Long-time tech journalist Clive Thompson interviewed over 70 software developers at Google, Amazon, Microsoft and start-ups for a new article on AI-assisted programming. It’s title?

“Coding After Coders: The End of Computer Programming as We Know It.”

Published in the prestigious New York Times Magazine, the article even cites long-time programming guru Kent Beck saying LLMs got him going again and he’s now finishing more projects than ever, calling AI’s unpredictability “addictive, in a slot-machine way.”

In fact, the article concludes “many Silicon Valley programmers are now barely programming. Instead, what they’re doing is deeply, deeply weird…”

Brennan-Burke chimed in: “You remember seeing the research that showed the more rude you were to models, the better they performed?” They chuckled. Computer programming has been through many changes in its 80-year history. But this may be the strangest one yet: It is now becoming a conversation, a back-and-forth talk fest between software developers and their bots…
For decades, being a software developer meant mastering coding languages, but now a language technology itself is upending the very nature of the job… A coder is now more like an architect than a construction worker… Several programmers told me they felt a bit like Steve Jobs, who famously had his staffers churn out prototypes so he could handle lots of them and settle on what felt right. The work of a developer is now more judging than creating…

If you want to put a number on how much more productive A.I. is making the programmers at mature tech firms like Google, it’s 10 percent, Sundar Pichai, Google’s chief executive, has said. That’s the bump that Google has seen in “engineering velocity” — how much faster its more than 100,000 software developers are able to work. And that 10 percent is the average inside the company, Ryan Salva, a senior director of product at the company, told me. Some work, like writing a simple test, is now tens of times faster. Major changes are slower. At the start-ups whose founders I spoke to, closer to 100 percent of their code is being written by A.I., but at Google it is not quite 50 percent.

The article cites a senior principal engineer at Amazon who says “Things I’ve always wanted to do now only take a six-minute conversation and a ‘Go do that.” Another programmer described their army of Claude agents as “an alien intelligence that we’re learning to work with.” Although “A.I. being A.I., things occasionally go haywire,” the article acknowledges — and after relying on AI, “Some new developers told me they can feel their skills weakening.”

Still, “I was surprised by how many software developers told me they were happy to no longer write code by hand. Most said they still feel the jolt of success, even with A.I. writing the lines… ”

A few programmers did say that they lamented the demise of hand-crafting their work. “I believe that it can be fun and fulfilling and engaging, and having the computer do it for you strips you of that,” one Apple engineer told me. (He asked to remain unnamed so he wouldn’t get in trouble for criticizing Apple’s embrace of A.I.) He went on: “I didn’t do it to make a lot of money and to excel in the career ladder. I did it because it’s my passion. I don’t want to outsource that passion”… But only a few people at Apple openly share his dimmer views, he said.

The coders who still actively avoid A.I. may be in the minority, but their opposition is intense. Some dislike how much energy it takes to train and deploy the models, and others object to how they were trained by tech firms pillaging copyrighted works. There is suspicion that the sheer speed of A.I.’s output means firms will wind up with mountains of flabbily written code that won’t perform well. The tech bosses might use agents as a cudgel: Don’t get uppity at work — we could replace you with a bot. And critics think it is a terrible idea for developers to become reliant on A.I. produced by a small coterie of tech giants.

Thomas Ptacek, a Chicago-based developer and a co-founder of the tech firm Fly.io… thinks the refuseniks are deluding themselves when they claim that A.I. doesn’t work well and that it can’t work well… The holdouts are in the minority, and “you can watch the five stages of grief playing out.”

“How things will shake out for professional coders themselves isn’t yet clear,” the article concludes. “But their mix of exhilaration and anxiety may be a preview for workers in other fields… Abstraction may be coming for us all.”

Read more of this story at Slashdot.

It’s America’s first large-scale offshore wind project, reports WBUR — enough clean energy to power 400,000 homes in Massachusetts from 62 offshore wind turbines generating 800 megawatts.

But it took a while… The plant’s first construction delay happened back in 2019, they point out — and then “Just three months ago, when the project was 95% complete, the U.S. Interior Department issued a stop-work order.” But after successfully challenging that order in court, and “with a stretch of good weather offshore, the developers behind the $4.5 billion project managed to get over the finish line.”

The Associated Press notes it was “one of five major East Coast offshore wind projects the Trump administration halted construction on days before Christmas, citing national security concerns.”

Developers and states sued, and federal judges allowed all five to resume construction, essentially concluding that the government did not show that the national security risk was so imminent that construction must halt. Another one of the five, Revolution Wind, began sending power for the first time to New England’s electric grid on Friday and will scale up in the weeks ahead until it is fully operational.

“That project is nearly complete as well,” notes WBUR, “and will eventually be capable of powering up to 350,000 homes.”

Read more of this story at Slashdot.

“Just the anachronism of seeing Doom, one of the poster children for the moral panic around violent video games, on a Nintendo console is novel,” writes Kotaku — especially with the console’s underpowered “Super FX” coprocessor

Hampered by a nearly unplayable framerate, especially in later levels, and mired by sacrifices, like altered levels, no floor or ceiling textures, and the entire fourth episode being cut, [1995’s] Doom on the Super NES was not a good version of the game, but it was Doom running on the Super NES, and, for that alone, [programmer Randal] Linden’s genius deserves recognition.

But then in 2022 when Audi Sorlie interviewed Linden on the YouTube show DF Retro, “Not really knowing where fate was going to take us, I asked [Linden] a throwaway question regarding the source code for Doom.”

If you ever worked on this again, Sorlie asked, would you make any improvements or do anything differently?”
“Yeah,” Linden replied. “I have plenty of ideas if I could go back, but, you know, I don’t think anyone’s asking me to go back to Super Nintendo Doom and improve it.”
A few years passed, and Sorlie joined Limited Run Games as lead producer for their development department. When LRG asked him to run down his craziest ideas, a new, improved release of Randal Linden’s Doom loomed large. Convincing Linden was easy, and Sorlie said even the folks at license holder Bethesda were more amused than anything.
“You want to go back and develop for Super Nintendo?” they asked Sorlie. “Like, for real…?”

“The trick was actually pretty cool,” Linden said. “It’s right here.” He pointed to a chip on the prototype SNES cartridge, similar to the one Limited Run sent me to test out the game. “It’s a Raspberry Pi 2350.” Super FX chips are no longer in production for obvious reasons, but with a clever bit of programming, Linden was able to load software onto the Raspberry Pi that fools the SNES into thinking the game has one. “The Super Nintendo doesn’t know that it’s not talking to a Super FX,” he explained. When he programs for it, he writes code almost identical to what he’d write for an authentic Super FX chip.
“I had to go back and reverse-engineer my own code from 30 years ago,” Linden laughed. “It’s like, what was I doing here? And what was I doing there? Yeah, it was pretty tricky, some of the code. I was like, wow, I used to be very smart.” The result of Linden’s work? It’s Doom, running right on a Super Nintendo, but it’s smoother, packed with new content, and even includes rumble.

Read more of this story at Slashdot.

“Just the anachronism of seeing Doom, one of the poster children for the moral panic around violent video games, on a Nintendo console is novel,” writes Kotaku — especially with the console’s underpowered “Super FX” coprocessor

Hampered by a nearly unplayable framerate, especially in later levels, and mired by sacrifices, like altered levels, no floor or ceiling textures, and the entire fourth episode being cut, [1995’s] Doom on the Super NES was not a good version of the game, but it was Doom running on the Super NES, and, for that alone, [programmer Randal] Linden’s genius deserves recognition.

But then in 2022 when Audi Sorlie interviewed Linden on the YouTube show DF Retro, “Not really knowing where fate was going to take us, I asked [Linden] a throwaway question regarding the source code for Doom.”

If you ever worked on this again, Sorlie asked, would you make any improvements or do anything differently?”
“Yeah,” Linden replied. “I have plenty of ideas if I could go back, but, you know, I don’t think anyone’s asking me to go back to Super Nintendo Doom and improve it.”
A few years passed, and Sorlie joined Limited Run Games as lead producer for their development department. When LRG asked him to run down his craziest ideas, a new, improved release of Randal Linden’s Doom loomed large. Convincing Linden was easy, and Sorlie said even the folks at license holder Bethesda were more amused than anything.
“You want to go back and develop for Super Nintendo?” they asked Sorlie. “Like, for real…?”

“The trick was actually pretty cool,” Linden said. “It’s right here.” He pointed to a chip on the prototype SNES cartridge, similar to the one Limited Run sent me to test out the game. “It’s a Raspberry Pi 2350.” Super FX chips are no longer in production for obvious reasons, but with a clever bit of programming, Linden was able to load software onto the Raspberry Pi that fools the SNES into thinking the game has one. “The Super Nintendo doesn’t know that it’s not talking to a Super FX,” he explained. When he programs for it, he writes code almost identical to what he’d write for an authentic Super FX chip.
“I had to go back and reverse-engineer my own code from 30 years ago,” Linden laughed. “It’s like, what was I doing here? And what was I doing there? Yeah, it was pretty tricky, some of the code. I was like, wow, I used to be very smart.” The result of Linden’s work? It’s Doom, running right on a Super Nintendo, but it’s smoother, packed with new content, and even includes rumble.

Read more of this story at Slashdot.

Plug-in (or “balcony”) solar panels can also be hung out a window or be set up in a backyard, reports NPR. They channel energy from the sun straight into a home’s electrical outlet, generating enough electricity to power a refrigerator or microwave while “displacing electricity that otherwise would come in from the grid…”

But what’s holding up their adoption in America?

For the panels to become more widely available in the U.S., state lawmakers are proposing bills that eliminate complicated utility connection agreements, which are required for larger rooftop solar installations and, most utilities say, should apply to plug-in solar too. Those agreements, along with permitting and other installation costs, can double the price of solar panels. Utah enacted the first law, last May, supporting plug-in solar, and now some 30 pieces of similar legislation have been introduced around the United States. [And Virginia seems poised to pass a similar law.]

But the drive toward plug-in solar is facing pushback from electric utilities. They are raising safety concerns and prompting legislators to delay votes on the bills. So far, utilities have won over lawmakers in five states and convinced them to delay votes on plug-in solar bills… Plug-in solar advocates say that safety concerns about the new technology have been addressed and that utilities are really just worried about losing business, because every kilowatt-hour generated by a plug-in solar panel is one less the utility sells to a customer… There are safety risks with any electrical appliance, and it’s true that plug-in solar panels present some unique problems. But safety experts also say those issues can be managed….

German utilities expressed many of the same concerns nearly a decade ago when plug-in solar started to become popular in Germany. But with more than a million systems installed, no safety incidents have been reported for customers who used the panels as instructed, according to a research paper funded by the U.S. Department of Energy.

Read more of this story at Slashdot.

A month after Seedance 2.0’s launch in China sparked cease-and-desist letters from Disney and Paramount Skydance over its use of copyrighted materials, its developer ByteDance has reportedly hit pause on the release of the AI video tool in other regions. According to The Information, which spoke to two anonymous sources with knowledge of the matter, ByteDance has suspended Seedance 2.0’s global rollout. Engadget has reached out to ByteDance for comment and will update this story if we hear back with more information. 

Seedance 2.0 caught heat from Hollywood studios almost immediately upon its release, after user-generated videos including a viral AI clip of Brad Pitt fighting Tom Cruise sparked concerns that copyrighted works were used in training the model. In February, ByteDance told the BBC that it is “taking steps to strengthen current safeguards as we work to prevent the unauthorised use of intellectual property and likeness by users.” It’s unclear when exactly ByteDance planned to release the tool more widely. 

This article originally appeared on Engadget at https://www.engadget.com/ai/bytedance-has-reportedly-suspended-the-global-rollout-of-its-new-ai-video-generator-212326112.html?src=rss

“A few developers found a way, for now, to turn a few of these increasingly mediocre Amazon Show devices into friendly, useful, open computers,” writes the co-founder of the gaming/tech news site Aftermath. For under $50 each, he bought some used versions of the devices and tested their instructions, partly to escape the full-screen ads Amazon began showing late last year, and also to overwrite Amazon’s locked down Android fork “Fire OS” (and “a similarly neutered version of Linux called Vega OS”)

Customers who bought these devices and used them for several years were not used to them showing full screen ads, and now they do. People were justifiably pissed. So what do you do when an already evil device gets shittier…? I wiped Fire OS from the device and used ADB sideload to directly load two packages on the device: LineageOS and MindTheGapps. MindTheGapps lets you turn the device into something resembling a traditional Android device, for both good and bad…. It took a few times of wiping the device, but after a few tries it finally worked as intended… I immediately installed the Home Assistant app…

Not only can the hacked Echo Show 8 control my entire smart home, it now plays back my entire local music library as well as any internet radio channels like The Lot Radio and NTS. It can also synchronize with any additional Echo Show running LineageOS in my house using the SendSpin protocol… I would gladly take it any day of the week over most of the devices these companies offer, especially Amazon. It may not be as intuitive as out-of-the-box smart home products, but I don’t need my devices to be intuitive, I need them to behave. I had finally found a smart display that wasn’t a cop…

The hardware is old and creaky, and after the hack it can only use 1GB of the 2GB of ram. And yet it still manages to feel snappier than the stock hardware. “The amount of telemetry, ads, and general bloat Amazon shoves down our throats definitely doesn’t help performance,” [XDA Devs Forum user] Rortiz2 told me. “That’s actually another reason why we did LineageOS, it kind of gives the device a second life. Even though it’s still a bit buggy, it feels way better to use than the stock firmware….” If you want a smart speaker with a display that just runs a stripped-down version of Android that you have full control over, you’re going to have a hard time finding it outside of these three specific models unless you cobble something together yourself. It is a deceptively simple thing to desire — the kiosk computer from science fiction that isn’t a narc — yet few companies really offer it.

“It should be against the law to not give an end user the ability to consensually load whatever OS or program they want on their device…” the article concludes, arguing that “If we budge on the inalienable right to modify our hardware then we forsake a key part about what makes computers special.”

And in the mean time, “There are so many devices that could be put to use rotting in e-waste facilities and thrift stores…”

Read more of this story at Slashdot.

“The new MacBook Air and MacBook Pro models feature a keyboard change,” reports MacRumors:

On the U.S. English version of the new MacBook Air and MacBook Pro keyboards, the tab, caps lock, shift, return, and delete keycaps now have glyphs on them. On previous-generation models, these keys are labeled with text instead… Given the U.S. English keyboard layout is the default option for MacBook Air, MacBook Pro, and MacBook Neo models sold in Canada, Australia, New Zealand, and Singapore, this change effectively extends to those countries and a few others.

“Apple already uses glyph-based key labels on several European keyboard layouts,” notes The Mac Observer, “including British English versions of the MacBook. Because of this, the design will feel familiar to many users outside the United States.”

The change was noticed last week by Chicago-based X.com/YouTube user “Mr. Macintosh”, who makes how-to videos about now and old Macs.

Read more of this story at Slashdot.

You’re responsible for your own Spotify algorithm now. On stage at SXSW, Spotify’s co-CEO, Gustav Söderström, announced the Taste Profile feature, which allows users to personally customize exactly what they want to listen to, whether it’s music, audiobooks or podcasts. This AI-powered feature is still in beta, and it will be available to Premium users in New Zealand in the coming weeks.

From its short video demo, Spotify’s Taste Profile feature will show you a summary of your listening habits and offer a “Tell us more” prompt at the bottom. With the new prompt, users can inform the AI what they want to see more of or if they want to get rid of a genre that keeps popping up in their algorithm. Spotify said that the Taste Profile will take into consideration more ambiguous prompts, too, like if you’re training for a marathon and want upbeat music or want to listen to news podcasts during your commute to work. Spotify added that Taste Profile is an optional feature, and unwilling users can “leave it and enjoy Spotify as usual.”

With Taste Profile, Spotify is continuing its momentum of offering AI features, like the Prompted Playlist feature that was made available last month. Unlike the existing AI Playlist feature, Prompted Playlist lets you put in specific requests to generate a playlist, like only including songs from a specific TV show. Like Taste Profile, the Prompted Playlist feature saw beta testing in New Zealand first, before expanding to US and Canadian users a month later.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/spotifys-new-taste-profile-feature-lets-users-fine-tune-their-algorithms-recommendations-191104626.html?src=rss

Last week System76 CEO Carl Richell criticized age-verification laws for operating systems — but he now sees a “real possibility” Colorado’s law might exclude open-source.

Phoronix reports that the System76 CEO met with the state Senator who co-authored Colorado’s bill, and then posted on X.com that the Senator “suggested excluding open source software from the bill.”

Richell: This appears to be a real possibility. Amendments are expected… It’s my hope we can move fast enough to influence excluding open source.. No illusions, it’s an uphill battle, but we have an open door to advocate for the open source community.

Vague language has been a recurring problem with new state age-verification legislation. Richell pointed out later that “In one proposed bill, Garmin would have to verify the age of their watch customers at device setup.” Richell also sees New York’s bill as “unlikely to be applicable to Linux distributions,” since its language calls for “commercially reasonable age assurance” that free operating systems could use — and Richell isn’t sure one exists as described by the bill. “As written today, it’s extremely broad and vague and that makes it scary.”

Richell answered several follow-up questions about operating system age-verification laws. “What about California?” someone asked…

Richell: We hope to make sensible, strong arguments for excluding open source which then becomes a standard for other states. It’s going to be difficult.

Q: Open source is not the only target to exclude. Please ensure that the bill is amended so that it does not require applications that have no possible use for the age bracket to ask about it.

Richell: We discussed this as well. I proposed that apps that do not require age to modify app behavior or access by some other legislation be barred from reading age brackets to better protect privacy.

Read more of this story at Slashdot.

There may have been some extra incentive for the Trump administration to get the TikTok US deal done. According to a report from The Wall Street Journal, the Trump administration is set to receive a total of $10 billion in the deal that allowed TikTok to remain in the US. The new investors who acquired stakes in the US entity of TikTok already paid a $2.5 billion fee to the administration when the deal closed in January, but WSJ‘s latest report noted that the group of investors would continue to make payments until the total hits $10 billion.

After a group of investors, which includes Oracle along with the Silver Lake and MGX investment firms, acquired stakes in the US-based TikTok entity called TikTok USDS Joint Venture, the WSJ previously reported that the administration would receive a “multibillion-dollar fee” for its work on the deal. To better contextualize the recently-revealed $10 billion fee the Trump administration is receiving, the US entity of TikTok was valued at $14 billion by Vice President JD Vance.

The Trump administration has previously involved itself in major deals with other US corporations. Last year, the administration invested $8.9 billion into Intel and received a nearly 9 percent equity stake. In terms of unprecedented windfalls, the Trump administration also received a Boeing 747-8 as a gift from the Qatari government in May.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/trump-administration-will-reportedly-get-10-billion-for-brokering-the-tiktok-deal-180954979.html?src=rss

The deal to take control of TikTok’s U.S. business came with an unusual condition, according to people familiar with the matter. The investors — which include Oracle, Abu Dhabi investor MGX, and private-equity firm Silver Lake — “paid the Treasury Department about $2.5 billion when the deal closed in January,” reports the Wall Street Journal, “and are set to make several additional payments until hitting the $10 billion total.”

The $10 billion payment would be nearly unprecedented for a government helping arrange a transaction, historians have said… Investment bankers advising on a typical deal receive fees of less than 1% of the transaction value, and the percentage generally gets smaller as the deal size increases. Bank of America is in line to make some $130 million for advising railroad operator Norfolk Southern on its $71.5 billion sale to Union Pacific, one of the largest fees on record for a single bank on a deal. Administration officials have said the fee is justified given Trump’s role in saving TikTok in the U.S. and navigating negotiations with China to get the deal done while addressing the security concerns of lawmakers…

The TikTok fee extracted from private-sector investors is the administration’s latest transaction involving the nation’s largest businesses. Trump took a nearly 10% stake in semiconductor company Intel and has agreed to take a chunk of chip sales to China from Nvidia in exchange for granting export licenses. The administration has also taken equity stakes in other companies and has a say in the operations of U.S. Steel following a “golden share” agreement with Japan’s Nippon Steel in its takeover.

Reuters notes earlier this month, a lawsuit was filed by investors in two of TikTok’s social media rivals, seeking to reverse the approval of the deal.

Thanks to long-time Slashdot reader schwit1 for sharing the news.

Read more of this story at Slashdot.