Denmark’s postal service, established by King Christian IV four centuries ago as one of Europe’s first modern mail systems, will stop delivering letters on December 30, ending a tradition that once saw riders given a maximum of 45 minutes to cover each 10-kilometer stretch of routes running from Hamburg to Norway.
PostNord, the postal service Denmark has shared with Sweden since 2009, started removing its 1,500 remaining red post boxes in June; a handful will go to museums. Letter volumes collapsed from nearly 1.5 billion in 2000 to 110 million last year. A standard stamp now costs 29 Danish kroner ($4.52). A private logistics firm called DAO will take over letter delivery. PostNord will continue handling parcels. The decision has rattled postal services elsewhere in Europe. Deutsche Post in Germany, still delivering 61 million letters daily, has warned it faces the same trends.
Read more of this story at Slashdot.
TikTok just announced a couple of updates that that should make the app a bit more social. There’s something called Shared Feed, which is exactly what it sounds like. It’s a feed that friends and family can watch together, though at different times.
This feed is shared via direct messaging and pulls up relevant content to everyone involved in the chat. TikTok says this is a “new way to discover content together.” It consists of a daily curated selection of 15 videos that are generated by TikTok activity.
These feeds are shared via invitation and the participants can leave the chat at any time. There’s also a new dashboard that lets viewers check out their Shared Like history and other metrics. The Shared Feed tool rolls out globally in the coming months. It sounds similar to something Instagram began offering earlier this year. Instagram is typically the one copying TikTok, so this is a nice change of pace.
TikTok has also announced something called Shared Collections. This is like the aforementioned Shared Feed, but for saved content. The tool lets users collect, organize and share groups of videos, with TikTok citing that people could use it to share reading lists, local restaurants to try and, of course, products to buy.
All you have to do is save a video, create a Shared Collection and send that list to someone else via direct message. Users must follow one another to access one of these lists. The tool is available globally right now to folks over the age of 16.
Finally, TikTok is rolling out themed holiday cards that can be sent in direct messages. They will be available globally later this month.
This article originally appeared on Engadget at https://www.engadget.com/apps/tiktok-announces-shared-feed-and-collections-features-193857725.html?src=rss
Rivian is about to give the public and its investors another taste of its future with an event focused on autonomy and AI on December 11. The company’s Autonomy and AI day starts at 12PM ET. You can watch the event via the Rivian website. We’ll be liveblogging the Autonomy and AI day right here on Engadget, so we’ll be recapping the major news as it happens and sharing our reactions.
As for what to expect, the name of the event clearly indicates that Rivian will be talking about autonomous operation of its vehicles. RivianTrackr speculates, quite reasonably, that the company will share more about what CEO RJ Scaringe has referred to as a Universal Hands Free feature. Scaringe recently said he’d spent two hours traveling around Palo Alto, California, in a second-gen Rivian R1 with the vehicle taking care of everything by itself. It stands to reason that Rivian will at least offer up a demo of Universal Hands Free ahead of the company’s more affordable R2 model making its debut in 2026.
Earlier this year, Rivian said that, for 2026, “a hands-off/eyes-off feature is planned for controlled conditions with our current Gen 2 vehicles.” So, this Autonomy and AI day seems as good an opportunity as any for the company to share more details about that. When Rivian unveiled the first-generation R1T and R1S in 2018, it said those would support Level 3 autonomy, allowing for the driver to take their hands and eyes off the road for short spells while they’re on the freeway.
RivianTrackr also suggests that we may hear more about Rivian’s sensor strategy as well as its AI and fleet-learning initiatives. The company may offer up a more detailed autonomy roadmap as well. However, the publication suggests Rivian isn’t quite ready to announce rollout retails or firm pricing for full hands-off driving features.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/how-to-watch-rivians-autonomy-and-ai-day-and-what-to-expect-192838410.html?src=rss
Dollar General and Family Dollar stores have collectively failed more than 6,400 government price-accuracy inspections since January 2022, charging customers more at checkout than the prices displayed on shelves for everything from frozen pizzas to puppy food, according to an investigation by the Guardian. The review examined records from 45 states and more than 140 counties and cities. Dollar General stores failed over 4,300 inspections across 23 states, and Family Dollar failed more than 2,100 in 20 states. Error rates at the worst-performing locations reached staggering levels — 76% at a Dollar General in Hamilton, Ohio and 68% at a Family Dollar in Bound Brook, New Jersey. A Family Dollar in Provo, Utah failed 28 consecutive inspections.
Industry watchers, employees and lawsuits attribute the discrepancies to minimal staffing. Registers update automatically when prices change, but shelf labels require manual replacement, and workers often lack the time. State attorneys general have pursued settlements — Arizona reached a $600,000 deal with Family Dollar in May, Colorado settled with Dollar General for $400,000 in October and Ohio secured $1 million from Dollar General after finding error rates as high as 88%. Both companies declined interview requests but said they remain committed to pricing accuracy.
Read more of this story at Slashdot.
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I like Coros running because they do nearly everything Garmins do, at a lower cost. But there have always been a few areas where they fall short, which I’ve noted in my reviews. Now, that seems to be changing—the most recent beta firmware update adds a critical new feature while fixing some of my pet peeves.
I tried out the new features through a public beta from Coros. You can sign up for beta access with these instructions Coros posted on Reddit. (On iOS, you’ll install a Testflight version of the Coros app, which can then give you access to the firmware update. On Android, you’ll need to download the beta app, then go here to access the new beta firmware.) I tested these features out on a Pace 4, and I’m mostly happy with them.
In my reviews of Coros watches, I’ve always docked a few points for how they handle music. Until recently, the watch could only play music files that you downloaded directly to it. That’s fine if you want to run without your phone, but for me (and many others) it’s an unnecessary annoyance—a smartwatch really should be able to display and control what’s playing on your phone. Garmin and Suunto have long had this capability, and Coros was the only major brand missing it.
But now it’s here. When you long-press the lap button to view your toolbox, you’ll see two different apps. The familiar “music” plays downloaded music, and the new “media control” option does exactly what you’d expect: It shows the track information for whatever is playing on your phone, and it gives you buttons to play, pause, skip, or adjust volume. Was that so hard?
When I swapped my Garmin for a Coros this summer, one of my biggest complaints was that Coros watches pause your workout once you’ve completed all the steps. So if you have a 4.5-mile run programmed, but want to total five miles for the day, you have to remember to hit “resume workout” after the 4.5-mile run ends. I tend jog through that beep, thinking nothing of it, and then swear at my watch when I realize at the end that the last half-mile never got recorded.
I prefer the way Garmin does it: After you complete a Garmin workout, the activity continues until you decide to manually stop it. Coros has apparently adopted that philosophy, as workouts now roll over into an open segment automatically.
During an activity, pressing the lap button starts a new segment of the workout (or advances you to the next segment if you’re following a pre-written workout). I know I’m not the only one who sometimes presses this button by accident, so an “undo” option is nice. Garmin watches added this feature about a year ago. Coros adds it with this update.
Unfortunately the undo isn’t available for every lap button press. I do see it if I’m doing an unstructured workout and mark a lap—hitting the lap button again takes me back to the original lap in progress. But I don’t see an undo function if I’m following a workout that already has lap segments built in, or if I’m doing a strength workout (where the lap button switches between work and rest).
My most common way of using the strength feature is to start an unstructured workout, then use the lap button to mark the end of each set and the start of my rest time. This way, I can keep track of rests during the workout and I know how many sets I’m doing. I might follow a pre-planned workout, but I never enter exercises from the watch during a workout.
This is simple enough on Garmin, but on Coros, the watch used to ask me to enter at least a body part for each exercise. So if I’m doing five sets of bench press, I have to select “chest” each time I begin a set. This drove me up the wall, and I stopped using the rest timer at all—which makes the strength feature nearly useless.
After the update, I can select a body part at the beginning of the workout, and that remains the active body part while I stop and start my sets. (“Full body” is an option, so I usually choose that one.) During the workout, hitting the start/stop button brings up a menu where I can switch body parts should I care to do so. Suddenly,. using the watch during my strength workouts seems like a viable option, instead of annoying.
Google said it’s working to create two different categories of artificial intelligence-powered smart glasses to compete next year with existing models from Meta Platforms: one with screens, and another that’s audio focused. From a report: The first AI glasses that Google is collaborating on will arrive sometime in 2026, it said in a blog post Monday. Samsung Electronics, Warby Parker and Gentle Monster are among its early hardware partners, but the companies have yet to show any final designs. Google also outlined several software improvements coming to Samsung’s Galaxy XR headset, including a travel mode that will allow the mixed-reality device to be used in cars and on planes.
Read more of this story at Slashdot.
Netflix won the bidding war for Warner Bros. Discovery’s (WBD’s) streaming and movie studio businesses last week. But Paramount Skydance isn’t relenting on its dreams of owning WBD and is pushing forward with a hostile takeover bid.
On Friday, Netflix announced that it had agreed to pay an equity value of $72 billion, or an approximate total enterprise value of $82.7 billion, for WBD’s streaming and film businesses, as well as its film and TV libraries. The deal includes HBO and the HBO Max streaming service but not WBD’s cable channels, which are to be split off ahead of the acquisition into a separate company called Discovery Global. Netflix said WBD’s split should conclude in Q3 2026.
Paramount has different plans, though.
Meta will soon allow Facebook and Instagram users in the European Union to choose to share less data and see less personalized ads on the platform, the European Commission announced. The change will begin to roll out in January, according to the regulator.
“This is the first time that such a choice is offered on Meta’s social networks,” the commission said in a statement. “Meta will give users the effective choice between: consenting to share all their data and seeing fully personalised advertising, and opting to share less personal data for an experience with more limited personalised advertising.”
The move from Meta comes after the European Commission had fined the company €200 million over its ad-free subscription plans in the EU, which the regulator deemed “consent or pay.” Meta began offering ad-free subscriptions to EU users in 2023, and later lowered the price of the plans in response to criticism from the commission. Those plans haven’t been very popular, however, with one Meta executive admitting earlier this year that there’s been “very little interest” from users.
In a statement, a Meta spokesperson said that “we acknowledge” the European Commission’s statement. “Personalized ads are vital for Europe’s economy — last year, Meta’s ads were linked to €213 billion in economic activity and supported 1.44 million jobs across the EU.”
This article originally appeared on Engadget at https://www.engadget.com/social-media/meta-will-let-facebook-and-instagram-users-in-the-eu-share-less-data-183535897.html?src=rss
If 2024 was the year podcasts scrambled to find their footing after the massive wave of acquisitions and consolidation during the pandemic, 2025 is the year the medium truly hit its stride (and I should know…I not only write a podcast newsletter and run a podcast company, I also listen to literally thousands of hours of podcasts every year).
Whatever kind of show you’re seeking—from a scripted story about demon possession, to a deeply reported investigation into outlaws at sea, to a brilliantly improvised comedy series—my guide to the best podcasts of 2025 has you covered. I’ve divided the list into categories to help you find exactly what you’re in the mood for—and because some episodes are just too good to get buried in your queue, I’ve also highlighted two standout episodes of past favorite shows that you shouldn’t miss. Let’s get listening.
This year, Lauren Shippen, the master of audio fiction and creator of The Bright Sessions, brought us Two Thousand and Late, a scripted fiction show about a woman who, on her 36th birthday, gets possessed by a demon who was supposed to visit her when she turned 16. This is a clever, tightly written, expertly produced, and endlessly fun adventure that blends corporate satire with time-travel chaos.
The new audio drama from Gabriel Urbina (best known as the creator and head writer of Wolf 359), The Harbingers introduces us to two different-in-every-way grad students who eventually become the first people with genuine magical powers, making them the most powerful people in the world. This sweeping, sound-rich show is smart, unpredictable, and gripping from minute one.
I love a podcast with good segments, so of course I’m going to be drawn to a podcast that is only segments. Next We Have, hosted by Gareth Reynolds (of The Dollop and We’re Here to Help), brings on the best improvisers to create segments that can be completely ridiculous because the point isn’t to make them sustainable, but to see how far a bunch of comedians can stretch the medium. (Segment examples: penning a negative Yelp review for a chain hotel on behalf of a listener, calling Gareth’s childhood friend to see if he remembers a gross sleepover incident from their past, etc.)
If you have been listening to podcasts long enough to remember Call Your Girlfriend, you will appreciate the tried but true format of eavesdropping on a best friend catch-up. Text Me Back co-hosts Lindy West and Meagan Hatcher-Mays have been besties since middle school, and listening to them brings back the flavor of that beloved show. While Call Your Girlfriend leaned heavily into everyday chatter, Text Me Back feels like non-stop standup. Lindy is an author and TV writer and Meagan is a democracy policy expert, but together they are an unstoppable comedy duo. They can spin mundane moments, like ordering salad for takeout, into listening gold. This is the perfect show to binge when you need a laugh (and some validation for your own awkward moments).
If you knew that aliens were going to take over the world in 50 years, would you be worried? The Last Invention argues that this is our reality, if you replace “aliens” with “AI.” The AI revolution, host Gregory Warner says, is already here, and The Last Invention begins with the history of machine learning and provides a thoughtful exploration of how it is being used now, before looking into the future to see what’s coming, what we could gain, what we could lose, and how best to prepare ourselves. It’s fact-based rather than fear-mongering, yet it might be the most unsettling thing I listened to all year.
Joel and Ian Gold are brothers (Joel’s a psychiatrist; Ian’s a philosopher) and co-authors of the book Suspicious Minds: How Culture Shapes Madness, which they’ve spun into this show (co-hosted with Sean O’Grady). It’s a documentary series that tackles issues around AI-fueled delusions, and aims to understand where they fit into humanity’s history of delusional thinking in general. Using real patients’ riveting stories, it plunges listeners deep into their disturbed mental states, then follows their journeys toward managing the illness. We’ve read the headlines—the person who was gaslit by ChatGPT into thinking he was digital Jesus, or the man who was convinced he was a piece of software—but we don’t always get the context. Sean interviews these people with empathy to get that crucial context—and finds a troubling universality to their stories.
Diabolical Lies is a culture and politics podcast hosted by Katie Gatti Tassin and Caro Claire Burke. Think of it as a deep dive into the ideas shaping modern America, from algorithmic media, to late-stage capitalism, to identity politics. But it’s really funny. And skeptical. And backed by tons and tons of research. Because it’s listener-supported and free from corporate pressures, the hosts have the freedom to question mainstream narratives. (Every dollar earned is split between Caro, Katie, and organizations that support mutual aid in Gaza, legal representation to immigrant kids ensnared in the legal system, and other worthy causes.)
Pablo Torre is a veteran journalist and former ESPN commentator turned podcast powerhouse, and he now hosts Pablo Torre Finds Out, which uses sports as a lens through which to examine issues of culture and power. Blending investigative journalism, commentary, and personal curiosity, he goes beyond the surface to find the deeper meaning behind the headlines. His delve into a major scandal involving LA Clippers owner Steve Ballmer was named one of Apple Podcast’s best podcasts episodes of the year, and that’s just one of dozens of compelling stories you’ll explore.
In earlier seasons, In The Dark has won awards, gotten a man released from jail, and uncovered a horrifying military conspiracy. The latest season, Blood Relatives, explores one of Britain’s most notorious family massacres, revealing huge problems in the prosecution’s case against Jeremy Bamber, who is currently siting in prison for killing his parents, sister, and nephews back in 1985. Host Heidi Blake has access to sprawling case files and has talked to seemingly everyone even tangentially related to the case. What she found is astonishing, and infuriating.
Season one of The Outlaw Ocean, which exposed true crimes committed at sea, was some of the most dangerous audio I have ever heard. Yet in the first episode of season two, Pulitzer-prize winning journalist and host Ian Urbina says that this season includes the most dangerous investigative reporting of his career. There’s a three-part series about seafaring migrants getting thrown in secret prisons (his team got jailed for reporting on that one), an exclusive profile on a guy who is either a pirate or a nautical James Bond, an expose on a massive Indian shrimp-processing plant, and an unprecedented deep dive into China’s secretive fishing practices. This is real investigative journalism, beautifully beautifully packaged but no less dangerous for it.
Beth’s Dead isn’t a murder investigation show. It’s a story about what happens when parasocial relationships go dangerously wrong. It all began when Monica Padman (of Armchair Expert) started looking into why her favorite podcast, hosted by Elizabeth Laime and Andy Rosen, ended years ago. For Beth’s Dead, she gets on mic with Elizabeth and Andy to explore a chilling story involving obsessive listeners, manipulation, and what happens when one super fan turns into something much darker.
You don’t often see stand-up comedy blended with true crime, but that’s what you get with Wisecrack. The story centers on comedian Edd Hedges, who returns to his hometown for a charity comedy gig. That night, someone he went to school with murders his family, and Edd has reason to believe that this guy almost tried to murder Edd, too. Or did he? Hosted by TV crime producer Jodi Tovay, Wisecrack is about memory and trauma more than it is about a specific crime. If you liked Netflix’s Baby Reindeer, this expertly produced, genre-bending psychological puzzle is for you.
Amy Poehler’s Good Hang is the best hang and one of the best celebrity-hosted podcasts ever. Poehler brings on superstar comedians to talk about what makes them laugh, share stories from their lives and careers, and just generally shoot the breeze. Conversations with people like Kristin Wiig, Idris Elba, and Ina Garten swing from gut-bustingly hilarious to raw and vulnerable, offering us an inside look into the entertainment industry. The production is as casual as the vibe: Amy leaves in “mistakes” that a different show might edit out, like a guest jumping into the zoom late, or what feels like minutes of laughter, and the result is a comfort-listen that will leave you feeling like you’ve just been hugged.
Strangers on a Bench isn’t your typical interview podcast. Musician/host Tom Rosenthal goes around parks, approaches random strangers on benches, and asks to sit down with them for completely open-ended conversations that feel like meditations. The strangers are always anonymous—we don’t get names or occupations or any other specifics. This means the strangers can get real, and they do. You never know what will happen when you hit play. Some episodes are light, ordinary “slice-of-life” chats, while others dive into issues of grief, trauma, loss, longing, mental-health struggles, or life transitions.
Stop Rewind: The Lost Boy tells a true story so unbelievable I literally did not believe it—at first I assumed it was fictional. It’s the story of Taj, a child who was born in India and adopted by a family in the U.S. He had an abusive childhood, was raised in complete poverty, and had only hazy memories of that time—including some that suggested he was brought to America via a kidnapping. He spent his life trying to forget this, purposely or not, and carve his own path, until the day he found an old cassette tape filled with recordings of himself as a child that his mom recorded when he first arrived in the country, knowing he would eventually forget his native language. As an adult, long after he stopped being able to understand what his own voice was saying, Taj met someone who spoke the language, and the transcription of those tapes revealed what really happened to him. The results is a jaw-dropping story especially perfect for a podcast: it’s “told through rare original recordings, immersive sound design and unforgettable first-person testimony.” You’re already dying to hear the tape, right?
Zach Mack’s Alternate Realities series, located on the Embedded feed, starts off with a bet between Zach and his dad, who each believed the other had been lost to conspiracy theories. Zach’s father had started to believe in chemtrails, that the government controls the weather, that ANTIFA staged January 6, that a cabal called the globalists is controlling the world. Zach…did not believe those things. So in early 2024 Zach’s dad made a list of 10 prophesies (such as: a bunch of democrats would be convicted of treason and/or murder, the U.S. would come under marshal law) that he was 100% sure would happen, and by Jan. 1, 2025, Zach would have to give his father $1,000 for every one that did. For every one that didn’t, Zach would get the $1,000. What starts as a strange bet develops in a beautifully depicted family tragedy that forces you to consider the depths of your own mortality.
Kate Downey has been having debilitating period pain every month since she was 14 years old. The affliction is common, yet something nobody seems to want to talk about or research—and certainly nobody is trying to have fun with it. But Kate is doing all of the above with Cramped, which is somehow boisterous and dead serious at the same time. It’s full of fascinating interviews, illuminating info, and helpful tips for anyone with a uterus. She gets smart, funny people on the mic to talk about their that-time-of-the-month experiences, what is really going on in their bodies and why nobody cares, and why Kate hasn’t been able to get answers from a doctor after 20 years of asking questions.
When I heard the first episode of Debt Heads I felt like a thirsty person who had just discovered water in the desert—I don’t like talking about money, yet this show has a lot of things I didn’t know I’ve been craving. Jamie Feldman and Rachel Webster approach money matters from an angle we’re not used to hearing. They joke that it’s a “true crime investigation into the murder of our bank accounts,” and the show is made with the care of one as it considers the deeply human factors that can drive people into debt.
Clotheshorse’s Amanda Lee McCarty spent years working in retail and fashion as a buyer for huge brands like Urban Outfitters, before a quasi-spokesperson for debunking the glamour that obscures the real truths about the clothing we buy. Amanda’s multi-part series “I’m With the Brand” helps us begin to untangle our relationship with brands, built on both extensive research and her personal experience. You explore the history of brands, with shout-outs to several that are now just licensed zombie versions of themselves; an exposé of cause marketing; and a breakdown of the ten commandments of emotional branding, paired with specific stories about how they’ve been applied. (Careful, once you see them you cannot unsee them.) Repeat after Amanda: Brands are not your friends.
The Wall Street Journal’s “Camp Swamp Road” is about a story that started as a road rage incident and ended up being either a stand your ground case, or a murder, depending who you ask. In 2023 on Camp Swamp Road in South Carolina, Weldon Boyd and Bradley Williams killed Scott Spivey, who they said was driving erratically and shooting his gun out his car window. Scott Spivey’s sister, who is for some reason going through all the audio of the incident, as well as audio of Weldon Boyd interacting with his family, friends, cop buddies, feels differently. The reporting here tries to get to the truth of the matter.
Adventurer Blair Braverman is building a mini-survival podcast on the You’re Wrong About feed. (If stories about the lives of Baby Jessica, Chris McCandless, or the 1972 Uruguayan plane crash interest you, search her name in the archive.) “The Auralyn” is one of her best: Blair’s telling of the story of Maurice and Maralyn Bailey, a couple who in 1972 miraculously survived 118 days adrift on a tiny rubber liferaft in the Pacific Ocean after their yacht was destroyed. Obviously this is a story about survival, but more importantly, it’s about what buoys us, and what gives us the strength to survive, whether that be on a raft adrift at sea, or just through the course of a regular bad day.
On Heavyweight, Jonathan Goldstein acts as a detective who helps people resolve issues from their past. In this episode we meet “Kevin,” who had a cinematically terrible childhood. He had two friends who kind of saved his life, or at least his sanity, during these hard years, but one day they disappeared, so Jonathan set out to find them. Are they OK? Do they even remember Kevin? This episode has all the pieces of a compelling podcast: a wonderful storyteller in Kevin, a heart-wrenching narrative, a real chance at closure, and a resolution that isn’t easy to explain.
Analogue just announced new colorways for its recently-launched Analogue 3D console. The appropriately-named Funtastic limited-edition consoles are heavily inspired by Nintendo’s translucent N64 models from the late 1990s. Analogue even borrowed the Funtastic branding.
In other words, these are going for the nostalgic jugular for gamers of a certain age. There’s even a see-through green colorway that calls to mind the Nintendo 64 variant that shipped as a bundle with Donkey Kong 64. Just imagine booting up that bad boy as you roam around the house spouting the lyrics of the DK rap song.
Analogue 3D – Funtastic – Limited Editions.
Available in highly limited quantities.Perfectly color matched to the originals N64 models.
$299.99
On Sale: Dec 10, 8am PST.
Shipping: Dec 10 with Guaranteed delivery before Christmas. pic.twitter.com/PPYgIw0vxU— Analogue (@analogue) December 8, 2025
There are eight translucent colors to choose from and accompanying 8BitDo controllers available as a separate purchase. The consoles cost $300 and the controllers are priced out at $45.
The Analogue 3D Funtastic consoles go on sale on December 10 at 11AM ET, with the company promising they’ll ship within 48 hours to ensure delivery by Christmas. The company is also restocking the traditional colors, which will be available for purchase at the same time but won’t ship until January.
We praised the Analogue 3D in our official review. It’s a fantastic way to play N64 cartridges, even if the original games don’t always hold up. The 4K CRT emulation is top-notch and the overall hardware design is solid.
This article originally appeared on Engadget at https://www.engadget.com/gaming/analogue-is-weaponizing-your-nostalgia-with-these-translucent-versions-of-its-3d-console-181105740.html?src=rss
For more than half a century, audiences have been captivated by the Planet of the Apes—a sprawling sci-fi epic that spans at least three timelines, 3,000 years of history, and a franchise that includes 10 feature films, two TV series, three video games, and dozens of comics and novels. Whether you’re a long-time fan trying to make sense of the lore or a newcomer wondering how a talking chimpanzee led to a post-apocalyptic planet dominated by primates, I’ve laid out the Planet of the Apes series by release order, chronological continuity, critical and commercial reception, the technological milestones of ape civilizations, and more.
This is your illustrated guide to the rise (and fall… and rise again, and fall, etc.) of the Planet of the Apes.
Planet of the Apes is one of the strangest, most ambitious, and longest-running film franchises in cinema history. Films in the series vary wildly in quality, ambition, competence, and style, but all Apes movies, from the 1968 original to 2024’s Kingdom of the Planet of the Apes, share a narrative focus: a world-shaking conflict between humans and intelligent apes.
Planet of the Apes (1968): Based on Pierre Boulle’s 1963 sci-fi novel La Planète des Singes, 1968’s Planet of the Apes tells the story of astronaut George Taylor, who crash lands on what he thinks is a distant planet where apes are intelligent and in charge, and the people are dumb slaves.
Beneath the Planet of the Apes (1970): While star Charlton Heston appears in the film briefly, Beneath the Planet of the Apes is really the story of Brent, an astronaut who’s been sent to rescue Taylor.
Escape from the Planet of the Apes (1971): You’d think the annihilation of the entire planet would end the Planet of the Apes series, but no: In Escape, Cornelius, Zira, and Dr. Milo manage to flee the planet on Taylor’s ship before the doomsday bomb explodes; the trio time-travel to 1973.
Conquest of the Planet of the Apes (1972): The last two old-school Planet of the Apes movies had lower budgets than their predecessors, and it definitely shows. Lore-wise, Conquest presents a divergent narrative path to explain the development of ape intelligence and other events.
Battle for the Planet of the Apes (1973): In the years since the Ape rebellion in Conquest, a nuclear war has killed most humans; humans and ape relations are good enough, but the fragile detente is broken by human-hating gorilla Aldo.
Planet of the Apes (2001): After a nearly 30-year hiatus, 2001’s Apes is a thematically and tonally uneven summer blockbuster featuring a by-the-numbers plot, mid-tier action, and an ending that confuses everyone. (The makeup and production design are top-notch, though.)
Rise of the Planet of the Apes (2011): This movie blows the dust off the hoary old apes and breathes fresh creative life into a moribund franchise; Rise is a film packed with both action and dignity.
Dawn of the Planet of the Apes (2014): Dawn takes place about a decade after the events of the last movie, and apes are definitely on the come-up: It features the most nuanced (and most depressing) take on the conflict between species.
War for the Planet of the Apes (2017): If the message of Dawn of the Planet of the Apes is “war is inevitable…,” the message of War for the Planet of the Apes is “..and war is hell.” It’s a grim movie.
Kingdom of the Planet of the Apes (2024): Kingdom explores an ape-dominated world where the few humans left are brainless scavengers (or so it seems). It doesn’t break new ground the way Rise did, but Kingdom opens the way for more Planet of the Apes sequels in the future.
Over more than five decades of films, Planet of the Apes has taken audiences from the shattered ruins of New York City to the tranquil redwood forests of Northern California, and even to entirely different worlds (maybe). This map tracks the primary settings of each movie, showing how the saga’s conflicts play out across Earth.
From astronauts overshooting the present by millennia, to apes hurtling back to the 20th century’s hippy era, time travel is integral to the Planet of the Apes, so lets take a look at the franchise’s major temporal tourists, charting when they left, when they arrived, and just how far they jumped.
If you’re considering a watch order for the Planet of the Apes, “in order by chronology” is the worst option—the Apes timeline is simply all over the place. While there are a few moments in the modern quadrilogy (2011–2024) that suggest the films are prequels to the original pentalogy (1968–1973), these are ultimately fan-service Easter eggs; the two series just don’t connect unless you get very creative with time-travel loops and offscreen assumptions. Hell, the first five films don’t connect with themselves unless you get creative with time-travel. So, I got creative with time travel to break down the major historical milestones in the Planet of the Apes Universe, across three timelines. (Four, if you count the self-contained 2001 Planet.)
Here are the Planet of the Apes movies listed in order of the year that each one takes place:
Critics have a love-hate relationship with Planet of the Apes movies. According to Rotten Tomatoes, the “best” Apes movie is War for the Planet of the Apes, which was praised by 94% of critics. The “worst” is Battle for the Planet of the Apes, with only 33% positivity. That’s a big spread!
Critical acceptance is great; but in cynical Hollywood terms, the only measure of a good movie is how much money it makes. By that metric, the “best” Apes movie is the 2001 reboot, Planet of the Apes. Despite mixed review, the movie made $328,049,530.32 in domestic ticket sales (adjusted for inflation), which is even more than the original and the 2014 blockbuster Dawn of the Planet of the Apes.
Any society is defined by its leaders, including ape society, so here is a breakdown of the doctors, generals, and tribal chiefs who have ruled the apes over the last 50 years.
Dr. Zaius (Planet of the Apes, Beneath the Planet of the Apes): An orangutan Minister of Science and Defender of the Faith who balances political control with the fear of humanity’s return.
General Ursus (Beneath the Planet of the Apes): This violent gorilla warlord never encountered a problem he couldn’t meet with violence.
Dr. Zira (Escape from the Planet of the Apes, 1970): A compassionate and sharp-witted chimpanzee thrust into the role of cultural ambassador between societies on the verge of war, Dr. Zira is the defacto leader of a small band of ape time-travelers.
Caesar (Conquest of the Planet of the Apes, Battle for the Planet of the Apes): The original Caesar is a fiery revolutionary who transforms ape resentment into a successful uprising against humanity.
General Thade (Planet of the Apes, 2001): A sadistic and cunning chimpanzee general obsessed with wiping out humanity.
Caesar (Rise of the Planet of the Apes, Dawn of the Planet of the Apes, War for the Planet of the Apes): A hyper-intelligent chimp raised by humans, Caesar’s combination of tactical brilliance, political savvy, raw charisma, and genuine compassion for both apes and humans make him the best overall ape leader.
Koba (2014, Dawn of the Planet of the Apes): A bitter, scarred veteran of human torture and hero of the ape revolution, Koba has been through some shit.
Proximus Caesar (Kingdom of the Planet of the Apes): An iron-fisted militarist who twists the past to justify authoritarian rule, Proximus Caesar rules through fear and historical revisionism.
Across the Planet of the Apes films, the ever-shifting balance of power between apes and humans often comes down to brains as much as brawn. Each installment shows apes using technologies, social systems, and tactics that they’ve either developed or borrowed from humans. From crude tools and simple rules to heavy artillery and complex political structures, these milestones mark the evolving capabilities of ape society over the decades (and timelines) of the franchise. Here’s a breakdown of the technological highlights of ape society in each movie.
If ten feature films isn’t enough Apes for you, there’s plenty more material out there. The Ape-verse began with a novel, and has grown to include a live-action TV series, a cartoon series, three video games, and dozens of novelizations and comic books.
Today, during the XR edition of The Android Show, Google showed off a bunch of updates and new features headed to its mixed reality OS. And while most of the news was aimed at developers, I got a chance to demo some of the platform’s expanded capabilities on a range of hardware including Samsung’s Galaxy XR headset, two different reference designs and an early version of Xreal’s Project Aura smart glasses and I came away rather impressed. So here’s a rundown of what I saw and how it will impact the rapidly growing ecosystem of head-mounted displays.
First up was one of Google’s reference design smart glasses with a single waveguide RGB display built into its right lens. I’ve included a picture of it here, but try not to read too deeply into its design or aesthetics, as this device is meant to be a testbed for Android XR features and not an early look at upcoming models.
After putting them on, I was able to ask Gemini to play some tunes on YouTube Music before answering a call simply by tapping on the touchpad built into the right side of the frames. And because the reference model also had onboard world-facing cameras, I could easily share my view with the person on the other end of the line.
Naturally, I was curious about how glasses had the bandwidth to do all this, because in normal use, they rely on a Bluetooth or Bluetooth LE connection. When asked, Max Spear, Group Product Manager for XR, shared that depending on the situation, the device can seamlessly switch between both Bluetooth and Wi-Fi, which was rather impressive because I couldn’t even detect when that transition happened. Spear also noted that one of Google’s focuses for Android XR is making it easier for developers to port over the apps people already know and love.
This means for devices like the reference design I wore that feature a built-in display (or displays), the OS actually uses the same code meant for standard Android notifications (like quick replies) to create a minimalist UI instead of forcing app makers to update each piece of software to be compliant with an ever-increasing number of devices. Alternatively, for models that are super lightweight and rely strictly on speakers (like Bose Frames), Google has also designed Android XR so that you only need mics and voice controls to access a wide variety of apps without the need for visual menus.
Meanwhile, if you’re hoping to take photos with your smart glasses, there’s a surprising amount of capability there, too. Not only was I able to ask Gemini to take a photo, the glasses were also able to send a higher-res version to a connected smartwatch, which is super handy in case you want to review the image before moving on to the next shot. And when you want to inject some creativity, you can ask Gemini to transform pictures into practically anything you can imagine via Nano Banana. In my case, I asked the AI to change a shot of a pantry into a sci-fi kitchen and Gemini delivered with aplomb, including converting the room into a metal-clad setting complete with lots of light strips and a few bursts of steam.
However, one of the most impressive demos was when I asked Google’s reference glasses to look at some of that same pantry environment and then use the ingredients to create a recipe based on my specifications (no tomatoes please, my wife isn’t a fan). Gemini went down an Italian route by picking pasta, jarred banana peppers, bell peppers (which I thought was a somewhat unusual combination) and more, before launching into the first steps of the recipe. Sadly, I didn’t have time to actually cook it, but as part of the demo, I learned that Gemini has been trained to understand human-centric gestures like pointing and picking things up. This allows it to better understand context without the need to be super specific, which is one of those little but very impactful tricks that allows AI to feel way less robotic.
Then I had a chance to see how Uber and Google Maps ran on the reference glasses, this time using models with both single and dual RGB displays. Surprisingly, even on the monocular version, Maps was able to generate a detailed map with the ability to zoom in and out. But when I switched over to the binocular model, I noticed a significant jump in sharpness and clarity along with a higher-fidelity map with stereoscopic 3D images of buildings. Now, it may be a bit early to call this, and the perception of sharpness varies greatly between people based on their head shape and other factors, but after seeing that, I’m even more convinced that the smart glasses with dual RGB displays are what the industry will settle on in the long term.
The second type of device I used was the Samsung Galaxy XR, which I originally tried out when it was announced back in October. However, in the short time since, Google has cooked up a few new features that really help expand the headset’s capabilities. By using the goggle’s exterior-facing cameras, I was able to play a game of I Spy with Gemini. Admittedly, this might sound like a small addition, but I think it’s going to play a big part in how we use devices running Android XR, because it allows the headset (or glasses) to understand better what you’re looking at in order to provide more helpful contextual responses.
However, the biggest surprise was when I joined a virtual call with someone using one of Google’s new avatars, called Likeness. Instead of the low-polygon cartoony characters we’ve seen before in places like Meta Horizon, Google’s virtual representations of people’s faces are almost scary good. So good I had to double-check that they weren’t real and from what I’ve seen they’re even a step up from Apple’s Personas. Google says that headsets like the Galaxy XR rely on interior sensors to track and respond to facial movements, while users will be able to create and edit their avatars using a standalone app due out sometime next year.
Next, I got a chance to test out the Android XR’s PC connectivity by playing Stray on the Galaxy XR while it was tethered wirelessly to a nearby laptop. Not only did it run almost flawlessly with low latency, I was also able to use a paired controller instead of relying on hand-tracking or the laptop’s mouse and keyboard. This is something I’ve been eagerly waiting to try because it feels like Google has put a lot of work into making Android XR devices play nicely with other devices and OSes. Initially, you’ll only be able to connect Windows PCs to the Galaxy XR, but Google says it’s looking to support macOS systems as well.
Finally, I got to try out Xreal’s Project Aura glasses to see how Android XR works on a device primarily designed to give you big virtual displays in a portable form factor. Unfortunately, because this was a pre-production unit, I wasn’t able to take photos. That said, as far as the glasses go, I was really impressed with their resolution and sharpness and the inclusion of electrochromic glass is a really nice touch, as it allows users to change how heavily the lenses are tinted with a single touch. Alternatively, the glasses can also adjust the tint automatically based on whatever app you are using to give you a more or less isolated atmosphere, depending on the situation. I also appreciate the Aura’s increased 70-degree FOV, but if I’m nitpicking, I wish it were a bit higher, as I occasionally found myself wanting a bit more vertical display area.
As a device that’s sort of between lightweight smart glasses and a full VR headset, the Aura relies on a wired battery pack that also doubles as a touchpad and a hub for plugging in external devices like your phone, laptop or even game consoles.
While using the Aura, I was able to connect to a different PC and multitask in style, as the glasses were able to support multiple virtual displays while running several different apps at the same time. This allowed me to be on a virtual call with someone using a Likeness while I had two other virtual windows open on either side. I also played an AR game (Demio) while I moved around in virtual space and used my hands to reposition the battlefield or pick up objects with my hands.
Now I will fully admit this is a lot and it took me a bit to process everything. But upon reflection, I have a few takeaways from my time with the various Android XR devices and prototypes. More than any other headset or smart glasses platform out now, it feels like Google is doing a ton to embrace a growing ecosystem of devices. That’s really important because we’re still so early in the lifecycle for wearable gadgets with displays that no one has really figured out a truly polished design like we have for smartphones and laptops. And until we get there, this means that a highly adaptable OS will go a long way towards supporting OEMs like Samsung, Xreal and others.
But that’s not all. It’s clear Google is focused on making Android XR devices easy to build for. That’s because the company knows that without useful software that can highlight the components and features coming on next-gen spectacles, there’s a chance that interest will remain rather niche — similar to what we’ve seen when looking at the adoption of VR headsets. So in a way, Google is waging a battle on two fronts, which makes navigating uncharted waters that much more difficult.
Google is putting a major emphasis on Android XR’s ability to serve as a framework for future gadgets and support and address developer needs. This mirrors the approach the company takes with regular Android and the opposite of Apple’s typical MO, because unlike the Vision Pro and visionOS, it appears Google is going to rely heavily on its partners like Xreal, Warby Parker, Gentle Monster and others to create engaging hardware. Furthermore, Google says it plans to support smart glasses that can be tethered to Android and iOS phones, as well as smartwatches from both ecosystems, though there will be some limitations for people using Apple devices due to inherent OS restrictions.
That’s not to say that there won’t be Pixel glasses sometime down the road, but at least for now, I think that’s a smart approach and possibly a lesson Google learned after releasing Google Glass over a decade ago. Meanwhile, hi-res and incredibly realistic avatars like Likenesses could be a turning point for virtual collaboration, because, in a first for me, talking to a digital representation of someone else felt kind of natural. After my demos, I had a chance to talk to Senior Director of Product Management for XR Juston Payne, who highlighted the difference between smart glasses and typical gadgets by saying “Smart glasses have to be great glasses first. They need to have a good form factor, good lenses with prescription support, they need to look good and they have to be easy to buy.”
That’s no simple task and there’s no guarantee that next-gen smart glasses and headsets will be a grand slam. But from what I’ve seen, Google is building a very compelling foundation with Android XR.
This article originally appeared on Engadget at https://www.engadget.com/wearables/heres-how-google-is-laying-the-foundation-for-our-mixed-reality-future-180000716.html?src=rss
Every December, the Engadget staff compiles a list of the year’s biggest winners. We scour over articles from the previous 12 months to determine the people, companies, products and trends that made the most impact over the course of the year. Not all of that influence is positive, however, and some selections may also appear on our list of biggest losers. Still, sit back and enjoy our picks for the biggest winners of 2025.
Aside from a big bump in battery life that many were hoping for, Nintendo took just about everything that made its last console such a phenomenon and upgraded it on the Switch 2. A sleeker design with magnetic Joy-Cons that are less likely to break, a larger (albeit LCD) 1080p display with HDR, much stronger performance, mouse controls and a boost to the base storage were all very welcome.
Of course, the vast majority of Switch games run on the Switch 2 (often with visual improvements or other upgrades), so the new console had a vast library right from the jump. Nintendo is building out its slate of first-party games with treats like Donkey Kong Bananza and Metroid Prime 4, and the third-party support is seriously impressive too. Cyberpunk 2077, Street Fighter 6 and Hitman: World of Assassination are already available, and the likes of Final Fantasy VII Remake Intergrade and FromSoftware’s Switch 2 exclusive The Duskbloods are on the way.
The Switch 2 is an iteration, not a revolution, but Nintendo didn’t need to reinvent the wheel to make another great system. It’s little surprise, then, that we gave the Switch 2 a score of 93 in our review. The console is surpassing Nintendo’s sales expectations as well. The company said in November that it believes it will sell 19 million units (up from 15 million) by the time its current fiscal year ends in March. — Kris Holt, Contributing reporter
Could things be any rosier for NVIDIA? Once just a video card company for gamers, NVIDIA’s GPU hardware is now directly tied to the rise of the AI industry. Its stock has jumped a whopping 1,235 percent over the past five years, going from $13.56 per share in 2020 to a peak of $202.49 this past October. NVIDIA’s server-grade cards are being used en masse to train AI models, as well as to power AI inferencing. At home, its GeForce GPUs are enabling local AI development and they’re still the gaming cards to beat, despite AMD’s steadily improving competition.
Clearly, the company’s bet on parallel processing has paid off enormously. Its GPUs can handle tons of computations simultaneously, making them ideally suited for the demands of the AI industry. They’re not exactly efficient — that’s why neural processing units, or NPUs have sprung up to power consumer AI features — but it’s hard to deny NVIDIA’s raw computational power.
NVIDIA’s AI success may not last forever, though. Companies like Google and Microsoft are already working on their own AI chips, and it’s still unclear if consumers actually want widespread AI features as much as tech companies think. If the AI industry crashes, NVIDIA will be one of the first victims. — Devindra Hardawar, Senior reporter
There’s no doubt that tech billionaires, especially those that lean conservatively, have benefitted tremendously from the Trump administration over the past year. Elon Musk’s DOGE team of tech loyalists chainsawed their way through the budgets and staff of several federal agencies, including the National Highway Traffic Safety Administration (NHTSA), which regulates Tesla. (That hasn’t stopped the NHTSA from launching a new investigation into Tesla’s full self-driving tech, though.)
According to a recent report by Oxfam, the 10 richest US billionaires (who are all tech leaders, save for Warren Buffet) increased their wealth by $698 billion of the past year. Of course, it took plenty of wining and dining to get there. Elon Musk reportedly donated nearly $300 million to Trump and Republican allies, and several tech companies have pitched in to build the president’s lavish White House ballroom.
But the result for the tech elite is increased access to the president, less scrutiny when it comes to acquisitions and other deals, and the potential for massive corporate and elite tax cuts. — D.H.
AI slop didn’t start in 2025, but it reached new heights thanks to updates from Meta, Google, OpenAI and others that made it easier than ever to create a real-ish (emphasis on the ish) looking clips from nothing but your most unhinged mad libs. Now, AI-generated videos are just about impossible to avoid. Some platforms, like Pinterest and TikTok, have even begun offering people the ability to ask their algorithms to show less AI content in their feeds. Unfortunately, there’s no way to stuff Shrimp Jesus back into the bottle.
AI video is everywhere and it’s here to stay. It’s not only overtaken Facebook and Instagram’s recommendations, Meta created an entirely separate feed just for users’ AI-generated fever dreams. OpenAI’s Sora, which lets you make AI videos of real people, was downloaded a million times in just a few days. Google’s Veo, which generated more than 40 million videos in a matter of weeks, is now built-in to YouTube Shorts.
It’s now trivially easy for creators to churn out fake movie trailers, cute animal videos that never happened or viral clips of made up ICE raids. Hell, the president of the United States regularly shares bizarre, sometimes poop-themed, AI videos on his official social media channels. During the government shutdown, the official X account for Senate Republicans shared a deepfake of Senate minority leader Chuck Schumer.
AI video is winning not just because it’s everywhere, but because so many are unable, or unwilling, to understand what’s real and what isn’t. More than half of Americans say they are not confident in their ability to distinguish between human and AI-generated content, according to Pew Research. Similar numbers of people report being “more concerned than excited about the increased use of AI in daily life.” But those concerns have done little to stop AI slop from dominating all of our feeds, and there’s no sign it will ever slow down. — Karissa Bell, Senior reporter
After seven generations, Samsung reached an important milestone this year with its Galaxy Z Fold line: It made a foldable phone that’s the same size as a regular handset. In fact, weighing 7.58 ounces and measuring 72.8mm wide, the Galaxy Z Fold 7 is actually lighter and narrower than an S25 Ultra, while being practically just as thin at 8.9mm (folded). It’s a real marvel of engineering, especially when you consider the phone also features a 200MP main camera, an IPX8 rating for water resistance and a 5,000 mAh battery with 45-watt wired charging. And of course, there’s that huge 8-inch main screen hiding inside, which makes the Z Fold 7 both a phone and a tablet in one device. The only thing it’s really missing is the improved dust resistance Google gave to the Pixel 10 Pro Fold.
But perhaps more importantly, the Z Fold 7’s reduced size and weight have created a device with wider appeal. This has propelled sales of Samsung’s latest flagship foldable up 50 percent compared to the previous generation while pushing shipments of foldables as a whole to record highs. Who knew that when Samsung focuses on creating world-class hardware instead of overindexing on AI, good things happen? Okay, maybe that’s a bit harsh. Regardless, for a phone category that has struggled with excess weight and bulk since its inception, the Z Fold 7 feels like a revelation and the beginning of a new era for handsets with flexible displays. Now, can we just bring their prices down, please? — Sam Rutherford, Senior reporter
Like it or not, smart glasses are having a moment. Propelled by new devices like the Meta Ray-Ban Display and upcoming models like Xreal’s Project Aura, the idea of wearing specs with built-in screens suddenly became an attractive proposition. And that means a lot for a category of gadgets that’s often best remembered by the fashion tragedy that was Google Glass in 2013.
However, this development isn’t purely by chance. The latest generation of smart glasses has only just now become a reality due to the convergence of several branches of tech — including improved optics, lightweight batteries and, of course, AI. Now that last one might sound silly considering how many big companies seem to be betting the farm on machine learning being the next big thing, but AI will be a critical feature for enabling the hands-free experience that you need to make smartglasses work when you can’t rely on touch input. While this category is still in its early stages of development, the increased momentum we’ve seen from smart glasses this year seems poised to carry them towards being a future pillar of people’s core tech kits. — S.R.
Devices like tablets and smartwatches have matured to the point where each generation mostly sees iterative upgrades, making covering them seem boring. But this year, as the hardware review season came to a close, I noticed an interesting trend. One feature, across various product categories, genuinely excited myself and other reviewers at Engadget and around the internet: impressively fast charging.
By itself, high-speed charging isn’t new. But when I reviewed the Pixel Watch 4 in October, I was shocked that one seemingly little update changed how I went about my day. The new power system on Google’s smartwatch was so efficient that after about ten minutes on a cradle, the wearable went from below 20 percent to past 50 percent. With that boost, I stopped having to remind myself to plug the watch in — any time I ran low or was about to run out the door, I just plopped it on the charger and would have enough juice for hours.
Google wasn’t the only company to make fast-charging a meaningful addition to one of its 2025 products. Apple’s iPad Pro M5 is the first iPad to support the feature, and while in our testing it fell a little short of the 50 percent charge in 30 minutes that the company promised, our reviewer Nate Ingraham still found it a meaningful improvement.
Observers of the smartphone industry will likely point out two things. First, battery technology can be volatile, and larger, faster-charging cells might lead to exploding phones. So my optimism about this development is not without caution. Secondly, we’ve already seen all this come to handsets, especially in phones that launched outside the US first. OnePlus is known for its SUPERVOOC fast charging system, for example, and we’re seeing even more novel battery tech show up abroad. Calling fast charging a winner of 2025 may feel untimely to some.
But when you consider the spread of speedier charging to other types of products, especially in electric vehicles that till now take forever to top up, the benefits are clear. This year, we saw Formula E (finally) debut its fast-charging pit stops, Honda announce its first full-size electric motorcycle with fast charging and Chinese EV maker BYD unveiling new tech that delivers peak EV charging speeds of 1,000 kilowatts. That should about halve the time it currently takes to top up your electric car.
Sure, it’s not the most eye-catching or novel technological development. But when counted in terms of precious time saved, fast charging coming to more types of devices certainly amounts to a greater good in gadgets in 2025. — Cherlynn Low, Managing editor
Two years after the announcement of the Qi 2 wireless charging standard and its support of magnetic attachment accessories (a la Apple’s MagSafe), we’re finally seeing one of the more mainstream Android devices adopt it. In 2025, Google became the first Android phone maker that’s not HMD to do so, bringing such magnetic capabilities to the Pixel 10 series. It also introduced Pixelsnap — its own version of a MagSafe accessory ecosystem, including a slim puck with a fold-out kickstand that you can snap onto a phone.
I love the Pixel Ring Stand and make sure to bring it with me whenever I can. It works perfectly with my iPhone 17 Pro, and has a compact footprint that makes it easy to take anywhere. Of course, it’s not the first of its kind — Case-Mate and PopSocket, among others, already make similar products but they’re either pricier or rated poorly.
But it’s not just Google that made a magnetic accessory I unexpectedly adored. When reports of Apple’s Crossbody Strap first trickled out, I was underwhelmed. Who cares about a crossbody strap for an iPhone? But when I was presented with one to try at the iPhone 17 launch event, my cynicism quickly melted into desire.
Setting aside the convenience of having your phone on your person when you don’t have pockets or a purse, the way magnets play a part here also won me over. To adjust the length of the straps, you just separate the two overlapping pieces that stick together magnetically, move them along each other till you’re satisfied with the length and let them snap back in place.
I’m sure Apple isn’t the first to make a crossbody strap accessory for iPhones, nor is it the first to use magnets to adjust such straps. But like many Redditors, I’ve slowly come to realize the differences between those products and the Crossbody Strap for iPhone 17. It’s far from perfect, but in 2025 it was another implementation of magnets in tech that caught my attention and brought convenience to my life. — C.L.
This article originally appeared on Engadget at https://www.engadget.com/techs-biggest-winners-of-2025-180000177.html?src=rss
Uber will begin selling customer data to marketers, according to a report by Business Insider. The company’s ad division just launched a new insights platform called Uber Intelligence that’s tasked with hoovering up and selling trip and delivery data.
The data will technically be anonymous, via the use of a platform called LiveRamp. This will “let advertisers securely combine their customer data with Uber’s to help surface insights about their audiences, based on what they eat and where they travel.”
Basically, it’ll provide a broad view of local consumer trends based on collected data. Uber gives an example of a hotel brand using the technology to identify which restaurants or venues to partner with according to rideshare information.
The company also says it’s planning on using this tech to directly advertise to consumers, saying it could be used to identify customers who are “heavy business travelers” and then plague them with ads in the app or in vehicles during their next trip to the airport. Fun times.
“That seamlessness is why we’re so excited,” Edwin Wong, global head of measurement at Uber Advertising, told Business Insider. Uber has stated that its ad business is already on track to generate $1.5 billion in revenue this year, and that’s before implementing these changes.
As for Uber in totality, the company made $44 billion in 2024, which was a jump from $37 billion in 2023. It’s also notorious for raising fares. Uber has raised prices for consumers by around 18 percent each year since 2018, which has outpaced inflation by up to four times in some markets.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/uber-will-start-selling-trip-and-takeout-data-to-marketers-171011769.html?src=rss
The 2025 Formula 1 World Championship drew to a close this past weekend in Abu Dhabi, and with it came the end of the current generation of cars. After a grueling 24 races, the title was decided in a three-way fight by the finest of margins; just two points, less than half a percent, separated the winning driver from second place when the checkered flag waved on Sunday.
Coming into Abu Dhabi, McLaren’s Lando Norris was, if not a comfortable favorite, then at least the driver with the highest odds of prevailing. After a strong start to the season, the British driver’s form dipped at the Dutch Grand Prix. But he bounced back, retaking the championship lead from his Australian teammate Oscar Piastri in Mexico in October.
For much of the season, it seemed to be a two-car race. McLaren had a clear car advantage and two strong drivers, suggesting a repeat of the years we saw Lewis Hamilton and Nico Rosberg duking it out to bring home titles for Mercedes. But that didn’t figure on Red Bull developing its car late in the season. New boss Laurent Mekies has revitalized the energy drinks squad, and four-time champion Max Verstappen was able to close inexorably toward the McLaren drivers in the points with a string of sublime performances.
Netflix has already committed to reviving Star Search for its streaming service, and now the company is turning its attention to a different type of live show: HQ Trivia. Netflix’s Best Guess Live is an attempt to revive the late 2010s app-based show with what the company is calling its first “weekday mobile game show.”
Best Guess Live will be hosted by Howie Mandel (Deal or No Deal, America’s Got Talent) and Hunter March (Sugar Rush) and will broadcast Monday through Friday at 8PM ET / 5PM PT. The game seems like it will lean on multiple choice questions much like HQ Trivia did, and will reward players who answer the fastest and play multiple times per week. Netflix’s announcement doesn’t have any specifics as to how much money will be up for grabs, but the company does promise to give away “thousands of dollars in prize money.”
HQ Trivia, started by Vine co-founders Rus Yusupov and Colin Kroll, was a surprise hit when it debuted in 2017, thanks in part to its host Scott Rogowsky and the appointment-viewing nature of a daily game show you could watch on your phone. The later slow collapse of HQ was rocky enough to warrant a CNN documentary, but clearly the concept of the app fits nicely with Netflix’s growing interest in live shows and casual games.
Netflix has experimented with a growing number of live shows, including talk shows and sports programming. The company has also recently abandoned its aspirations to develop AAA games and ambitious indie titles to focus on casual experiences and games based on Netflix IP. Best Guess Live seems like a nice fusion of casual interactive experience and lightweight live content. Many people already open the Netflix app daily to find something to watch. It makes sense they’d be willing to do it for money, too.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/best-guess-live-is-netflixs-take-on-hq-trivia-170000030.html?src=rss
A powerful magnitude 7.6 earthquake has shaken Japan, prompting tsunami warnings and orders for residents to evacuate. From a report: A tsunami as high as 3 metres (10ft) could hit the country’s north-eastern coast after the earthquake occurred offshore at 11.15pm local time (2.15pm GMT), the Japan Meteorological Agency (JMA) said. Tsunami warnings were issued for the prefectures of Hokkaido, Aomori and Iwate, and tsunamis from 20-50cm (7-18in) high were observed at several ports, JMA said.
The epicentre of the quake was 50 miles (80km) off the coast of Aomori prefecture, at a depth of 30 miles, the agency added. On Japan’s one-to-seven scale of seismic intensity, the tremor registered as an “upper six” in Aomori prefecture — a quake strong enough to make it impossible to keep standing or move without crawling. In such tremors, most heavy furniture can collapse and wall tiles and windowpanes are damaged in many buildings.
Read more of this story at Slashdot.