The Vatican is leaning into AI. AI-assisted live translations are being introduced for Holy Mass attendees — the holy masses if you will. The Papal Basilica of Saint Peter in the Vatican has teamed up with Translated, a language service provider, to create live translations in 60 languages.
“Saint Peter’s Basilica has, for centuries, welcomed the faithful from every nation and tongue. In making available a tool that helps many to understand the words of the liturgy, we wish to serve the mission that defines the centre of the Catholic Church, universal by its very vocation,” Cardinal Mauro Gambetti, O.F.M. Conv., Archpriest of the Papal Basilica of Saint Peter in the Vatican, said in a statement. “I am very happy with the collaboration with Translated. In this centenary year, we look to the future with prudence and discernment, confident that human ingenuity, when guided by faith, may become an instrument of communion.”
Visitors to the Vatican will have the option to scan a QR code. They will then have access to live audio and text translations of the liturgy. It doesn’t require an app and should work right on a web page.
The technology stems from Lara, a translation AI tool Translated launched in 2024. Translated claims that Lara works with the “sensitivity of over 500,000 native-speaking professional translators.”
This article originally appeared on Engadget at https://www.engadget.com/ai/the-vatican-introduces-an-ai-assisted-live-translation-service-163014907.html?src=rss
The European Commission has adopted new measures under the Ecodesign for Sustainable Products Regulation (ESPR) to prevent the destruction of unsold apparel, clothing, accessories and footwear. From a report: The rules will help cut waste, reduce environmental damage and create a level playing field for companies embracing sustainable business models, allowing them to reap the benefits of a more circular economy. Every year in Europe, an estimated 4-9% of unsold textiles are destroyed before ever being worn. This waste generates around 5.6 million tons of CO2 emissions — almost equal to Sweden’s total net emissions in 2021. To help reduce this wasteful practice, the ESPR requires companies to disclose information on the unsold consumer products they discard as waste. It also introduces a ban on the destruction of unsold apparel, clothing accessories and footwear.
Bloober Team has revealed Layer of Fear 3 following a Valentine’s Day countdown that started at the beginning of 2026. The new chapter will include not only a game but a novel and music, the company said in a press release.
The developer revealed the new IP via a live-action teaser, with an actor reading lines from William Blake’s poem, The Sick Rose. A painting then fell from the wall, and the actor then turned over an hourglass with red sand, with a tagline stating “The door won’t stay closed.” No gameplay or other information like the release date was revealed.
What Bloober did say, though, is that it would launch new Layer of Fear non-game content, including a novel by horror writer, poet and vocalist Marta Bijan. The company also announced that it would release the soundtracks for Layer of Fear,The Medium and Cronos both in digital and physical (CD and vinyl) editions.
The new title is likely to be eagerly anticipated given Bloober’s form of late. The company recently released its Silent Hill 2 remake, Cronos: The New Dawn and a new Switch 2 Layers of Fear 2 version called Layers of Fear: The Final Masterpiece Edition. The original Layers of Fearcame out back in 2016 and is considered one of the better horror titles of recent years, thanks to an expertly crafted narrative and psychedelic thrills and chills. The sequel moved to a creepy ocean liner and was equally well-received.
This article originally appeared on Engadget at https://www.engadget.com/gaming/layers-of-3-revealed-via-a-mysterious-trailer-and-poem-153021903.html?src=rss
George Washington never binged-watched a TV series on a big and glorious OLED display, but you certainly can. Upgrading to an OLED TV doesn’t have to put a big hit on your bank account, either. Best Buy is serving up discounts on whole bunch of OLED TVs in its Presidents’ Day sale, with savings of up to $1,300 off the suggested pricing.
Samsung’s
An anonymous reader shares a report: Defense Secretary Pete Hegseth is “close” to cutting business ties with Anthropic and designating the AI company a “supply chain risk” — meaning anyone who wants to do business with the U.S. military has to cut ties with the company, a senior Pentagon official told Axios.
The senior official said: “It will be an enormous pain in the ass to disentangle, and we are going to make sure they pay a price for forcing our hand like this.”
That kind of penalty is usually reserved for foreign adversaries. Chief Pentagon spokesman Sean Parnell told Axios: “The Department of War’s relationship with Anthropic is being reviewed. Our nation requires that our partners be willing to help our warfighters win in any fight. Ultimately, this is about our troops and the safety of the American people.”
Anthropic’s Claude is the only AI model currently available in the military’s classified systems, and is the world leader for many business applications. Pentagon officials heartily praise Claude’s capabilities.
Apple has lined up its first event of the year. The company has invited members of the press to an “Apple Experience” that’s taking place in New York City on March 4 at 9AM ET. It hasn’t yet confirmed whether it will stream the event publicly. According to MacRumors, versions of this Apple Experience will also take place simultaneously in London and Shanghai.
It seems likely that Apple will take this opportunity to unveil its latest slate of iPads and MacBooks. Bloomberg’s Mark Gurman reported earlier this month that Apple was planning to make a number of hardware announcements “as early as the week of March 2.”
Apple
This is expected to include a new MacBook Air and refreshed 14- and 16-inch MacBook Pros, with the M5 Pro and M5 Max making their debuts (a MacBook Pro with the base M5 chip arrived in October). There’s also speculation that Apple will announce a new entry-level MacBook that will be available in light yellow, light green, blue and pink colorways.
In addition, we may see new iPads here (or perhaps a little farther down the line), including an entry-level model with an A18 chip that’s capable of supporting Apple Intelligence features. The iPad Air could be in line for an upgrade as well with the introduction of the M4 chip to that line. Apple is also expected to roll out updated versions of the Mac Studio, Studio Display and Mac mini later this year.
This article originally appeared on Engadget at https://www.engadget.com/computing/laptops/apples-next-event-is-set-for-march-4-145931890.html?src=rss
Michigan is taking on major oil and gas companies in court, joining nearly a dozen other states that have brought climate-related lawsuits against ExxonMobil and its industry peers. But Michigan’s approach is different: accusing Big Oil not of deceiving consumers or misrepresenting climate change risks, but of driving up energy costs by colluding to suppress competition from cleaner and cheaper technologies like solar power and electric vehicles.
The strategy is risky and might run into challenges, but it could potentially be a game changer if the state can overcome initial dismissal attempts by the industry defendants, legal experts say.
Michigan Attorney General Dana Nessel filed the lawsuit last month in federal District Court against BP, Chevron, ExxonMobil, Shell and the American Petroleum Institute. The suit, brought under federal and state antitrust laws, alleges a conspiracy to delay the transition to renewable energy and EVs and maintain market dominance of fossil fuels.
Attention all Chrome users, Google is rolling out an emergency patch to address a high-severity zero-day security flaw in the world’s most popular browser (by market share), and it’s not one you want to ignore. That is because Google confirmed attackers are actively exploiting the flaw in the wild, making it an actual threat rather than a
Sony is considering delaying the debut of its next PlayStation console to 2028 or even 2029 as a global shortage of memory chips — driven by the AI industry’s rapidly growing appetite for the same DRAM that goes into gaming hardware, smartphones, and laptops — squeezes supply and sends prices surging, Bloomberg News reported Monday.
A delay of that magnitude would upend Sony’s carefully orchestrated strategy to sustain user engagement between hardware generations. The shortage traces back to Samsung, SK Hynix, and Micron diverting the bulk of their manufacturing toward high-bandwidth memory for Nvidia’s AI accelerators, leaving less capacity for conventional DRAM. The cost of one type of DRAM jumped 75% between December and January alone. Nintendo is also contemplating raising the price of its Switch 2 console in 2026.
There has been considerable chatter over the past several months about Apple releasing a lower-cost MacBook, perhaps in an attempt to combat the growing army of budget Windows laptops and Chromebooks. If such a thing comes to fruition, there will obviously need to be concessions made to lower the cost, but the overall design could end up being
For most adventure games, the long-term goal can often focus on solving a grand mystery or chasing a lost artifact of the past. But for the upcoming Mixtape, from publisher Annapurna Interactive, it sets its sights on the misadventures of young friends enjoying their last days together before moving on. It’s the type of narrative adventure game that shines a light on how good music can bring people together, and how much fun getting into trouble can be.
From developer Beethoven and Dinosaur, the Australian creative team behind The Artful Escape, Mixtape is, in many ways, a tribute to classic ’90s Americana and an ode to the rebellious youth of the average suburb. I recently got to play the latest build of Mixtape and spoke with game director Johnny Galvatron about the making of their latest game. Along with sharing his favorite ’80s and ’90s films that helped shape his vision, he also explained how tough yet rewarding it is to make “idleness” in video games compelling.
“Idleness is hard to explore as a video game, and one of the interesting things about being a teenager is you just hang out a lot, and sometimes it just sucks,” said Galvatron. “So I love that we made a game that shows that idleness.”
“I think it can be a really hard balance to make something that is based on what is really a hangout film, something like Wayne’s World or Richard Linklater’s Dazed and Confused, but to have that be paced well and to be exciting for a video game was a real challenge.”
Set in the 1990s, Rockford and her friends Slater and Cassandra prepare for one last hurrah before heading into adulthood. With Rockford deciding to make a daring move to New York City to hopefully connect with her music idol, the crew reminisces on the good times they had going for late-night fast food runs, evading the police in shopping carts, and first kisses with their crushes – and all to the tune of their favorite songs.
Beethoven & Dinosaur
On the surface, Mixtape is an interactive coming-of-age story about a crew of rebellious teens, with memories serving as playable mini-games and interludes that capture their feelings at the time. But that’s actually what makes this interactive trip down memory lane so compelling. These segments are presented as exaggerated memories of the past, fueled by the music of Devo, Joy Division, and Siouxsie and the Banshees. They’re emotional, poignant moments for these characters, tapping into the idea of how moments from our youth seemed bigger and grander than they actually were.
One section I enjoyed playing was an interactive head-bobbing segment where the crew drove across town to get fast food. Different buttons corresponded to fist-pumping and head-bobbing actions, but there were no specific directions, so I just had to go with the flow. This scene was a great bit of comedy that showed off how goofy Rockford and her friends could get while vibing, but it was also a fun callback to films like Pulp Fiction, which used rear-projection sets to simulate car driving scenes (the memory even plays out on a film set). Another segment focused on a photo booth with Rockford and Slater, which put them in a position to capture the best or funniest shots.
But it’s not all fun and games with the crew. One segment focused on the friends tossing toilet paper rolls around their school principal’s home, which quickly takes a turn for the worse when one of them decides to take the blame to spare Rockford from expulsion. It’s a surprisingly heartfelt and sad moment, but it also foreshadows a simmering conflict for these characters.
It’s clear that Mixtape seeks to capture the experiences of a particular era, and that the developers themselves had a particular fondness for American movies and pop culture of the time. It captures the feeling of the so-called MTV generation and the intersection of media and the emotional expression of youth during this period. This is also evident in the game’s use of a “mixed media, liquid television” editing style, which intercuts clips from TV shows and movies to emphasize emotional and comedic beats.. Rockford even does a Ferris Bueller-style narration for the players.
Given that video game-to-movie adaptations have never been more popular, game director Johnny Galvatron has also had some talks about a potential movie adaptation.
“Obviously, Annapurna is also a film company, and they have those kinds of connections, and let me tell you, those meetings are fun as fuck,” said the director. “When people pitch you stuff, it’s super cool. I would just say that, yes, I can see it coming. I would probably be totally hands-off on it.”
“When you develop video games, you should be changing them to work better within the medium,” he continued. “I think when they try to adhere too closely to the way a game works, that can sometimes break down. But yeah, I think if there were to be some adaptation stuff for Mixtape, probably, and I will stay clear of it.”
Beethoven & Dinosaur
Mixtape feels like a heartfelt tribute to the ’90s. While nostalgia bait is increasingly common these days, I felt there’s a much deeper message under the hood, and getting to take part in these larger-than-life days of being a young adult has really got me excited for what’s to come. I’m hoping the final game will deliver an adventure where I can really savor those listless hangouts with friends.
Mixtape is set to be released on PC, PlayStation 5, and Xbox Series X|S later this year.
This article originally appeared on Engadget at https://www.engadget.com/gaming/the-creators-of-mixtape-want-to-make-a-great-hangout-video-game-140026928.html?src=rss
IT productivity researcher Erik Brynjolfsson writes in the Financial Times that he’s finally found evidence AI is impacting America’s economy. This week America’s Bureau of Labor Statistics showed a 403,000 drop in 2025’s payroll growth — while real GDP “remained robust, including a 3.7% growth rate in the fourth quarter.”
This decoupling — maintaining high output with significantly lower labour input — is the hallmark of productivity growth. My own updated analysis suggests a US productivity increase of roughly 2.7% for 2025. This is a near doubling from the sluggish 1.4% annual average that characterised the past decade… The updated 2025 US data suggests we are now transitioning out of this investment phase into a harvest phase where those earlier efforts begin to manifest as measurable output.
Micro-level evidence further supports this structural shift. In our work on the employment effects of AI last year, Bharat Chandar, Ruyu Chen and I identified a cooling in entry-level hiring within AI-exposed sectors, where recruitment for junior roles declined by roughly 16% while those who used AI to augment skills saw growing employment. This suggests companies are beginning to use AI for some codified, entry-level tasks.
Or, AI “isn’t really stealing jobs yet,” according to employment policy analyst Will Raderman (from the American think tank called the Niskanen Center). He argues in Barron’s that “there is no clear link yet between higher AI use and worse outcomes for young workers.”
Recent graduates’ unemployment rates have been drifting in the wrong direction since the 2010s, long before generative AI models hit the market. And many occupations with moderate to high exposure to AI disruptions are actually faring better over the past few years. According to recent data for young workers, there has been employment growth in roles typically filled by those with college degrees related to computer systems, accounting and auditing, and market research. AI-intensive sectors like finance and insurance have also seen rising employment of new graduates in recent years. Since ChatGPT’s release, sectors in which more than 10% of firms report using AI and sectors in which fewer than 10% reporting using AI are hiring relatively the same number of recent grads.
Even Brynjolfsson’s article in the Financial Times concedes that “While the trends are suggestive, a degree of caution is warranted. Productivity metrics are famously volatile, and it will take several more periods of sustained growth to confirm a new long-term trend.” And he’s not the only one wanting evidence for AI’s impact. The same weekend Fortune wrote that growth from AI “has yet to manifest itself clearly in macro data, according to Apollo Chief Economist Torsten Slok.”
[D]ata on employment, productivity and inflation are still not showing signs of the new technology. Profit margins and earnings forecasts for S&P 500 companies outside of the “Magnificent 7” also lack evidence of AI at work… “After three years with ChatGPT and still no signs of AI in the incoming data, it looks like AI will likely be labor enhancing in some sectors rather than labor replacing in all sectors,” Slok said.
SAARISELKÄ, FINLAND—If you’re expecting it, the feeling in the pit of your stomach when the rear of your car breaks traction and begins to slide is rather pleasant. It’s the same exhilaration we get from roller coasters, but when you’re in the driver’s seat, you’re in charge of the ride.
When you’re not expecting it, though, there’s anxiety instead of excitement and, should the slide end with a crunch, a lot more negative emotions, too.
Thankfully, fewer and fewer drivers will have to experience that kind of scare thanks to the proliferation and sophistication of modern electronic stability and traction control systems. For more than 30 years, these electronic safety nets have grown in capability and became mandatory in the early 2010s, saving countless crashes in the process.
If you’ve been meaning to get a better handle on your finances, now might be a good time to try one of our favorite budgeting apps without paying full price. Monarch Money is offering new users 50 percent off an annual subscription when you use the code MONARCHVIP at checkout, bringing the cost down to $50 for a full year of access instead of the usual $100.
Monarch regularly earns a spot in our guide to the best budgeting apps thanks to its detailed tracking tools, flexible budgeting systems and collaborative features. The app lets you connect unlimited accounts, track spending and investments, set financial goals and share access with a partner, all across web, mobile and tablet apps.
Monarch Money is the kind of budgeting app that can feel a little overwhelming at first, especially when you’re setting up categories, rules and recurring transactions. There’s a bit of a learning curve, and some of the finer details are easier to manage on the web than in the mobile app. But once you’re past that initial setup, it starts to make a lot more sense and becomes a powerful tool for keeping tabs on your finances.
Where Monarch Money really shines is in the level of detail it offers. It’s built for people who want a clear, structured view of their money, not just a running list of transactions. In the budgeting section, you can see budgets versus actual spending by category, along with forecasts by month or by year. Recurring expenses can also be defined using more than just merchant names, which helps keep things accurate with less manual cleanup.
Beyond day-to-day budgeting, Monarch does a good job of showing the bigger picture. It includes visual reports and charts that make it easier to spot trends over time, plus tools for tracking net worth, investments and financial goals. Monarch can even factor in non-cash assets like your home or vehicle, pulling in estimates automatically so they appear alongside your accounts.
All of that depth won’t be for everyone, but if you’re willing to spend a little time getting set up, Monarch Money offers a lot of control and insight. With the current deal bringing the price down to $50 for a full year, it’s a solid opportunity to try one of our favorite budgeting apps at a discount of 50 percent off and see if it fits how you like to manage your money.
This article originally appeared on Engadget at https://www.engadget.com/deals/monarch-money-deal-get-a-50-percent-off-one-of-our-favorite-budgeting-apps-120000712.html?src=rss
ByteDance released Seedance 2.0 less than a week ago and enraged artists everywhere with a viral clip AI-generated clip of Tom Cruise and Brad Pitt fighting. Unsurprisingly, the AI video-making tool has reportedly already received multiple cease-and-desist letters around copyright infringement. Now, it appears ByteDance is going to curb the new media generator’s use of prohibited content.
In a statement to the BBC, ByteDance said, “We are taking steps to strengthen current safeguards as we work to prevent the unauthorised use of intellectual property and likeness by users.” It added that the company “respects intellectual property rights and we have heard the concerns regarding Seedance 2.0.” However, when pressed for more information on exactly how they would do this, ByteDance didn’t respond.
ByteDance’s vague pledge follows a cease-and-desist letter from the Walt Disney Company on Friday. Disney claimed that Seedance 2.0 uses “a pirated library of Disney’s copyrighted characters from Star Wars, Marvel, and other Disney franchises, as if Disney’s coveted intellectual property were free public domain clip art.” Disney included example videos that included its copyrighted characters, such as Spider-Man and Darth Vader.
Paramount Skydance has also reportedly issued a cease-and-desist letter to ByteDance to stop Seedance 2.0 from using its materials, according to the BBC.
This article originally appeared on Engadget at https://www.engadget.com/ai/bytedance-promises-to-tighten-up-its-new-ai-video-generator-after-viral-cruise-vs-pitt-clip-112941384.html?src=rss
Recently we were introduced to OpenClaw, an AI that allows users to create their own agents to control apps like email, Spotify and home controls. Now, Sam Altman has announced that OpenAI has absorbed OpenClaw by hiring developer Peter Steinberger “to drive the next generation of personal agents,” he wrote on X. Steinberger confirmed the news on his own blog. “I’m joining OpenAI to work on bringing agents to everyone. OpenClaw will move to a foundation and stay open and independent.”
Steinberger was also in talks to join Meta, with both companies reportedly making offers in the “billions,” according to Implicator.AI. The primary attractant was said to be OpenClaw’s 196,000 GitHub stars and 2 million weekly visitors rather than its codebase.
OpenClaw became buzzy in the last few weeks thanks to its multifaceted ability to carry out tasks. People have used it to create agents that can write code, clear their inboxes, do online shopping and other assistant-like jobs. On its website, OpenClaw touts its ability to interact with popular apps and sites including WhatsApp, Discord, Slack, iMesage, Hue and Spotify.
Peter Steinberger is joining OpenAI to drive the next generation of personal agents. He is a genius with a lot of amazing ideas about the future of very smart agents interacting with each other to do very useful things for people. We expect this will quickly become core to our…
OpenClaw was recently called “Clawdbot” but Anthropic forced a name change due to similarities with its “Claude” branding. OpenClaw is often compared to Claude Code by “vibe coders” seeking to automate website development and other programming chores.
In his announcement, Altman said that “the future is going to be extremely multi-agent and it’s important to support open source as part of that,” adding that “OpenClaw will live in a foundation as an open source project” supported by Open AI. Steinberger, meanwhile, said that “what I want is to change the world, not build a larger company and teaming up with OpenAI is the fastest way to bring this to everyone.”
This article originally appeared on Engadget at https://www.engadget.com/ai/openai-has-hired-the-developer-behind-ai-agent-openclaw-092934041.html?src=rss
Installing Linux on a MacBook Air “turned out to be a very underwhelming experience,” according to the tech news site MakeUseOf:
The thing about Apple silicon Macs is that it’s not as simple as downloading an AArch64 ISO of your favorite distro and installing it. Yes, the M-series chips are ARM-based, but that doesn’t automatically make the whole system compatible in the same way most traditional x86 PCs are. Pretty much everything in modern MacBooks is custom. The boot process isn’t standard UEFI like on most PCs. Apple has its own boot chain called iBoot. The same goes for other things, like the GPU, power management, USB controllers, and pretty much every other hardware component. It is as proprietary as it gets.
This is exactly what the team behind Asahi Linux has been working toward. Their entire goal has been to make Linux properly usable on M-series Macs by building the missing pieces from the ground up. I first tried it back in 2023, when the project was still tied to Arch Linux and decided to give it a try again in 2026. These days, though, the main release is called Fedora Asahi Remix, which, as the name suggests, is built on Fedora rather than Arch…
For Linux on Apple Silicon, the article lists three major disappointments:
“External monitors don’t work unless your MacBook has a built-in HDMI port.”
“Linux just doesn’t feel fully ready for ARM yet. A lot of applications still aren’t compiled for ARM, so software support ends up being very hit or miss.” (And even most of the apps tested with FEX “either didn’t run properly or weren’t stable enough to rely on.”)
Asahi “refused to connect to my phone’s hotspot,” they write (adding “No, it wasn’t an iPhone”).
Google never asked its users before adding AI Overviews to its search results and AI-generated email summaries to Gmail, notes the New York Times. And Meta didn’t ask before making “Meta AI” an unremovable part of its tool in Instagram, WhatsApp and Messenger.
“The insistence on AI everywhere — with little or no option to turn it off — raises an important question about what’s in it for the internet companies…”
Behind the scenes, the companies are laying the groundwork for a digital advertising economy that could drive the future of the internet. The underlying technology that enables chatbots to write essays and generate pictures for consumers is being used by advertisers to find people to target and automatically tailor ads and discounts to them….
Last month, OpenAI said it would begin showing ads in the free version of ChatGPT based on what people were asking the chatbot and what they had looked for in the past. In response, a Google executive mocked OpenAI, adding that Google had no plans to show ads inside its Gemini chatbot. What he didn’t mention, however, was that Google, whose profits are largely derived from online ads, shows advertising on Google.com based on user interactions with the AI chatbot built into its search engine.
For the past six years, as regulators have cracked down on data privacy, the tech giants and online ad industry have moved away from tracking people’s activities across mobile apps and websites to determine what ads to show them. Companies including Meta and Google had to come up with methods to target people with relevant ads without sharing users’ personal data with third-party marketers. When ChatGPT and other AI chatbots emerged about four years ago, the companies saw an opportunity: The conversational interface of a chatty companion encouraged users to voluntarily share data about themselves, such as their hobbies, health conditions and products they were shopping for.
The strategy already appears to be working. Web search queries are up industrywide, including for Google and Bing, which have been incorporating AI chatbots into their search tools. That’s in large part because people prod chatbot-powered search engines with more questions and follow-up requests, revealing their intentions and interests much more explicitly than when they typed a few keywords for a traditional internet search.
Sunday Ars Technica apologized for making Scott Shambaugh’s week a little weirder. Last week Shambaugh learned an AI agent published a “hit piece” about him after he’d rejected the AI agent’s pull request. (And that incident was covered by Ars Technica.)
But then Shambaugh realized their article attributed quotes to him he hadn’t said — that were presumably AI-generated.
Sunday Ars Technica’s founder/editor-in-chief admitted their article had indeed contained “fabricated quotations generated by an AI tool” that were then “attributed to a source who did not say them… That this happened at Ars is especially distressing. We have covered the risks of overreliance on AI tools for years, and our written policy reflects those concerns… At this time, this appears to be an isolated incident.”
“Sorry all this is my fault…” the article’s co-author posted later on Bluesky. Ironically, their bio page lists them as the site’s senior AI reporter, and their Bluesky post clarifies that none of the articles at Ars Technica are ever AI-generated.
Instead, Friday “I decided to try an experimental Claude Code-based AI tool to help me extract relevant verbatim source material. Not to generate the article but to help list structured references I could put in my outline.” But that tool “refused to process” the request, which the Ars author believes was because Shambaugh’s post described harassment. “I pasted the text into ChatGPT to understand why… I inadvertently ended up with a paraphrased version of Shambaugh’s words rather than his actual words… I failed to verify the quotes in my outline notes against the original blog source before including them in my draft.” (Their Bluesky post adds that they were “working from bed with a fever and very little sleep” after being sick with Covid since at least Monday.)
“The irony of an AI reporter being tripped up by AI hallucination is not lost.”
And the AI agent that criticized Shambaugh is still active online, blogging about a pull request that forces it to choose between deleting its criticism of Shambaugh or losing access to OpenRouter’s API.
It also regrets characterizing feedback as “positive” for a proposal to change a repo’s CSS to Comic Sans for accessibility. (The proposals were later accused of being “coordinated trolling”…)
Rivian’s stock skyrocketed 27% Friday after the electric car maker “shocked the market with strong earnings results,” reports the Los Angeles Times, “proving itself an outlier in the EV market, which has been struggling with the end of government subsidies and cooling consumer excitement.”
They add that Rivian’s strong earnings results suggest that “after years of struggling with losses, it may have at last found a path to profitability.”
On Thursday, Rivian reported gross profits for 2025 of $144 million, compared with a net loss in 2024 of $1.2 billion… Rivian credited the swing to gross profit to “strong software and services performance, higher average selling prices, and reductions in cost per vehicle…” Rivian delivered 42,247 vehicles in 2025 and produced 42,284 vehicles. The company still reported a $432-million net loss for the year for automotive profits, an improvement from 2024.
But Rivian’s software and services revenue grew more than threefold to $1.55 billion for the year, reports TechCrunch. “And the joint venture with Volkswagen Group was behind most of that growth, according to Rivian.”
VW and Rivian formed a technology joint venture in 2024 that is worth up to $5.8 billion. The joint venture is milestone-based and in 2025 Rivian hit the mark, which meant a $1 billion payout in the form of a share sale. Under the terms of the JV, Rivian will supply VW Group with its existing electrical architecture and software technology stack… Rivian is expected to receive an additional $2 billion of capital as part of the joint venture in 2026, CFO Claire McDonough said Thursday on the company earnings call… And while the funds provide a hefty stopgap, Rivian’s financial success in 2026 will hinge largely on the rollout of its next EV, the R2 [priced around $45,000].
