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It’s begin to feel like successful streaming shows are increasingly the exception, rather than the rule, and Slow Horses is something else again: a successful show with a more-than-consistent schedule. With five seasons since 2022, rather than the increasingly common “every few years or when we get to it” scheduling of other streaming shows, it’s rather lovely to actually be able to remember the events of the previous series when the new one starts.
If this all sounds like damning with faint praise, it’s also a smart, brilliantly entertaining show, with Gary Oldman as the slovenly, flatulent, once-brilliant spy Jackson Lamb now in charge of Slough House, the MI5 office for agents who aren’t good enough to trust with important tasks, but who haven’t really done anything worth getting fired for. Their very expendability puts them in the line of fire early and often, with ambitious spymaster Diana Taverner (Kristin Scott Thomas) finding the team alternately useful and a liability. The show’s been renewed for at least two further seasons—the novel series by Mick Herron on which it’s based runs to nine books so far, and so there’s potential for even more.
Down Cemetery Road (2025 – )
This is perhaps the most obvious streamalike here, if only because the shows are both Apple TV productions and are both based on Mick Herron novels. This one is more spy-adjacent, however, starring Emma Thompson as hard-living, hard-drinking private investigator Zoë Boehm. She’s hired by Ruth Wilson’s Sarah Trafford, a married art restorer who nobody takes very seriously (including and especially her husband), even when she becomes invested in the fate of a young girl whose family is killed in a gas explosion (allegedly) down the street. The girl, whose parents were killed, disappears into the system and no one really seems to care until Sarah hires Zoë and her husband to look into it. Turns out both women are in way over their heads, as the missing girl points to a much broader conspiracy. The shows villains are a bit cartoonishly distracting, but Thompson and Wilson are brilliantly paired, and their performances are more than worth the price of admission. Stream Down Cemetery Road on Apple TV+.
The Agency (2024 – )
Michael Fassbender as stars here as “Martian,” codename of Brandon Colby, a former undercover CIA agent just returned to London after six years in Sudan. He left behind a lover, Dr. Samia Zahir (Jodie Turner-Smith)—a relationship he wasn’t terribly forthcoming about with his handlers. When Sami turns up in London as part of a diplomatic delegation, Martian is forced to choose between his job and his personal life, which becomes more complicated when it appears that she’s involved in a broader scheme involving the Sudanese government, MI6, and an undercover agent in Belarus. It’s all very twisty-turny in the best tradition of spy shows. Jeffrey Wright plays Martian’s boss and mentor, Richard Gere is the CIA London Station Chief, and Downton Abbey’s Hugh Bonneville is a shifty senior MI6 operative. Stream The Agency on Paramount+.
The Bureau (2015 – 2020)
In addition to, or instead of, The Agency, you can also catch Le Bureau des Légends, the French original on which it’s based (they’re similarly addictive, though many will prefer the original on principle). Same general premise: Mathieu Kassovitz stars as Guillaume Debailly, a spy just recently returned from a six year undercover mission in Damascus, Syria. Trying to re-adjust to his life, everything is thrown into turmoil when Nadia (Zineb Triki), the woman with whom he’d had a relationship, turns up in Paris. Stream The Bureau on Paramount+.
The Day of the Jackal (2024 – )
Cinematic in scope, this new adaptation of the Frederick Forsyth novel is buoyed by rather brilliant casting: Eddie Redmayne plays the Jackal, a cold and steely international assassin pursued by MI6 operative Bianca Pullman—she’s played by Lashana Lynch, putting her experience as the new 007 in No Time to Die to good use. I’m not sure there’s anything here we haven’t seen in countless other spy thrillers (including, of course, the 1973 and 1997 film adaptations), but the performances and production values are top-notch, with each episode playing out like a tense mini-movie. Stream The Day of the Jackal on Peacock.
Monsieur Spade (2024)
An original drama from Scott Frank (The Queen’s Gambit) and Tom Fontana (Homicide, Oz), Monsieur Spade finds Dashiell Hammett’s Sam Spade, of The Maltese Falcon fame, living a quiet life in retirement in the South of France. It’s all going very well of the rumpled former detective—until six nuns are brutally murdered at a nearby convent, the same convent that’s been home to Sam’s ward for some time. Naturally, he finds his past has caught up with him, and is forced to surrender his idyllic life in order to help uncover the complex mystery that endangers his (very few) loved ones. Clive Owen is great as the rumpled, emphysemic detective, and the story feels like a fitting sequel to Hammett’s novel. Stream Monsieur Spade on Prime Video and AMC+.
Killing Eve (2018 – 2022)
Sandra Oh and Jodie Comer star as the two halves that form one of television’s great cat-and-mouse narratives, with Oh as Eve Polastri, a bored MI5 analyst who becomes obsessed with hunting down the brutal and notorious assassin known only as Villanelle. It starts as a professional compulsion before it becomes personal: Eve and Villanelle begin toying with each other, and it soon becomes clear that the fascination goes both ways. Stream Killing Eve on Prime Video, Paramount+, Britbox, Tubi, and Netflix.
The Night Manager (2016 – )
Coming, as it does, from John le Carré, the wellspring of many modern spy sagas, it’s probably no surprise that The Night Manager (from a 1993 novel) was successful—though it certainly doesn’t hurt to have a cast lead by Tom Hiddleston, Hugh Laurie, and Olivia Colman. Hiddleston is Jonathan Pine, working the night shift at a luxury hotel in Switzerland when he encounters an unexpected guest: arms dealer Richard Roper (Laurie). Former Army veteran Pine had previous dealings with Roper in Cairo, and the reluctant night manager is persuaded by Foreign Office head Angela Burr (Colman) to infiltrate the criminal’s organization. A long-gestating second season is coming in 2026, to be followed by a third. Stream The Night Manager on Prime Video.
Deadloch (2023 – )
Slow Horses isn’t a send-up of the spy genre, precisely, but it does enjoy taking the piss. The more overtly funny Deadloch is both an excellent crime procedural and an effective satire of the genre; the Australian import does about as well as setting up its central mystery as Broadchurch and its many (many) imitators. Kate Box stars as Dulcie Collins, fastidious senior sergeant of the police force in the fictional town of the title. When a body turns up dead on the beach, Dulcie is joined by Madeleine Sami’s Eddie Redcliffe, a crude and generally obnoxious detective brought in to help solve the case. Unraveling the web of secrets and mysteries in the tiny Tasmanian town is appropriately addictive, with the added bonus of cop thriller tropes getting mercilessly mocked all the way. Stream Deadloch on Prime Video.
The Capture (2019 – )
There are several imports on this list; Peacock is just too new to have a large stable of homegrown shows, but they’ve managed a handful of impressive acquisitions. In this British series, a young, ambitious detective with the London police department is tasked with the investigation of a soldier who’d only recently been exonerated for a war crime, but who seems to have turned around and assaulted and then kidnapped his lawyer (sorry, his barrister). There’s plenty of police procedural drama and international intrigue, but the show has a slightly different target: it’s looking at the dangers of our reliance on CCTV surveillance, and on the dangers of a widespread assumption that cameras don’t lie. London is one of the most heavily surveilled cities in the world, so there’s a particularly British point of view here, but the issues will be recognizable to anyone who’s spent time in any major city. A third season is on the way. Stream The Capture on Peacock.
Mr. & Mrs. Smith (2024 – )
One-upping the Brad Pitt/Angelina Jolie movie on which it’s based, Mr. & Mrs. Smith stars Donald Glover and Maya Erskine as a couple of spies tasked to pose as a married couple while coordinating (and sometimes competing against one another) on missions. Smartly, each episode takes on a standalone mission in a different location, while complicating the relationship between the two and gradually upping the stakes until the season finale, which sees them pitted against each other. The show has been renewed for season two, but it’s been delayed, and it’s unclear if Glover and Erskine will be returning, or if we’ll be getting a new Mr. & Mrs. Stream Mr. & Mrs. Smith on Prime Video.
Archer (2009 – 2023)
H. Jon Benjamin, lovable schlub of Bob’s Burgers, leads this show as Bob Belcher’s polar opposite: a handsome spy who’s also a deeply narcissistic womanizer with an endless capacity for alcohol. This is a full-on comedy, dealing with the exploits of a New York–based freelance intelligence agency led by Jessica Walter’s hard-drinking Malory Archer—but it’s such a smart send-up of James Bond-style shenanigans that it works as a spy series, as well, and sometimes the team’s missions aren’t all that much more silly than the plots of more overtly serious spy movies and shows. Addictive and irreverent, the show includes one of TV animation’s best-ever voice casts, including Aisha Tyler, Amber Nash, and Judy Greer as the sociopathic heiress Cheryl Tunt. Stream Archer on Hulu and Tubi.
The Equalizer (2021 – 2025)
The Queen Latifah-led Equalizer reboots the 1980s series (and sidesteps the Denzel Washington movies) by spinning the premise in a slightly different direction: Latifah plays single mom Robyn McCall, an impossibly skilled former CIA operative who puts her talents to work for those in need. It splits the difference between crime and spy drama, with episodes involving close-to-home crime and others dealing with international espionage. While the original’s vibe was more about the cops being handcuffed by things like “rules” and “giving perps their basic human dignity,” this one is more about those who’ve been failed by systems that don’t care about them—and who might benefit from the help of a woman who can beat just about anyone’s ass. It’s very satisfying watching Robyn and company spy and/or punch their way out of sticky situations to help the oppressed. Stream The Equalizer on Paramount+ and Tubi.
The Little Drummer Girl (2018)
Park Chan-wook (Sympathy for Mr. Vengeance, Oldboy) directs this series, based on the John le Carré novel, and brings an undeniably sexy period style. Florence Pugh is Charlie, a young actress recruited by Mossad spymaster Martin Kurtz (Michael Shannon) to infiltrate a group of Palestinian terrorists, even as she’s being manipulated by an Israeli intelligence officer played by Alexander Skarsgård. Crucially, and as in the book that preceded it, the show offers nuanced characters on multiple sides of the conflict, raising serious questions about who the real villains are. Stream The Little Drummer Girl on AMC+ or buy it from Prime Video.
The Americans (2013 – 2018)
Set during the Cold War 1980s, and created by former CIA officer Joe Weisberg, Americans follows Soviet KGB intelligence agents Elizabeth (Keri Russell) and Philip Jennings (Matthew Rhys), living lives as an American couple in the DC metro area—and raising their American-born children. The critically acclaimed (also popular!) show makes much of its period setting and a central conflict that places two spies in the heart of suburban America, even as they’re tasked with undermining the Reagan-era government under which their children will grow up. Stream The Americans on Disney+ and Hulu.
Homeland (2011 – 2020)
The focus shifts a bit after Homeland‘s first few seasons, the series begins with CIA case officer Carrie Mathison (Claire Danes) coming to suspect that that decorated Marine Corps scout sniper Nicholas Brody (Damian Lewis), recently rescued from an al-Qaeda compound, has been turned and is planning a terrorist attack on the United States. Having been diagnosed with bipolar disorder, her superiors don’t give Mathison’s suspicions much credence, kicking off a cat-and-mouse/is-he-or-isn’t he? game between the two. Both leads won Emmys for their performances, and the series took the Outstanding Drama prize in its first year. Stream Homeland on Hulu and Netflix.
Man on the Inside (2024 – )
Not a spy drama (at all), but a funny, and often very moving, comedy from the creator of The Good Place. Still: Undercover antics abound, so I’m going to say it counts as a bit of spy-adjacent counter-programming. Based very, very loosely on a true story, the show stars Ted Danson as Charles Nieuwendyk, a recent widower and retired professor who’s started settling into a life of…not much, when, on a whim, he takes a temp job with a detective agency. They’re investigating some missing jewelry at a local retirement home, and the dorky, awkward Charles makes for the perfect undercover resident, even as the job evokes memories of his late wife’s Alzheimer’s diagnosis. Ted Danson is in great form here, as is a supporting cast that, in the second season, includes real-life wife Mary Steenburgen. Stream Man on the Inside on Netflix.
