The Nintendo Switch 2’s backward compatibility with Switch games is generally pretty good, and a few games have gotten patches from their developers to allow them to take advantage of the higher resolutions the console supports, among other features.

For unpatched Switch games running on the Switch 2 while it’s docked, there should generally be no loss of quality compared to playing the same game on the Switch—the game will run at 1080p on both consoles and should generally run about the same as long as there aren’t other compatibility problems. But games running on the Switch 2 in handheld mode can actually look worse than they do on the original Switch, mainly because they’ll still run at the original Switch’s native 720p resolution, which then has to be stretched out to fit the Switch 2’s 1080p display.

A new Switch 2 system update released yesterday (as reported by NintendoLife) has introduced a partial solution for this specific problem. Version 22.0.0 of the Switch’s software includes an optional feature called “Handheld Mode Boost,” which can be enabled by opening the console’s settings, then System settings, and scrolling down to “Nintendo Switch Software Handling.” This setting will attempt to run original Switch games using the same settings they would use while docked, even while the console is in handheld mode—this usually means a step up to the Switch 2’s native 1080p resolution, along with other graphical upgrades.

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You can sum up the gamer response to NVIDIA’s DLSS 5 announcement with the ever-relevant Fallout 4 meme: “Everyone disliked that.” Across social media and Reddit last night, I couldn’t find anyone who’s genuinely positive about the potential for DLSS 5, which uses AI to add “photorealistic” lighting and materials to in-game models and environments. Instead, it’s mostly complaints about the feature being another avenue for AI slop. And you know what? I agree.

It’s not unusual to see gamers being reflexively angry about new technology on the internet, especially when it’s being pitched by NVIDIA as the “biggest breakthrough in computer graphics” since its RTX 20-series GPUs arrived in 2018 with real-time ray tracing. There was plenty of suspicion around DLSS’s original AI upscaling model, as well as the “fake” frames generated by later iterations. But the few demos we’ve seen of DLSS 5 basically look like “yassified” AI filters for popular games.

Leon and Grace from Resident Evil: Requiem have more distinct facial and hair detail, but they look a bit too slick. There are more wrinkles on an old woman in Hogwarts Legacy. And the face, hair and clothing from a Starfield character gain an uncanny sheen.

None of the demos have the immediate impact of the Star Wars real-time ray tracing short ILMxLab produced with NVIDIA seven years ago. That demonstration showed us glorious reflections and lighting effects we’d never seen before in real-time. The DLSS 5 demos, on the other hand, don’t look much different from the AI filters that make you look more presentable for Zoom calls. There’s no genuine excitement for DLSS 5, just NVIDIA telling us that it’s groundbreaking.

There’s also plenty of concern about DLSS 5 straying from an artist’s original intent, as well as a potential homogenization of game visuals if every developer starts using the feature. NVIDIA claims developers will have “detailed controls for intensity, color grading and masking,” which will help DLSS 5 stay in line with a game’s aesthetic. But we don’t have any direct developer experience with the feature yet — some artists may want far more control than NVIDIA wants to give.

The difference between DLSS 5 and earlier versions NVIDIA’s upscaling is like the difference between generative AI and more traditional machine learning models. NVIDIA relied on the latter to make low-resolution textures and models appear sharper, and later to insert generated frames to smooth out gameplay and raise your fps count. As Wirecutter and former Polygon editor Arthuer Gies points out, you could argue those features were in service of delivering what developers originally intended. But DLSS 5’s neural model applies its concept of “photorealism” on top of what games are rendering — it’s like watching a Pixar movie that let OpenAI’s Sora do a final visual pass.

Part of the negative response towards DLSS 5 may stem from a widespread anti-gen AI sentiment, but that doesn’t devalue the criticisms either. Similar to AI generated text, images and video, there’s a dehumanizing aspect about DLSS 5. It can erase the work of human artists (despite how much control NVIDIA claims they have), and it also feels like a calculated attempt to appeal to gamers who just want shinier graphics. NVIDIA showed off how generative AI could be used to create dialog and voices for NPCs last year at CES, but that was also widely disliked (and I called it a genuine nightmare).

Of course, I can’t fully judge DLSS 5 until I see it in action beyond a short demo. But I think the visceral disgust is an important indicator that many gamers aren’t onboard with the AI-powered future NVIDIA is trying to sell us. And perhaps the idea of chasing “photorealism” may be a bit of a fool’s errand. It may be appropriate for some games, but as Nintendo and indie PC devs have shown, you can also make some of the best games of all time without striving for realism. Tears of the Kingdom could use a better framerate and higher resolution textures, but it certainly doesn’t need DLSS 5.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/gamers-are-right-to-be-disgusted-by-nvidias-dlss-5-151105593.html?src=rss

Samples from the asteroid Ryugu contain all five nucleobases — the key building blocks of DNA and RNA. “This strengthens the idea that asteroids may have brought the ingredients for the first living organisms to Earth long ago,” reports New Scientist. From the report: Japan’s Hayabusa 2 spacecraft visited Ryugu in 2018, where it shot two projectiles — one small and one large — into the surface of the asteroid and collected the resulting debris. It arrived back at Earth with the samples in 2020 and researchers have been analyzing these in detail ever since. Yasuhiro Oba at Hokkaido University in Japan and his colleagues examined two samples, one from the asteroid’s surface and one comprised of subsurface materials excavated by the projectiles. In both, the team found all five primary nucleobases, which are the compounds that make up the nucleic acids DNA and RNA when combined with sugars and phosphoric acid.

This isn’t the first time that nucleobases have been found in asteroid samples: they have been seen in meteorites, too, and in samples from the asteroid Bennu. The researchers did find different abundances of the various nucleobases among the various samples, though, which hints that these compounds might be useful for tracing asteroids and meteorites back to the parent bodies that they broke off from in the distant past, as well as understanding the evolution of those parent bodies over time. The findings have been published in the journal Nature Astronomy.

Read more of this story at Slashdot.

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The Beats Fit Pro (1st Gen) earbuds aren’t the newest exercise earbuds on the market, and they’re not reinventing the wheel; however, they’re a tried-and-true favorite with ANC and a comfortable fit, making them a sportier version of AirPods Pro for gym-goers and runners, with a slight added edge when it comes to battery life. Right now, a pair in white is 35% off and currently at its lowest price ever at $129.99 (originally $199.95).

Beats Fit Pro (1st Gen) Earbuds

$129.99
at Amazon

$199.95
Save $69.96

$129.99
at Amazon

$199.95
Save $69.96

These true wireless earbuds from Beats feature strong noise cancellation and Apple’s signature H1 chip, making them similar to AirPods Pro with Apple features such as spatial Audio with head tracking, Adaptive EQ, hands-free Siri, and one-touch iOS pairing. They last up to 6 hours with ANC on (compared to 4.5 hours on the Airpods Pro with ANC on) and get an extra 21 to 23 hours from the charging case.

Like most Beats headphones, they have physical touch buttons, which is a perk for those who don’t like touch controls. The buds fit “comfortably and securely,” according to CNET, despite having a one-size-fits-all wingtip design. They have 9.5mm drivers, which are a little more bass-heavy and punchy than AirPods Pro. The ANC is reliable, doing a good job of blocking out low-frequency sounds in crowded settings, but PCMag notes that it may not be as effective against higher frequencies, unlike slightly pricier models such as the Sony WF-1000XM4 earbuds.   

While they surpass AirPods in a couple of categories, their six microphones perform slightly worse, with less clarity and less background noise reduction. That said, CNET still ranks them above the AirPods Pro for overall performance and fitness use. If you’re an Apple user looking for comfortable everyday earbuds that can be used everywhere from your daily commute to your workouts, the Beats Fit Pro (1st Gen) are a solid choice, especially at their lowest price ever.

Sony is rolling out a firmware update for its PlayStation Portal handheld that introduces a new quality option for both Remote Play and Cloud Streaming. Choosing the 1080p High Quality mode means that you’ll be able to stream games at a higher bitrate compared with the 1080p Standard option. 

You can switch to this mode by going to Quick Menu > Max Resolution and picking 1080p High Quality while you’re playing a game. You’ll need to restart your game session for the change to take effect. Naturally, 1080p High Quality will use more data than the other resolution options.

Sony says that more than half of all Portal users are now PlayStation Plus Premium subscribers, meaning they can use the Cloud Streaming option on the device. With that in mind, the company is making some Cloud Streaming changes as part of this firmware update. 

The company says it has refined the search screen — from now on, whenever you open this up, the on screen keyboard will pop up immediately. That’s a nice little quality-of-life update that streamlines things a bit. When you pick the “stream” option on pages for game bundles (i.e. for any title that includes multiple games), you’ll be able to select a specific game to jump into. 

Sony Interactive Entertainment

There are notification changes too. If you receive a game invite while playing a supported title, you’ll now see a clear notification on your screen. Trophy notifications should now display properly too, with the trophy name and image showing up. Unlocking a platinum trophy will cause an animated notification to appear. 

There’s one more tweak to the system with this Portal update as Sony attempts to make the onboarding experience a bit smoother. Those who pick up a Portal but don’t already have a PlayStation account will be able to create one and then sign in on the handheld by scanning a QR code on their mobile device. Such folks will still need to have access to a PS5 or sign up for PS Plus Premium to actually get any use out of the Portal, of course.

This article originally appeared on Engadget at https://www.engadget.com/gaming/a-playstation-portal-update-is-adding-a-1080p-high-quality-mode-142216189.html?src=rss

Samsung is nothing if not consistent.

Just as it has for many years, the company is starting the year with a new generation of Galaxy S phones. Rumors about remixing the lineup did not pan out, so there are still three versions of the phone—the Galaxy S26, S26 Plus, and S26 Ultra. It’s the Ultra, with its whopping $1,300 price tag, that makes up the largest chunk of Samsung flagship sales, even though you can get a perfectly serviceable smartphone for a third of the price. The S26 Ultra serves a different market than a budget phone, though.

The Galaxy S26 Ultra is big, powerful, and overflowing with features. It can be a bit too much at times, particularly if you don’t care for mobile AI. It’s expensive, but you get long support and just about everything you could want from a smartphone in 2026. Still, with other smartphone makers scaling back amid skyrocketing component prices, the S26 Ultra may end up looking like a good value in hindsight.

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Apple and Nike are at it again. But this time, their collaboration doesn’t involve Apple Watch bands or a shoe-tracking iPod. Instead, the companies are launching a new color option for Beats’ fitness-focused earphones. Meet the Powerbeats Pro 2 – Nike Special Edition.

“This isn’t just a new colorway,” Beats CMI Chris Thorne wrote in a press release. “It’s a collision of two brands that define performance, culture and sports — the attributes of today’s athlete.”

Okay, cool, but marketing-speak aside, this is, in fact, just a new colorway. However, depending on your taste, it might be one you’re into. Nike’s “Volt” palette takes center stage, with its love-it-or-hate-it electric yellow-green motif. The two companies share logo duties, with the Beats “b” on the left bud and Nike’s swoosh on the right. Meanwhile, the charging case takes you to Speckle City, looking like something Jackson Pollock flung a can of leftover shoe paint onto.

Apple / Nike

Otherwise, these are the same Powerbeats Pro 2 earphones that launched last year. You get heart-rate tracking, decent ANC and Spatial Audio. You can revisit Billy Steele’s review for more details on the earphones.

To help move the product, Beats and Nike called upon an athlete they both sponsor: a little-known hooper named LeBron James. The Lakers vet stars in a new ad, where he uses the Nike Powerbeats to tune out the noise with a little help from Lionel Ritchie.

You can watch the commercial below — and order the new colorway from Apple’s and Nike’s respective websites on March 20. The Nike Special Edition Powerbeats Pro costs the same $250 as the standard version. However, this is a limited-edition variant, so there’s no guarantee it will be around for long.

This article originally appeared on Engadget at https://www.engadget.com/audio/headphones/apple-and-nike-team-up-for-a-new-powerbeats-pro-2-colorway-140000882.html?src=rss