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The Wild West of copyrighted characters in AI may be coming to an end. There has been legal wrangling over the role of copyright in the AI era, but the mother of all legal teams may now be gearing up for a fight. Disney has sent a cease and desist to Google, alleging the company’s AI tools are infringing Disney’s copyrights “on a massive scale.”
According to the letter, Google is violating the entertainment conglomerate’s intellectual property in multiple ways. The legal notice says Google has copied a “large corpus” of Disney’s works to train its gen AI models, which is believable, as Google’s image and video models will happily produce popular Disney characters—they couldn’t do that without feeding the models lots of Disney data.
The C&D also takes issue with Google for distributing “copies of its protected works” to consumers. So all those memes you’ve been making with Disney characters? Yeah, Disney doesn’t like that, either. The letter calls out a huge number of Disney-owned properties that can be prompted into existence in Google AI, including The Lion King, Deadpool, and Star Wars.
Uber has discontinued its monthly electric vehicle bonuses for drivers in the United States and Canada, marking the latest in a series of rollbacks from a company that once pledged to pour $800 million into helping its drivers transition away from gasoline-powered cars. The ride-hailing giant had previously eliminated its $1-per-ride EV perk last year, replacing it with monthly bonuses that required drivers to complete 200 rides. Those monthly payments are now gone too.
The company is far behind its self-imposed climate targets. Uber had pledged to reach 100% EVs in London by 2025 and across North America and Europe by 2030. Current figures paint a different picture: roughly 40% of miles in London come from EVs, while Europe sits at about 15% and North America at just 9%. The company’s emissions have nearly doubled over the past three years and now exceed Denmark’s total carbon footprint. Uber executives acknowledged to Bloomberg that they will likely miss their green targets. The company has doled out $539 million of its $800 million pledge through the end of 2024. Meanwhile, Uber’s operating profits are set to double this year, and the company recently committed $20 billion to stock buybacks.
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OpenAI’s “code red” response to Google’s Gemini 3 Pro has arrived. On the same day the company announced a Sora licensing pact with Disney, it took the wraps off GPT-5.2. OpenAI is touting the new model as its best yet for real-world, professional use. “It’s better at creating spreadsheets, building presentations, writing code, perceiving images, understanding long contexts, using tools, and handling complex, multi-step projects,” said OpenAI.
In a series of 10 benchmarks highlighted by OpenAI, GPT-5.2 Thinking, the most advanced version of the model, outperformed its GPT-5.1 counterpart, sometimes by a significant margin. For example, in AIME 2025, a test that involves 30 challenging mathematics problems, the model earned a perfect 100 percent score, beating out GPT-5.1’s already state-of-the-art score of 94 perfect. It also achieved that feat without turning to tools like web search. Meanwhile, in ARC-AGI-1, a benchmark that tests an AI system’s ability to reason abstractly like a human being would, the new system beat GPT-5.1’s score by more than 10 percentage points.
OpenAI says GPT-5.2 Thinking is better at answering questions factually, with the company finding it produces errors 30 percent less frequently. “For professionals, this means fewer mistakes when using the model for research, writing, analysis, and decision support — making the model more dependable for everyday knowledge work,” the company said.
The new model should be better in conversation too. Of the version of the system most users are likely to encounter, OpenAI says “GPT‑5.2 Instant is a fast, capable workhorse for everyday work and learning, with clear improvements in info-seeking questions, how-tos and walk-throughs, technical writing, and translation, building on the warmer conversational tone introduced in GPT‑5.1 Instant.“
While it’s probably overstating things to suggest this is a make or break release for OpenAI, it is fair to say the company does have a lot riding on GPT 5.2. Its big release of 2025, GPT-5, didn’t meet expectations. Users complained of a system that generated surprisingly dumb answers and had a boring personality. The disappointment with GPT-5 was such that people began demanding OpenAI bring back GPT-4o.
Then came Gemini 3 Pro — which jumped to the top of LMArena, a website where humans rate outputs from AI systems to vote on the best one. Following Google’s announcement, Sam Altman reportedly called for a “code red” effort to improve ChatGPT. Before today, the company’s previous model, GPT-5.1, was ranked sixth on LMArena, with systems from Anthropic and Elon Musk’s xAI occupying the spots between OpenAI between Google.
For a company that recently signed more than $1.4 trillion worth of infrastructure deals in a bid to outscale the competition, that was not a good position for OpenAI to be in. In his memo to staff, Altman said GPT-5.2 would be the equal of Gemini 3 Pro. With the new system rolling out now, we’ll see whether that’s true, and what it might mean for the company if it can’t at least match Google’s best.
OpenAI is offering three different versions of GPT-5.2: Instant, Thinking and Pro. All three models will be first available to users on the company’s paid plans. Notably, the company plans to keep GPT-5.1 around, at least for a little while. Paid users can continue to use the older model for the next three months by selecting it from the legacy models section.
This article originally appeared on Engadget at https://www.engadget.com/ai/openai-releases-gpt-52-to-take-on-google-and-anthropic-185029007.html?src=rss
OpenAI on Thursday released GPT-5.2, its latest and what the company calls its “best model yet for everyday professional use,” just days after CEO Sam Altman declared a “code red” internally to marshal resources toward improving ChatGPT amid intensifying competition from Google’s well-received Gemini 3 model. The GPT-5.2 series ships in three tiers: Instant, designed for faster responses and information retrieval; Thinking, optimized for coding, math, and planning; and Pro, the most powerful tier targeting difficult questions requiring high accuracy.
OpenAI says the Thinking model hallucinated 38% less than GPT-5.1 on benchmarks measuring factual accuracy. Fidji Simo, OpenAI’s CEO of applications, denied that the launch was moved up in response to the code red, saying the company has been working on GPT-5.2 for “many, many months.” She described the internal directive as a way to “really signal to the company that we want to marshal resources in this one particular area.”
The competitive pressure is real. Google’s Gemini app now has more than 650 million monthly active users, compared to OpenAI’s 800 million weekly active users. In October, OpenAI’s head of ChatGPT Nick Turley sent an internal memo declaring the company was facing “the greatest competitive pressure we’ve ever seen,” setting a goal to increase daily active users by 5 percent before 2026. GPT-5.2 is rolling out to paid ChatGPT users starting Thursday, and GPT-5.1 will remain available under “legacy models” for three months before being sunset.
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The Centers for Disease Control and Prevention is in critical condition. This year, the premier public health agency had its funding brutally cut and staff gutted, its mission sabotaged, and its headquarters riddled with literal bullets. The over 500 rounds fired were meant for its scientists and public health experts, who endured only to be sidelined, ignored, and overruled by Health Secretary Robert F. Kennedy Jr., an anti-vaccine activist hellbent on warping the agency to fit his anti-science agenda.
Then, on August 27, Kennedy fired CDC Director Susan Monarez just weeks after she was confirmed by the Senate. She had refused to blindly approve vaccine recommendations from a panel of vaccine skeptics and contrarians that he had hand-selected. The agency descended into chaos, and Monarez wasn’t the only one to leave the agency that day.
Three top leaders had reached their breaking point and coordinated their resignations upon the dramatic ouster: Drs. Demetre Daskalakis, Debra Houry, and Daniel Jernigan walked out of the agency as their colleagues rallied around them.
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The holidays are hectic enough without adding “deep clean floors” to your already packed to-do and errands list, which is why buying a robot mop and vacuum is more appealing than ever. Right now, the Roborock Q7 M5+ Robot Vacuum/Mop is $219.99 (originally $359.99) on Amazon—a 39% discount that marks its lowest price to date, according to price-tracking tools.
An anti-tangle brush makes this a solid choice for pet owners who have furry friends that shed, and the self-emptying dock holds nearly two months’ worth of debris, so you don’t have to empty the bin each time you run it. Another major perk is the 10,000 Pa HyperForce suction, which is surprisingly strong for a sub-$250 price point, as is the fact that it can vacuum and mop in one run.
This member of the Q-series lineup features smart navigation and LiDAR mapping, making it easy to plan routes, create multi-floor maps, and customize no-go zones. Compared to Roborock predecessors in this mid-tier price range, this model has been upgraded with more automation and power and has a 150-minute max runtime, which is enough battery life to manage most homes in a single run.
That said, the mopping system is still basic compared to pricier S-series models like the Roborock S8 MaxV Ultra, which uses hot water, automatic detergent dispensing, and heated air drying. The Q7 M5+ also lacks obstacle avoidance, only connects to 2.4GHz wifi, and the self-emptying dock uses disposable bags that you’ll need to replace, adding an additional ongoing cost.
Ultimately, if you’re looking for a mid-range self-emptying robot vacuum and mop hybrid, the Roborock Q7 M5+ Robot Vacuum/Mop is a strong choice given its low maintenance nature, strong suction, and smart navigation for under $250—especially if you’re a pet owner. If you want the best-in-class cleaning power or premium features like obstacle avoidance, you’ll need to upgrade to the higher-end S-series, but expect to pay significantly more.
A little while back, we took a look at a large cargo bike from Urban Arrow that had some interesting features: a drive train that sported continuous variable gearing and a belt drive. But it was difficult to get a feel for what using that drivetrain was like when it was being used to shift a large and extremely heavy cargo bike. So, I jumped at the opportunity when Urban Arrow’s sister company, Gazelle, offered a chance to ride one of its new Arroyo models, which feature the same drivetrain, but this time coupled to a fairly standard commuter bike.
Getting rid of all the weight and bulk really allowed the drive system to shine. And, as with its cargo-carrying cousin, the bike is filled with thoughtful touches and design decisions that make riding it a pleasure. But all that comes at a cost: This is a premium bike with little in the way of compromises, and it’s priced accordingly.
The Arroyo line is meant for commuters and urban/suburban riding. It has a step-through frame, a large rack, fenders, and its riding stance is very upright. In keeping with its Dutch heritage, it’s meant to be ridden as a bicycle, rather than a bike-like scooter. There’s no throttle to let you avoid pedaling, and even when it’s set to its maximum assist rating, you’ll end up putting in a reasonable amount of effort during the ride. If you’re looking for something that lets you handle a commute in hot weather without sweating, you’ll probably want to look elsewhere.
The Game Awards, which broadcasts tonight on Twitch, YouTube, and Prime Video, has become the biggest night on the video game calendar since launching in 2014, but the show’s treatment of developers has drawn increasing criticism. At the 2023 ceremony, acceptance speeches were often cut off after roughly 30 seconds while Hideo Kojima received five minutes to discuss his upcoming game OD — enough time for 13 acceptance speeches, Aftermath calculated. That year’s show also ignored the industry’s mass layoffs entirely; host Geoff Keighley acknowledged the labor crisis only at the 2024 ceremony.
The show’s Future Class program, launched in 2020 to celebrate game makers representing an inclusive future for the industry, has quietly ended. No new class has been named for two years. “At this time, we are not planning a new Future Class for this year,” organizer Emily Weir told Game Developer.
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If you’ve engaged in any sort of doomscrolling over the past year, you’ve no doubt encountered some wild AI-generated content. While there are plenty of AI video generators out there producing this stuff, one of the most prevalent is OpenAI’s Sora, which is particularly adept at generating realistic short-form videos mimicking the content you might find on TikTok or Instagram Reels. These videos can be so convincing at first glance, that people often don’t realize what they’re seeing is 100% fake. That can be harmless when it’s videos of cats playing instruments at midnight, but dangerous when impersonating real people or properties.
It’s that last point that I thought would offer some pushback to AI’s seemingly exponential growth. These companies have trained their AI models on huge amounts of data, much of which is copyrighted, which means that people are able to generate images and videos of iconic characters like Pikachu, Superman, and Darth Vader. The big AI generators put guardrails on their platforms to try to prevent videos that infringe on copyright, but people find a way around them. As such, corporations have already started suing OpenAI, Google, and other AI companies over this blatant IP theft. (Disclosure: Lifehacker’s parent company, Ziff Davis, filed a lawsuit against OpenAI in April 2025, alleging it infringed Ziff Davis copyrights in training and operating its AI systems.)
But it seems not all companies want to go down this path. Take Disney, as a prime example. On Thursday, OpenAI announced that it had made a three-year licensing agreement with the company behind Mickey Mouse. As part of the deal, Sora users can now generate videos featuring over 200 Disney, Marvel, Pixar, and Star Wars characters. The announcement names the following characters and movies specifically:
Mickey Mouse
Minnie Mouse
Lilo
Stitch
Ariel
Belle
Beast
Cinderella
Baymax
Simba
Mufasa
Black Panther
Captain America
Deadpool
Groot
Iron Man
Loki
Thor
Thanos
Darth Vader
Han Solo
Luke Skywalker
Leia
The Mandalorian
Stormtroopers
Yoda
Encanto
Frozen
Inside Out
Moana
Monsters Inc.
Toy Story
Up
Zootopia
That includes licensed costumes, props, vehicles, and environments. What’s more, Disney+ will host a “selection” of these “fan-inspired” Sora videos. (I’ll admit, that last point genuinely shocks me.) This does only apply to Disney’s visual assets, however, as Sora users won’t have access to voice acting. ChatGPT users will also be able to generate images with these characters, so this news doesn’t just affect Sora users.
You might think OpenAI is paying Disney a hefty licensing fee here, but it appears to be quite the opposite. Not only is Disney pledging to use OpenAI APIs to build “products, tools, and experiences,” it is rolling out ChatGPT to its employees as well. Oh, and the company is making a $1 billion equity investment in OpenAI. (Is that all?)
I know many companies are embracing AI, often in ways I disagree with. But this deal is something else entirely. I’m not sure any Disney executives actually searched for “Sora Disney” on the internet, because right now, you’ll find fake AI trailers for Pixar movies filled with racism, sexual content, and generally offensive content—all generated using an app Disney just licensed all of its properties to. OpenAI asserts in its announcement that both companies are committed to preventing “illegal or harmful” content on the platform, but Sora users are already creating harmful content. What kind of content can we expect with carte blanch access to Disney’s properties?
Now that Disney’s characters are fair game, I can’t imagine the absolute slop that some users are going to make here. The only hope I have is in the fact that Disney+ is going to host some of these videos. Staff will have to weed through some garbage to find videos that are actually suitable for the platform. And maybe seeing the “content” that Sora users like to make with iconic characters will be enough for Disney to rethink its plans.
EV automaker Rivian just held its inaugural Autonomy and AI day which, unsurprisingly, focused extensively on hands-free driving. An upcoming software update promises the introduction of “universal hands-free” driving. The company says its vehicles will be able to autonomously navigate more than 3.5 million miles of roads in North America, “covering the vast majority of marked roads in the US.”
This is coming to the R2 line of EVs, but also Gen 2 R1 vehicles like the recently-released Rivian R1S. The service will be locked behind a subscription for something called Autonomy+ that includes self-driving, but also offers access to forthcoming and unannounced autonomous features. Rivian customers can pay $2,500 for lifetime access to the platform or $50 per month.
The R2 is getting LiDAR sensors, which will presumably help enable some of those upcoming autonomous features, in addition to a new chip called the Rivian Autonomy Processor. The processor has been designed for multimodal applications and runs the company’s proprietary neural net engine. Both of these features are expected “to ship on R2 models starting at the end of 2026.”
Today’s event wasn’t just about hands-free driving. Many of the company’s vehicles will soon be given access to the AI-powered Rivian Assistant, which uses LLMs and can connect to apps like Google Calendar. This assistant will be model-agnostic, as it will “orchestrate different models and choose the best one for the task.”
In addition to the upcoming R2, the company is prepping the R3 and R3X. A Rivian offshoot just introduced an extremely expensive, but modular, electric bike called the TM-B.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/rivian-goes-all-in-on-universal-hands-free-driving-at-its-first-autonomy-and-ai-day-172004733.html?src=rss
An anonymous reader shares a report: Growing support for far-right parties is pressuring European governments to introduce stricter controls on immigration. Switzerland is set to vote on a proposal that would take the idea to the next level — imposing a cap on its population [non-paywalled link]. The initiative could lead eventually to a blanket ban on new arrivals if the number of residents rises from around 9 million currently to above 10 million, with little distinction made between refugees, skilled workers and top managers on six-figure salaries.
Citizens will likely vote on the proposal next year under the country’s unique system of plebiscites on constitutional amendments and policy, and polls suggest there’s a chance they’ll approve it. The risk is it could lead to shortages of critical skills that end up harming Switzerland’s competitiveness. The outcome will show how far citizens are willing to go to preserve some of the traits that made their country such an appealing destination. […] The right-wing Swiss People’s Party, or SVP, won 28% of the vote in the last election with a campaign that presented Swiss citizenship as a privilege, not a right. It came up with the idea of a population limit in 2023, presenting it as a way to preserve the Swiss lifestyle and protect its environment from excessive human activity.
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Disney has accused Google of copyright infringement on a “massive scale,” alleging that the tech giant is training its AI tools on protected materials as well as allowing those tools to generate infringing images and videos. Variety reports that Disney attorneys sent a cease-and-desist letter to Google on Wednesday.
“Google is infringing Disney’s copyrights on a massive scale, by copying a large corpus of Disney’s copyrighted works without authorization to train and develop generative artificial intelligence (‘AI’) models and services, and by using AI models and services to commercially exploit and distribute copies of its protected works to consumers in violation of Disney’s copyrights,” reads the letter, which Variety reviewed.
The letter includes examples of images from several Disney properties including Deadpool, Moana, Star Wars and others, reproduced by Google’s AI tools. Disney is demanding that Google implement guardrails within all its AI products to prevent further infringement. The media giant sent a similar letter to Character.AI in September, and is currently suing Hailuo and Midjourney over alleged copyright infringement.
Copyright enforcement has become more challenging in the face of AI-created imagery, and companies are increasingly taking an “if you can’t beat them, join them” approach. Today Disney announced a deal with OpenAI to license its characters for use in Sora, OpenAI’s video generator. The deal will see Disney invest $1 billion in OpenAI (a paltry sum by some standards), with the option to purchase additional equity at a later date.
This article originally appeared on Engadget at https://www.engadget.com/ai/disney-has-accused-google-of-copyright-infringement-on-a-massive-scale-163737642.html?src=rss
Stanford researchers spent much of the past year building an AI bot called Artemis that scans networks for software vulnerabilities, and when they pitted it against ten professional penetration testers on the university’s own engineering network, the bot outperformed nine of them. The experiment offers a window into how rapidly AI hacking tools have improved after years of underwhelming performance.
“We thought it would probably be below average,” said Justin Lin, a Stanford cybersecurity researcher. Artemis found bugs at a fraction of human cost — just under $60 per hour compared to the $2,000 to $2,500 per day that professional pen testers typically charge. But its performance wasn’t flawless. About 18% of its bug reports were false positives, and it completely missed an obvious vulnerability on a webpage that most human testers caught. In one case, Artemis found a bug on an outdated page that didn’t render in standard browsers; it used a command-line tool called Curl instead of Chrome or Firefox.
Dan Boneh, a Stanford computer science professor who advised the researchers, noted that vast amounts of software shipped without being vetted by LLMs could now be at risk. “We’re in this moment of time where many actors can increase their productivity to find bugs at an extreme scale,” said Jacob Klein, head of threat intelligence at Anthropic.
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It’s begin to feel like successful streaming shows are increasingly the exception, rather than the rule, and Slow Horses is something else again: a successful show with a more-than-consistent schedule. With five seasons since 2022, rather than the increasingly common “every few years or when we get to it” scheduling of other streaming shows, it’s rather lovely to actually be able to remember the events of the previous series when the new one starts.
If this all sounds like damning with faint praise, it’s also a smart, brilliantly entertaining show, with Gary Oldman as the slovenly, flatulent, once-brilliant spy Jackson Lamb now in charge of Slough House, the MI5 office for agents who aren’t good enough to trust with important tasks, but who haven’t really done anything worth getting fired for. Their very expendability puts them in the line of fire early and often, with ambitious spymaster Diana Taverner (Kristin Scott Thomas) finding the team alternately useful and a liability. The show’s been renewed for at least two further seasons—the novel series by Mick Herron on which it’s based runs to nine books so far, and so there’s potential for even more.
This is perhaps the most obvious streamalike here, if only because the shows are both Apple TV productions and are both based on Mick Herron novels. This one is more spy-adjacent, however, starring Emma Thompson as hard-living, hard-drinking private investigator Zoë Boehm. She’s hired by Ruth Wilson’s Sarah Trafford, a married art restorer who nobody takes very seriously (including and especially her husband), even when she becomes invested in the fate of a young girl whose family is killed in a gas explosion (allegedly) down the street. The girl, whose parents were killed, disappears into the system and no one really seems to care until Sarah hires Zoë and her husband to look into it. Turns out both women are in way over their heads, as the missing girl points to a much broader conspiracy. The shows villains are a bit cartoonishly distracting, but Thompson and Wilson are brilliantly paired, and their performances are more than worth the price of admission. Stream Down Cemetery Road on Apple TV+.
Michael Fassbender as stars here as “Martian,” codename of Brandon Colby, a former undercover CIA agent just returned to London after six years in Sudan. He left behind a lover, Dr. Samia Zahir (Jodie Turner-Smith)—a relationship he wasn’t terribly forthcoming about with his handlers. When Sami turns up in London as part of a diplomatic delegation, Martian is forced to choose between his job and his personal life, which becomes more complicated when it appears that she’s involved in a broader scheme involving the Sudanese government, MI6, and an undercover agent in Belarus. It’s all very twisty-turny in the best tradition of spy shows. Jeffrey Wright plays Martian’s boss and mentor, Richard Gere is the CIA London Station Chief, and Downton Abbey’s Hugh Bonneville is a shifty senior MI6 operative. Stream The Agency on Paramount+.
In addition to, or instead of, The Agency, you can also catch Le Bureau des Légends, the French original on which it’s based (they’re similarly addictive, though many will prefer the original on principle). Same general premise: Mathieu Kassovitz stars as Guillaume Debailly, a spy just recently returned from a six year undercover mission in Damascus, Syria. Trying to re-adjust to his life, everything is thrown into turmoil when Nadia (Zineb Triki), the woman with whom he’d had a relationship, turns up in Paris. Stream The Bureau on Paramount+.
Cinematic in scope, this new adaptation of the Frederick Forsyth novel is buoyed by rather brilliant casting: Eddie Redmayne plays the Jackal, a cold and steely international assassin pursued by MI6 operative Bianca Pullman—she’s played by Lashana Lynch, putting her experience as the new 007 in No Time to Die to good use. I’m not sure there’s anything here we haven’t seen in countless other spy thrillers (including, of course, the 1973 and 1997 film adaptations), but the performances and production values are top-notch, with each episode playing out like a tense mini-movie. Stream The Day of the Jackal on Peacock.
An original drama from Scott Frank (The Queen’s Gambit) and Tom Fontana (Homicide, Oz), Monsieur Spade finds Dashiell Hammett’s Sam Spade, of The Maltese Falcon fame, living a quiet life in retirement in the South of France. It’s all going very well of the rumpled former detective—until six nuns are brutally murdered at a nearby convent, the same convent that’s been home to Sam’s ward for some time. Naturally, he finds his past has caught up with him, and is forced to surrender his idyllic life in order to help uncover the complex mystery that endangers his (very few) loved ones. Clive Owen is great as the rumpled, emphysemic detective, and the story feels like a fitting sequel to Hammett’s novel. Stream Monsieur Spade on Prime Video and AMC+.
Sandra Oh and Jodie Comer star as the two halves that form one of television’s great cat-and-mouse narratives, with Oh as Eve Polastri, a bored MI5 analyst who becomes obsessed with hunting down the brutal and notorious assassin known only as Villanelle. It starts as a professional compulsion before it becomes personal: Eve and Villanelle begin toying with each other, and it soon becomes clear that the fascination goes both ways. Stream Killing Eve on Prime Video, Paramount+, Britbox, Tubi, and Netflix.
Coming, as it does, from John le Carré, the wellspring of many modern spy sagas, it’s probably no surprise that The Night Manager (from a 1993 novel) was successful—though it certainly doesn’t hurt to have a cast lead by Tom Hiddleston, Hugh Laurie, and Olivia Colman. Hiddleston is Jonathan Pine, working the night shift at a luxury hotel in Switzerland when he encounters an unexpected guest: arms dealer Richard Roper (Laurie). Former Army veteran Pine had previous dealings with Roper in Cairo, and the reluctant night manager is persuaded by Foreign Office head Angela Burr (Colman) to infiltrate the criminal’s organization. A long-gestating second season is coming in 2026, to be followed by a third. Stream The Night Manager on Prime Video.
Slow Horses isn’t a send-up of the spy genre, precisely, but it does enjoy taking the piss. The more overtly funny Deadloch is both an excellent crime procedural and an effective satire of the genre; the Australian import does about as well as setting up its central mystery as Broadchurch and its many (many) imitators. Kate Box stars as Dulcie Collins, fastidious senior sergeant of the police force in the fictional town of the title. When a body turns up dead on the beach, Dulcie is joined by Madeleine Sami’s Eddie Redcliffe, a crude and generally obnoxious detective brought in to help solve the case. Unraveling the web of secrets and mysteries in the tiny Tasmanian town is appropriately addictive, with the added bonus of cop thriller tropes getting mercilessly mocked all the way. Stream Deadloch on Prime Video.
There are several imports on this list; Peacock is just too new to have a large stable of homegrown shows, but they’ve managed a handful of impressive acquisitions. In this British series, a young, ambitious detective with the London police department is tasked with the investigation of a soldier who’d only recently been exonerated for a war crime, but who seems to have turned around and assaulted and then kidnapped his lawyer (sorry, his barrister). There’s plenty of police procedural drama and international intrigue, but the show has a slightly different target: it’s looking at the dangers of our reliance on CCTV surveillance, and on the dangers of a widespread assumption that cameras don’t lie. London is one of the most heavily surveilled cities in the world, so there’s a particularly British point of view here, but the issues will be recognizable to anyone who’s spent time in any major city. A third season is on the way. Stream The Capture on Peacock.
One-upping the Brad Pitt/Angelina Jolie movie on which it’s based, Mr. & Mrs. Smith stars Donald Glover and Maya Erskine as a couple of spies tasked to pose as a married couple while coordinating (and sometimes competing against one another) on missions. Smartly, each episode takes on a standalone mission in a different location, while complicating the relationship between the two and gradually upping the stakes until the season finale, which sees them pitted against each other. The show has been renewed for season two, but it’s been delayed, and it’s unclear if Glover and Erskine will be returning, or if we’ll be getting a new Mr. & Mrs. Stream Mr. & Mrs. Smith on Prime Video.
H. Jon Benjamin, lovable schlub of Bob’s Burgers, leads this show as Bob Belcher’s polar opposite: a handsome spy who’s also a deeply narcissistic womanizer with an endless capacity for alcohol. This is a full-on comedy, dealing with the exploits of a New York–based freelance intelligence agency led by Jessica Walter’s hard-drinking Malory Archer—but it’s such a smart send-up of James Bond-style shenanigans that it works as a spy series, as well, and sometimes the team’s missions aren’t all that much more silly than the plots of more overtly serious spy movies and shows. Addictive and irreverent, the show includes one of TV animation’s best-ever voice casts, including Aisha Tyler, Amber Nash, and Judy Greer as the sociopathic heiress Cheryl Tunt. Stream Archer on Hulu and Tubi.
The Queen Latifah-led Equalizer reboots the 1980s series (and sidesteps the Denzel Washington movies) by spinning the premise in a slightly different direction: Latifah plays single mom Robyn McCall, an impossibly skilled former CIA operative who puts her talents to work for those in need. It splits the difference between crime and spy drama, with episodes involving close-to-home crime and others dealing with international espionage. While the original’s vibe was more about the cops being handcuffed by things like “rules” and “giving perps their basic human dignity,” this one is more about those who’ve been failed by systems that don’t care about them—and who might benefit from the help of a woman who can beat just about anyone’s ass. It’s very satisfying watching Robyn and company spy and/or punch their way out of sticky situations to help the oppressed. Stream The Equalizer on Paramount+ and Tubi.
Park Chan-wook (Sympathy for Mr. Vengeance, Oldboy) directs this series, based on the John le Carré novel, and brings an undeniably sexy period style. Florence Pugh is Charlie, a young actress recruited by Mossad spymaster Martin Kurtz (Michael Shannon) to infiltrate a group of Palestinian terrorists, even as she’s being manipulated by an Israeli intelligence officer played by Alexander Skarsgård. Crucially, and as in the book that preceded it, the show offers nuanced characters on multiple sides of the conflict, raising serious questions about who the real villains are. Stream The Little Drummer Girl on AMC+ or buy it from Prime Video.
Set during the Cold War 1980s, and created by former CIA officer Joe Weisberg, Americans follows Soviet KGB intelligence agents Elizabeth (Keri Russell) and Philip Jennings (Matthew Rhys), living lives as an American couple in the DC metro area—and raising their American-born children. The critically acclaimed (also popular!) show makes much of its period setting and a central conflict that places two spies in the heart of suburban America, even as they’re tasked with undermining the Reagan-era government under which their children will grow up. Stream The Americans on Disney+ and Hulu.
The focus shifts a bit after Homeland‘s first few seasons, the series begins with CIA case officer Carrie Mathison (Claire Danes) coming to suspect that that decorated Marine Corps scout sniper Nicholas Brody (Damian Lewis), recently rescued from an al-Qaeda compound, has been turned and is planning a terrorist attack on the United States. Having been diagnosed with bipolar disorder, her superiors don’t give Mathison’s suspicions much credence, kicking off a cat-and-mouse/is-he-or-isn’t he? game between the two. Both leads won Emmys for their performances, and the series took the Outstanding Drama prize in its first year. Stream Homeland on Hulu and Netflix.
Not a spy drama (at all), but a funny, and often very moving, comedy from the creator of The Good Place. Still: Undercover antics abound, so I’m going to say it counts as a bit of spy-adjacent counter-programming. Based very, very loosely on a true story, the show stars Ted Danson as Charles Nieuwendyk, a recent widower and retired professor who’s started settling into a life of…not much, when, on a whim, he takes a temp job with a detective agency. They’re investigating some missing jewelry at a local retirement home, and the dorky, awkward Charles makes for the perfect undercover resident, even as the job evokes memories of his late wife’s Alzheimer’s diagnosis. Ted Danson is in great form here, as is a supporting cast that, in the second season, includes real-life wife Mary Steenburgen. Stream Man on the Inside on Netflix.
With a new year just around the corner, now is the perfect time to take stock of your finances. A budgeting app can help with that, and right now you can get 50 percent off your first year of a Monarch Money plan. All you need to do is enter the code MONARCHVIP at checkout and you’ll pay $50 for the initial 12 months instead of the regular price of $100. Note that the offer only applies to new users.
Monarch Money was the runner-up in our guide to the best budgeting apps in 2025, and it was definitely a grower. Initially we found the experience of using the app to be needlessly complicated compared to some of its rivals, but get over that hurdle and it’s impressively fully-featured. There are plenty of customization options, a helpful “goals” feature and a thorough month-in-review recap that beats out similar features from some of its competitors. We also like how you can grant account access to others.
Besides the steep learning curve, we also noted that the mobile app is less intuitive to use than the web version, which might pose a problem if you were hoping to do most of your accounting on the go. We also had some issues with the app failing to distinguish between bills and other recurring expenses, as well as a few bugs along the way.
All things considered, Monarch is definitely one of our favorite budgeting apps, only being beaten out by Quicken Simplifi. As you might expect, the biggest strength of Simplifi is its simplicity, and how it eases you into using its various features. If you value that kind of user experience, it might be a better choice for you, but there’s unfortunately no free trial to take advantage of.
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Disney is investing $1 billion in OpenAI and has entered into a three-year licensing deal that will let users generate AI-powered short videos and images featuring more than 200 characters from its Disney, Marvel, Star Wars and Pixar franchises.
The new features are expected to launch in 2026 through Sora, OpenAI’s short-form video platform, and ChatGPT. A selection of user-generated short videos will also be available to stream on Disney+. The licensing agreement excludes any talent likenesses or voices. Disney will receive warrants to purchase additional OpenAI equity as part of the arrangement, and its employees will gain access to OpenAI tools including ChatGPT for building new products.
Read more of this story at Slashdot.
