This Solar-Powered, Subscription-Free Eufy Security Camera Is $100 Right Now

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If you’re looking for an outdoor security camera that doesn’t need constant battery swaps or a monthly subscription, the Eufy SoloCam S40 might be worth considering—especially now that it’s $99.99 (down from its usual $199). This battery-powered camera comes with a built-in solar panel, which, according to Eufy, only needs two hours of direct sunlight daily to stay charged. That’s the kind of low-maintenance setup we want, but as with all solar-powered devices, real-world performance depends on actual sunlight exposure, so if you live somewhere gloomy or have lots of shade, you might run into trouble. Setup is straightforward, with built-in wifi allowing it to connect directly to your router without requiring a base station (but that also means you’ll need a strong signal wherever you install it).

Security features are solid. The 90dB siren can be activated remotely if an intruder is spotted, and the two-way audio lets you communicate with visitors—or warn off unwanted ones. AI-powered motion detection helps cut down false alerts by recognizing whether movement is from a person or something else, and custom activity zones allow you to filter notifications to specific areas. Unlike many competing security cameras, the SoloCam S40 doesn’t require a subscription to access past recordings. Instead, it comes with 8GB of built-in storage. However, HomeKit isn’t supported, which might be a dealbreaker if you’re deep into Apple’s ecosystem. On the plus side, Alexa and Google Assistant integration means you can view the live feed on a smart display or include the camera in automation routines.

The IP67-rated build of the SoloCam S40 means it can handle rain and dust, while its 130-degree field of view provides decent coverage. When motion is detected, you’ll get instant alerts on your smartphone and access to a 2K video feed through the Eufy Security app. The app also lets you tweak motion settings and review recordings, among other controls. Day or night, footage is recorded in color, thanks to its 600-lumen floodlight, though this light can only be set to trigger on motion detection or be manually turned on via the app—it won’t stay on for general illumination (something to consider if you were hoping to use it as a permanent fixture for illuminating a driveway or entryway).

Sophisticated 0-Day Targets Millions Of iPhone, iPad, Mac And Vision Pro Devices

Sophisticated 0-Day Targets Millions Of iPhone, iPad, Mac And Vision Pro Devices
If you own an Apple device, there’s a good chance an important security update is available, one that addresses an “extremely sophisticated attack” zero-day security flaw that’s being actively exploited in the wild. Your Apple Watch and AirPods are not affected, but practically every other device is, including several generations of iPhone

The Devil May Cry Netflix series has a real trailer, and now Papa Roach is stuck in my head

There are many reasons Devil May Cry fans will enjoy the upcoming show adaptation’s new trailer. But, I must warn you, after watching it Papa Roach’s “Last Resort” will be stuck in your head for days. The early 2000s song plays alongside a two-minute trailer that showcases Dante and, notably, his twin brother Vergil. 

There are many great takeaways from this peek at the show, but one of the most amusing might be when Lady rips of Dante’s shirt and he responds, “Ripped and irresistible dream boat, I know. You still can’t just tear a guy’s clothes off.” It’s that kind of lighthearted banter mixed with the action sequences that make us so excited for the Devil May Cry series. 

A television series version of Capcom’s Devil May Cry game has been in the works for years now. We first got a teaser back in 2023, but we only learned in January that it will premiere on Netflix on April 3. The animated series from Korean company Studio Mir is actually Devil May Cry‘s second go as a show — in 2007, a 12-episode anime based on the game ran in Japan. 

Not familiar with the video game? Here’s Netflix’s synopsis for the Devil May Cry TV show: “Sinister forces are at play at the portal between the human and demon realms. In the middle of it all is Dante, an orphaned demon hunter for hire, unaware that the fate of both worlds hangs around his neck.”

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-devil-may-cry-netflix-series-has-a-real-trailer-and-now-papa-roach-is-stuck-in-my-head-131853378.html?src=rss

Microsoft’s Latest Update Patches 57 Security Vulnerabilities

Microsoft’s released its monthly Patch Tuesday update for March 2025 to fix 57 bugs across Windows, Office, Azure, and other Microsoft systems. Seven of the patches address zero-day vulnerabilities, six of which have been actively exploited.

According to Bleeping Computer, this month’s update fixes 23 elevation of privilege flaws, three security feature bypass flaws, 23 remote code execution flaws, four information disclosure flaws, one denial of service flaw, and three spoofing flaws. Microsoft also released patches to numerous vulnerabilities in Mariner and Microsoft Edge this month.

Patch Tuesday fixes for March

Seven of the flaws fixed were zero-day vulnerabilities, which allow bad actors to exploit systems before an official patch is released by developers. In this case, six of the seven zero-day vulnerabilities were actively exploited, while one was publicly exposed—so it’s only a matter of time before actors exploit this seventh vulnerability, as well.

Two of the six active exploits (CVE-2025-24985 and CVE-2025-24993) are remote code execution vulnerabilities, through which attackers trick users into mounting a malicious VHD file to run code remotely. One affects the Windows Fast FAT System Driver, while the other is a flaw in Windows NTFS.

Two of the active exploits are information disclosure vulnerabilities, both in Windows NTFS. CVE-2025-24984 allows bad actors with physical access to a device to read memory and steal data when a malicious USB drive is inserted, while CVE-2025-24991 is exploited when a user mounts a malicious VHD file.

Finally, there’s CVE-2025-24983, a vulnerability in the Windows Win32 Kernel Subsystem that allows local attackers to gain system privileges on a device, and CVE-2025-26633, a security feature bypass vulnerability in the Microsoft Management Console.

Microsoft says most of the exploited zero-days flaws were disclosed anonymously, though CVE-2025-24983 was identified by ESET and CVE-2025-26633 by Trend Micro.

The publicly disclosed zero-day—labeled CVE-2025-26630 and discovered by Unpatched.ai—allows remote code execution in Microsoft Office Access if the user opens a file sent via a phishing or social engineering attack. Microsoft also released patches for six other “critical” vulnerabilities affecting Microsoft Office, Remote Desktop Client, Windows Domain Name Service, Windows Remote Desktop Services, and Windows Subsystem for Linux Kernel.

How to install Microsoft’s latest security updates

Microsoft releases its Patch Tuesday fixes on the second Tuesday of every month at 10 a.m. PT and pushes notifications and security updates to users if needed. Windows and Microsoft security updates generally download and install automatically on your PC. To ensure your PC is updated, go to Start > Settings > Windows Update, and select Check for Windows updates.

Netflix’s first gaming boss has left the company

Mike Verdu has left Netflix, according to Game File with Stephen Totilo. Netflix brought the former Oculus and EA exec onboard to launch and lead its gaming efforts in 2021. Under Verdu’s leadership, the company released a bunch of new and ported titles, as well as establishing an internal game development operation. In mid-2024, however, Netflix changed its gaming strategy and hired Alain Tascan, the executive vice president for game development at Epic Games, to lead its gaming efforts. Verdu still served as the VP for games until November 2024, after which he was named as the Vice President of generative AI for games. 

On LinkedIn, Verdu wrote that his role was about “driving a ‘once in a generation’ inflection point for game development and player experiences using generative AI.” He added that he was “focused on a creator-first vision for AI, one that puts creative talent at the center, with AI being a catalyst and an accelerant.” Verdu has yet to update his LinkedIn profile with a new role. As Totilo said in his newsletter, Netflix’s gaming efforts have undergone some big changes since Tascan took over. 

In 2022, Netflix hired former Overwatch boss Chacko Sonny to lead an internal AAA studio known as Team Blue. It then brought on Halo exec Joseph Staten, as well as God of War art director Rafael Grassett to work on a multi-platform AAA game for an all-new IP. But in October 2024, Netflix shut down Team Blue. The company had also lost Leanne Loombe, who headed up its second and third-party gaming development and publishing efforts. Loombe recently became the head of games at Annapurna Interactive following a mass exodus, wherein all 25 members of the studio’s team collectively resigned. And in early February, Netflix canceled its release plans for six games that were previously heading to iOS and Android, including Thirsty Suitors and Tales of the Shire: A Lord of the Rings Game. 

This article originally appeared on Engadget at https://www.engadget.com/gaming/netflixs-first-gaming-boss-has-left-the-company-124555235.html?src=rss

Spotify tries to defend its artist payout rates

It’s no secret that Spotify isn’t a big money maker for most artists. But, in its annual Loud & Clear report, the music streamer is trying to change the narrative, reiterating an earlier claim that it paid artists $10 billion in 2024 ($60 million since launching) and adding that these payments increased tenfold over the last 10 years. 

Spotify throws in quite a few other big numbers into the 2024 report. It claims that the 100,000th most streamed artist also saw a tenfold increase over a decade, receiving $6,000, up from $600. Meanwhile, the 10,000th most streamed artist reportedly received $131,000, up from $34,000. Plus, it reports that almost 1,500 artists generated over $1 million.

Despite these numbers, Spotify still doesn’t hold much goodwill from artists. For starters, a report from music catalog buyer Duetti found that Spotify paid out $3 per 1,000 streams in 2024, while the same figure gave artists $4.80 at YouTube, $6.20 at Apple Music and $8.80 at Amazon Music. In a statement after the report’s release, Spotify told TechCrunch, “These claims are ridiculous and unfounded,” and argued that music platforms don’t pay by stream. 

In January, Billboard reported that four of the five artists nominated at the Grammys for songwriter of the year chose to skip Spotify’s Grammy party for songwriters — all of Spotify’s Grammy parties were eventually canceled because of the Los Angeles wildfires. Songwriters, including Jesse Jo Dillon and Amy Allen, both cited Spotify’s decision last year to bundle audiobooks and songs in subscription tiers. The publication had previously reported that the new premium, duo and family tiers meant songwriters got paid a discounted bundle rate, losing an estimated $150 million in US mechanical royalties over the first 12 months. 

This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/spotify-tries-to-defend-its-artist-payout-rates-120021659.html?src=rss

How to prepare your phone for trade-in

We’ve come a long way from the days of discarding smartphones as soon as a new model comes out. Many shoppers are now demanding devices that will last for years, and they are being more conscientious about what happens to those gadgets when the need for an upgrade does arrive.

You may want to trade in your smartphone or sell it when the time comes; either option can keep your device out of a landfill in addition to scoring you some extra cash. There are also options to recycle part or all of your phone if it’s too old to make a trade-in worthwhile. Whatever path you choose, there are important steps to take to prepare a phone you’re about to get rid of. These instructions apply to any model you might have, including both iPhones and Android phones. Here’s what you need to know.

Back up your data

Let’s start with a very important reminder to do regular backups for all of your gear, not just your phone. It’s a task you should keep up with routinely even when you aren’t about to recycle or trade-in a device.

Most hardware manufacturers have an automatic cloud backup system, but you’ll like your new phone a lot less if it doesn’t have your full, up-to-date library of contacts, photos and other information. This is the time to manually back everything up with all of your latest data.

Also, before you get any further into the process, make sure that you know the critical details for your phone and the main accounts associated with it. Halfway through is the worst time to lose access to your device because you can’t remember your username or password.

Unpair wireless accessories

Most people connect their phone to many other gadgets via Bluetooth. There are obvious ones, like smartwatches and wireless headphones, but you might also have your phone paired with something like a car stereo or a portable speaker. All of them should be unpaired from the phone you’re about to trade in.

If you use your phone in two-factor authentication for sensitive accounts, you’ll want to make sure that you disconnect the device from those services, too.

Log out of apps and services

Next, you’ll sign out of the device’s cloud-based service. For iPhone owners, that’s iCloud, and on Android, it’s the Google suite. This will avoid any confusion with your new device. You’ll also want to turn off Find My on iPhones or Find My Device on Android phones. iPhone users should also deregister iMessage on their old iPhone, particularly if they’re moving to a non-Apple smartphone. These steps might seem unnecessary when you’ll end up wiping your device entirely, but you don’t want to risk having your personal information accidentally made available to whoever might get your phone next.

Also, if you are under a plan that protects your phone, such as Apple Care or Preferred Care, you can usually cancel that coverage early. You’ll get a refund on any unexpired coverage, and given how expensive gadgets can be now, it’s worth getting that money back if you can.

Swap to the new device

At this point, your to-do list will vary. If you’re planning to trade up to a newer model from the same manufacturer and you already have your new phone, then you’ll want to transfer your data before moving on to wiping your old phone. Either in the store or on your own, in most cases you can wirelessly migrate your data from the old device to the new one.

If you’re changing lanes between the Apple and Google universes, you can also do most data swapping yourself. There’s a Google Play app called Move to iOS and one in the App Store called Android Switch that can walk you through the process. Just be sure that your device meets the requirements to use those programs.

However, if you aren’t immediately setting up a new device, then you can skip this and move on to the next phase.

Factory reset your old device

Once you double-check that you have everything backed up (seriously, don’t take chances on this), then it’s time to perform a factory reset. This will remove all of your data and apps, and bring the phone back to its original state. It’s ideal to do this reset as the final step of trading in, selling or recycling a device.

Whatever phone model you have, the reset option will be in the Settings app. It will commonly be nested under a tab like General or About, or you can search “reset” within Settings to find exactly where it is on your device.

Remove any accessories

This might seem obvious, but right before handing off your phone, make sure that you remove any accessories. Cases, grips and screen protectors should stay with you, not with the phone when it goes to its new home.

This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/how-to-prepare-your-phone-for-trade-in-120000724.html?src=rss

Solar Adds More New Capacity To the US Grid In 2024 Than Any Energy Source In 20 Years

AmiMoJo shares a report from Electrek: The U.S. installed 50 gigawatts (GW) of new solar capacity in 2024, the largest single year of new capacity added to the grid by any energy technology in over two decades. That’s enough to power 8.5 million households. According to the U.S. Solar Market Insight 2024 Year in Review report (PDF) released today by the Solar Energy Industries Association (SEIA) and Wood Mackenzie, solar and storage account for 84% of all new electric generating capacity added to the grid last year.

In addition to historic deployment, surging U.S. solar manufacturing emerged as a landmark economic story in 2024. Domestic solar module production tripled last year, and at full capacity, U.S. factories can now produce enough to meet nearly all demand for solar panels in the U.S. Solar cell manufacturing also resumed in 2024, strengthening the U.S. energy supply chain. […] Total US solar capacity is expected to reach 739 GW by 2035, but the report forecasts include scenarios showing how policy changes could impact the solar market. […] The low case forecast shows a 130 GW decline in solar deployment over the next decade compared to the base case, representing nearly $250 billion of lost investment.


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Anonymous Sources: Starship Needs a Major Rebuild After Two Consecutive Failures

Longtime Slashdot reader schwit1 shares a report from Behind The Black: According to information at this tweet from anonymous sources, parts of Starship will likely require a major redesign due to the spacecraft’s break-up shortly after stage separation on its last two test flights. These are the key take-aways, most of which focus on the redesign of the first version of Starship (V1) to create the V2 that flew unsuccessfully on those flights:

– Hot separation also aggravates the situation in the compartment.
– Not related to the flames from the Super Heavy during the booster turn.
– This is a fundamental miscalculation in the design of the Starship V2 and the engine section.
– The fuel lines, wiring for the engines and the power unit will be urgently redone.
– The fate of S35 and S36 is still unclear. Either revision or scrap.
– For the next ships, some processes may be paused in production until a decision on the design is made.
– The team was rushed with fixes for S34, hence the nervous start. There was no need to rush.
– The fixes will take much longer than 4-6 weeks.
– Comprehensive ground testing with long-term fire tests is needed. [emphasis mine]

It must be emphasized that this information comes from leaks from anonymous sources, and could be significantly incorrect. It does however fit the circumstances, and suggests that the next test flight will not occur in April but will be delayed for an unknown period beyond.


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NASA’s SPHEREx space telescope launched into orbit by a SpaceX Falcon 9 rocket

NASA’s SPHEREx observatory is now in space for a two year year mission to create a 3D map of the entire celestial sky. The telescope left the ground on top of a Falcon 9 rocket from a launch pad in California, four years after NASA announced that a SpaceX flight will launch the mission, along with NASA’s PUNCH (Polarimeter to Unify the Corona and Heliosphere) microsatellites. SPHEREx separated from SpaceX’s vehicle at 12AM Eastern time on March 12 and will remain in low Earth orbit, where it will maintain a position relative to the sun that will remain the same throughout the year.

View of @NASA‘s SPHEREx and Earth shortly after deployment pic.twitter.com/TT2pyVX43Q

— SpaceX (@SpaceX) March 12, 2025

Every 98-minute orbit the observatory makes will allow it to view a 360-degree strip of the sky in both optical as well as near-infrared light. The telescope can capture more 360-degree strips as the Earth moves around the sun, enabling it to map the entire celestial sky within six months. SPHEREx was designed to image the entire sky every six months in two years, with its goal being to create a 3D map of over 450 million galaxies. The telescope will also image and gather information on over 100 million stars in the Milky Way.

SPHEREx’s map is bound to be colorful: It will separate infrared light emitted by the stars and galaxies into 102 individual colors using a technique called spectroscopy. NASA likens it to the “way a prism splits sunlight into a rainbow.” The agency says observing the objects in different colors will reveal various properties about them, such as their composition. For galaxies, their colors could help scientists determine their distance from our planet. The data SPHEREx provides will give scientists information about what happened right after the Big Bang and could provide evidence of cosmic inflation, or the rapid expansion of the early universe. SPHEREx will shed its telescope lens’ protective cover in four days and will start its science operations in a little over a month once its temperature has cooled down. 

Meanwhile, the four PUNCH satellites, which will also take on a Sun-synchronous orbit, will map the sun’s corona by taking polarized white-light images of the celestial object. It will gather data to help us better understand how the corona turns into solar wind, which could lead to accurate predictions of space weather events affecting spacecraft orbiting the Earth. 

This article originally appeared on Engadget at https://www.engadget.com/science/space/nasas-spherex-space-telescope-launched-into-orbit-by-a-spacex-falcon-9-rocket-055518752.html?src=rss

Geothermal Could Power Nearly All New Data Centers Through 2030

An anonymous reader quotes a report from TechCrunch: There’s a power crunch looming as AI and cloud providers ramp up data center construction. But a new report suggests that a solution lies beneath their foundations. Advanced geothermal power could supply nearly two-thirds of new data center demand by 2030, according to an analysis by the Rhodium Group. The additions would quadruple the amount of geothermal power capacity in the U.S. — from 4 gigawatts to about 16 gigawatts — while costing the same or less than what data center operators pay today. In the western U.S., where geothermal resources are more plentiful, the technology could provide 100% of new data center demand. Phoenix, for example, could add 3.8 gigawatts of data center capacity without building a single new conventional power plant.

Geothermal resources have enormous potential to provide consistent power. Historically, geothermal power plants have been limited to places where Earth’s heat seeps close to the surface. But advanced geothermal techniques could unlock 90 gigawatts of clean power in the U.S. alone, according to the U.S. Department of Energy. […] Because geothermal power has very low running costs, its price is competitive with data centers’ energy costs today, the Rhodium report said. When data centers are sited similarly to how they are today, a process that typically takes into account proximity to fiber optics and major metro areas, geothermal power costs just over $75 per megawatt hour. But when developers account for geothermal potential in their siting, the costs drop significantly, down to around $50 per megawatt hour.

The report assumes that new generating capacity would be “behind the meter,” which is what experts call power plants that are hooked up directly to a customer, bypassing the grid. Wait times for new power plants to connect to the grid can stretch on for years. As a result, behind the meter arrangements have become more appealing for data center operators who are scrambling to build new capacity.


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Team Behind Las Vegas Sphere Plans 5,000-Capacity ‘Mini-Spheres’

Sphere Entertainment Co, the company behind the Las Vegas Sphere, said they are considering opening scaled-down versions of the immersive venue in other cities. AV Magazine reports: While this has been been feasible for its high-profile residencies such as U2, the Eagles, Dead & Company and Anyma, smaller venues could attract a broader range of artists who might not have the budget or demand to fill the flagship Las Vegas location. By scaling down the size while retaining the signature technology, Sphere Entertainment Co can offer a similar spectacle at a more sustainable cost for artists and spectators.

The possibility of mini-Spheres follows news that a full-scale venue will open in the UAE as a result of a partnership between Sphere Entertainment Co and the Department of Culture and Tourism — Abu Dhabi. Beyond concerts, the Las Vegas Sphere has proven successful with immersive films such as V-U2: An Immersive Concert Film and the Sphere Expeience featuring Darren Aronofsky’s Postcard from Earth, which In January passed 1,000 screenings. “As we enter a new fiscal year, we see significant opportunities to drive our Sphere business forward in Las Vegas and beyond,” said Dolan. “We believe we are on a path toward realizing our vision for this next-generation medium and generating long-term shareholder value.”


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