previous generation.”
India will no longer require smartphone makers to preinstall the Sanchar Saathi “security” app. After blowback from Apple, Samsung and opposition leaders, the Modi government issued a statement saying it “has decided not to make the pre-installation mandatory for mobile manufacturers.” The app is still available as a voluntary download.
India’s Ministry of Communications framed the U-turn as a result of strong voluntary adoption. The nation said 14 million users (around 1 percent of the nation’s population) have downloaded the app. “The number of users has been increasing rapidly, and the mandate to install the app was meant to accelerate this process and make the app available to less aware citizens easily,” the statement read.
The country had previously given smartphone makers 90 days to preinstall the Sanchar Saathi app on all new phones. They were also required to deliver it to existing devices via software updates. India claims its app exists solely for cybersecurity purposes. It includes tools allowing users to report and lock lost or stolen devices.
But privacy advocates warned that it could be used as a government backdoor for mass surveillance. According to the BBC, the app’s privacy policy allows it to make and manage calls and send messages. It can access call and message histories, files, photos and the camera.
Reutersreports that industry experts cited Russia as the only known precedent for such a requirement. In August, Vladimir Putin’s regime ordered the messenger app MAX to be preinstalled on all mobile devices in the country. Like with India’s example, experts warned that it could be used for surveillance.
On Tuesday, Reuters reported that Apple would not comply with India’s order, citing privacy and security concerns. Samsung reportedly followed. Opposition leaders in the Indian government also joined the fray. Senior Congress leader Randeep Singh Surjewala called on the Modi government to clarify its legal authority for “mandating a non-removable app.” Despite India’s framing, it seems likely that the two companies’ stances, along with domestic political pressure, played no small role in the reversal.
This article originally appeared on Engadget at https://www.engadget.com/cybersecurity/india-will-no-longer-require-smartphone-makers-to-preinstall-its-state-run-cybersecurity-app-171500923.html?src=rss
One of big surprise hits of 2019 was the delightful horror comedy Ready or Not, in which Samara Weaving’s blushing bride must play a deadly game of Hide and Seek on her wedding night. Searchlight Pictures just released the trailer for its sequel: Ready or Not 2: Here I Come.
(Spoilers for Ready or Not below.)
In Ready or Not, Grace (Weaving) falls in love with Alex Le Domas (Mark O’Brien), a member of a wealthy gaming dynasty. After a picture-perfect wedding on the family estate, Alex informs Grace that there’s just one more formality to be observed: At midnight, she has to draw a card from a mysterious box and play whatever game is named there.
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The Apple Watch Series 11 is the middle-of-the-pack smartwatch, sandwiched between the budget-friendly Apple Watch SE 3 and the flagship Apple Watch Ultra 3. It also happens to be the only one still holding on to its Black Friday discount. You can get the GPS version starting at $329 (originally $399) and the GPS + Cellular version starting at $429 (originally $499), both the lowest prices they’ve reached, according to price tracking tools.
Apple Watch Series 11 (GPS)
$329.00 at Amazon
$399.00 Save $70.00
$329.00 at Amazon
$399.00 Save $70.00
Apple Watch Series 11 (GPS + Cellular)
$429.99 at Amazon
$499.00 Save $69.01
$429.99 at Amazon
$499.00 Save $69.01
It’s always nice when the “best Apple Watch for most people” gets better without a price increase over the previous generation. The Series 11 improved its battery life, going up to 43 hours with the always-on display enabled, up from 36 hours for the Series 10. Also, now you can get a 5G Cellular version, which, before, the best Apple could offer was LTE. This makes cell service much better for calls and helps to keep the battery life running longer. Another big update is that its hypertension notification feature is FDA-approved, so this watch could potentially save your life if you suffer from high blood pressure. Like new iterations, the new smartwatch is also more vibrant, slimmer, and more durable.
You’ll start off with the new WatchOS 26 and all of the features it brings, like Heart Rate Monitor, ECG, Blood Oxygen Monitor, Temperature Sensor, Pedometer, Gyroscope, and others. If you already own the Series 10, you’ll see the same display, measurements, processor, and sensors, so it might not be worth upgrading unless battery life and 5G connectivity really matter to you.
At its current price, the Series 11 is a great smartwatch for most Apple lovers, and the lowest price it’ll likely be this year.
Zillow has dropped its climate risk score program just one year after it started, according to a report by TechCrunch. It has removed climate risk scores from over one million listings after real estate agents complained that the data was misleading and leading to lost sales.
In their place, listings now feature a small link to data sourced from climate risk startup First Street, which is the organization that provided the original assessment. The startup isn’t too happy about this move, with spokesperson Matthew Eby telling TechCrunch that “the risk doesn’t go away; it just moves from a pre-purchase decision into a post-purchase liability.” First Street’s climate scores still appear on listings from Redfin, Realtor.com and Homes.com.
The California Regional Multiple Listing Service (CRMLS) is pleased with Zillow’s decision, as this real estate database is used primarily by industry professionals. CRMLS CEO Art Carter told The New York Times that “displaying the probability of a specific home flooding this year or within the next five years can have a significant impact on the perceived desirability of that property.”
Carter also questioned the validity of First Street’s data, saying that areas that haven’t flooded in 40 or 50 years were not likely to flood in the next five. First Street responded by saying “our models are built on transparent, peer-reviewed science and are continuously validated against real-world outcomes.”
Zillow
Zillow’s climate risk score labels have been controversial since the company launched the program in 2024, particularly among real estate agents. One agent told The Boston Globe last year that they were “putting thoughts in people’s minds about my listing that normally wouldn’t be there.” More than 80 percent of prospective buyers consider climate risks when shopping for a new home so, yeah, those thoughts are already in there.
First Street maintains that its climate risk scores are extremely useful for consumers, noting that its maps correctly identified risk for over 90 percent of the homes that burned during the Los Angeles wildfires. The company says its internal maps have been “significantly outperforming CalFire’s official state hazard maps.”
Engadget has reached out to Zillow to ask about its reasoning here. We will update this post when we hear back.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/zillow-removes-climate-risk-scores-after-agents-complain-about-sales-164405763.html?src=rss
Sony is bringing another of its long-running game franchises to iOS and Android in the shape of MLB The Show Mobile. This is a free-to-play “standalone experience built from the ground up to deliver realistic baseball gameplay on mobile devices.” San Diego Studio, the developer of every MLB The Show game since the series debuted in 2006, is behind this mobile game as well.
MLB The Show Mobile, which was spotted by Gematsu, doesn’t feature crossplay with console games. For now, it’s only available in the Philippines and it went live there on Wednesday. Sony says it doesn’t have a timeline in place for expanding availability to more territories, but it certainly plans to do that. It’s not uncommon for mobile games to have a soft launch in select regions before they’re made available elsewhere. Sony is doing the same thing with a Ratchet and Clank multiplayer game.
Sony is optimizing MLB The Show Mobile for more recent mobile devices. On the iOS side, that means “iPhone 16 or comparable” devices. As for Android, you’ll get the best experience on Samsung Galaxy S25, Sony Xperia V or a comparable device, according to the game’s website.
MLB The Show Mobile features solo and player-vs-player modes. There are more than 1,100 cards representing baseball players in the game. You’ll be able to build out an all-star roster of MLB players past and present, and upgrade their cards. San Diego Studio appears to be tapping into the Ultimate Team modes of EA Sports games, as you’ll be able to buy and sell cards with other players in a marketplace. Sony also notes that in-game purchases can include random items.
Each of these player cards has a momentum cost. These are stat points you can use strategically to better your chances of winning. The gameplay is skill-based. You’ll need to get the timing right to throw a great pitch or hit the ball out of the park. You’ll have real-time control of runners as well, so you can try to steal bases.
This article originally appeared on Engadget at https://www.engadget.com/gaming/playstation/sony-is-bringing-mlb-the-show-to-ios-and-android-163300468.html?src=rss
Rockstar fans might be all-in on waiting for GTA VI, but Grand Theft Auto is far from the only big title the company makes. One of Rockstar’s most impactful games, Red Dead Redemption, turned 15 in May. All these years later, it’s still very much worth your time—if critics and fans have anything to say about it.
On Tuesday, Rockstar announced some big news for the first Red Dead: First, anyone who owns a copy of the game for PS4, Xbox One, and Nintendo Switch, can now upgrade to the PS5, Xbox Series X|S, or Nintendo Switch 2 versions for free. That includes upgrades like 60 fps, upgraded visuals, support for HDR, and 4K resolution—at least on PlayStation and Xbox.
But console gamers aren’t the only ones impacted here. Rockstar also revealed that Red Dead Redemption is now available on mobile for the first time ever. This could open the game up to a whole new market of players who don’t own a console—if your primary gaming device is your smartphone or tablet, you can now check out Red Dead Redemption in its entirety. Depending on your device, you may even have access to a “performance mode” that boosts the frame rate of the game. Otherwise, it appears locked to 30 fps—though that might not be as noticeable on mobile as it would on a TV.
Red Dead on mobile is either free, or very expensive
However, there’s a bit of a catch here. Depending on your current subscriptions, Red Dead Redemption‘s mobile port can either be completely free, or quite expensive. If you look at the listings for the game on the Google Play Store and iOS App Store, you’ll see the game currently costs $39.99. That’s pricey for a mobile game, even a console port. While there aren’t many games as large as Red Dead with mobile versions, the ones that are aren’t quite this expensive. Stardew Valley is $4.99; Minecraft is $6.99; GTA: San Andreas is $6.99 (though the “Definitive” edition is $19.99); Hitman: Absolution is $14.99. $39.99, by comparison, is steep.
I’m not saying Red Dead isn’t worth $40, but you need to be sure you want to commit to the mobile port of the game—especially if you have other means of playing it. The PS4 version is currently $29.99 at Best Buy: If you have either a PS4 or PS5, you can enjoy the game on your TV for $10 less. Plus, PS5 owners can upgrade to the higher-performing version for free.
Speaking of free, however, there is a way to play Red Dead Redemption on the go without spending anything—or, at least, anything extra. If you have an active Netflix subscription, you can download the Netflix version on your iPhone or Android free of charge. It’s the same game, just validated through your Netflix account—so if you have a Netflix subscription, I highly recommend you download this version before you spend money on the game.
If it sounds weird that Netflix is offering Red Dead for free, I don’t blame you. However, this isn’t really something new for the company. Netflix has been offering free games for subscribers for four years now, and while some of them are Netflix-owned, others are major titles the company licenses. That includes games like Into the Breach, Moonlighter, Heads Up!, and, of course, Red Dead Redemption. Netflix doesn’t even require you to have a specific subscription to access these games: All subs, including its cheapest “With Ads” plan, can play.
If you’ve never played Red Dead Redemption, the cheapest way to experience the game right now is to subscribe to Netflix for a month. You could pay $7.99 for the company’s least expensive plan, and after catching up on Stranger Things, you could play through all of Red Dead. Not a bad deal.
On Wednesday, three NASA astronomers released an analysis showing that several planned orbital telescopes would see their images criss-crossed by planned satellite constellations, such as a fully expanded Starlink and its competitors. While the impact of these constellations on ground-based has been widely considered, orbital hardware was thought to be relatively immune from their interference. But the planned expansion of constellations, coupled with some of the features of upcoming missions, will mean that at least one proposed observatory will see an average of nearly 100 satellite tracks in every exposure.
Making matters worse, some of the planned measures meant to minimize the impact on ground-based telescopes will make things worse for those in orbit.
Constellations vs. astronomy
Satellite constellations are a relatively new threat to astronomy; prior to the drop in launch costs driven by SpaceX’s reusable rockets, the largest constellations in orbit consisted of a few dozen satellites. But the rapid growth of the Starlink system caused problems for ground-based astronomy that are not easy to solve.
Waymo is adding four new US cities to the gradual rollout of its robotaxi service. As reported by TechCrunch, the company said it has already started trialling self-driving cars in Philadelphia, albeit with a human safety monitor, and that it will now commence similar manual tests in Baltimore, St. Louis and Pittsburgh.
After the initial supervisory and data-collecting stage, the plan is to deploy fully autonomous vehicles, as Waymo recently did in Miami, ahead of launching in five new cities across Texas and Florida in 2026. Waymo’s taxis currently accept passengers in Los Angeles, Phoenix, Atlanta, Austin and the San Francisco Bay Area, and it recently announced that San Diego, Las Vegas and Detroit would soon be joining them.
Also key to the company’s aggressive nationwide expansion is New York City, even if a fully functioning robotaxi service is likely still some way off. New York state law currently prohibits the operation of vehicles without a driver behind the wheel, but back in August, Waymo was temporarily granted the permit needed to be able to test autonomous vehicles in parts of Manhattan and Downtown Brooklyn. The testing phase ran until late September, marking the first time a permit for the “testing deployment” of AVs in the city had been signed off.
Waymo has international ambitions too. Next year it will partner with Moove to launch a robotaxi service in London, which will be its first major expansion outside the US. Fully driverless cars are currently banned in the UK, but new legislation will begin a long regulatory process that starts with government-approved robotaxi pilots in the Spring.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/waymos-testing-avs-in-four-more-cities-including-philly-161709279.html?src=rss
An anonymous reader quotes a report from Reuters: Multiple divisions at Microsoft have lowered sales growth targets for certain artificial intelligence products after many sales staff missed goals in the fiscal year that ended in June, The Information reported on Wednesday. It is rare for Microsoft to lower quotas for specific products, the report said, citing two salespeople in the Azure cloud unit. The division is closely watched by investors as it is the main beneficiary of Microsoft’s AI push. […]
The Information report said Carlyle Group last year started using Copilot Studio to automate tasks such as meeting summaries and financial models, but cut its spending on the product after flagging Microsoft about its struggles to get the software to reliably pull data from other applications. The report shows the industry was in the early stages of adopting AI, said D.A. Davidson analyst Gil Luria. “That does not mean there isn’t promise for AI products to help companies become more productive, just that it may be harder than they thought.”
You could easily spend $50, $100, or even more on a high quality gaming mouse, but do you really need to? That’s up to each individual buyer to decide, but if you’re looking to spend far less without compromising too much, there are deals out there, especially now that we’re in the midst of the holiday shopping season. To that end, how does
Samsung has formally confirmed the existence of its next-generation flagship processor, the Exynos 2600. From what we can tell, the new SoC bound for the S26 seems to be the course correction that the company has promised for ages, following years of Exynos performance controversies.
The official reveal trailer titled “The next Exynos”
Video used to be an afterthought for Nikon, but since the company purchased RED last year, content creators are now high on its priority list. A perfect example of that is Nikon’s new $2,200 ZR: a full-frame mirrorless model that stands up against dedicated cinema cameras for a fraction of the price.
It’s the first consumer camera to capture video using RED’s 12-bit RAW format, but unlike RED’s Hollywood cameras, it has a fast and accurate autofocus system. It also comes with a huge display, pro video monitoring tools, in-body stabilization and 32-bit float internal audio recording. After shooting a short film that tested its capabilities, I can confirm that the Nikon ZR offers incredible video quality at this price.
Body and handling
While a bit lighter than Nikon’s Z6 III, the 1.19-pound (540-gram) ZR feels solid. It has a boxy design like Sony’s FX2 but a much smaller grip because it’s designed to be rigged up for cinema shooting with cages and handles. However, unlike the FX2 which has multiple 1/4-inch mounting threads to do such rigging, the ZR unfortunately has only one of those on the bottom.
The ZR also lacks an electronic viewfinder like the FX2, but it more than makes up for that with its huge 4-inch display — the largest I’ve ever seen on a mirrorless camera. At 1,000 nits, it’s bright enough to shoot on sunny days, extremely sharp (3.07 million dots) and flips out for vloggers. All of that makes it a perfect primary display for checking the image and controlling the camera.
Nikon has nailed the ZR’s handling, too. While it’s not covered with buttons and dials like some models, it does have two shooting dials to control exposure and a joystick for autofocus. There’s also a camera/video switch, two record buttons, a power switch and five customizable buttons. Many of Nikon’s lenses come with control rings as well, so extra manual control is available.
The menu button is unusual: you press once for the quick menu and hold to see the full menu. Given the large number of settings, I would advise anyone buying this camera to learn all the important adjustments, then customize the controls to avoid wading through dense menus while shooting.
Another unique feature is in the battery compartment. There’s a single fast CFexpress slot to handle RAW video, plus a microSD slot for proxies. The lack of a second CFexpress slot or fast SD card slot for backup isn’t ideal for a professional camera, though.
Finally, the ZR runs on the same N‑EL15c batteries as other Nikon mirrorless cameras. They allow 90 minutes of HD shooting on a charge, or 390 photos per CIPA standards. That’s mediocre, so if you’re planning long shoots, stock up on batteries.
Video
Steve Dent for Engadget
The Nikon ZR has the largest selection of RAW video settings I’ve seen. The centerpiece is RED’s RAW R3D NE light codec (designed by RED for Nikon) with RED’s Log3G10 log format. It also supports Nikon’s N-RAW, ProRes/ProRes RAW and H.265 with resolution that ranges from 6K at up to 60 fps to 4K 120 fps and 1080p at 240 fps. Despite the smallish body, it can capture 6K RAW video continuously for 125 minutes without overheating.
The 24MP sensor uses a dual ISO system with native 800 and 6,400 ISOs, providing a nice range for indoor and outdoor shooting. The company claims 15+ stops of dynamic range, which is more than just about any other mirrorless camera. Other key video features include five-axis in-body stabilization with seven stops of shake reduction, waveform and vectorscope monitoring and a false color display for manual focus.
To test the camera’s features and video quality, I shot a short film in a mix of indoor low light, outdoor daytime and a mix between the two. I also shot handheld (including running with it) to test the stabilization. I primarily captured in R3D RAW, as well as Nikon’s N-RAW at the native 800 and 6,400 ISOs to maximize dynamic range. (You can take 24MP photos with this camera, but I’m focusing on video as it’s mainly designed for that.)
In order to not see a flat log profile when shooting, you’ll need to apply a look-up table (LUT) designed for RED cameras, like “Achromic,” “Bleach” or “Caustic.” Those are only for in-camera previews and not baked into the video, but you can apply those LUTs later in Adobe Premiere or DaVinci Resolve to get the same look.
Steve Dent for Engadget
With such a high native ISO, I was able to shoot inside with a single studio light. Video quality was outstanding with little noise in shadow regions, even after boosting black levels in post. Meanwhile, the RED R3D codec and Log3G10 gave me extra latitude to reveal shadow detail and dial down highlights when I shot the subject against a bright window.
When you use the R3D codec, exposure is strictly manual with no ability to set auto shutter speed (shutter angle) or f-stop. So, for a scene with varying light, I used Nikon’s N-RAW to see if it would give me the correct exposure at the beginning and end of the scene. It did a good job, with no noticeable jumps during the shot.
Video in sunlight at ISO 800 was also sharp with accurate colors after downscaling to 4K from 6K in DaVinci Resolve. ISO 800 is a relatively high native setting, though, and the ZR doesn’t have a built-in ND filter to reduce exposure. That means you’ll need to buy ND filters for outside shooting or the high shutter speeds will result in choppy video.
Cinema cameras from Blackmagic Design, Arri or RED are manual-focus only. But the ZR is a Nikon camera, and it has the best AF system I’ve seen on any of the company’s models, consistently nailing focus even with moving subjects. You can also automatically track vehicles, birds and other animals. At the same time, the ZR handles manual focus well. That’s thanks to a built-in display that’s big enough to check focus accurately and Nikon’s focus peaking setting with three levels of sensitivity.
Steve Dent for Engadget
In-body stabilization on the ZR wasn’t up to par with Panasonic’s S1 II, however. Video was smooth for handheld shooting if I panned the camera gently, but all my running and walking shots showed noticeable camera shake. That said, the ZR at least has in-body stabilization, unlike most cinema cameras, and most filmmakers will use a gimbal for running shots, regardless of which camera they use. (Note that the rattling you hear when the ZR is turned off is the sensor, which floats by design.)
Finally, I was able to capture good audio quality via an external microphone without any clipping worries thanks to the Nikon ZR’s 32-bit float internal audio capture. The company also touts directional capture using its built-in mics, but as with any such system, audio quality isn’t high enough for production use.
Wrap-up
With the ZR, Nikon has shown that it’s finally catching up to and even surpassing its rivals for content creation. Whether you’re doing social media, YouTube, documentaries or even film production, this camera is versatile and powerful with few compromises. Video quality and ease of use even beats models that are double or triple the price.
The ZR’s primary competition is in the low-end cinema cameras, particularly Sony’s $2,998 FX2 and the $3,899 Canon R5C. While more expensive, both come with an electronic viewfinder that the ZR lacks, and the R5C can shoot up to 8K video. Another option is Blackmagic Design’s Pyxis 6K camera, but it only offers basic autofocus capabilities and lacks in-body stabilization.
Compared to those options, Nikon’s ZR delivers better dynamic range thanks to the inclusion of RED’s R3D RAW codec. It also comes with an excellent autofocus system and decent in-body stabilization. If you’re a creator looking to get the best video quality for the money without losing those niceties, I’d highly recommend the ZR.
This article originally appeared on Engadget at https://www.engadget.com/cameras/nikon-zr-review-a-highly-capable-cinema-camera-at-a-reasonable-price-152634311.html?src=rss
It was only a matter of time before Blackwell would rank as one of the top 10 GPUs on Steam and it’s now official, at least if ignoring the catch-all “AMD Radeon(TM) Graphics” entry. If so, then NVIDIA’s mid-range GeForce RTX 5070 graphics card as the 10th most popular GPU on Steam, based on the latest survey results for November 2025.
Samples retrieved from asteroid Bennu by NASA’s OSIRIS-REx mission in September 2023 have yielded a surprising treasure trove, revealing not just the building blocks of life, but also a mysterious “space gum” and ancient stellar dust.
Researchers have detailed three major findings published in Nature Geosciences and Nature Astronomy. Foremost
schwit1 shares a report from CNN: A private Chinese space firm successfully sent its Zhuque-3 rocket to orbit but failed in its historic attempt to re-land the rocket booster Wednesday — the first such trial by a Chinese firm as the country’s growing commercial space sector races to catch up with American rivals like SpaceX. The rocket entered orbit as planned, but its first stage did not successfully return to a landing site, instead crashing down, the company said in a statement.
“An anomaly occurred after the first-stage engine ignited during the landing phase, preventing a soft landing on the designated recovery pad,” the statement said. “The debris landed at the edge of the recovery area, resulting in a failed recovery test.” The team would “conduct a comprehensive review” and continue to “advance the verification and application of reusable rocket technology in future missions,” the statement added. You can watch a video of the launch and subsequent crash here.
Amazon is rolling out a new Alexa+ feature on Fire TV that can take you to a specific moment in a given movie on Prime Video based on a natural language voice command. The company says that, when you describe a certain scene, quote or character action, Alexa+ can start playing that part of the film. The company previewed this feature at its Devices and Services event in September.
According to Amazon, you can say something like “Jump to the card scene in Love Actually” or “Jump to the Ozdust ballroom scene in Wicked with Glinda,” to quickly get to that moment. Alexa+ can apparently figure out which movie you’re referring to if you don’t say the title. So if you say, for instance, “Jump to the scene when John McClane says ‘come out to the coast, we’ll get together, have a few laughs,’” Prime Video will start playing that bit in Die Hard where McClane is in an air duct.
To make this work, Alexa+ uses “visual understanding” and captions to determine what’s happening in each scene so it can take you to the one you’re looking for. It’s all processed through the X-Ray feature in Prime Video. As with Alexa+, it’s built on Amazon Bedrock and it harnesses large language models such as Amazon Nova and Anthropic Claude.
Alexa+ has indexed tens of thousands of scenes across thousands of movies on Prime Video so far, including many that you can purchase or rent. Amazon plans to expand this feature to more films and scenes, as well as TV shows, in the near future.
While this is pretty interesting from a tech perspective and how Amazon’s able to make it work, I’d be interested to know how many people actually end up using it. This isn’t how most people who genuinely love cinema watch movies — maybe just start at the beginning of a film and take it from there? Besides, if you really want to watch a specific scene, YouTube exists.
This article originally appeared on Engadget at https://www.engadget.com/ai/amazon-rolls-out-a-find-a-scene-alexa-feature-for-prime-video-150557530.html?src=rss
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